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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDC462 it is the complementary color #323B9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDC462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDC462 shade: #D2C45D, #E3D670, #F4E883, #FFFA96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDC462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDC462 shade: #CDC462, #BCB24F, #ABA03C, #9A8E29 and #897C16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDC462 shade: #CDC460, #CDA660, #CD8960, #CD6C60 and #CD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDC462 shade: #CDC460, #B9CD60, #9BCD60, #7ECD60 and #61CD60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDC462 shade matches the following richer shades: #CDC460, #DED24F and #EFE03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDC462 shade: #CDC460, #BCB671, #ABA882, #9A9993 and #898BA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDC462 shade: #CD8860, #CDA560, #CDC260, #BBCD60 and #9ECD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDC462 shade: #A69C34, #C3B841, #CDC460, #D7CF7F and #E1DB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDC462 shade: #CDC462, #60CD6B and #9660CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDC462 shade: #CDC462, #60CDC2 and #C260CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDC462 shade: #CDC462, #60CD6B, #606BCD and #CD60C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDC462 shade: #CDC462, #60CD8C, #606BCD and #CD60A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 52 / 20

HEX #CDC462

RGB 205 196 98

HSL 54.95, 0.52%, 0.59%

LAB 78.08, -9.77, 49.72

 

Complementary color

CMYK 68 / 62 / 0 / 38

HEX #323B9D

RGB 50 59 157

HSL 234.95, 0.52%, 0.41%

LAB 30.01, 29.28, -54.51

 

CMYK 0 / 7 / 56 / 18

HEX #D2C45D

RGB 210 196 93

HSL 52.82, 0.57%, 0.59%

LAB 78.45, -8.11, 52.61

 

CMYK 0 / 6 / 51 / 11

HEX #E3D670

RGB 227 214 112

HSL 53.22, 0.67%, 0.66%

LAB 84.79, -8.76, 51.47

 

CMYK 0 / 5 / 46 / 4

HEX #F4E883

RGB 244 232 131

HSL 53.63, 0.84%, 0.74%

LAB 91.05, -9.31, 50.3

 

CMYK 0 / 2 / 41 / 0

HEX #FFFA96

RGB 255 250 150

HSL 57.14, 1%, 0.79%

LAB 96.75, -12.09, 48.45

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 4 / 52 / 20

HEX #CDC462

RGB 205 196 98

HSL 54.95, 0.52%, 0.59%

LAB 78.08, -9.77, 49.72

 

CMYK 0 / 5 / 58 / 26

HEX #BCB24F

RGB 188 178 79

HSL 54.5, 0.45%, 0.52%

LAB 71.62, -9.1, 50.83

 

CMYK 0 / 6 / 65 / 33

HEX #ABA03C

RGB 171 160 60

HSL 54.05, 0.48%, 0.45%

LAB 65.06, -8.29, 51.77

 

CMYK 0 / 8 / 73 / 40

HEX #9A8E29

RGB 154 142 41

HSL 53.63, 0.58%, 0.38%

LAB 58.39, -7.28, 52.34

 

CMYK 0 / 9 / 84 / 46

HEX #897C16

RGB 137 124 22

HSL 53.22, 0.72%, 0.31%

LAB 51.6, -6.02, 52.08

 

CMYK 0 / 4 / 53 / 20

HEX #CDC460

RGB 205 196 96

HSL 55.05, 0.52%, 0.59%

LAB 78.05, -9.94, 50.64

 

CMYK 0 / 19 / 53 / 20

HEX #CDA660

RGB 205 166 96

HSL 38.53, 0.52%, 0.59%

LAB 70.24, 5.82, 41.34

 

CMYK 0 / 33 / 53 / 20

HEX #CD8960

RGB 205 137 96

HSL 22.57, 0.52%, 0.59%

LAB 63.11, 21.57, 32.46

 

