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Color name
HEX #CDBC25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDBC25 it is the complementary color #3243DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDBC25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDBC25 shade: #D2BC20, #E3CE33, #F4E046, #FFF259 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDBC25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDBC25 shade: #CDBC25, #BCAA12, #AB9800, #9A8600 and #897400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDBC25 shade: #CBBA25, #CB8D25, #CB6125, #CB3425 and #CB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDBC25 shade: #CBBA25, #AFCB25, #82CB25, #55CB25 and #29CB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDBC25 shade matches the following richer shades: #CBBA25 and #DEC912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDBC25 shade: #CBBA25, #B7AA39, #A49B4C, #908B5F and #7D7C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDBC25 shade: #CB5F25, #CB8B25, #CBB725, #B2CB25 and #86CB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDBC25 shade: #857A18, #A89A1F, #CBBA25, #DBCC3D and #E2D560

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDBC25 shade: #CDBC25, #25CB33 and #7525CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDBC25 shade: #CDBC25, #25CBB7 and #B725CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDBC25 shade: #CDBC25, #25CB33, #2538CB and #CB25BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDBC25 shade: #CDBC25, #25CB65, #2538CB and #CB258B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 82 / 20

HEX #CDBC25

RGB 205 188 37

HSL 53.93, 0.69%, 0.47%

LAB 75.5, -9.1, 70.86

 

Complementary color

CMYK 77 / 69 / 0 / 15

HEX #3243DA

RGB 50 67 218

HSL 233.93, 0.69%, 0.53%

LAB 37.4, 45.78, -78.36

 

CMYK 0 / 10 / 85 / 18

HEX #D2BC20

RGB 210 188 32

HSL 52.58, 0.74%, 0.47%

LAB 75.93, -7.06, 72.65

 

CMYK 0 / 9 / 78 / 11

HEX #E3CE33

RGB 227 206 51

HSL 52.84, 0.76%, 0.55%

LAB 82.22, -8.38, 73.5

 

CMYK 0 / 8 / 71 / 4

HEX #F4E046

RGB 244 224 70

HSL 53.1, 0.89%, 0.62%

LAB 88.44, -9.51, 73.55

 

CMYK 0 / 5 / 65 / 0

HEX #FFF259

RGB 255 242 89

HSL 55.3, 1%, 0.67%

LAB 94.09, -12.92, 72.44

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 8 / 82 / 20

HEX #CDBC25

RGB 205 188 37

HSL 53.93, 0.69%, 0.47%

LAB 75.5, -9.1, 70.86

 

CMYK 0 / 10 / 90 / 26

HEX #BCAA12

RGB 188 170 18

HSL 53.65, 0.83%, 0.4%

LAB 69.1, -7.67, 69.22

 

CMYK 0 / 11 / 100 / 33

HEX #AB9800

RGB 171 152 0

HSL 53.33, 1%, 0.34%

LAB 62.6, -6.03, 66.23

 

CMYK 0 / 13 / 100 / 40

HEX #9A8600

RGB 154 134 0

HSL 52.21, 1%, 0.3%

LAB 56.01, -4.08, 60.77

 

CMYK 0 / 15 / 100 / 46

HEX #897400

RGB 137 116 0

HSL 50.8, 1%, 0.27%

LAB 49.26, -2.04, 55.19

 

CMYK 0 / 8 / 82 / 20

HEX #CBBA25

RGB 203 186 37

HSL 53.86, 0.69%, 0.47%

LAB 74.79, -8.94, 70.18

 

CMYK 0 / 31 / 82 / 20

HEX #CB8D25

RGB 203 141 37

HSL 37.59, 0.69%, 0.47%

LAB 63.24, 15.06, 60.16

 

CMYK 0 / 52 / 82 / 20

HEX #CB6125

RGB 203 97 37

HSL 21.69, 0.69%, 0.47%

LAB 53.36, 38.55, 51.29

 

CMYK 0 / 74 / 82 / 20

HEX #CB3425

RGB 203 52 37

HSL 5.42, 0.69%, 0.47%

LAB 46.02, 58.02, 44.45

 

CMYK 0 / 82 / 82 / 20

HEX #CB2525

RGB 203 37 37

HSL 0, 0.69%, 0.47%

LAB 44.45, 62.43, 42.95

 

CMYK 0 / 8 / 82 / 20

HEX #CBBA25

RGB 203 186 37

HSL 53.86, 0.69%, 0.47%

LAB 74.79, -8.94, 70.18

 

CMYK 14 / 0 / 82 / 20

HEX #AFCB25

RGB 175 203 37

HSL 70.12, 0.69%, 0.47%

LAB 77.26, -29.25, 71.45

 

CMYK 36 / 0 / 82 / 20

HEX #82CB25

RGB 130 203 37

HSL 86.39, 0.69%, 0.47%

LAB 74.57, -46.58, 68.05

 

CMYK 58 / 0 / 82 / 20

HEX #55CB25

RGB 85 203 37

HSL 102.65, 0.69%, 0.47%

LAB 72.74, -60.31, 65.72

 

CMYK 80 / 0 / 82 / 20

HEX #29CB25

RGB 41 203 37

HSL 118.55, 0.69%, 0.47%

LAB 71.77, -68.54, 64.46

 

CMYK 0 / 8 / 82 / 20

HEX #CBBA25

RGB 203 186 37

HSL 53.86, 0.69%, 0.47%

LAB 74.79, -8.94, 70.18

 

CMYK 0 / 9 / 92 / 13

HEX #DEC912

RGB 222 201 18

HSL 53.82, 0.85%, 0.47%

LAB 80.37, -8.79, 79.21

 

