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Color name
HEX #CDAF25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDAF25 it is the complementary color #3250DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDAF25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDAF25 shade: #D2AF20, #E3C133, #F4D346, #FFE559 and #FFF76C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDAF25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDAF25 shade: #CDAF25, #BC9D12, #AB8B00, #9A7900 and #896700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDAF25 shade: #CBAD25, #CB8025, #CB5425, #CB2725 and #CB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDAF25 shade: #CBAD25, #BBCB25, #8FCB25, #62CB25 and #36CB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDAF25 shade matches the following richer shades: #CBAD25 and #DEB912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDAF25 shade: #CBAD25, #B7A139, #A4944C, #90885F and #7D7B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDAF25 shade: #CB5425, #CB8025, #CBAC25, #BDCB25 and #91CB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDAF25 shade: #857118, #A88F1F, #CBAD25, #DBBF3D and #E2CB60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDAF25 shade: #CDAF25, #25CB28 and #6A25CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDAF25 shade: #CDAF25, #25CBAC and #AC25CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDAF25 shade: #CDAF25, #25CB28, #2543CB and #CB25C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDAF25 shade: #CDAF25, #25CB5A, #2543CB and #CB2596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 82 / 20

HEX #CDAF25

RGB 205 175 37

HSL 49.29, 0.69%, 0.47%

LAB 72.08, -2.34, 67.93

 

Complementary color

CMYK 77 / 63 / 0 / 15

HEX #3250DA

RGB 50 80 218

HSL 229.29, 0.69%, 0.53%

LAB 40.37, 37.83, -73.47

 

CMYK 0 / 17 / 85 / 18

HEX #D2AF20

RGB 210 175 32

HSL 48.2, 0.74%, 0.47%

LAB 72.54, -0.28, 69.85

 

CMYK 0 / 15 / 78 / 11

HEX #E3C133

RGB 227 193 51

HSL 48.41, 0.76%, 0.55%

LAB 78.87, -1.72, 70.47

 

CMYK 0 / 14 / 71 / 4

HEX #F4D346

RGB 244 211 70

HSL 48.62, 0.89%, 0.62%

LAB 85.13, -2.96, 70.31

 

CMYK 0 / 10 / 65 / 0

HEX #FFE559

RGB 255 229 89

HSL 50.6, 1%, 0.67%

LAB 90.79, -6.49, 69

 

CMYK 0 / 3 / 58 / 0

HEX #FFF76C

RGB 255 247 108

HSL 56.73, 1%, 0.71%

LAB 95.52, -14.18, 66.21

 

CMYK 0 / 15 / 82 / 20

HEX #CDAF25

RGB 205 175 37

HSL 49.29, 0.69%, 0.47%

LAB 72.08, -2.34, 67.93

 

CMYK 0 / 16 / 90 / 26

HEX #BC9D12

RGB 188 157 18

HSL 49.06, 0.83%, 0.4%

LAB 65.63, -0.77, 66.52

 

CMYK 0 / 19 / 100 / 33

HEX #AB8B00

RGB 171 139 0

HSL 48.77, 1%, 0.34%

LAB 59.09, 1.03, 63.74

 

CMYK 0 / 21 / 100 / 40

HEX #9A7900

RGB 154 121 0

HSL 47.14, 1%, 0.3%

LAB 52.45, 3.17, 58.27

 

CMYK 0 / 25 / 100 / 46

HEX #896700

RGB 137 103 0

HSL 45.11, 1%, 0.27%

LAB 45.66, 5.42, 52.68

 

CMYK 0 / 15 / 82 / 20

HEX #CBAD25

RGB 203 173 37

HSL 49.16, 0.69%, 0.47%

LAB 71.36, -2.16, 67.24

 

CMYK 0 / 37 / 82 / 20

HEX #CB8025

RGB 203 128 37

HSL 32.89, 0.69%, 0.47%

LAB 60.13, 22.14, 57.4

 

