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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDB254 it is the complementary color #324DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDB254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDB254 shade: #D2B24F, #E3C462, #F4D675, #FFE888 and #FFFA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDB254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDB254 shade: #CDB254, #BCA041, #AB8E2E, #9A7C1B and #896A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDB254 shade: #CEB355, #CE9255, #CE7255 and #CE5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDB254 shade: #CEB355, #C8CE55, #A8CE55, #87CE55 and #66CE55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDB254 shade matches the following richer shades: #CEB355, #DFBD43 and #F1C632

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDB254 shade: #CEB355, #BCA967, #AA9F79, #98958A and #878B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDB254 shade: #CE7155, #CE9155, #CEB255, #CACE55 and #A9CE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDB254 shade: #A1882F, #C1A338, #CEB355, #D7C175 and #E0CF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDB254 shade: #CDB254, #59CE55 and #8155CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDB254 shade: #CDB254, #55CEB2 and #B255CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDB254 shade: #CDB254, #59CE55, #5571CE and #CA55CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDB254 shade: #CDB254, #55CE75, #5571CE and #CE55AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 59 / 20

HEX #CDB254

RGB 205 178 84

HSL 46.61, 0.55%, 0.57%

LAB 73.19, -1.52, 50.69

 

Complementary color

CMYK 71 / 55 / 0 / 33

HEX #324DAB

RGB 50 77 171

HSL 226.61, 0.55%, 0.43%

LAB 35.84, 22.55, -53.44

 

CMYK 0 / 15 / 62 / 18

HEX #D2B24F

RGB 210 178 79

HSL 45.34, 0.59%, 0.57%

LAB 73.61, 0.25, 53.61

 

CMYK 0 / 14 / 57 / 11

HEX #E3C462

RGB 227 196 98

HSL 45.58, 0.7%, 0.64%

LAB 80.01, -0.67, 52.46

 

CMYK 0 / 12 / 52 / 4

HEX #F4D675

RGB 244 214 117

HSL 45.83, 0.85%, 0.71%

LAB 86.31, -1.46, 51.26

 

CMYK 0 / 9 / 47 / 0

HEX #FFE888

RGB 255 232 136

HSL 48.4, 1%, 0.77%

LAB 92.02, -4.51, 49.3

 

CMYK 0 / 2 / 39 / 0

HEX #FFFA9B

RGB 255 250 155

HSL 57, 1%, 0.8%

LAB 96.82, -11.58, 46.12

 

CMYK 0 / 13 / 59 / 20

HEX #CDB254

RGB 205 178 84

HSL 46.61, 0.55%, 0.57%

LAB 73.19, -1.52, 50.69

 

CMYK 0 / 15 / 65 / 26

HEX #BCA041

RGB 188 160 65

HSL 46.34, 0.49%, 0.5%

LAB 66.68, -0.54, 51.77

 

CMYK 0 / 17 / 73 / 33

HEX #AB8E2E

RGB 171 142 46

HSL 46.08, 0.58%, 0.43%

LAB 60.07, 0.64, 52.56

 

CMYK 0 / 19 / 82 / 40

HEX #9A7C1B

RGB 154 124 27

HSL 45.83, 0.7%, 0.35%

LAB 53.35, 2.07, 52.7

 

CMYK 0 / 23 / 94 / 46

HEX #896A08

RGB 137 106 8

HSL 45.58, 0.89%, 0.28%

LAB 46.5, 3.84, 51.44

 

CMYK 0 / 13 / 59 / 19

HEX #CEB355

RGB 206 179 85

HSL 46.61, 0.55%, 0.57%

LAB 73.56, -1.55, 50.66

 

CMYK 0 / 29 / 59 / 19

HEX #CE9255

RGB 206 146 85

HSL 30.25, 0.55%, 0.57%

LAB 65.23, 16.18, 40.93

 

