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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDCB8C it is the complementary color #323473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDCB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDCB8C shade: #D2CB87, #E3DD9A, #F4EFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDCB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDCB8C shade: #CDCB8C, #BCB979, #ABA766, #9A9553 and #898340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDCB8C shade: #CDCB8E, #CDBA8E, #CDA98E, #CD988E and #CD8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDCB8C shade: #CDCB8E, #BECD8E, #ADCD8E, #9CCD8E and #8ECD91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDCB8C shade matches the following richer shades: #CDCB8E, #DAD880, #E8E473 and #F5F066

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDCB8C shade: #CDCB8E, #C0BF9B, #B3B2A8, #A6A6B5 and #989AC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDCB8C shade: #CDA98E, #CDBA8E, #CDCB8E, #BECD8E and #ADCD8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDCB8C shade: #B4B154, #C1BE71, #CDCB8E, #DAD8AA and #E6E5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDCB8C shade: #CDCB8C, #8ECD98 and #B28ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDCB8C shade: #CDCB8C, #8ECDCB and #CB8ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDCB8C shade: #CDCB8C, #8ECD98, #8E90CD and #CD8EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDCB8C shade: #CDCB8C, #8ECDAB, #8E90CD and #CD8EB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 32 / 20

HEX #CDCB8C

RGB 205 203 140

HSL 58.15, 0.39%, 0.68%

LAB 80.51, -8.97, 31.75

 

Complementary color

CMYK 57 / 55 / 0 / 55

HEX #323473

RGB 50 52 115

HSL 238.15, 0.39%, 0.32%

LAB 24.86, 18.86, -36.74

 

CMYK 0 / 3 / 36 / 18

HEX #D2CB87

RGB 210 203 135

HSL 54.4, 0.45%, 0.68%

LAB 80.83, -7.62, 34.82

 

CMYK 0 / 3 / 32 / 11

HEX #E3DD9A

RGB 227 221 154

HSL 55.07, 0.57%, 0.75%

LAB 87.18, -7.95, 33.69

 

CMYK 0 / 2 / 29 / 4

HEX #F4EFAD

RGB 244 239 173

HSL 55.77, 0.76%, 0.82%

LAB 93.44, -8.23, 32.61

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 1 / 32 / 20

HEX #CDCB8C

RGB 205 203 140

HSL 58.15, 0.39%, 0.68%

LAB 80.51, -8.97, 31.75

 

CMYK 0 / 2 / 36 / 26

HEX #BCB979

RGB 188 185 121

HSL 57.31, 0.33%, 0.61%

LAB 74.04, -8.67, 32.9

 

CMYK 0 / 2 / 40 / 33

HEX #ABA766

RGB 171 167 102

HSL 56.52, 0.29%, 0.54%

LAB 67.47, -8.31, 34.1

 

CMYK 0 / 3 / 46 / 40

HEX #9A9553

RGB 154 149 83

HSL 55.77, 0.3%, 0.46%

LAB 60.77, -7.87, 35.35

 

CMYK 0 / 4 / 53 / 46

HEX #898340

RGB 137 131 64

HSL 55.07, 0.36%, 0.39%

LAB 53.94, -7.3, 36.61

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8E

RGB 205 203 142

HSL 58.1, 0.39%, 0.68%

LAB 80.54, -8.72, 30.75

 

CMYK 0 / 9 / 31 / 20

HEX #CDBA8E

RGB 205 186 142

HSL 41.9, 0.39%, 0.68%

LAB 76.1, 0.13, 24.8

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 0 / 26 / 31 / 20

HEX #CD988E

RGB 205 152 142

HSL 9.52, 0.39%, 0.68%

LAB 67.57, 18.47, 13.03

 

CMYK 0 / 31 / 31 / 20

HEX #CD8E8E

RGB 205 142 142

HSL 0, 0.39%, 0.68%

LAB 65.18, 23.93, 9.66

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8E

RGB 205 203 142

HSL 58.1, 0.39%, 0.68%

LAB 80.54, -8.72, 30.75

 

CMYK 7 / 0 / 31 / 20

HEX #BECD8E

RGB 190 205 142

HSL 74.29, 0.39%, 0.68%

LAB 79.93, -15.47, 29.74

 

CMYK 16 / 0 / 31 / 20

HEX #ADCD8E

RGB 173 205 142

HSL 90.48, 0.39%, 0.68%

LAB 78.75, -21.78, 27.95

 

CMYK 24 / 0 / 31 / 20

HEX #9CCD8E

RGB 156 205 142

HSL 106.67, 0.39%, 0.68%

LAB 77.69, -27.81, 26.34

 

CMYK 31 / 0 / 29 / 20

HEX #8ECD91

RGB 142 205 145

HSL 122.86, 0.39%, 0.68%

LAB 76.96, -32.01, 23.64

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8E

RGB 205 203 142

HSL 58.1, 0.39%, 0.68%

LAB 80.54, -8.72, 30.75

 

CMYK 0 / 1 / 41 / 15

HEX #DAD880

RGB 218 216 128

HSL 58.67, 0.55%, 0.68%

LAB 84.78, -11.85, 43.54

 

CMYK 0 / 2 / 50 / 9

HEX #E8E473

RGB 232 228 115

HSL 57.95, 0.72%, 0.68%

LAB 88.87, -13.5, 55

 

