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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDB00C it is the complementary color #324FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDB00C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDB00C shade: #D2B007, #E3C21A, #F4D42D, #FFE640 and #FFF853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDB00C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDB00C shade: #CDB00C, #BC9E00, #AB8C00, #9A7A00 and #896800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDB00C shade: #CFB20C, #CF7D0C, #CF490C, #CF140C and #CF0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDB00C shade: #CFB20C, #B8CF0C, #83CF0C, #4FCF0C and #1ACF0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDB00C shade matches the following richer shades: #CFB20C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDB00C shade: #CFB20C, #BDA51E, #AC9930, #9A8D41 and #888053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDB00C shade: #CF470C, #CF7B0C, #CFAF0C, #BCCF0C and #88CF0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDB00C shade: #816F08, #A8900A, #CFB20C, #F1D013 and #F4D83A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDB00C shade: #CDB00C, #0CCF13 and #610CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDB00C shade: #CDB00C, #0CCFAF and #AF0CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDB00C shade: #CDB00C, #0CCF13, #0C2DCF and #CF0CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDB00C shade: #CDB00C, #0CCF4D, #0C2DCF and #CF0C8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 94 / 20

HEX #CDB00C

RGB 205 176 12

HSL 50.98, 0.89%, 0.43%

LAB 72.27, -3.38, 73.21

 

Complementary color

CMYK 79 / 67 / 0 / 5

HEX #324FF3

RGB 50 79 243

HSL 230.98, 0.89%, 0.57%

LAB 42.37, 47.22, -84.37

 

CMYK 0 / 16 / 97 / 18

HEX #D2B007

RGB 210 176 7

HSL 49.95, 0.94%, 0.43%

LAB 72.74, -1.23, 74.35

 

CMYK 0 / 15 / 89 / 11

HEX #E3C21A

RGB 227 194 26

HSL 50.15, 0.79%, 0.5%

LAB 79.03, -2.92, 77.07

 

CMYK 0 / 13 / 82 / 4

HEX #F4D42D

RGB 244 212 45

HSL 50.35, 0.9%, 0.57%

LAB 85.26, -4.39, 78.46

 

CMYK 0 / 10 / 75 / 0

HEX #FFE640

RGB 255 230 64

HSL 52.15, 1%, 0.63%

LAB 90.88, -8.17, 78.22

 

CMYK 0 / 3 / 67 / 0

HEX #FFF853

RGB 255 248 83

HSL 57.56, 1%, 0.66%

LAB 95.59, -16.15, 76.22

 

CMYK 0 / 14 / 94 / 20

HEX #CDB00C

RGB 205 176 12

HSL 50.98, 0.89%, 0.43%

LAB 72.27, -3.38, 73.21

 

CMYK 0 / 16 / 100 / 26

HEX #BC9E00

RGB 188 158 0

HSL 50.43, 1%, 0.37%

LAB 65.86, -1.55, 69.3

 

CMYK 0 / 18 / 100 / 33

HEX #AB8C00

RGB 171 140 0

HSL 49.12, 1%, 0.34%

LAB 59.36, 0.48, 63.93

 

CMYK 0 / 21 / 100 / 40

HEX #9A7A00

RGB 154 122 0

HSL 47.53, 1%, 0.3%

LAB 52.72, 2.61, 58.45

 

CMYK 0 / 24 / 100 / 46

HEX #896800

RGB 137 104 0

HSL 45.55, 1%, 0.27%

LAB 45.93, 4.84, 52.87

 

CMYK 0 / 14 / 94 / 19

HEX #CFB20C

RGB 207 178 12

HSL 51.08, 0.89%, 0.43%

LAB 72.98, -3.54, 73.83

 

CMYK 0 / 40 / 94 / 19

HEX #CF7D0C

RGB 207 125 12

HSL 34.77, 0.89%, 0.43%

LAB 59.85, 24.94, 64.3

 

CMYK 0 / 65 / 94 / 19

HEX #CF490C

RGB 207 73 12

HSL 18.77, 0.89%, 0.43%

LAB 49.57, 50.8, 57.38

 

CMYK 0 / 90 / 94 / 19

HEX #CF140C

RGB 207 20 12

HSL 2.46, 0.89%, 0.43%

LAB 43.93, 66.44, 53.97

 

CMYK 0 / 94 / 94 / 19

HEX #CF0C0C

RGB 207 12 12

HSL 0, 0.89%, 0.43%

LAB 43.59, 67.44, 53.78

 

CMYK 0 / 14 / 94 / 19

HEX #CFB20C

RGB 207 178 12

HSL 51.08, 0.89%, 0.43%

LAB 72.98, -3.54, 73.83

 

CMYK 11 / 0 / 94 / 19

HEX #B8CF0C

RGB 184 207 12

HSL 67.08, 0.89%, 0.43%

LAB 78.95, -27.99, 77.53

 

CMYK 37 / 0 / 94 / 19

HEX #83CF0C

RGB 131 207 12

HSL 83.38, 0.89%, 0.43%

LAB 75.75, -48.57, 73.64

 

CMYK 62 / 0 / 94 / 19

HEX #4FCF0C

RGB 79 207 12

HSL 99.38, 0.89%, 0.43%

LAB 73.75, -63.93, 71.19

 

CMYK 87 / 0 / 94 / 19

HEX #1ACF0C

RGB 26 207 12

HSL 115.69, 0.89%, 0.43%

LAB 72.81, -72.09, 70.03

 

CMYK 0 / 14 / 94 / 19

HEX #CFB20C

RGB 207 178 12

HSL 51.08, 0.89%, 0.43%

LAB 72.98, -3.54, 73.83

 

