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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDB5C7 it is the complementary color #324A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDB5C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDB5C7 shade: #D2B5C2, #E3C7D5, #F4D9E8, #FFEBFB and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDB5C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDB5C7 shade: #CDB5C7, #BCA3B4, #AB91A1, #9A7F8E and #896D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDB5C7 shade: #CDB6C8, #CDB6C1, #CDB6BB and #CDB6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDB5C7 shade: #CDB6C8, #CDB6CD, #C7B6CD, #C0B6CD and #BAB6CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDB5C7 shade matches the following richer shades: #CDB6C8, #D7ACCD, #E1A2D2, #EB98D6 and #F58FDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDB5C7 shade: #CDB6C8, #C4C0C3, #BACABE, #B0D4B9 and #A6DEB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDB5C7 shade: #C7B6CD, #CDB6CD, #CDB6C8, #CDB6C1 and #CDB6BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDB5C7 shade: #AC85A2, #BD9EB5, #CDB6C8, #DECFDA and #EFE7ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDB5C7 shade: #CDB5C7, #CDC1B6 and #B6CDCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDB5C7 shade: #CDB5C7, #C8CDB6 and #B6C8CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDB5C7 shade: #CDB5C7, #CDC1B6, #B6CDBC and #B6C3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDB5C7 shade: #CDB5C7, #CDC8B6, #B6CDBC and #B6BCCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 3 / 20

HEX #CDB5C7

RGB 205 181 199

HSL 315, 0.19%, 0.76%

LAB 76.16, 11.72, -5.95

 

Complementary color

CMYK 32 / 0 / 24 / 71

HEX #324A38

RGB 50 74 56

HSL 135, 0.19%, 0.24%

LAB 29.06, -13.64, 7.85

 

CMYK 0 / 14 / 8 / 18

HEX #D2B5C2

RGB 210 181 194

HSL 333.1, 0.24%, 0.77%

LAB 76.46, 12.58, -2.73

 

CMYK 0 / 12 / 6 / 11

HEX #E3C7D5

RGB 227 199 213

HSL 330, 0.33%, 0.84%

LAB 82.9, 12.19, -3.34

 

CMYK 0 / 11 / 5 / 4

HEX #F4D9E8

RGB 244 217 232

HSL 326.67, 0.55%, 0.9%

LAB 89.25, 11.83, -3.93

 

CMYK 0 / 8 / 2 / 0

HEX #FFEBFB

RGB 255 235 251

HSL 312, 1%, 0.96%

LAB 95.01, 9.5, -5.27

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 12 / 3 / 20

HEX #CDB5C7

RGB 205 181 199

HSL 315, 0.19%, 0.76%

LAB 76.16, 11.72, -5.95

 

CMYK 0 / 13 / 4 / 26

HEX #BCA3B4

RGB 188 163 180

HSL 319.2, 0.16%, 0.69%

LAB 69.6, 12.1, -5.39

 

CMYK 0 / 15 / 6 / 33

HEX #AB91A1

RGB 171 145 161

HSL 323.08, 0.13%, 0.62%

LAB 62.91, 12.53, -4.8

 

CMYK 0 / 18 / 8 / 40

HEX #9A7F8E

RGB 154 127 142

HSL 326.67, 0.12%, 0.55%

LAB 56.09, 13, -4.19

 

CMYK 0 / 20 / 10 / 46

HEX #896D7B

RGB 137 109 123

HSL 330, 0.11%, 0.48%

LAB 49.11, 13.53, -3.53

 

CMYK 0 / 11 / 2 / 20

HEX #CDB6C8

RGB 205 182 200

HSL 313.04, 0.19%, 0.76%

LAB 76.44, 11.36, -6.08

 

CMYK 0 / 11 / 6 / 20

HEX #CDB6C1

RGB 205 182 193

HSL 331.3, 0.19%, 0.76%

LAB 76.24, 10.1, -2.56

 

CMYK 0 / 11 / 9 / 20

HEX #CDB6BB

RGB 205 182 187

HSL 346.96, 0.19%, 0.76%

LAB 76.08, 9.06, 0.47

 

