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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD3E8 it is the complementary color #322C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD3E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD3E8 shade: #D2D3E3, #E3E5F6 and #F4F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD3E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD3E8 shade: #CDD3E8, #BCC1D5, #ABAFC2, #9A9DAF and #898B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD3E8 shade: #CED3E8, #CFCEE8, #D6CEE8, #DDCEE8 and #E4CEE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD3E8 shade: #CED3E8 and #CECEE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD3E8 shade matches the following richer shades: #CED3E8, #C8D0EE, #C2CDF4 and #BCCAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD3E8 shade: #CED3E8, #D3D7E2, #D9DADC, #DFDDD7 and #E5E0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD3E8 shade: #CEE2E8, #CEDBE8, #CED4E8, #CECEE8 and #D6CEE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD3E8 shade: #95A2CE, #B1BBDB, #CED3E8 and #EAECF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD3E8 shade: #CDD3E8, #E7CEE8 and #DEE8CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD3E8 shade: #CDD3E8, #E8CED4 and #D4E8CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD3E8 shade: #CDD3E8, #E7CEE8, #E8E2CE and #CEE8CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD3E8 shade: #CDD3E8, #E8CEE1, #E8E2CE and #CEE8D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 9

HEX #CDD3E8

RGB 205 211 232

HSL 226.67, 0.37%, 0.86%

LAB 84.69, 2.04, -11.02

 

Complementary color

CMYK 0 / 12 / 54 / 80

HEX #322C17

RGB 50 44 23

HSL 46.67, 0.37%, 0.14%

LAB 18.1, -0.91, 14.59

 

CMYK 7 / 7 / 0 / 11

HEX #D2D3E3

RGB 210 211 227

HSL 236.47, 0.23%, 0.86%

LAB 84.91, 2.68, -7.99

 

CMYK 8 / 7 / 0 / 4

HEX #E3E5F6

RGB 227 229 246

HSL 233.68, 0.51%, 0.93%

LAB 91.24, 2.5, -8.47

 

CMYK 4 / 3 / 0 / 0

HEX #F4F7FF

RGB 244 247 255

HSL 223.64, 1%, 0.98%

LAB 97.22, 0.46, -4.18

 

CMYK 12 / 9 / 0 / 9

HEX #CDD3E8

RGB 205 211 232

HSL 226.67, 0.37%, 0.86%

LAB 84.69, 2.04, -11.02

 

CMYK 12 / 9 / 0 / 16

HEX #BCC1D5

RGB 188 193 213

HSL 228, 0.23%, 0.79%

LAB 78.25, 2.22, -10.59

 

CMYK 12 / 10 / 0 / 24

HEX #ABAFC2

RGB 171 175 194

HSL 229.57, 0.16%, 0.72%

LAB 71.7, 2.41, -10.15

 

CMYK 12 / 10 / 0 / 31

HEX #9A9DAF

RGB 154 157 175

HSL 231.43, 0.12%, 0.65%

LAB 65.03, 2.6, -9.71

 

CMYK 12 / 11 / 0 / 39

HEX #898B9C

RGB 137 139 156

HSL 233.68, 0.09%, 0.57%

LAB 58.21, 2.82, -9.26

 

CMYK 11 / 9 / 0 / 9

HEX #CED3E8

RGB 206 211 232

HSL 228.46, 0.36%, 0.86%

LAB 84.76, 2.36, -10.9

 

CMYK 11 / 11 / 0 / 9

HEX #CFCEE8

RGB 207 206 232

HSL 242.31, 0.36%, 0.86%

LAB 83.57, 5.33, -12.68

 

CMYK 8 / 11 / 0 / 9

HEX #D6CEE8

RGB 214 206 232

HSL 258.46, 0.36%, 0.86%

LAB 84.1, 7.6, -11.82

 

CMYK 5 / 11 / 0 / 9

HEX #DDCEE8

RGB 221 206 232

HSL 274.62, 0.36%, 0.86%

LAB 84.66, 9.9, -10.93

 

CMYK 2 / 11 / 0 / 9

HEX #E4CEE8

RGB 228 206 232

HSL 290.77, 0.36%, 0.86%

LAB 85.23, 12.23, -10.02

 

CMYK 11 / 9 / 0 / 9

HEX #CED3E8

RGB 206 211 232

HSL 228.46, 0.36%, 0.86%

LAB 84.76, 2.36, -10.9

 

CMYK 11 / 11 / 0 / 9

HEX #CECEE8

RGB 206 206 232

HSL 240, 0.36%, 0.86%

LAB 83.49, 5.01, -12.8

 

CMYK 11 / 9 / 0 / 9

HEX #CED3E8

RGB 206 211 232

HSL 228.46, 0.36%, 0.86%

LAB 84.76, 2.36, -10.9

 

CMYK 16 / 13 / 0 / 7

HEX #C8D0EE

RGB 200 208 238

HSL 227.37, 0.53%, 0.86%

LAB 83.74, 3.28, -15.67

 

CMYK 20 / 16 / 0 / 4

HEX #C2CDF4

RGB 194 205 244

HSL 226.8, 0.69%, 0.86%

LAB 82.73, 4.31, -20.41

 

CMYK 24 / 19 / 0 / 2

HEX #BCCAF9

RGB 188 202 249

HSL 226.23, 0.84%, 0.86%

LAB 81.71, 5.24, -24.66

 

CMYK 11 / 9 / 0 / 9

HEX #CED3E8

RGB 206 211 232

HSL 228.46, 0.36%, 0.86%

LAB 84.76, 2.36, -10.9

 