CMYK 0 / 45 / 59 / 19

HEX #CE7255

RGB 206 114 85

HSL 14.38, 0.55%, 0.57%

LAB 57.86, 33.46, 31.9

 

CMYK 0 / 59 / 59 / 19

HEX #CE5555

RGB 206 85 85

HSL 0, 0.55%, 0.57%

LAB 52.15, 47.99, 24.6

 

CMYK 0 / 13 / 59 / 19

HEX #CEB355

RGB 206 179 85

HSL 46.61, 0.55%, 0.57%

LAB 73.56, -1.55, 50.66

 

CMYK 3 / 0 / 59 / 19

HEX #C8CE55

RGB 200 206 85

HSL 62.98, 0.55%, 0.57%

LAB 80.22, -17.89, 57.98

 

CMYK 18 / 0 / 59 / 19

HEX #A8CE55

RGB 168 206 85

HSL 78.84, 0.55%, 0.57%

LAB 77.95, -30.69, 54.82

 

CMYK 34 / 0 / 59 / 19

HEX #87CE55

RGB 135 206 85

HSL 95.21, 0.55%, 0.57%

LAB 76.04, -42.82, 52.15

 

CMYK 50 / 0 / 59 / 19

HEX #66CE55

RGB 102 206 85

HSL 111.57, 0.55%, 0.57%

LAB 74.59, -53.12, 50.1

 

CMYK 0 / 13 / 59 / 19

HEX #CEB355

RGB 206 179 85

HSL 46.61, 0.55%, 0.57%

LAB 73.56, -1.55, 50.66

 

CMYK 0 / 15 / 70 / 13

HEX #DFBD43

RGB 223 189 67

HSL 46.92, 0.71%, 0.57%

LAB 77.57, -0.67, 63.29

 

CMYK 0 / 18 / 79 / 5

HEX #F1C632

RGB 241 198 50

HSL 46.49, 0.87%, 0.57%

LAB 81.47, 1.64, 73.62

 

CMYK 0 / 13 / 59 / 19

HEX #CEB355

RGB 206 179 85

HSL 46.61, 0.55%, 0.57%

LAB 73.56, -1.55, 50.66

 

CMYK 0 / 10 / 45 / 26

HEX #BCA967

RGB 188 169 103

HSL 46.59, 0.39%, 0.57%

LAB 69.5, -2.23, 36.46

 

CMYK 0 / 6 / 29 / 33

HEX #AA9F79

RGB 170 159 121

HSL 46.53, 0.22%, 0.57%

LAB 65.53, -2.06, 21.32

 

CMYK 0 / 2 / 9 / 40

HEX #98958A

RGB 152 149 138

HSL 47.14, 0.06%, 0.57%

LAB 61.66, -0.92, 6.19

 

CMYK 13 / 11 / 0 / 39

HEX #878B9C

RGB 135 139 156

HSL 228.57, 0.1%, 0.57%

LAB 58.05, 2.13, -9.52

 

CMYK 0 / 45 / 59 / 19

HEX #CE7155

RGB 206 113 85

HSL 13.88, 0.55%, 0.57%

LAB 57.64, 33.99, 31.63

 

CMYK 0 / 30 / 59 / 19

HEX #CE9155

RGB 206 145 85

HSL 29.75, 0.55%, 0.57%

LAB 64.99, 16.73, 40.64

 

CMYK 0 / 14 / 59 / 19

HEX #CEB255

RGB 206 178 85

HSL 46.12, 0.55%, 0.57%

LAB 73.3, -1.02, 50.36

 

CMYK 2 / 0 / 59 / 19

HEX #CACE55

RGB 202 206 85

HSL 61.98, 0.55%, 0.57%

LAB 80.38, -17.07, 58.2

 

CMYK 18 / 0 / 59 / 19

HEX #A9CE55

RGB 169 206 85

HSL 78.35, 0.55%, 0.57%

LAB 78.01, -30.3, 54.91

 