CMYK 0 / 2 / 58 / 4

HEX #F5F066

RGB 245 240 102

HSL 57.9, 0.88%, 0.68%

LAB 92.88, -15.18, 65.62

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8E

RGB 205 203 142

HSL 58.1, 0.39%, 0.68%

LAB 80.54, -8.72, 30.75

 

CMYK 0 / 1 / 19 / 25

HEX #C0BF9B

RGB 192 191 155

HSL 58.38, 0.23%, 0.68%

LAB 76.58, -5.67, 18.34

 

CMYK 0 / 1 / 6 / 30

HEX #B3B2A8

RGB 179 178 168

HSL 54.55, 0.07%, 0.68%

LAB 72.4, -1.46, 5.22

 

CMYK 8 / 8 / 0 / 29

HEX #A6A6B5

RGB 166 166 181

HSL 240, 0.09%, 0.68%

LAB 68.54, 2.96, -7.71

 

CMYK 22 / 21 / 0 / 24

HEX #989AC2

RGB 152 154 194

HSL 237.14, 0.26%, 0.68%

LAB 64.71, 7.89, -20.83

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 0 / 9 / 31 / 20

HEX #CDBA8E

RGB 205 186 142

HSL 41.9, 0.39%, 0.68%

LAB 76.1, 0.13, 24.8

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8E

RGB 205 203 142

HSL 58.1, 0.39%, 0.68%

LAB 80.54, -8.72, 30.75

 

CMYK 7 / 0 / 31 / 20

HEX #BECD8E

RGB 190 205 142

HSL 74.29, 0.39%, 0.68%

LAB 79.93, -15.47, 29.74

 

CMYK 16 / 0 / 31 / 20

HEX #ADCD8E

RGB 173 205 142

HSL 90.48, 0.39%, 0.68%

LAB 78.75, -21.78, 27.95

 

CMYK 0 / 2 / 53 / 29

HEX #B4B154

RGB 180 177 84

HSL 58.13, 0.39%, 0.52%

LAB 70.72, -11.56, 47.28

 

CMYK 0 / 2 / 41 / 24

HEX #C1BE71

RGB 193 190 113

HSL 57.75, 0.39%, 0.6%

LAB 75.67, -10.16, 39.18

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8E

RGB 205 203 142

HSL 58.1, 0.39%, 0.68%

LAB 80.54, -8.72, 30.75

 

CMYK 0 / 1 / 22 / 15

HEX #DAD8AA

RGB 218 216 170

HSL 57.5, 0.39%, 0.76%

LAB 85.46, -6.7, 22.99

 

CMYK 0 / 0 / 13 / 10

HEX #E6E5C7

RGB 230 229 199

HSL 58.06, 0.38%, 0.84%

LAB 90.31, -4.66, 14.77

 

CMYK 0 / 1 / 32 / 20

HEX #CDCB8C

RGB 205 203 140

HSL 58.15, 0.39%, 0.68%

LAB 80.51, -8.97, 31.75

 

CMYK 31 / 0 / 26 / 20

HEX #8ECD98

RGB 142 205 152

HSL 129.52, 0.39%, 0.68%

LAB 77.09, -30.8, 20.13

 

CMYK 13 / 31 / 0 / 20

HEX #B28ECD

RGB 178 142 205

HSL 274.29, 0.39%, 0.68%

LAB 64.34, 25.43, -27.36

 

CMYK 0 / 1 / 32 / 20

HEX #CDCB8C

RGB 205 203 140

HSL 58.15, 0.39%, 0.68%

LAB 80.51, -8.97, 31.75

 

CMYK 31 / 0 / 1 / 20

HEX #8ECDCB

RGB 142 205 203

HSL 178.1, 0.39%, 0.68%

LAB 78.3, -20.37, -5.44

 

CMYK 1 / 31 / 0 / 20

HEX #CB8ECD

RGB 203 142 205

HSL 298.1, 0.39%, 0.68%

LAB 66.86, 33.46, -23.26

 

CMYK 0 / 1 / 32 / 20

HEX #CDCB8C

RGB 205 203 140

HSL 58.15, 0.39%, 0.68%

LAB 80.51, -8.97, 31.75

 

CMYK 31 / 0 / 26 / 20

HEX #8ECD98

RGB 142 205 152

HSL 129.52, 0.39%, 0.68%

LAB 77.09, -30.8, 20.13

 

CMYK 31 / 30 / 0 / 20

HEX #8E90CD

RGB 142 144 205

HSL 238.1, 0.39%, 0.68%

LAB 61.74, 13.26, -31.62

 

CMYK 0 / 31 / 5 / 20

HEX #CD8EC3

RGB 205 142 195

HSL 309.52, 0.39%, 0.68%

LAB 66.72, 32.27, -17.88

 

CMYK 0 / 1 / 32 / 20

HEX #CDCB8C

RGB 205 203 140

HSL 58.15, 0.39%, 0.68%

LAB 80.51, -8.97, 31.75

 

CMYK 31 / 0 / 17 / 20

HEX #8ECDAB

RGB 142 205 171

HSL 147.62, 0.39%, 0.68%

LAB 77.49, -27.24, 10.57

 

CMYK 31 / 30 / 0 / 20

HEX #8E90CD

RGB 142 144 205

HSL 238.1, 0.39%, 0.68%

LAB 61.74, 13.26, -31.62

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB0

RGB 205 142 176

HSL 327.62, 0.39%, 0.68%

LAB 66.11, 29, -8.15

 

Description

Color code: HEX #CDCB8C | qconv.com Color code: HEX #CDCB8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 203 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 203 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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