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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD427 it is the complementary color #322BD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD427. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD427 shade: #D2D422, #E3E635, #F4F848, #FFFF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD427. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD427 shade: #CDD427, #BCC214, #ABB001, #9A9E00 and #898C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD427 shade: #CCD327, #D3AC27, #D37D27, #D34F27 and #D32727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD427 shade: #CCD327, #9ED327, #6FD327, #41D327 and #27D33B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD427 shade matches the following richer shades: #CCD327 and #DFE713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD427 shade: #CCD327, #BABF3B, #A7AB4F, #949763 and #828278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD427 shade: #D37D27, #D3AB27, #CDD327, #9FD327 and #71D327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD427 shade: #898D1A, #AAB020, #CCD327, #D7DD46 and #DFE369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD427 shade: #CDD427, #27D34F and #9427D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD427 shade: #CDD427, #27CDD3 and #D327CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD427 shade: #CDD427, #27D34F, #2C27D3 and #D327AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD427 shade: #CDD427, #27D383, #2C27D3 and #D32777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 82 / 17

HEX #CDD427

RGB 205 212 39

HSL 62.43, 0.69%, 0.49%

LAB 81.95, -21.06, 75.87

 

Complementary color

CMYK 77 / 80 / 0 / 15

HEX #322BD8

RGB 50 43 216

HSL 242.43, 0.69%, 0.51%

LAB 32.62, 58.05, -85.11

 

CMYK 1 / 0 / 84 / 17

HEX #D2D422

RGB 210 212 34

HSL 60.67, 0.72%, 0.48%

LAB 82.33, -19.09, 77.49

 

CMYK 1 / 0 / 77 / 10

HEX #E3E635

RGB 227 230 53

HSL 61.02, 0.78%, 0.55%

LAB 88.53, -20.19, 78.57

 

CMYK 2 / 0 / 71 / 3

HEX #F4F848

RGB 244 248 72

HSL 61.36, 0.93%, 0.63%

LAB 94.67, -21.13, 78.86

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 3 / 0 / 82 / 17

HEX #CDD427

RGB 205 212 39

HSL 62.43, 0.69%, 0.49%

LAB 81.95, -21.06, 75.87

 

CMYK 3 / 0 / 90 / 24

HEX #BCC214

RGB 188 194 20

HSL 62.07, 0.81%, 0.42%

LAB 75.65, -19.87, 74.03

 

CMYK 3 / 0 / 99 / 31

HEX #ABB001

RGB 171 176 1

HSL 61.71, 0.99%, 0.35%

LAB 69.26, -18.5, 70.94

 

CMYK 3 / 0 / 100 / 38

HEX #9A9E00

RGB 154 158 0

HSL 61.52, 1%, 0.31%

LAB 62.78, -16.86, 65.67

 

CMYK 2 / 0 / 100 / 45

HEX #898C00

RGB 137 140 0

HSL 61.29, 1%, 0.27%

LAB 56.16, -15.17, 60.17

 

CMYK 3 / 0 / 82 / 17

HEX #CCD327

RGB 204 211 39

HSL 62.44, 0.69%, 0.49%

LAB 81.61, -20.99, 75.54

 

CMYK 0 / 18 / 82 / 17

HEX #D3AC27

RGB 211 172 39

HSL 46.4, 0.69%, 0.49%

LAB 71.89, 1.94, 67.41

 

CMYK 0 / 41 / 82 / 17

HEX #D37D27

RGB 211 125 39

HSL 30, 0.69%, 0.49%

LAB 60.48, 27.22, 57.36

 

CMYK 0 / 63 / 82 / 17

HEX #D34F27

RGB 211 79 39

HSL 13.95, 0.69%, 0.49%

LAB 51.37, 50.15, 49.02

 

CMYK 0 / 82 / 82 / 17

HEX #D32727

RGB 211 39 39

HSL 0, 0.69%, 0.49%

LAB 46.24, 64.24, 44.16

 

CMYK 3 / 0 / 82 / 17

HEX #CCD327

RGB 204 211 39

HSL 62.44, 0.69%, 0.49%

LAB 81.61, -20.99, 75.54

 

CMYK 25 / 0 / 82 / 17

HEX #9ED327

RGB 158 211 39

HSL 78.49, 0.69%, 0.49%

LAB 78.46, -39.6, 71.58

 

CMYK 47 / 0 / 82 / 17

HEX #6FD327

RGB 111 211 39

HSL 94.88, 0.69%, 0.49%

LAB 76.14, -55.91, 68.63

 

CMYK 69 / 0 / 82 / 17

HEX #41D327

RGB 65 211 39

HSL 110.93, 0.69%, 0.49%

LAB 74.74, -67.19, 66.83

 

CMYK 82 / 0 / 72 / 17

HEX #27D33B

RGB 39 211 59

HSL 126.98, 0.69%, 0.49%

LAB 74.4, -69.65, 60.08

 

CMYK 3 / 0 / 82 / 17

HEX #CCD327

RGB 204 211 39

HSL 62.44, 0.69%, 0.49%

LAB 81.61, -20.99, 75.54

 

CMYK 3 / 0 / 92 / 9

HEX #DFE713

RGB 223 231 19

HSL 62.26, 0.85%, 0.49%

LAB 88.39, -23.15, 85.26

 

CMYK 3 / 0 / 82 / 17

HEX #CCD327

RGB 204 211 39

HSL 62.44, 0.69%, 0.49%

LAB 81.61, -20.99, 75.54

 