CMYK 0 / 8 / 82 / 20

HEX #CBBA25

RGB 203 186 37

HSL 53.86, 0.69%, 0.47%

LAB 74.79, -8.94, 70.18

 

CMYK 0 / 7 / 69 / 28

HEX #B7AA39

RGB 183 170 57

HSL 53.81, 0.53%, 0.47%

LAB 68.83, -8.5, 57.26

 

CMYK 0 / 5 / 54 / 36

HEX #A49B4C

RGB 164 155 76

HSL 53.86, 0.37%, 0.47%

LAB 63.22, -7.47, 42.07

 

CMYK 0 / 3 / 34 / 44

HEX #908B5F

RGB 144 139 95

HSL 53.88, 0.21%, 0.47%

LAB 57.29, -5.23, 24.25

 

CMYK 0 / 1 / 8 / 51

HEX #7D7C73

RGB 125 124 115

HSL 54, 0.04%, 0.47%

LAB 51.85, -1.35, 5.04

 

CMYK 0 / 53 / 82 / 20

HEX #CB5F25

RGB 203 95 37

HSL 20.96, 0.69%, 0.47%

LAB 52.97, 39.55, 50.93

 

CMYK 0 / 32 / 82 / 20

HEX #CB8B25

RGB 203 139 37

HSL 36.87, 0.69%, 0.47%

LAB 62.76, 16.15, 59.73

 

CMYK 0 / 10 / 82 / 20

HEX #CBB725

RGB 203 183 37

HSL 52.77, 0.69%, 0.47%

LAB 74, -7.39, 69.5

 

CMYK 12 / 0 / 82 / 20

HEX #B2CB25

RGB 178 203 37

HSL 69.04, 0.69%, 0.47%

LAB 77.47, -28.02, 71.71

 

CMYK 34 / 0 / 82 / 20

HEX #86CB25

RGB 134 203 37

HSL 84.94, 0.69%, 0.47%

LAB 74.77, -45.16, 68.3

 

CMYK 0 / 8 / 82 / 48

HEX #857A18

RGB 133 122 24

HSL 53.94, 0.69%, 0.31%

LAB 50.65, -6.71, 50.49

 

CMYK 0 / 8 / 82 / 34

HEX #A89A1F

RGB 168 154 31

HSL 53.87, 0.69%, 0.39%

LAB 62.96, -7.83, 60.41

 

CMYK 0 / 8 / 82 / 20

HEX #CBBA25

RGB 203 186 37

HSL 53.86, 0.69%, 0.47%

LAB 74.79, -8.94, 70.18

 

CMYK 0 / 7 / 72 / 14

HEX #DBCC3D

RGB 219 204 61

HSL 54.3, 0.69%, 0.55%

LAB 81.06, -10.35, 68.86

 

CMYK 0 / 6 / 58 / 11

HEX #E2D560

RGB 226 213 96

HSL 54, 0.69%, 0.63%

LAB 84.28, -9.92, 58.23

 

CMYK 0 / 8 / 82 / 20

HEX #CDBC25

RGB 205 188 37

HSL 53.93, 0.69%, 0.47%

LAB 75.5, -9.1, 70.86

 

CMYK 82 / 0 / 75 / 20

HEX #25CB33

RGB 37 203 51

HSL 125.06, 0.69%, 0.47%

LAB 71.79, -68.1, 60.23

 

CMYK 42 / 82 / 0 / 20

HEX #7525CB

RGB 117 37 203

HSL 268.92, 0.69%, 0.47%

LAB 36.77, 63.73, -70.51

 

CMYK 0 / 8 / 82 / 20

HEX #CDBC25

RGB 205 188 37

HSL 53.93, 0.69%, 0.47%

LAB 75.5, -9.1, 70.86

 

CMYK 82 / 0 / 10 / 20

HEX #25CBB7

RGB 37 203 183

HSL 172.77, 0.69%, 0.47%

LAB 73.88, -44.5, -1.52

 

CMYK 10 / 82 / 0 / 20

HEX #B725CB

RGB 183 37 203

HSL 292.77, 0.69%, 0.47%

LAB 46.58, 74.31, -54.13

 

CMYK 0 / 8 / 82 / 20

HEX #CDBC25

RGB 205 188 37

HSL 53.93, 0.69%, 0.47%

LAB 75.5, -9.1, 70.86

 

CMYK 82 / 0 / 75 / 20

HEX #25CB33

RGB 37 203 51

HSL 125.06, 0.69%, 0.47%

LAB 71.79, -68.1, 60.23

 

CMYK 82 / 72 / 0 / 20

HEX #2538CB

RGB 37 56 203

HSL 233.13, 0.69%, 0.47%

LAB 32.99, 46.16, -76.98

 

CMYK 0 / 82 / 7 / 20

HEX #CB25BD

RGB 203 37 189

HSL 305.06, 0.69%, 0.47%

LAB 49.12, 75.88, -41.75

 

CMYK 0 / 8 / 82 / 20

HEX #CDBC25

RGB 205 188 37

HSL 53.93, 0.69%, 0.47%

LAB 75.5, -9.1, 70.86

 

CMYK 82 / 0 / 50 / 20

HEX #25CB65

RGB 37 203 101

HSL 143.13, 0.69%, 0.47%

LAB 72.26, -62.35, 39.39

 

CMYK 82 / 72 / 0 / 20

HEX #2538CB

RGB 37 56 203

HSL 233.13, 0.69%, 0.47%

LAB 32.99, 46.16, -76.98

 

CMYK 0 / 82 / 32 / 20

HEX #CB258B

RGB 203 37 139

HSL 323.13, 0.69%, 0.47%

LAB 46.82, 69.46, -15.63

 

Description

Color code: HEX #CDBC25 | qconv.com Color code: HEX #CDBC25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 188 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 188 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 82 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 82% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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