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Color name
HEX #CDD0DA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD0DA it is the complementary color #322F25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD0DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD0DA shade: #D2D0D5, #E3E2E8, #F4F4FB and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD0DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD0DA shade: #CDD0DA, #BCBEC7, #ABACB4, #9A9AA1 and #89888E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD0DA shade: #CDD0DA, #CECDDA, #D1CDDA, #D5CDDA and #D8CDDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD0DA shade: #CDD0DA and #CDCDDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD0DA shade matches the following richer shades: #CDD0DA, #C6CCE1, #BFC9E8, #B8C5EF and #B1C1F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD0DA shade: #CDD0DA, #D4D4D3, #DBD8CC, #E2DBC5 and #E9DFBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD0DA shade: #CDD7DA, #CDD4DA, #CDD0DA, #CECDDA and #D1CDDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD0DA shade: #9EA4B7, #B5BAC9, #CDD0DA, #E5E6EC and #FDFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD0DA shade: #CDD0DA, #DACDDA and #D5DACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD0DA shade: #CDD0DA, #DACDD0 and #D0DACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD0DA shade: #CDD0DA, #DACDDA, #DAD7CD and #CEDACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD0DA shade: #CDD0DA, #DACDD7, #DAD7CD and #CDDAD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

Complementary color

CMYK 0 / 6 / 26 / 80

HEX #322F25

RGB 50 47 37

HSL 46.15, 0.15%, 0.17%

LAB 19.41, -0.72, 6.92

 

CMYK 1 / 2 / 0 / 16

HEX #D2D0D5

RGB 210 208 213

HSL 264, 0.06%, 0.83%

LAB 83.77, 1.6, -2.24

 

CMYK 2 / 3 / 0 / 9

HEX #E3E2E8

RGB 227 226 232

HSL 250, 0.12%, 0.9%

LAB 90.11, 1.42, -2.81

 

CMYK 3 / 3 / 0 / 2

HEX #F4F4FB

RGB 244 244 251

HSL 240, 0.47%, 0.97%

LAB 96.37, 1.26, -3.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

HEX #FFFFFF

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 6 / 5 / 0 / 22

HEX #BCBEC7

RGB 188 190 199

HSL 229.09, 0.09%, 0.76%

LAB 77.07, 1.03, -4.77

 

CMYK 5 / 4 / 0 / 29

HEX #ABACB4

RGB 171 172 180

HSL 233.33, 0.06%, 0.69%

LAB 70.5, 1.2, -4.22

 

CMYK 4 / 4 / 0 / 37

HEX #9A9AA1

RGB 154 154 161

HSL 240, 0.04%, 0.62%

LAB 63.8, 1.38, -3.66

 

CMYK 4 / 4 / 0 / 44

HEX #89888E

RGB 137 136 142

HSL 250, 0.03%, 0.55%

LAB 56.96, 1.57, -3.08

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 6 / 6 / 0 / 15

HEX #CECDDA

RGB 206 205 218

HSL 244.62, 0.15%, 0.83%

LAB 82.83, 2.78, -6.32

 

CMYK 4 / 6 / 0 / 15

HEX #D1CDDA

RGB 209 205 218

HSL 258.46, 0.15%, 0.83%

LAB 83.06, 3.78, -5.95

 

CMYK 2 / 6 / 0 / 15

HEX #D5CDDA

RGB 213 205 218

HSL 276.92, 0.15%, 0.83%

LAB 83.37, 5.12, -5.45

 

CMYK 1 / 6 / 0 / 15

HEX #D8CDDA

RGB 216 205 218

HSL 290.77, 0.15%, 0.83%

LAB 83.61, 6.14, -5.07

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 6 / 6 / 0 / 15

HEX #CDCDDA

RGB 205 205 218

HSL 240, 0.15%, 0.83%

LAB 82.76, 2.44, -6.44

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 12 / 9 / 0 / 12

HEX #C6CCE1

RGB 198 204 225

HSL 226.67, 0.31%, 0.83%

LAB 82.18, 2.06, -11.09

 

CMYK 18 / 13 / 0 / 9

HEX #BFC9E8

RGB 191 201 232

HSL 225.37, 0.47%, 0.83%

LAB 81.11, 2.9, -16.48

 

CMYK 23 / 18 / 0 / 6

HEX #B8C5EF

RGB 184 197 239

HSL 225.82, 0.63%, 0.83%

LAB 79.82, 4.45, -22.24

 

