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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDBA29 it is the complementary color #3245D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDBA29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDBA29 shade: #D2BA24, #E3CC37, #F4DE4A, #FFF05D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDBA29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDBA29 shade: #CDBA29, #BCA816, #AB9603, #9A8400 and #897200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDBA29 shade: #CCB928, #CC8D28, #CC6128, #CC3528 and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDBA29 shade: #CCB928, #B3CC28, #87CC28, #5BCC28 and #2ECC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDBA29 shade matches the following richer shades: #CCB928, #E0C915 and #F4D801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDBA29 shade: #CCB928, #B9AA3C, #A59B50, #918C64 and #7D7D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDBA29 shade: #CC6228, #CC8E28, #CCB928, #B4CC28 and #88CC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDBA29 shade: #887B1B, #AA9A22, #CCB928, #DAC944 and #E1D366

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDBA29 shade: #CDBA29, #28CC36 and #7828CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDBA29 shade: #CDBA29, #28CCB9 and #B928CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDBA29 shade: #CDBA29, #28CC36, #283CCC and #CC28BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDBA29 shade: #CDBA29, #28CC67, #283CCC and #CC288E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 80 / 20

HEX #CDBA29

RGB 205 186 41

HSL 53.05, 0.67%, 0.48%

LAB 74.99, -7.94, 69.31

 

Complementary color

CMYK 77 / 68 / 0 / 16

HEX #3245D6

RGB 50 69 214

HSL 233.05, 0.67%, 0.52%

LAB 37.46, 43.21, -75.96

 

CMYK 0 / 11 / 83 / 18

HEX #D2BA24

RGB 210 186 36

HSL 51.72, 0.71%, 0.48%

LAB 75.42, -5.92, 71.23

 

CMYK 0 / 10 / 76 / 11

HEX #E3CC37

RGB 227 204 55

HSL 51.98, 0.75%, 0.55%

LAB 81.73, -7.21, 71.78

 

CMYK 0 / 9 / 70 / 4

HEX #F4DE4A

RGB 244 222 74

HSL 52.24, 0.89%, 0.62%

LAB 87.95, -8.32, 71.62

 

CMYK 0 / 6 / 64 / 0

HEX #FFF05D

RGB 255 240 93

HSL 54.44, 1%, 0.68%

LAB 93.61, -11.71, 70.36

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 9 / 80 / 20

HEX #CDBA29

RGB 205 186 41

HSL 53.05, 0.67%, 0.48%

LAB 74.99, -7.94, 69.31

 

CMYK 0 / 11 / 88 / 26

HEX #BCA816

RGB 188 168 22

HSL 52.77, 0.79%, 0.41%

LAB 68.57, -6.54, 68.05

 

CMYK 0 / 12 / 98 / 33

HEX #AB9603

RGB 171 150 3

HSL 52.5, 0.97%, 0.34%

LAB 62.06, -4.91, 65.4

 

CMYK 0 / 14 / 100 / 40

HEX #9A8400

RGB 154 132 0

HSL 51.43, 1%, 0.3%

LAB 55.45, -2.97, 60.38

 

CMYK 0 / 17 / 100 / 46

HEX #897200

RGB 137 114 0

HSL 49.93, 1%, 0.27%

LAB 48.7, -0.9, 54.8

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 0 / 31 / 80 / 20

HEX #CC8D28

RGB 204 141 40

HSL 36.95, 0.67%, 0.48%

LAB 63.38, 15.59, 59.27

 

CMYK 0 / 52 / 80 / 20

HEX #CC6128

RGB 204 97 40

HSL 20.85, 0.67%, 0.48%

LAB 53.54, 39.04, 50.2

 

CMYK 0 / 74 / 80 / 20

HEX #CC3528

RGB 204 53 40

HSL 4.76, 0.67%, 0.48%

LAB 46.36, 58.08, 43.29

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 12 / 0 / 80 / 20

HEX #B3CC28

RGB 179 204 40

HSL 69.15, 0.67%, 0.48%

LAB 77.83, -27.98, 71.29

 

CMYK 34 / 0 / 80 / 20

HEX #87CC28

RGB 135 204 40

HSL 85.24, 0.67%, 0.48%

LAB 75.13, -45.1, 67.86

 

CMYK 55 / 0 / 80 / 20

HEX #5BCC28

RGB 91 204 40

HSL 101.34, 0.67%, 0.48%

LAB 73.26, -58.97, 65.45

 

CMYK 77 / 0 / 80 / 20

HEX #2ECC28

RGB 46 204 40

HSL 117.8, 0.67%, 0.48%

LAB 72.17, -68.02, 64.05

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 0 / 10 / 91 / 12

HEX #E0C915

RGB 224 201 21

HSL 53.2, 0.83%, 0.48%

LAB 80.56, -7.88, 78.99

 

CMYK 0 / 11 / 100 / 4

HEX #F4D801

RGB 244 216 1

HSL 53.09, 0.99%, 0.48%

LAB 86.18, -7.1, 86.06

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 0 / 8 / 68 / 27

HEX #B9AA3C

RGB 185 170 60

HSL 52.8, 0.51%, 0.48%

LAB 69.03, -7.46, 56.3

 

