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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDB5D5 it is the complementary color #324A2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDB5D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDB5D5 shade: #D2B5D0, #E3C7E3, #F4D9F6, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDB5D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDB5D5 shade: #CDB5D5, #BCA3C2, #AB91AF, #9A7F9C and #896D89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDB5D5 shade: #CDB4D5, #D5B4D4, #D5B4CB, #D5B4C2 and #D5B4BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDB5D5 shade: #CDB4D5, #C4B4D5, #BBB4D5 and #B4B4D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDB5D5 shade matches the following richer shades: #CDB4D5, #D1AADE, #D6A1E8, #DB97F1 and #E08EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDB5D5 shade: #CDB4D5, #C8BDCB, #C3C7C2, #BED0B8 and #BADAAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDB5D5 shade: #BBB4D5, #C4B4D5, #CDB4D5, #D5B4D4 and #D5B4CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDB5D5 shade: #A97FB7, #BB9AC6, #CDB4D5, #DECEE4 and #F0E9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDB5D5 shade: #CDB5D5, #D5B4B6 and #B4D5BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDB5D5 shade: #CDB5D5, #D5CDB4 and #B4D5CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDB5D5 shade: #CDB5D5, #D5B4B6, #BCD5B4 and #B4D5D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDB5D5 shade: #CDB5D5, #D5BCB4, #BCD5B4 and #B4CDD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 15 / 0 / 16

HEX #CDB5D5

RGB 205 181 213

HSL 285, 0.28%, 0.77%

LAB 76.58, 14.34, -12.94

 

Complementary color

CMYK 32 / 0 / 43 / 71

HEX #324A2A

RGB 50 74 42

HSL 105, 0.28%, 0.23%

LAB 28.75, -16.39, 16.23

 

CMYK 0 / 14 / 1 / 18

HEX #D2B5D0

RGB 210 181 208

HSL 304.14, 0.24%, 0.77%

LAB 76.86, 15.09, -9.75

 

CMYK 0 / 12 / 0 / 11

HEX #E3C7E3

RGB 227 199 227

HSL 300, 0.33%, 0.84%

LAB 83.3, 14.69, -10.24

 

CMYK 1 / 12 / 0 / 4

HEX #F4D9F6

RGB 244 217 246

HSL 295.86, 0.62%, 0.91%

LAB 89.63, 14.31, -10.72

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 4 / 15 / 0 / 16

HEX #CDB5D5

RGB 205 181 213

HSL 285, 0.28%, 0.77%

LAB 76.58, 14.34, -12.94

 

CMYK 3 / 16 / 0 / 24

HEX #BCA3C2

RGB 188 163 194

HSL 288.39, 0.2%, 0.7%

LAB 70.02, 14.75, -12.51

 

CMYK 2 / 17 / 0 / 31

HEX #AB91AF

RGB 171 145 175

HSL 292, 0.16%, 0.63%

LAB 63.35, 15.2, -12.07

 

CMYK 1 / 19 / 0 / 39

HEX #9A7F9C

RGB 154 127 156

HSL 295.86, 0.13%, 0.55%

LAB 56.53, 15.7, -11.62

 

CMYK 0 / 20 / 0 / 46

HEX #896D89

RGB 137 109 137

HSL 300, 0.11%, 0.48%

LAB 49.57, 16.24, -11.16

 

CMYK 4 / 15 / 0 / 16

HEX #CDB4D5

RGB 205 180 213

HSL 285.45, 0.28%, 0.77%

LAB 76.33, 14.88, -13.31

 

CMYK 0 / 15 / 0 / 16

HEX #D5B4D4

RGB 213 180 212

HSL 301.82, 0.28%, 0.77%

LAB 77.01, 17.39, -11.68

 

CMYK 0 / 15 / 5 / 16

HEX #D5B4CB

RGB 213 180 203

HSL 318.18, 0.28%, 0.77%

LAB 76.74, 15.75, -7.19

 

