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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDADB7 it is the complementary color #325248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDADB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDADB7 shade: #D2ADB2, #E3BFC5, #F4D1D8, #FFE3EB and #FFF5FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDADB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDADB7 shade: #CDADB7, #BC9BA4, #AB8991, #9A777E and #89656B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDADB7 shade: #CDADB7, #CDADAE and #CDADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDADB7 shade: #CDADB7, #CDADBF, #CDADC8, #C9ADCD and #C0ADCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDADB7 shade matches the following richer shades: #CDADB7, #D7A2B3, #E297AF, #ED8DAB and #F882A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDADB7 shade: #CDADB7, #C2B8BB, #B7C2BF, #ACCDC3 and #A2D8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDADB7 shade: #CDADC8, #CDADBF, #CDADB7, #CDADAE and #CDB4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDADB7 shade: #AD7A8A, #BD93A0, #CDADB7, #DCC6CD and #ECE0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDADB7 shade: #CDADB7, #CDC9AD and #ADC4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDADB7 shade: #CDADB7, #B7CDAD and #ADB7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDADB7 shade: #CDADB7, #CDC9AD, #ADCDC3 and #ADB1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDADB7 shade: #CDADB7, #C7CDAD, #ADCDC3 and #B3ADCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

Complementary color

CMYK 39 / 0 / 12 / 68

HEX #325248

RGB 50 82 72

HSL 161.25, 0.24%, 0.26%

LAB 32.21, -14.4, 2.15

 

CMYK 0 / 18 / 15 / 18

HEX #D2ADB2

RGB 210 173 178

HSL 351.89, 0.29%, 0.75%

LAB 74.06, 14.23, 2.5

 

CMYK 0 / 16 / 13 / 11

HEX #E3BFC5

RGB 227 191 197

HSL 350, 0.39%, 0.82%

LAB 80.53, 13.77, 1.77

 

CMYK 0 / 14 / 11 / 4

HEX #F4D1D8

RGB 244 209 216

HSL 348, 0.61%, 0.89%

LAB 86.89, 13.34, 1.08

 

CMYK 0 / 11 / 8 / 0

HEX #FFE3EB

RGB 255 227 235

HSL 342.86, 1%, 0.95%

LAB 92.66, 10.89, -0.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FE

RGB 255 245 254

HSL 306, 1%, 0.98%

LAB 97.52, 4.9, -3.13

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 18 / 13 / 26

HEX #BC9BA4

RGB 188 155 164

HSL 343.64, 0.2%, 0.67%

LAB 67.14, 13.71, -0.09

 

CMYK 0 / 20 / 15 / 33

HEX #AB8991

RGB 171 137 145

HSL 345.88, 0.17%, 0.6%

LAB 60.42, 14.22, 0.64

 

CMYK 0 / 23 / 18 / 40

HEX #9A777E

RGB 154 119 126

HSL 348, 0.15%, 0.54%

LAB 53.57, 14.8, 1.43

 

CMYK 0 / 26 / 22 / 46

HEX #89656B

RGB 137 101 107

HSL 350, 0.15%, 0.47%

LAB 46.56, 15.46, 2.31

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 16 / 15 / 20

HEX #CDADAE

RGB 205 173 174

HSL 358.13, 0.24%, 0.74%

LAB 73.5, 11.75, 3.81

 

CMYK 0 / 16 / 16 / 20

HEX #CDADAD

RGB 205 173 173

HSL 0, 0.24%, 0.74%

LAB 73.47, 11.59, 4.32

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 16 / 7 / 20

HEX #CDADBF

RGB 205 173 191

HSL 326.25, 0.24%, 0.74%

LAB 73.95, 14.62, -4.85

 

CMYK 0 / 16 / 2 / 20

HEX #CDADC8

RGB 205 173 200

HSL 309.38, 0.24%, 0.74%

LAB 74.21, 16.24, -9.39

 

CMYK 2 / 16 / 0 / 20

HEX #C9ADCD

RGB 201 173 205

HSL 292.5, 0.24%, 0.74%

LAB 74.01, 15.81, -12.47

 

CMYK 6 / 16 / 0 / 20

HEX #C0ADCD

RGB 192 173 205

HSL 275.63, 0.24%, 0.74%

LAB 73.22, 12.77, -13.73

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 25 / 17 / 16

HEX #D7A2B3

RGB 215 162 179

HSL 340.75, 0.4%, 0.74%

LAB 71.92, 22.17, -1.12

 

CMYK 0 / 33 / 23 / 11

HEX #E297AF

RGB 226 151 175

HSL 340.8, 0.56%, 0.74%

LAB 70.45, 31.44, -0.91

 

CMYK 0 / 41 / 28 / 7

HEX #ED8DAB

RGB 237 141 171

HSL 341.25, 0.73%, 0.74%

LAB 69.47, 40.03, 0.03

 