CMYK 0 / 47 / 53 / 20

HEX #CD6C60

RGB 205 108 96

HSL 6.61, 0.52%, 0.59%

LAB 56.63, 37.1, 24.08

 

CMYK 0 / 53 / 53 / 20

HEX #CD6060

RGB 205 96 96

HSL 0, 0.52%, 0.59%

LAB 54.23, 43.2, 20.89

 

CMYK 0 / 4 / 53 / 20

HEX #CDC460

RGB 205 196 96

HSL 55.05, 0.52%, 0.59%

LAB 78.05, -9.94, 50.64

 

CMYK 10 / 0 / 53 / 20

HEX #B9CD60

RGB 185 205 96

HSL 71.01, 0.52%, 0.59%

LAB 78.94, -22.57, 51.28

 

CMYK 24 / 0 / 53 / 20

HEX #9BCD60

RGB 155 205 96

HSL 87.52, 0.52%, 0.59%

LAB 76.97, -34.13, 48.47

 

CMYK 39 / 0 / 53 / 20

HEX #7ECD60

RGB 126 205 96

HSL 103.49, 0.52%, 0.59%

LAB 75.42, -44.23, 46.25

 

CMYK 53 / 0 / 53 / 20

HEX #61CD60

RGB 97 205 96

HSL 119.45, 0.52%, 0.59%

LAB 74.22, -52.77, 44.53

 

CMYK 0 / 4 / 53 / 20

HEX #CDC460

RGB 205 196 96

HSL 55.05, 0.52%, 0.59%

LAB 78.05, -9.94, 50.64

 

CMYK 0 / 5 / 64 / 13

HEX #DED24F

RGB 222 210 79

HSL 54.97, 0.68%, 0.59%

LAB 83.01, -11.18, 64.03

 

CMYK 0 / 6 / 74 / 6

HEX #EFE03E

RGB 239 224 62

HSL 54.92, 0.85%, 0.59%

LAB 87.97, -11.93, 75.67

 

CMYK 0 / 4 / 53 / 20

HEX #CDC460

RGB 205 196 96

HSL 55.05, 0.52%, 0.59%

LAB 78.05, -9.94, 50.64

 

CMYK 0 / 3 / 40 / 26

HEX #BCB671

RGB 188 182 113

HSL 55.2, 0.36%, 0.59%

LAB 73.11, -8.03, 35.86

 

CMYK 0 / 2 / 24 / 33

HEX #ABA882

RGB 171 168 130

HSL 55.61, 0.2%, 0.59%

LAB 68.22, -5.24, 20.07

 

CMYK 0 / 1 / 5 / 40

HEX #9A9993

RGB 154 153 147

HSL 51.43, 0.03%, 0.59%

LAB 63.14, -0.76, 3.27

 

CMYK 16 / 15 / 0 / 36

HEX #898BA4

RGB 137 139 164

HSL 235.56, 0.13%, 0.59%

LAB 58.47, 4.6, -13.44

 

CMYK 0 / 34 / 53 / 20

HEX #CD8860

RGB 205 136 96

HSL 22.02, 0.52%, 0.59%

LAB 62.87, 22.11, 32.16

 

CMYK 0 / 20 / 53 / 20

HEX #CDA560

RGB 205 165 96

HSL 37.98, 0.52%, 0.59%

LAB 69.99, 6.36, 41.03

 

CMYK 0 / 5 / 53 / 20

HEX #CDC260

RGB 205 194 96

HSL 53.94, 0.52%, 0.59%

LAB 77.52, -8.91, 50.02

 

CMYK 9 / 0 / 53 / 20

HEX #BBCD60

RGB 187 205 96

HSL 69.91, 0.52%, 0.59%

LAB 79.08, -21.78, 51.48

 

CMYK 23 / 0 / 53 / 20

HEX #9ECD60

RGB 158 205 96

HSL 85.87, 0.52%, 0.59%

LAB 77.15, -33.01, 48.73

 