CMYK 3 / 0 / 69 / 25

HEX #BABF3B

RGB 186 191 59

HSL 62.27, 0.53%, 0.49%

LAB 74.84, -17.87, 62.58

 

CMYK 2 / 0 / 54 / 33

HEX #A7AB4F

RGB 167 171 79

HSL 62.61, 0.37%, 0.49%

LAB 67.95, -14.35, 46.18

 

CMYK 2 / 0 / 34 / 41

HEX #949763

RGB 148 151 99

HSL 63.46, 0.21%, 0.49%

LAB 61.07, -9.59, 27.08

 

CMYK 0 / 0 / 8 / 49

HEX #828278

RGB 130 130 120

HSL 60, 0.04%, 0.49%

LAB 54.1, -1.91, 5.41

 

CMYK 0 / 41 / 82 / 17

HEX #D37D27

RGB 211 125 39

HSL 30, 0.69%, 0.49%

LAB 60.48, 27.22, 57.36

 

CMYK 0 / 19 / 82 / 17

HEX #D3AB27

RGB 211 171 39

HSL 46.05, 0.69%, 0.49%

LAB 71.64, 2.47, 67.19

 

CMYK 3 / 0 / 82 / 17

HEX #CDD327

RGB 205 211 39

HSL 62.09, 0.69%, 0.49%

LAB 81.68, -20.57, 75.63

 

CMYK 25 / 0 / 82 / 17

HEX #9FD327

RGB 159 211 39

HSL 78.14, 0.69%, 0.49%

LAB 78.52, -39.22, 71.66

 

CMYK 46 / 0 / 82 / 17

HEX #71D327

RGB 113 211 39

HSL 94.19, 0.69%, 0.49%

LAB 76.22, -55.3, 68.73

 

CMYK 3 / 0 / 82 / 45

HEX #898D1A

RGB 137 141 26

HSL 62.09, 0.69%, 0.33%

LAB 56.53, -15.09, 55.19

 

CMYK 3 / 0 / 82 / 31

HEX #AAB020

RGB 170 176 32

HSL 62.5, 0.69%, 0.41%

LAB 69.26, -18.33, 65.66

 

CMYK 3 / 0 / 82 / 17

HEX #CCD327

RGB 204 211 39

HSL 62.44, 0.69%, 0.49%

LAB 81.61, -20.99, 75.54

 

CMYK 3 / 0 / 68 / 13

HEX #D7DD46

RGB 215 221 70

HSL 62.38, 0.69%, 0.57%

LAB 85.3, -20.03, 69.67

 

CMYK 2 / 0 / 54 / 11

HEX #DFE369

RGB 223 227 105

HSL 61.97, 0.69%, 0.65%

LAB 87.8, -17.42, 58.14

 

CMYK 3 / 0 / 82 / 17

HEX #CDD427

RGB 205 212 39

HSL 62.43, 0.69%, 0.49%

LAB 81.95, -21.06, 75.87

 

CMYK 82 / 0 / 63 / 17

HEX #27D34F

RGB 39 211 79

HSL 133.95, 0.69%, 0.49%

LAB 74.56, -67.69, 52.31

 

CMYK 30 / 82 / 0 / 17

HEX #9427D3

RGB 148 39 211

HSL 278.02, 0.69%, 0.49%

LAB 41.92, 69.39, -66.55

 

CMYK 3 / 0 / 82 / 17

HEX #CDD427

RGB 205 212 39

HSL 62.43, 0.69%, 0.49%

LAB 81.95, -21.06, 75.87

 

CMYK 82 / 3 / 0 / 17

HEX #27CDD3

RGB 39 205 211

HSL 182.09, 0.69%, 0.49%

LAB 75.32, -37.23, -14.52

 

CMYK 0 / 82 / 3 / 17

HEX #D327CD

RGB 211 39 205

HSL 302.09, 0.69%, 0.49%

LAB 51.51, 79.33, -47.15

 

CMYK 3 / 0 / 82 / 17

HEX #CDD427

RGB 205 212 39

HSL 62.43, 0.69%, 0.49%

LAB 81.95, -21.06, 75.87

 

CMYK 82 / 0 / 63 / 17

HEX #27D34F

RGB 39 211 79

HSL 133.95, 0.69%, 0.49%

LAB 74.56, -67.69, 52.31

 

CMYK 79 / 82 / 0 / 17

HEX #2C27D3

RGB 44 39 211

HSL 241.74, 0.69%, 0.49%

LAB 31.09, 58.05, -84.77

 

CMYK 0 / 82 / 19 / 17

HEX #D327AB

RGB 211 39 171

HSL 313.95, 0.69%, 0.49%

LAB 49.79, 74.62, -30.06

 

CMYK 3 / 0 / 82 / 17

HEX #CDD427

RGB 205 212 39

HSL 62.43, 0.69%, 0.49%

LAB 81.95, -21.06, 75.87

 

CMYK 82 / 0 / 38 / 17

HEX #27D383

RGB 39 211 131

HSL 152.09, 0.69%, 0.49%

LAB 75.24, -59.68, 28.07

 

CMYK 79 / 82 / 0 / 17

HEX #2C27D3

RGB 44 39 211

HSL 241.74, 0.69%, 0.49%

LAB 31.09, 58.05, -84.77

 

CMYK 0 / 82 / 44 / 17

HEX #D32777

RGB 211 39 119

HSL 332.09, 0.69%, 0.49%

LAB 47.79, 68.91, -1.84

 

Description

Color code: HEX #CDD427 | qconv.com Color code: HEX #CDD427 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 212 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 212 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 82 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 82% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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