CMYK 0 / 11 / 11 / 20

HEX #CDB6B6

RGB 205 182 182

HSL 0, 0.19%, 0.76%

LAB 75.95, 8.21, 3

 

CMYK 0 / 11 / 2 / 20

HEX #CDB6C8

RGB 205 182 200

HSL 313.04, 0.19%, 0.76%

LAB 76.44, 11.36, -6.08

 

CMYK 0 / 11 / 0 / 20

HEX #CDB6CD

RGB 205 182 205

HSL 300, 0.19%, 0.76%

LAB 76.58, 12.28, -8.59

 

CMYK 3 / 11 / 0 / 20

HEX #C7B6CD

RGB 199 182 205

HSL 284.35, 0.19%, 0.76%

LAB 76.07, 10.23, -9.4

 

CMYK 6 / 11 / 0 / 20

HEX #C0B6CD

RGB 192 182 205

HSL 266.09, 0.19%, 0.76%

LAB 75.49, 7.86, -10.32

 

CMYK 9 / 11 / 0 / 20

HEX #BAB6CD

RGB 186 182 205

HSL 250.43, 0.19%, 0.76%

LAB 75.02, 5.86, -11.09

 

CMYK 0 / 11 / 2 / 20

HEX #CDB6C8

RGB 205 182 200

HSL 313.04, 0.19%, 0.76%

LAB 76.44, 11.36, -6.08

 

CMYK 0 / 20 / 5 / 16

HEX #D7ACCD

RGB 215 172 205

HSL 313.95, 0.35%, 0.76%

LAB 75.05, 21.13, -10.77

 

CMYK 0 / 28 / 7 / 12

HEX #E1A2D2

RGB 225 162 210

HSL 314.29, 0.51%, 0.76%

LAB 73.87, 30.81, -15.18

 

CMYK 0 / 35 / 9 / 8

HEX #EB98D6

RGB 235 152 214

HSL 315.18, 0.67%, 0.76%

LAB 72.87, 40.11, -18.77

 

CMYK 0 / 42 / 11 / 4

HEX #F58FDB

RGB 245 143 219

HSL 315.29, 0.84%, 0.76%

LAB 72.34, 48.76, -22.22

 

CMYK 0 / 11 / 2 / 20

HEX #CDB6C8

RGB 205 182 200

HSL 313.04, 0.19%, 0.76%

LAB 76.44, 11.36, -6.08

 

CMYK 0 / 2 / 1 / 23

HEX #C4C0C3

RGB 196 192 195

HSL 315, 0.03%, 0.76%

LAB 78.1, 1.95, -1.02

 

CMYK 8 / 0 / 6 / 21

HEX #BACABE

RGB 186 202 190

HSL 135, 0.13%, 0.76%

LAB 79.84, -7.69, 4.12

 

CMYK 17 / 0 / 13 / 17

HEX #B0D4B9

RGB 176 212 185

HSL 135, 0.3%, 0.76%

LAB 81.74, -17.12, 9.43

 

CMYK 25 / 0 / 19 / 13

HEX #A6DEB4

RGB 166 222 180

HSL 135, 0.46%, 0.76%

LAB 83.78, -26.23, 14.88

 

CMYK 3 / 11 / 0 / 20

HEX #C7B6CD

RGB 199 182 205

HSL 284.35, 0.19%, 0.76%

LAB 76.07, 10.23, -9.4

 

CMYK 0 / 11 / 0 / 20

HEX #CDB6CD

RGB 205 182 205

HSL 300, 0.19%, 0.76%

LAB 76.58, 12.28, -8.59

 

CMYK 0 / 11 / 2 / 20

HEX #CDB6C8

RGB 205 182 200

HSL 313.04, 0.19%, 0.76%

LAB 76.44, 11.36, -6.08

 

CMYK 0 / 11 / 6 / 20

HEX #CDB6C1

RGB 205 182 193

HSL 331.3, 0.19%, 0.76%

LAB 76.24, 10.1, -2.56

 

