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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDB8D4 it is the complementary color #32472B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDB8D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDB8D4 shade: #D2B8CF, #E3CAE2, #F4DCF5 and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDB8D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDB8D4 shade: #CDB8D4, #BCA6C1, #AB94AE, #9A829B and #897088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDB8D4 shade: #CDB8D4, #D4B8D4, #D4B8CC, #D4B8C5 and #D4B8BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDB8D4 shade: #CDB8D4, #C6B8D4, #BEB8D4 and #B8B8D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDB8D4 shade matches the following richer shades: #CDB8D4, #D2AFDE, #D6A6E7, #DB9DF0 and #E094F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDB8D4 shade: #CDB8D4, #C9C1CB, #C4CBC2, #C0D4B9 and #BBDDB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDB8D4 shade: #BEB8D4, #C6B8D4, #CDB8D4, #D4B8D4 and #D4B8CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDB8D4 shade: #A985B5, #BB9FC5, #CDB8D4, #DFD2E4 and #F2ECF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDB8D4 shade: #CDB8D4, #D4B8BA and #B8D4C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDB8D4 shade: #CDB8D4, #D4CDB8 and #B8D4CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDB8D4 shade: #CDB8D4, #D4B8BA, #BFD4B8 and #B8D4D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDB8D4 shade: #CDB8D4, #D4BFB8, #BFD4B8 and #B8CDD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

Complementary color

CMYK 30 / 0 / 39 / 72

HEX #32472B

RGB 50 71 43

HSL 105, 0.25%, 0.22%

LAB 27.73, -14.52, 14.28

 

CMYK 0 / 12 / 1 / 18

HEX #D2B8CF

RGB 210 184 207

HSL 306.92, 0.22%, 0.77%

LAB 77.57, 13.28, -8.16

 

CMYK 0 / 11 / 0 / 11

HEX #E3CAE2

RGB 227 202 226

HSL 302.4, 0.31%, 0.84%

LAB 84, 12.91, -8.67

 

CMYK 0 / 10 / 0 / 4

HEX #F4DCF5

RGB 244 220 245

HSL 297.6, 0.56%, 0.91%

LAB 90.33, 12.56, -9.16

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 3 / 14 / 0 / 24

HEX #BCA6C1

RGB 188 166 193

HSL 288.89, 0.18%, 0.7%

LAB 70.74, 12.9, -10.88

 

CMYK 2 / 15 / 0 / 32

HEX #AB94AE

RGB 171 148 174

HSL 293.08, 0.14%, 0.63%

LAB 64.07, 13.32, -10.41

 

CMYK 1 / 16 / 0 / 39

HEX #9A829B

RGB 154 130 155

HSL 297.6, 0.11%, 0.56%

LAB 57.27, 13.77, -9.94

 

CMYK 0 / 18 / 1 / 46

HEX #897088

RGB 137 112 136

HSL 302.4, 0.1%, 0.49%

LAB 50.32, 14.28, -9.45

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 0 / 13 / 0 / 17

HEX #D4B8D4

RGB 212 184 212

HSL 300, 0.25%, 0.78%

LAB 77.89, 14.89, -10.37

 

CMYK 0 / 13 / 4 / 17

HEX #D4B8CC

RGB 212 184 204

HSL 317.14, 0.25%, 0.78%

LAB 77.66, 13.43, -6.38

 

CMYK 0 / 13 / 7 / 17

HEX #D4B8C5

RGB 212 184 197

HSL 332.14, 0.25%, 0.78%

LAB 77.47, 12.19, -2.87

 

CMYK 0 / 13 / 11 / 17

HEX #D4B8BD

RGB 212 184 189

HSL 349.29, 0.25%, 0.78%

LAB 77.25, 10.83, 1.16

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 7 / 13 / 0 / 17

HEX #C6B8D4

RGB 198 184 212

HSL 270, 0.25%, 0.78%

LAB 76.7, 10.17, -12.27

 

CMYK 10 / 13 / 0 / 17

HEX #BEB8D4

RGB 190 184 212

HSL 252.86, 0.25%, 0.78%

LAB 76.06, 7.52, -13.3

 

CMYK 13 / 13 / 0 / 17

HEX #B8B8D4

RGB 184 184 212

HSL 240, 0.25%, 0.78%

LAB 75.59, 5.56, -14.05

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 5 / 21 / 0 / 13

HEX #D2AFDE

RGB 210 175 222

HSL 284.68, 0.42%, 0.78%

LAB 75.84, 21.01, -18.89

 

CMYK 7 / 28 / 0 / 9

HEX #D6A6E7

RGB 214 166 231

HSL 284.31, 0.58%, 0.78%

LAB 74.41, 28.97, -25.94

 

CMYK 9 / 35 / 0 / 6

HEX #DB9DF0

RGB 219 157 240

HSL 284.82, 0.73%, 0.78%

LAB 73.2, 37.17, -32.66

 