CMYK 0 / 59 / 82 / 20

HEX #CB5425

RGB 203 84 37

HSL 16.99, 0.69%, 0.47%

LAB 50.89, 44.91, 49.01

 

CMYK 0 / 81 / 82 / 20

HEX #CB2725

RGB 203 39 37

HSL 0.72, 0.69%, 0.47%

LAB 44.63, 61.92, 43.12

 

CMYK 0 / 82 / 82 / 20

HEX #CB2525

RGB 203 37 37

HSL 0, 0.69%, 0.47%

LAB 44.45, 62.43, 42.95

 

CMYK 0 / 15 / 82 / 20

HEX #CBAD25

RGB 203 173 37

HSL 49.16, 0.69%, 0.47%

LAB 71.36, -2.16, 67.24

 

CMYK 8 / 0 / 82 / 20

HEX #BBCB25

RGB 187 203 37

HSL 65.78, 0.69%, 0.47%

LAB 78.12, -24.28, 72.53

 

CMYK 30 / 0 / 82 / 20

HEX #8FCB25

RGB 143 203 37

HSL 81.69, 0.69%, 0.47%

LAB 75.25, -41.86, 68.92

 

CMYK 52 / 0 / 82 / 20

HEX #62CB25

RGB 98 203 37

HSL 97.95, 0.69%, 0.47%

LAB 73.18, -56.83, 66.28

 

CMYK 73 / 0 / 82 / 20

HEX #36CB25

RGB 54 203 37

HSL 113.86, 0.69%, 0.47%

LAB 71.98, -66.7, 64.74

 

CMYK 0 / 15 / 82 / 20

HEX #CBAD25

RGB 203 173 37

HSL 49.16, 0.69%, 0.47%

LAB 71.36, -2.16, 67.24

 

CMYK 0 / 17 / 92 / 13

HEX #DEB912

RGB 222 185 18

HSL 49.12, 0.85%, 0.47%

LAB 76.24, -0.55, 76.08

 

CMYK 0 / 15 / 82 / 20

HEX #CBAD25

RGB 203 173 37

HSL 49.16, 0.69%, 0.47%

LAB 71.36, -2.16, 67.24

 

CMYK 0 / 12 / 69 / 28

HEX #B7A139

RGB 183 161 57

HSL 49.52, 0.53%, 0.47%

LAB 66.41, -3.74, 54.79

 

CMYK 0 / 10 / 54 / 36

HEX #A4944C

RGB 164 148 76

HSL 49.09, 0.37%, 0.47%

LAB 61.3, -3.69, 39.81

 

CMYK 0 / 6 / 34 / 44

HEX #90885F

RGB 144 136 95

HSL 50.2, 0.21%, 0.47%

LAB 56.45, -3.57, 23.13

 

CMYK 0 / 2 / 8 / 51

HEX #7D7B73

RGB 125 123 115

HSL 48, 0.04%, 0.47%

LAB 51.57, -0.78, 4.63

 

CMYK 0 / 59 / 82 / 20

HEX #CB5425

RGB 203 84 37

HSL 16.99, 0.69%, 0.47%

LAB 50.89, 44.91, 49.01

 

CMYK 0 / 37 / 82 / 20

HEX #CB8025

RGB 203 128 37

HSL 32.89, 0.69%, 0.47%

LAB 60.13, 22.14, 57.4

 

CMYK 0 / 15 / 82 / 20

HEX #CBAC25

RGB 203 172 37

HSL 48.8, 0.69%, 0.47%

LAB 71.1, -1.63, 67.01

 

CMYK 7 / 0 / 82 / 20

HEX #BDCB25

RGB 189 203 37

HSL 65.06, 0.69%, 0.47%

LAB 78.27, -23.45, 72.72

 

CMYK 29 / 0 / 82 / 20

HEX #91CB25

RGB 145 203 37

HSL 80.96, 0.69%, 0.47%

LAB 75.37, -41.11, 69.06

 