CMYK 0 / 48 / 33 / 3

HEX #F882A7

RGB 248 130 167

HSL 341.19, 0.89%, 0.74%

LAB 68.54, 48.86, 1.1

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 5 / 4 / 24

HEX #C2B8BB

RGB 194 184 187

HSL 342, 0.08%, 0.74%

LAB 75.66, 4.07, -0.26

 

CMYK 6 / 0 / 2 / 24

HEX #B7C2BF

RGB 183 194 191

HSL 163.64, 0.08%, 0.74%

LAB 77.53, -4.34, 0.19

 

CMYK 16 / 0 / 5 / 20

HEX #ACCDC3

RGB 172 205 195

HSL 161.82, 0.25%, 0.74%

LAB 79.83, -12.96, 1.3

 

CMYK 25 / 0 / 8 / 15

HEX #A2D8C7

RGB 162 216 199

HSL 161.11, 0.41%, 0.74%

LAB 82.33, -20.86, 2.74

 

CMYK 0 / 16 / 2 / 20

HEX #CDADC8

RGB 205 173 200

HSL 309.38, 0.24%, 0.74%

LAB 74.21, 16.24, -9.39

 

CMYK 0 / 16 / 7 / 20

HEX #CDADBF

RGB 205 173 191

HSL 326.25, 0.24%, 0.74%

LAB 73.95, 14.62, -4.85

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 16 / 15 / 20

HEX #CDADAE

RGB 205 173 174

HSL 358.13, 0.24%, 0.74%

LAB 73.5, 11.75, 3.81

 

CMYK 0 / 12 / 16 / 20

HEX #CDB4AD

RGB 205 180 173

HSL 13.13, 0.24%, 0.74%

LAB 75.23, 7.81, 6.85

 

CMYK 0 / 29 / 20 / 32

HEX #AD7A8A

RGB 173 122 138

HSL 341.18, 0.24%, 0.58%

LAB 56.72, 22.3, -0.71

 

CMYK 0 / 22 / 15 / 26

HEX #BD93A0

RGB 189 147 160

HSL 341.43, 0.24%, 0.66%

LAB 65.14, 17.84, -0.76

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 10 / 7 / 14

HEX #DCC6CD

RGB 220 198 205

HSL 340.91, 0.24%, 0.82%

LAB 81.84, 8.9, -0.68

 

CMYK 0 / 5 / 3 / 7

HEX #ECE0E4

RGB 236 224 228

HSL 340, 0.24%, 0.9%

LAB 90.2, 4.78, -0.5

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 2 / 16 / 20

HEX #CDC9AD

RGB 205 201 173

HSL 52.5, 0.24%, 0.74%

LAB 80.61, -3.32, 14.5

 

CMYK 16 / 4 / 0 / 20

HEX #ADC4CD

RGB 173 196 205

HSL 196.88, 0.24%, 0.74%

LAB 77.74, -5.9, -7.14

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 11 / 0 / 16 / 20

HEX #B7CDAD

RGB 183 205 173

HSL 101.25, 0.24%, 0.74%

LAB 80.04, -13.3, 13.46

 

CMYK 16 / 11 / 0 / 20

HEX #ADB7CD

RGB 173 183 205

HSL 221.25, 0.24%, 0.74%

LAB 74.29, 1.05, -12.28

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 0 / 2 / 16 / 20

HEX #CDC9AD

RGB 205 201 173

HSL 52.5, 0.24%, 0.74%

LAB 80.61, -3.32, 14.5

 

CMYK 16 / 0 / 5 / 20

HEX #ADCDC3

RGB 173 205 195

HSL 161.25, 0.24%, 0.74%

LAB 79.89, -12.63, 1.4

 

CMYK 16 / 14 / 0 / 20

HEX #ADB1CD

RGB 173 177 205

HSL 232.5, 0.24%, 0.74%

LAB 72.72, 4.31, -14.64

 

CMYK 0 / 16 / 11 / 20

HEX #CDADB7

RGB 205 173 183

HSL 341.25, 0.24%, 0.74%

LAB 73.73, 13.24, -0.79

 

CMYK 3 / 0 / 16 / 20

HEX #C7CDAD

RGB 199 205 173

HSL 71.25, 0.24%, 0.74%

LAB 81.19, -7.58, 15.26

 

CMYK 16 / 0 / 5 / 20

HEX #ADCDC3

RGB 173 205 195

HSL 161.25, 0.24%, 0.74%

LAB 79.89, -12.63, 1.4

 

CMYK 13 / 16 / 0 / 20

HEX #B3ADCD

RGB 179 173 205

HSL 251.25, 0.24%, 0.74%

LAB 72.15, 8.46, -15.45

 

Description

Color code: HEX #CDADB7 | qconv.com Color code: HEX #CDADB7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 173 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 173 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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