CMYK 0 / 15 / 9 / 16

HEX #D5B4C2

RGB 213 180 194

HSL 334.55, 0.28%, 0.77%

LAB 76.49, 14.18, -2.67

 

CMYK 0 / 15 / 13 / 16

HEX #D5B4BA

RGB 213 180 186

HSL 349.09, 0.28%, 0.77%

LAB 76.27, 12.84, 1.38

 

CMYK 4 / 15 / 0 / 16

HEX #CDB4D5

RGB 205 180 213

HSL 285.45, 0.28%, 0.77%

LAB 76.33, 14.88, -13.31

 

CMYK 8 / 15 / 0 / 16

HEX #C4B4D5

RGB 196 180 213

HSL 269.09, 0.28%, 0.77%

LAB 75.56, 11.88, -14.54

 

CMYK 12 / 15 / 0 / 16

HEX #BBB4D5

RGB 187 180 213

HSL 252.73, 0.28%, 0.77%

LAB 74.83, 8.92, -15.71

 

CMYK 15 / 15 / 0 / 16

HEX #B4B4D5

RGB 180 180 213

HSL 240, 0.28%, 0.77%

LAB 74.29, 6.66, -16.59

 

CMYK 4 / 15 / 0 / 16

HEX #CDB4D5

RGB 205 180 213

HSL 285.45, 0.28%, 0.77%

LAB 76.33, 14.88, -13.31

 

CMYK 6 / 23 / 0 / 13

HEX #D1AADE

RGB 209 170 222

HSL 285, 0.44%, 0.77%

LAB 74.56, 23.4, -20.85

 

CMYK 8 / 31 / 0 / 9

HEX #D6A1E8

RGB 214 161 232

HSL 284.79, 0.61%, 0.77%

LAB 73.29, 31.88, -28.19

 

CMYK 9 / 37 / 0 / 5

HEX #DB97F1

RGB 219 151 241

HSL 285.33, 0.76%, 0.77%

LAB 71.92, 40.58, -35.17

 

CMYK 11 / 43 / 0 / 2

HEX #E08EFB

RGB 224 142 251

HSL 285.14, 0.93%, 0.77%

LAB 70.98, 48.76, -42.05

 

CMYK 4 / 15 / 0 / 16

HEX #CDB4D5

RGB 205 180 213

HSL 285.45, 0.28%, 0.77%

LAB 76.33, 14.88, -13.31

 

CMYK 1 / 7 / 0 / 20

HEX #C8BDCB

RGB 200 189 203

HSL 287.14, 0.12%, 0.77%

LAB 77.87, 6.42, -5.65

 

CMYK 2 / 0 / 3 / 22

HEX #C3C7C2

RGB 195 199 194

HSL 108, 0.04%, 0.77%

LAB 79.81, -2.29, 2.01

 

CMYK 9 / 0 / 12 / 18

HEX #BED0B8

RGB 190 208 184

HSL 105, 0.2%, 0.77%

LAB 81.58, -10.49, 9.86

 

CMYK 15 / 0 / 20 / 15

HEX #BADAAF

RGB 186 218 175

HSL 104.65, 0.37%, 0.77%

LAB 83.8, -18.46, 17.71

 

CMYK 12 / 15 / 0 / 16

HEX #BBB4D5

RGB 187 180 213

HSL 252.73, 0.28%, 0.77%

LAB 74.83, 8.92, -15.71

 

CMYK 8 / 15 / 0 / 16

HEX #C4B4D5

RGB 196 180 213

HSL 269.09, 0.28%, 0.77%

LAB 75.56, 11.88, -14.54

 

CMYK 4 / 15 / 0 / 16

HEX #CDB4D5

RGB 205 180 213

HSL 285.45, 0.28%, 0.77%

LAB 76.33, 14.88, -13.31

 

CMYK 0 / 15 / 0 / 16

HEX #D5B4D4

RGB 213 180 212

HSL 301.82, 0.28%, 0.77%

LAB 77.01, 17.39, -11.68

 

CMYK 0 / 15 / 5 / 16

HEX #D5B4CB

RGB 213 180 203

HSL 318.18, 0.28%, 0.77%

LAB 76.74, 15.75, -7.19

 