CMYK 0 / 14 / 94 / 19

HEX #CFB20C

RGB 207 178 12

HSL 51.08, 0.89%, 0.43%

LAB 72.98, -3.54, 73.83

 

CMYK 0 / 13 / 84 / 26

HEX #BDA51E

RGB 189 165 30

HSL 50.94, 0.73%, 0.43%

LAB 67.89, -4.32, 65.67

 

CMYK 0 / 11 / 72 / 33

HEX #AC9930

RGB 172 153 48

HSL 50.81, 0.56%, 0.43%

LAB 63.15, -4.79, 54.84

 

CMYK 0 / 8 / 58 / 40

HEX #9A8D41

RGB 154 141 65

HSL 51.24, 0.41%, 0.43%

LAB 58.32, -5.18, 41.6

 

CMYK 0 / 6 / 39 / 47

HEX #888053

RGB 136 128 83

HSL 50.94, 0.24%, 0.43%

LAB 53.27, -4.03, 25.53

 

CMYK 0 / 66 / 94 / 19

HEX #CF470C

RGB 207 71 12

HSL 18.15, 0.89%, 0.43%

LAB 49.25, 51.64, 57.18

 

CMYK 0 / 41 / 94 / 19

HEX #CF7B0C

RGB 207 123 12

HSL 34.15, 0.89%, 0.43%

LAB 59.4, 26.02, 63.98

 

CMYK 0 / 15 / 94 / 19

HEX #CFAF0C

RGB 207 175 12

HSL 50.15, 0.89%, 0.43%

LAB 72.2, -1.97, 73.25

 

CMYK 9 / 0 / 94 / 19

HEX #BCCF0C

RGB 188 207 12

HSL 65.85, 0.89%, 0.43%

LAB 79.24, -26.32, 77.87

 

CMYK 34 / 0 / 94 / 19

HEX #88CF0C

RGB 136 207 12

HSL 81.85, 0.89%, 0.43%

LAB 76, -46.8, 73.95

 

CMYK 0 / 14 / 94 / 49

HEX #816F08

RGB 129 111 8

HSL 51.07, 0.88%, 0.27%

LAB 47.04, -2.86, 51.48

 

CMYK 0 / 14 / 94 / 34

HEX #A8900A

RGB 168 144 10

HSL 50.89, 0.89%, 0.35%

LAB 60.15, -2.94, 62.83

 

CMYK 0 / 14 / 94 / 19

HEX #CFB20C

RGB 207 178 12

HSL 51.08, 0.89%, 0.43%

LAB 72.98, -3.54, 73.83

 

CMYK 0 / 14 / 92 / 5

HEX #F1D013

RGB 241 208 19

HSL 51.08, 0.89%, 0.51%

LAB 83.89, -4.17, 82.49

 

CMYK 0 / 11 / 76 / 4

HEX #F4D83A

RGB 244 216 58

HSL 50.97, 0.89%, 0.59%

LAB 86.33, -5.99, 75.6

 

CMYK 0 / 14 / 94 / 20

HEX #CDB00C

RGB 205 176 12

HSL 50.98, 0.89%, 0.43%

LAB 72.27, -3.38, 73.21

 

CMYK 94 / 0 / 91 / 19

HEX #0CCF13

RGB 12 207 19

HSL 122.15, 0.89%, 0.43%

LAB 72.73, -72.77, 68.99

 

CMYK 53 / 94 / 0 / 19

HEX #610CCF

RGB 97 12 207

HSL 266.15, 0.89%, 0.43%

LAB 32.5, 68.87, -79.96

 

CMYK 0 / 14 / 94 / 20

HEX #CDB00C

RGB 205 176 12

HSL 50.98, 0.89%, 0.43%

LAB 72.27, -3.38, 73.21

 

CMYK 94 / 0 / 15 / 19

HEX #0CCFAF

RGB 12 207 175

HSL 170.15, 0.89%, 0.43%

LAB 74.7, -49.74, 3.96

 

CMYK 15 / 94 / 0 / 19

HEX #AF0CCF

RGB 175 12 207

HSL 290.15, 0.89%, 0.43%

LAB 44.06, 78, -60.57

 

CMYK 0 / 14 / 94 / 20

HEX #CDB00C

RGB 205 176 12

HSL 50.98, 0.89%, 0.43%

LAB 72.27, -3.38, 73.21

 

CMYK 94 / 0 / 91 / 19

HEX #0CCF13

RGB 12 207 19

HSL 122.15, 0.89%, 0.43%

LAB 72.73, -72.77, 68.99

 

CMYK 94 / 78 / 0 / 19

HEX #0C2DCF

RGB 12 45 207

HSL 229.85, 0.89%, 0.43%

LAB 30.54, 52.64, -83.38

 

CMYK 0 / 94 / 3 / 19

HEX #CF0CC9

RGB 207 12 201

HSL 301.85, 0.89%, 0.43%

LAB 49.19, 82.15, -48.58

 

CMYK 0 / 14 / 94 / 20

HEX #CDB00C

RGB 205 176 12

HSL 50.98, 0.89%, 0.43%

LAB 72.27, -3.38, 73.21

 

CMYK 94 / 0 / 63 / 19

HEX #0CCF4D

RGB 12 207 77

HSL 140, 0.89%, 0.43%

LAB 73.05, -68.67, 51.4

 

CMYK 94 / 78 / 0 / 19

HEX #0C2DCF

RGB 12 45 207

HSL 229.85, 0.89%, 0.43%

LAB 30.54, 52.64, -83.38

 

CMYK 0 / 94 / 31 / 19

HEX #CF0C8E

RGB 207 12 142

HSL 320, 0.89%, 0.43%

LAB 46.29, 74.76, -18.2

 

Description

Color code: HEX #CDB00C | qconv.com Color code: HEX #CDB00C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 176 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 176 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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