CMYK 0 / 15 / 82 / 48

HEX #857118

RGB 133 113 24

HSL 48.99, 0.69%, 0.31%

LAB 48.09, -1.65, 48.21

 

CMYK 0 / 15 / 82 / 34

HEX #A88F1F

RGB 168 143 31

HSL 49.05, 0.69%, 0.39%

LAB 59.95, -1.89, 57.78

 

CMYK 0 / 15 / 82 / 20

HEX #CBAD25

RGB 203 173 37

HSL 49.16, 0.69%, 0.47%

LAB 71.36, -2.16, 67.24

 

CMYK 0 / 13 / 72 / 14

HEX #DBBF3D

RGB 219 191 61

HSL 49.37, 0.69%, 0.55%

LAB 77.67, -3.7, 65.58

 

CMYK 0 / 10 / 58 / 11

HEX #E2CB60

RGB 226 203 96

HSL 49.38, 0.69%, 0.63%

LAB 81.69, -4.84, 55.3

 

CMYK 0 / 15 / 82 / 20

HEX #CDAF25

RGB 205 175 37

HSL 49.29, 0.69%, 0.47%

LAB 72.08, -2.34, 67.93

 

CMYK 82 / 0 / 80 / 20

HEX #25CB28

RGB 37 203 40

HSL 121.08, 0.69%, 0.47%

LAB 71.73, -68.83, 63.59

 

CMYK 48 / 82 / 0 / 20

HEX #6A25CB

RGB 106 37 203

HSL 264.94, 0.69%, 0.47%

LAB 35.4, 62.28, -72.82

 

CMYK 0 / 15 / 82 / 20

HEX #CDAF25

RGB 205 175 37

HSL 49.29, 0.69%, 0.47%

LAB 72.08, -2.34, 67.93

 

CMYK 82 / 0 / 15 / 20

HEX #25CBAC

RGB 37 203 172

HSL 168.8, 0.69%, 0.47%

LAB 73.6, -47.43, 4.01

 

CMYK 15 / 82 / 0 / 20

HEX #AC25CB

RGB 172 37 203

HSL 288.8, 0.69%, 0.47%

LAB 44.81, 72.37, -57.08

 

CMYK 0 / 15 / 82 / 20

HEX #CDAF25

RGB 205 175 37

HSL 49.29, 0.69%, 0.47%

LAB 72.08, -2.34, 67.93

 

CMYK 82 / 0 / 80 / 20

HEX #25CB28

RGB 37 203 40

HSL 121.08, 0.69%, 0.47%

LAB 71.73, -68.83, 63.59

 

CMYK 82 / 67 / 0 / 20

HEX #2543CB

RGB 37 67 203

HSL 229.16, 0.69%, 0.47%

LAB 35.44, 39.48, -72.94

 

CMYK 0 / 82 / 1 / 20

HEX #CB25C8

RGB 203 37 200

HSL 301.08, 0.69%, 0.47%

LAB 49.73, 77.51, -47.18

 

CMYK 0 / 15 / 82 / 20

HEX #CDAF25

RGB 205 175 37

HSL 49.29, 0.69%, 0.47%

LAB 72.08, -2.34, 67.93

 

CMYK 82 / 0 / 56 / 20

HEX #25CB5A

RGB 37 203 90

HSL 139.16, 0.69%, 0.47%

LAB 72.12, -63.97, 44.51

 

CMYK 82 / 67 / 0 / 20

HEX #2543CB

RGB 37 67 203

HSL 229.16, 0.69%, 0.47%

LAB 35.44, 39.48, -72.94

 

CMYK 0 / 82 / 26 / 20

HEX #CB2596

RGB 203 37 150

HSL 319.16, 0.69%, 0.47%

LAB 47.26, 70.72, -21.59

 

Description

Color code: HEX #CDAF25 | qconv.com Color code: HEX #CDAF25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 175 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 175 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 82 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 82% 20% C M Y K

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Provide designers and agencies with accurate color values.

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