CMYK 8 / 31 / 0 / 28

HEX #A97FB7

RGB 169 127 183

HSL 285, 0.28%, 0.61%

LAB 59, 26.34, -23.22

 

CMYK 6 / 22 / 0 / 22

HEX #BB9AC6

RGB 187 154 198

HSL 285, 0.28%, 0.69%

LAB 67.84, 20.2, -18.03

 

CMYK 4 / 15 / 0 / 16

HEX #CDB4D5

RGB 205 180 213

HSL 285.45, 0.28%, 0.77%

LAB 76.33, 14.88, -13.31

 

CMYK 3 / 10 / 0 / 11

HEX #DECEE4

RGB 222 206 228

HSL 283.64, 0.29%, 0.85%

LAB 84.62, 9.48, -8.85

 

CMYK 1 / 4 / 0 / 5

HEX #F0E9F2

RGB 240 233 242

HSL 286.67, 0.26%, 0.93%

LAB 93.11, 3.95, -3.52

 

CMYK 4 / 15 / 0 / 16

HEX #CDB5D5

RGB 205 181 213

HSL 285, 0.28%, 0.77%

LAB 76.58, 14.34, -12.94

 

CMYK 0 / 15 / 15 / 16

HEX #D5B4B6

RGB 213 180 182

HSL 356.36, 0.28%, 0.77%

LAB 76.17, 12.19, 3.4

 

CMYK 15 / 0 / 10 / 16

HEX #B4D5BF

RGB 180 213 191

HSL 140, 0.28%, 0.77%

LAB 82.41, -15.18, 7.23

 

CMYK 4 / 15 / 0 / 16

HEX #CDB5D5

RGB 205 181 213

HSL 285, 0.28%, 0.77%

LAB 76.58, 14.34, -12.94

 

CMYK 0 / 4 / 15 / 16

HEX #D5CDB4

RGB 213 205 180

HSL 45.45, 0.28%, 0.77%

LAB 82.43, -1.39, 13.44

 

CMYK 15 / 0 / 4 / 16

HEX #B4D5CD

RGB 180 213 205

HSL 165.45, 0.28%, 0.77%

LAB 82.75, -12.48, 0.29

 

CMYK 4 / 15 / 0 / 16

HEX #CDB5D5

RGB 205 181 213

HSL 285, 0.28%, 0.77%

LAB 76.58, 14.34, -12.94

 

CMYK 0 / 15 / 15 / 16

HEX #D5B4B6

RGB 213 180 182

HSL 356.36, 0.28%, 0.77%

LAB 76.17, 12.19, 3.4

 

CMYK 12 / 0 / 15 / 16

HEX #BCD5B4

RGB 188 213 180

HSL 105.45, 0.28%, 0.77%

LAB 82.69, -14.42, 13.54

 

CMYK 15 / 0 / 1 / 16

HEX #B4D5D3

RGB 180 213 211

HSL 176.36, 0.28%, 0.77%

LAB 82.91, -11.27, -2.67

 

CMYK 4 / 15 / 0 / 16

HEX #CDB5D5

RGB 205 181 213

HSL 285, 0.28%, 0.77%

LAB 76.58, 14.34, -12.94

 

CMYK 0 / 12 / 15 / 16

HEX #D5BCB4

RGB 213 188 180

HSL 14.55, 0.28%, 0.77%

LAB 78.12, 7.58, 7.29

 

CMYK 12 / 0 / 15 / 16

HEX #BCD5B4

RGB 188 213 180

HSL 105.45, 0.28%, 0.77%

LAB 82.69, -14.42, 13.54

 

CMYK 15 / 4 / 0 / 16

HEX #B4CDD5

RGB 180 205 213

HSL 194.55, 0.28%, 0.77%

LAB 80.83, -6.71, -6.81

 

Description

Color code: HEX #CDB5D5 | qconv.com Color code: HEX #CDB5D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 181 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 181 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 15 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 15% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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