CMYK 0 / 11 / 9 / 20

HEX #CDB6BB

RGB 205 182 187

HSL 346.96, 0.19%, 0.76%

LAB 76.08, 9.06, 0.47

 

CMYK 0 / 23 / 6 / 33

HEX #AC85A2

RGB 172 133 162

HSL 315.38, 0.19%, 0.6%

LAB 60.03, 19.85, -9.65

 

CMYK 0 / 16 / 4 / 26

HEX #BD9EB5

RGB 189 158 181

HSL 315.48, 0.19%, 0.68%

LAB 68.47, 15.4, -7.61

 

CMYK 0 / 11 / 2 / 20

HEX #CDB6C8

RGB 205 182 200

HSL 313.04, 0.19%, 0.76%

LAB 76.44, 11.36, -6.08

 

CMYK 0 / 7 / 2 / 13

HEX #DECFDA

RGB 222 207 218

HSL 316, 0.19%, 0.84%

LAB 84.6, 7.12, -3.57

 

CMYK 0 / 3 / 1 / 6

HEX #EFE7ED

RGB 239 231 237

HSL 315, 0.2%, 0.92%

LAB 92.41, 3.75, -1.96

 

CMYK 0 / 12 / 3 / 20

HEX #CDB5C7

RGB 205 181 199

HSL 315, 0.19%, 0.76%

LAB 76.16, 11.72, -5.95

 

CMYK 0 / 6 / 11 / 20

HEX #CDC1B6

RGB 205 193 182

HSL 28.7, 0.19%, 0.76%

LAB 78.75, 2.33, 7.03

 

CMYK 11 / 0 / 1 / 20

HEX #B6CDCA

RGB 182 205 202

HSL 172.17, 0.19%, 0.76%

LAB 80.67, -8.3, -1.14

 

CMYK 0 / 12 / 3 / 20

HEX #CDB5C7

RGB 205 181 199

HSL 315, 0.19%, 0.76%

LAB 76.16, 11.72, -5.95

 

CMYK 2 / 0 / 11 / 20

HEX #C8CDB6

RGB 200 205 182

HSL 73.04, 0.19%, 0.76%

LAB 81.47, -5.76, 10.86

 

CMYK 11 / 2 / 0 / 20

HEX #B6C8CD

RGB 182 200 205

HSL 193.04, 0.19%, 0.76%

LAB 79.42, -5.09, -4.58

 

CMYK 0 / 12 / 3 / 20

HEX #CDB5C7

RGB 205 181 199

HSL 315, 0.19%, 0.76%

LAB 76.16, 11.72, -5.95

 

CMYK 0 / 6 / 11 / 20

HEX #CDC1B6

RGB 205 193 182

HSL 28.7, 0.19%, 0.76%

LAB 78.75, 2.33, 7.03

 

CMYK 11 / 0 / 8 / 20

HEX #B6CDBC

RGB 182 205 188

HSL 135.65, 0.19%, 0.76%

LAB 80.31, -10.98, 5.84

 

CMYK 11 / 5 / 0 / 20

HEX #B6C3CD

RGB 182 195 205

HSL 206.09, 0.19%, 0.76%

LAB 78.1, -2.45, -6.53

 

CMYK 0 / 12 / 3 / 20

HEX #CDB5C7

RGB 205 181 199

HSL 315, 0.19%, 0.76%

LAB 76.16, 11.72, -5.95

 

CMYK 0 / 2 / 11 / 20

HEX #CDC8B6

RGB 205 200 182

HSL 46.96, 0.19%, 0.76%

LAB 80.55, -1.36, 9.61

 

CMYK 11 / 0 / 8 / 20

HEX #B6CDBC

RGB 182 205 188

HSL 135.65, 0.19%, 0.76%

LAB 80.31, -10.98, 5.84

 

CMYK 11 / 8 / 0 / 20

HEX #B6BCCD

RGB 182 188 205

HSL 224.35, 0.19%, 0.76%

LAB 76.26, 1.29, -9.26

 

Description

Color code: HEX #CDB5C7 | qconv.com Color code: HEX #CDB5C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 181 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 181 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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