CMYK 7 / 5 / 0 / 11

HEX #D3D7E2

RGB 211 215 226

HSL 224, 0.21%, 0.86%

LAB 85.98, 0.72, -5.88

 

CMYK 1 / 1 / 0 / 14

HEX #D9DADC

RGB 217 218 220

HSL 220, 0.04%, 0.86%

LAB 87.03, 0.03, -1.11

 

CMYK 0 / 1 / 4 / 13

HEX #DFDDD7

RGB 223 221 215

HSL 45, 0.11%, 0.86%

LAB 88.12, -0.38, 3.17

 

CMYK 0 / 2 / 9 / 10

HEX #E5E0D1

RGB 229 224 209

HSL 45, 0.28%, 0.86%

LAB 89.19, -0.86, 7.93

 

CMYK 11 / 3 / 0 / 9

HEX #CEE2E8

RGB 206 226 232

HSL 193.85, 0.36%, 0.86%

LAB 88.61, -5.44, -5.2

 

CMYK 11 / 6 / 0 / 9

HEX #CEDBE8

RGB 206 219 232

HSL 210, 0.36%, 0.86%

LAB 86.81, -1.82, -7.86

 

CMYK 11 / 9 / 0 / 9

HEX #CED4E8

RGB 206 212 232

HSL 226.15, 0.36%, 0.86%

LAB 85.01, 1.84, -10.53

 

CMYK 11 / 11 / 0 / 9

HEX #CECEE8

RGB 206 206 232

HSL 240, 0.36%, 0.86%

LAB 83.49, 5.01, -12.8

 

CMYK 8 / 11 / 0 / 9

HEX #D6CEE8

RGB 214 206 232

HSL 258.46, 0.36%, 0.86%

LAB 84.1, 7.6, -11.82

 

CMYK 28 / 21 / 0 / 19

HEX #95A2CE

RGB 149 162 206

HSL 226.32, 0.37%, 0.7%

LAB 67.04, 5.35, -23.97

 

CMYK 19 / 15 / 0 / 14

HEX #B1BBDB

RGB 177 187 219

HSL 225.71, 0.37%, 0.78%

LAB 76.07, 3.21, -17.18

 

CMYK 11 / 9 / 0 / 9

HEX #CED3E8

RGB 206 211 232

HSL 228.46, 0.36%, 0.86%

LAB 84.76, 2.36, -10.9

 

CMYK 4 / 4 / 0 / 4

HEX #EAECF5

RGB 234 236 245

HSL 229.09, 0.35%, 0.94%

LAB 93.48, 0.98, -4.58

 

CMYK 12 / 9 / 0 / 9

HEX #CDD3E8

RGB 205 211 232

HSL 226.67, 0.37%, 0.86%

LAB 84.69, 2.04, -11.02

 

CMYK 0 / 11 / 0 / 9

HEX #E7CEE8

RGB 231 206 232

HSL 297.69, 0.36%, 0.86%

LAB 85.48, 13.23, -9.62

 

CMYK 4 / 0 / 11 / 9

HEX #DEE8CE

RGB 222 232 206

HSL 83.08, 0.36%, 0.86%

LAB 90.64, -7.87, 11.5

 

CMYK 12 / 9 / 0 / 9

HEX #CDD3E8

RGB 205 211 232

HSL 226.67, 0.37%, 0.86%

LAB 84.69, 2.04, -11.02

 

CMYK 0 / 11 / 9 / 9

HEX #E8CED4

RGB 232 206 212

HSL 346.15, 0.36%, 0.86%

LAB 85.02, 10.06, 0.34

 

CMYK 9 / 0 / 11 / 9

HEX #D4E8CE

RGB 212 232 206

HSL 106.15, 0.36%, 0.86%

LAB 89.94, -11.31, 10.4

 

CMYK 12 / 9 / 0 / 9

HEX #CDD3E8

RGB 205 211 232

HSL 226.67, 0.37%, 0.86%

LAB 84.69, 2.04, -11.02

 

CMYK 0 / 11 / 0 / 9

HEX #E7CEE8

RGB 231 206 232

HSL 297.69, 0.36%, 0.86%

LAB 85.48, 13.23, -9.62

 

CMYK 0 / 3 / 11 / 9

HEX #E8E2CE

RGB 232 226 206

HSL 46.15, 0.36%, 0.86%

LAB 89.86, -1.32, 10.49

 

CMYK 11 / 0 / 11 / 9

HEX #CEE8CE

RGB 206 232 206

HSL 120, 0.36%, 0.86%

LAB 89.53, -13.34, 9.77

 

CMYK 12 / 9 / 0 / 9

HEX #CDD3E8

RGB 205 211 232

HSL 226.67, 0.37%, 0.86%

LAB 84.69, 2.04, -11.02

 

CMYK 0 / 11 / 3 / 9

HEX #E8CEE1

RGB 232 206 225

HSL 316.15, 0.36%, 0.86%

LAB 85.37, 12.31, -6.06

 

CMYK 0 / 3 / 11 / 9

HEX #E8E2CE

RGB 232 226 206

HSL 46.15, 0.36%, 0.86%

LAB 89.86, -1.32, 10.49

 

CMYK 11 / 0 / 8 / 9

HEX #CEE8D5

RGB 206 232 213

HSL 136.15, 0.36%, 0.86%

LAB 89.69, -12.09, 6.34

 

Description

Color code: HEX #CDD3E8 | qconv.com Color code: HEX #CDD3E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 211 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 211 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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