CMYK 10 / 41 / 0 / 2

HEX #E094F9

RGB 224 148 249

HSL 285.15, 0.89%, 0.78%

LAB 72.14, 45.23, -39.15

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 1 / 5 / 0 / 20

HEX #C9C1CB

RGB 201 193 203

HSL 288, 0.09%, 0.78%

LAB 78.97, 4.62, -4.02

 

CMYK 3 / 0 / 4 / 20

HEX #C4CBC2

RGB 196 203 194

HSL 106.67, 0.08%, 0.78%

LAB 80.93, -4.04, 3.64

 

CMYK 9 / 0 / 13 / 17

HEX #C0D4B9

RGB 192 212 185

HSL 104.44, 0.24%, 0.78%

LAB 82.8, -11.67, 11.09

 

CMYK 15 / 0 / 20 / 13

HEX #BBDDB0

RGB 187 221 176

HSL 105.33, 0.4%, 0.78%

LAB 84.7, -19.44, 18.45

 

CMYK 10 / 13 / 0 / 17

HEX #BEB8D4

RGB 190 184 212

HSL 252.86, 0.25%, 0.78%

LAB 76.06, 7.52, -13.3

 

CMYK 7 / 13 / 0 / 17

HEX #C6B8D4

RGB 198 184 212

HSL 270, 0.25%, 0.78%

LAB 76.7, 10.17, -12.27

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 0 / 13 / 0 / 17

HEX #D4B8D4

RGB 212 184 212

HSL 300, 0.25%, 0.78%

LAB 77.89, 14.89, -10.37

 

CMYK 0 / 13 / 4 / 17

HEX #D4B8CC

RGB 212 184 204

HSL 317.14, 0.25%, 0.78%

LAB 77.66, 13.43, -6.38

 

CMYK 7 / 27 / 0 / 29

HEX #A985B5

RGB 169 133 181

HSL 285, 0.24%, 0.62%

LAB 60.38, 22.52, -19.98

 

CMYK 5 / 19 / 0 / 23

HEX #BB9FC5

RGB 187 159 197

HSL 284.21, 0.25%, 0.7%

LAB 69.03, 17.22, -15.67

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 2 / 8 / 0 / 11

HEX #DFD2E4

RGB 223 210 228

HSL 283.33, 0.25%, 0.86%

LAB 85.7, 7.7, -7.25

 

CMYK 0 / 3 / 0 / 5

HEX #F2ECF3

RGB 242 236 243

HSL 291.43, 0.23%, 0.94%

LAB 94.03, 3.25, -2.67

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 0 / 13 / 12 / 17

HEX #D4B8BA

RGB 212 184 186

HSL 355.71, 0.25%, 0.78%

LAB 77.17, 10.33, 2.67

 

CMYK 13 / 0 / 8 / 17

HEX #B8D4C2

RGB 184 212 194

HSL 141.43, 0.25%, 0.78%

LAB 82.47, -12.78, 5.76

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 0 / 3 / 13 / 17

HEX #D4CDB8

RGB 212 205 184

HSL 45, 0.25%, 0.78%

LAB 82.44, -1.12, 11.32

 

CMYK 13 / 0 / 3 / 17

HEX #B8D4CD

RGB 184 212 205

HSL 165, 0.25%, 0.78%

LAB 82.75, -10.67, 0.31

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 0 / 13 / 12 / 17

HEX #D4B8BA

RGB 212 184 186

HSL 355.71, 0.25%, 0.78%

LAB 77.17, 10.33, 2.67

 

CMYK 10 / 0 / 13 / 17

HEX #BFD4B8

RGB 191 212 184

HSL 105, 0.25%, 0.78%

LAB 82.71, -12.19, 11.48

 

CMYK 13 / 0 / 0 / 17

HEX #B8D4D3

RGB 184 212 211

HSL 177.86, 0.25%, 0.78%

LAB 82.9, -9.48, -2.66

 

CMYK 3 / 13 / 0 / 17

HEX #CDB8D4

RGB 205 184 212

HSL 285, 0.25%, 0.78%

LAB 77.29, 12.52, -11.33

 

CMYK 0 / 10 / 13 / 17

HEX #D4BFB8

RGB 212 191 184

HSL 15, 0.25%, 0.78%

LAB 78.88, 6.26, 6.22

 

CMYK 10 / 0 / 13 / 17

HEX #BFD4B8

RGB 191 212 184

HSL 105, 0.25%, 0.78%

LAB 82.71, -12.19, 11.48

 

CMYK 13 / 3 / 0 / 17

HEX #B8CDD4

RGB 184 205 212

HSL 195, 0.25%, 0.78%

LAB 81.07, -5.64, -5.88

 

Description

Color code: HEX #CDB8D4 | qconv.com Color code: HEX #CDB8D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 184 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 184 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 13 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 13% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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