CMYK 28 / 22 / 0 / 4

HEX #B1C1F6

RGB 177 193 246

HSL 226.09, 0.79%, 0.83%

LAB 78.54, 6.18, -27.97

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 0 / 0 / 0 / 17

HEX #D4D4D3

RGB 212 212 211

HSL 60, 0.01%, 0.83%

LAB 84.89, -0.18, 0.48

 

CMYK 0 / 1 / 7 / 14

HEX #DBD8CC

RGB 219 216 204

HSL 48, 0.17%, 0.83%

LAB 86.27, -1.06, 6.26

 

CMYK 0 / 3 / 13 / 11

HEX #E2DBC5

RGB 226 219 197

HSL 45.52, 0.33%, 0.83%

LAB 87.42, -1.28, 11.67

 

CMYK 0 / 4 / 18 / 9

HEX #E9DFBE

RGB 233 223 190

HSL 46.05, 0.49%, 0.83%

LAB 88.84, -1.88, 17.41

 

CMYK 6 / 1 / 0 / 15

HEX #CDD7DA

RGB 205 215 218

HSL 193.85, 0.15%, 0.83%

LAB 85.32, -2.8, -2.65

 

CMYK 6 / 3 / 0 / 15

HEX #CDD4DA

RGB 205 212 218

HSL 207.69, 0.15%, 0.83%

LAB 84.55, -1.23, -3.79

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 6 / 6 / 0 / 15

HEX #CECDDA

RGB 206 205 218

HSL 244.62, 0.15%, 0.83%

LAB 82.83, 2.78, -6.32

 

CMYK 4 / 6 / 0 / 15

HEX #D1CDDA

RGB 209 205 218

HSL 258.46, 0.15%, 0.83%

LAB 83.06, 3.78, -5.95

 

CMYK 14 / 10 / 0 / 28

HEX #9EA4B7

RGB 158 164 183

HSL 225.6, 0.15%, 0.67%

LAB 67.46, 1.78, -10.51

 

CMYK 10 / 7 / 0 / 21

HEX #B5BAC9

RGB 181 186 201

HSL 225, 0.16%, 0.75%

LAB 75.55, 1.22, -8.16

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 3 / 3 / 0 / 7

HEX #E5E6EC

RGB 229 230 236

HSL 231.43, 0.16%, 0.91%

LAB 91.37, 0.76, -3.04

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFD

RGB 253 253 253

HSL 0, 0%, 0.99%

LAB 99.31, 0.01, -0.01

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 0 / 6 / 0 / 15

HEX #DACDDA

RGB 218 205 218

HSL 300, 0.15%, 0.83%

LAB 83.77, 6.82, -4.82

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACD

RGB 213 218 205

HSL 83.08, 0.15%, 0.83%

LAB 86.35, -4.01, 5.8

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 0 / 6 / 5 / 15

HEX #DACDD0

RGB 218 205 208

HSL 346.15, 0.15%, 0.83%

LAB 83.51, 5.03, 0.12

 

CMYK 5 / 0 / 6 / 15

HEX #D0DACD

RGB 208 218 205

HSL 106.15, 0.15%, 0.83%

LAB 85.99, -5.73, 5.22

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 0 / 6 / 0 / 15

HEX #DACDDA

RGB 218 205 218

HSL 300, 0.15%, 0.83%

LAB 83.77, 6.82, -4.82

 

CMYK 0 / 1 / 6 / 15

HEX #DAD7CD

RGB 218 215 205

HSL 46.15, 0.15%, 0.83%

LAB 85.96, -0.72, 5.28

 

CMYK 6 / 0 / 6 / 15

HEX #CEDACD

RGB 206 218 205

HSL 115.38, 0.15%, 0.83%

LAB 85.84, -6.41, 4.99

 

CMYK 6 / 5 / 0 / 15

HEX #CDD0DA

RGB 205 208 218

HSL 226.15, 0.15%, 0.83%

LAB 83.52, 0.86, -5.3

 

CMYK 0 / 6 / 1 / 15

HEX #DACDD7

RGB 218 205 215

HSL 313.85, 0.15%, 0.83%

LAB 83.69, 6.27, -3.34

 

CMYK 0 / 1 / 6 / 15

HEX #DAD7CD

RGB 218 215 205

HSL 46.15, 0.15%, 0.83%

LAB 85.96, -0.72, 5.28

 

CMYK 6 / 0 / 4 / 15

HEX #CDDAD1

RGB 205 218 209

HSL 138.46, 0.15%, 0.83%

LAB 85.87, -6.03, 2.91

 

Description

Color code: HEX #CDD0DA | qconv.com Color code: HEX #CDD0DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 208 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 208 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 5 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 5% 0% 15% C M Y K

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Provide designers and agencies with accurate color values.

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