CMYK 0 / 16 / 71 / 37

HEX #A1882F

RGB 161 136 47

HSL 46.84, 0.55%, 0.41%

LAB 57.45, -0.52, 49.19

 

CMYK 0 / 16 / 71 / 24

HEX #C1A338

RGB 193 163 56

HSL 46.86, 0.55%, 0.49%

LAB 67.89, -0.47, 57.02

 

CMYK 0 / 13 / 59 / 19

HEX #CEB355

RGB 206 179 85

HSL 46.61, 0.55%, 0.57%

LAB 73.56, -1.55, 50.66

 

CMYK 0 / 10 / 46 / 16

HEX #D7C175

RGB 215 193 117

HSL 46.53, 0.55%, 0.65%

LAB 78.39, -2.39, 40.96

 

CMYK 0 / 8 / 33 / 12

HEX #E0CF95

RGB 224 207 149

HSL 46.4, 0.55%, 0.73%

LAB 83.25, -2.56, 31.01

 

CMYK 0 / 13 / 59 / 20

HEX #CDB254

RGB 205 178 84

HSL 46.61, 0.55%, 0.57%

LAB 73.19, -1.52, 50.69

 

CMYK 57 / 0 / 59 / 19

HEX #59CE55

RGB 89 206 85

HSL 118.02, 0.55%, 0.57%

LAB 74.14, -56.51, 49.47

 

CMYK 37 / 59 / 0 / 19

HEX #8155CE

RGB 129 85 206

HSL 261.82, 0.55%, 0.57%

LAB 46.47, 44.28, -56.41

 

CMYK 0 / 13 / 59 / 20

HEX #CDB254

RGB 205 178 84

HSL 46.61, 0.55%, 0.57%

LAB 73.19, -1.52, 50.69

 

CMYK 59 / 0 / 14 / 19

HEX #55CEB2

RGB 85 206 178

HSL 166.12, 0.55%, 0.57%

LAB 75.63, -40.53, 3.84

 

CMYK 14 / 59 / 0 / 19

HEX #B255CE

RGB 178 85 206

HSL 286.12, 0.55%, 0.57%

LAB 52.31, 56.1, -46.75

 

CMYK 0 / 13 / 59 / 20

HEX #CDB254

RGB 205 178 84

HSL 46.61, 0.55%, 0.57%

LAB 73.19, -1.52, 50.69

 

CMYK 57 / 0 / 59 / 19

HEX #59CE55

RGB 89 206 85

HSL 118.02, 0.55%, 0.57%

LAB 74.14, -56.51, 49.47

 

CMYK 59 / 45 / 0 / 19

HEX #5571CE

RGB 85 113 206

HSL 226.12, 0.55%, 0.57%

LAB 49.74, 17.93, -51.37

 

CMYK 2 / 59 / 0 / 19

HEX #CA55CE

RGB 202 85 206

HSL 298.02, 0.55%, 0.57%

LAB 55.59, 62.14, -41.34

 

CMYK 0 / 13 / 59 / 20

HEX #CDB254

RGB 205 178 84

HSL 46.61, 0.55%, 0.57%

LAB 73.19, -1.52, 50.69

 

CMYK 59 / 0 / 43 / 19

HEX #55CE75

RGB 85 206 117

HSL 135.87, 0.55%, 0.57%

LAB 74.42, -53.02, 34.35

 

CMYK 59 / 45 / 0 / 19

HEX #5571CE

RGB 85 113 206

HSL 226.12, 0.55%, 0.57%

LAB 49.74, 17.93, -51.37

 

CMYK 0 / 59 / 16 / 19

HEX #CE55AD

RGB 206 85 173

HSL 316.36, 0.55%, 0.57%

LAB 54.7, 57.86, -23.69

 

Description

Color code: HEX #CDB254 | qconv.com Color code: HEX #CDB254 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 178 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 178 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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