CMYK 0 / 6 / 52 / 35

HEX #A59B50

RGB 165 155 80

HSL 52.94, 0.35%, 0.48%

LAB 63.36, -6.68, 40.26

 

CMYK 0 / 3 / 31 / 43

HEX #918C64

RGB 145 140 100

HSL 53.33, 0.18%, 0.48%

LAB 57.75, -4.7, 22.08

 

CMYK 0 / 0 / 4 / 51

HEX #7D7D78

RGB 125 125 120

HSL 60, 0.02%, 0.48%

LAB 52.27, -0.98, 2.72

 

CMYK 0 / 52 / 80 / 20

HEX #CC6228

RGB 204 98 40

HSL 21.22, 0.67%, 0.48%

LAB 53.74, 38.53, 50.38

 

CMYK 0 / 30 / 80 / 20

HEX #CC8E28

RGB 204 142 40

HSL 37.32, 0.67%, 0.48%

LAB 63.62, 15.05, 59.49

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 12 / 0 / 80 / 20

HEX #B4CC28

RGB 180 204 40

HSL 68.78, 0.67%, 0.48%

LAB 77.9, -27.57, 71.38

 

CMYK 33 / 0 / 80 / 20

HEX #88CC28

RGB 136 204 40

HSL 84.88, 0.67%, 0.48%

LAB 75.19, -44.74, 67.92

 

CMYK 0 / 10 / 80 / 47

HEX #887B1B

RGB 136 123 27

HSL 52.84, 0.67%, 0.32%

LAB 51.24, -5.75, 50.13

 

CMYK 0 / 9 / 80 / 33

HEX #AA9A22

RGB 170 154 34

HSL 52.94, 0.67%, 0.4%

LAB 63.15, -6.83, 59.74

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 0 / 8 / 69 / 15

HEX #DAC944

RGB 218 201 68

HSL 53.2, 0.67%, 0.56%

LAB 80.23, -8.92, 65.43

 

CMYK 0 / 6 / 55 / 12

HEX #E1D366

RGB 225 211 102

HSL 53.17, 0.67%, 0.64%

LAB 83.73, -8.87, 54.87

 

CMYK 0 / 9 / 80 / 20

HEX #CDBA29

RGB 205 186 41

HSL 53.05, 0.67%, 0.48%

LAB 74.99, -7.94, 69.31

 

CMYK 80 / 0 / 74 / 20

HEX #28CC36

RGB 40 204 54

HSL 125.12, 0.67%, 0.48%

LAB 72.16, -67.84, 59.58

 

CMYK 41 / 80 / 0 / 20

HEX #7828CC

RGB 120 40 204

HSL 269.27, 0.67%, 0.48%

LAB 37.61, 63.34, -69.71

 

CMYK 0 / 9 / 80 / 20

HEX #CDBA29

RGB 205 186 41

HSL 53.05, 0.67%, 0.48%

LAB 74.99, -7.94, 69.31

 

CMYK 80 / 0 / 9 / 20

HEX #28CCB9

RGB 40 204 185

HSL 173.05, 0.67%, 0.48%

LAB 74.28, -44.13, -2.02

 

CMYK 9 / 80 / 0 / 20

HEX #B928CC

RGB 185 40 204

HSL 293.05, 0.67%, 0.48%

LAB 47.22, 74.1, -53.66

 

CMYK 0 / 9 / 80 / 20

HEX #CDBA29

RGB 205 186 41

HSL 53.05, 0.67%, 0.48%

LAB 74.99, -7.94, 69.31

 

CMYK 80 / 0 / 74 / 20

HEX #28CC36

RGB 40 204 54

HSL 125.12, 0.67%, 0.48%

LAB 72.16, -67.84, 59.58

 

CMYK 80 / 71 / 0 / 20

HEX #283CCC

RGB 40 60 204

HSL 232.68, 0.67%, 0.48%

LAB 34.07, 44.34, -75.77

 

CMYK 0 / 80 / 6 / 20

HEX #CC28BF

RGB 204 40 191

HSL 304.76, 0.67%, 0.48%

LAB 49.64, 75.68, -42.09

 

CMYK 0 / 9 / 80 / 20

HEX #CDBA29

RGB 205 186 41

HSL 53.05, 0.67%, 0.48%

LAB 74.99, -7.94, 69.31

 

CMYK 80 / 0 / 50 / 20

HEX #28CC67

RGB 40 204 103

HSL 143.05, 0.67%, 0.48%

LAB 72.64, -62.06, 38.89

 

CMYK 80 / 71 / 0 / 20

HEX #283CCC

RGB 40 60 204

HSL 232.68, 0.67%, 0.48%

LAB 34.07, 44.34, -75.77

 

CMYK 0 / 80 / 30 / 20

HEX #CC288E

RGB 204 40 142

HSL 322.68, 0.67%, 0.48%

LAB 47.38, 69.3, -16.58

 

Description

Color code: HEX #CDBA29 | qconv.com Color code: HEX #CDBA29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 186 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 186 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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