CMYK 0 / 6 / 69 / 35

HEX #A69C34

RGB 166 156 52

HSL 54.74, 0.52%, 0.43%

LAB 63.45, -8.85, 53.35

 

CMYK 0 / 6 / 67 / 24

HEX #C3B841

RGB 195 184 65

HSL 54.92, 0.52%, 0.51%

LAB 73.72, -10.15, 59.35

 

CMYK 0 / 4 / 53 / 20

HEX #CDC460

RGB 205 196 96

HSL 55.05, 0.52%, 0.59%

LAB 78.05, -9.94, 50.64

 

CMYK 0 / 4 / 41 / 16

HEX #D7CF7F

RGB 215 207 127

HSL 54.55, 0.52%, 0.67%

LAB 82.17, -8.58, 40.69

 

CMYK 0 / 3 / 29 / 12

HEX #E1DB9F

RGB 225 219 159

HSL 54.55, 0.52%, 0.75%

LAB 86.59, -7.08, 30.31

 

CMYK 0 / 4 / 52 / 20

HEX #CDC462

RGB 205 196 98

HSL 54.95, 0.52%, 0.59%

LAB 78.08, -9.77, 49.72

 

CMYK 53 / 0 / 48 / 20

HEX #60CD6B

RGB 96 205 107

HSL 126.06, 0.52%, 0.59%

LAB 74.32, -51.53, 39.31

 

CMYK 27 / 53 / 0 / 20

HEX #9660CD

RGB 150 96 205

HSL 269.72, 0.52%, 0.59%

LAB 50.99, 43.08, -48.48

 

CMYK 0 / 4 / 52 / 20

HEX #CDC462

RGB 205 196 98

HSL 54.95, 0.52%, 0.59%

LAB 78.08, -9.77, 49.72

 

CMYK 53 / 0 / 5 / 20

HEX #60CDC2

RGB 96 205 194

HSL 173.94, 0.52%, 0.59%

LAB 76.1, -33.89, -4.06

 

CMYK 5 / 53 / 0 / 20

HEX #C260CD

RGB 194 96 205

HSL 293.94, 0.52%, 0.59%

LAB 56.33, 54.79, -39.68

 

CMYK 0 / 4 / 52 / 20

HEX #CDC462

RGB 205 196 98

HSL 54.95, 0.52%, 0.59%

LAB 78.08, -9.77, 49.72

 

CMYK 53 / 0 / 48 / 20

HEX #60CD6B

RGB 96 205 107

HSL 126.06, 0.52%, 0.59%

LAB 74.32, -51.53, 39.31

 

CMYK 53 / 48 / 0 / 20

HEX #606BCD

RGB 96 107 205

HSL 233.94, 0.52%, 0.59%

LAB 48.77, 23.56, -52.3

 

CMYK 0 / 53 / 5 / 20

HEX #CD60C2

RGB 205 96 194

HSL 306.06, 0.52%, 0.59%

LAB 57.31, 55.87, -31.77

 

CMYK 0 / 4 / 52 / 20

HEX #CDC462

RGB 205 196 98

HSL 54.95, 0.52%, 0.59%

LAB 78.08, -9.77, 49.72

 

CMYK 53 / 0 / 32 / 20

HEX #60CD8C

RGB 96 205 140

HSL 144.22, 0.52%, 0.59%

LAB 74.85, -46, 23.08

 

CMYK 53 / 48 / 0 / 20

HEX #606BCD

RGB 96 107 205

HSL 233.94, 0.52%, 0.59%

LAB 48.77, 23.56, -52.3

 

CMYK 0 / 53 / 21 / 20

HEX #CD60A1

RGB 205 96 161

HSL 324.22, 0.52%, 0.59%

LAB 56.01, 50.7, -14.72

 

Description

Color code: HEX #CDC462 | qconv.com Color code: HEX #CDC462 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 196 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 196 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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