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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDAD07 it is the complementary color #3252F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDAD07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDAD07 shade: #D2AD02, #E3BF15, #F4D128, #FFE33B and #FFF54E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDAD07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDAD07 shade: #CDAD07, #BC9B00, #AB8900, #9A7700 and #896500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDAD07 shade: #CFAE07, #CF7907, #CF4307, #CF0D07 and #CF0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDAD07 shade: #CFAE07, #B9CF07, #83CF07, #4ECF07 and #18CF07

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDAD07 shade matches the following richer shades: #CFAE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDAD07 shade: #CFAE07, #BDA319, #AC972A, #9B8B3B and #89804D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDAD07 shade: #CF4307, #CF7807, #CFAE07, #BBCF07 and #86CF07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDAD07 shade: #7F6B05, #A78D06, #CFAE07, #F6D009 and #F8D731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDAD07 shade: #CDAD07, #07CF0E and #5E07CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDAD07 shade: #CDAD07, #07CFAE and #AE07CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDAD07 shade: #CDAD07, #07CF0E, #0729CF and #CF07C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDAD07 shade: #CDAD07, #07CF4A, #0729CF and #CF078C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 97 / 20

HEX #CDAD07

RGB 205 173 7

HSL 50.3, 0.93%, 0.42%

LAB 71.47, -1.86, 73.21

 

Complementary color

CMYK 80 / 67 / 0 / 3

HEX #3252F8

RGB 50 82 248

HSL 230.3, 0.93%, 0.58%

LAB 43.49, 47.16, -85.32

 

CMYK 0 / 18 / 99 / 18

HEX #D2AD02

RGB 210 173 2

HSL 49.33, 0.98%, 0.42%

LAB 71.96, 0.3, 74.36

 

CMYK 0 / 16 / 91 / 11

HEX #E3BF15

RGB 227 191 21

HSL 49.51, 0.83%, 0.49%

LAB 78.26, -1.45, 77.35

 

CMYK 0 / 14 / 84 / 4

HEX #F4D128

RGB 244 209 40

HSL 49.71, 0.9%, 0.56%

LAB 84.48, -3, 79.07

 

CMYK 0 / 11 / 77 / 0

HEX #FFE33B

RGB 255 227 59

HSL 51.43, 1%, 0.62%

LAB 90.1, -6.86, 79.08

 

CMYK 0 / 4 / 69 / 0

HEX #FFF54E

RGB 255 245 78

HSL 56.61, 1%, 0.65%

LAB 94.79, -14.94, 77.22

 

CMYK 0 / 16 / 97 / 20

HEX #CDAD07

RGB 205 173 7

HSL 50.3, 0.93%, 0.42%

LAB 71.47, -1.86, 73.21

 

CMYK 0 / 18 / 100 / 26

HEX #BC9B00

RGB 188 155 0

HSL 49.47, 1%, 0.37%

LAB 65.07, 0.06, 68.74

 

CMYK 0 / 20 / 100 / 33

HEX #AB8900

RGB 171 137 0

HSL 48.07, 1%, 0.34%

LAB 58.55, 2.13, 63.37

 

CMYK 0 / 23 / 100 / 40

HEX #9A7700

RGB 154 119 0

HSL 46.36, 1%, 0.3%

LAB 51.91, 4.3, 57.89

 

CMYK 0 / 26 / 100 / 46

HEX #896500

RGB 137 101 0

HSL 44.23, 1%, 0.27%

LAB 45.12, 6.59, 52.31

 

CMYK 0 / 16 / 97 / 19

HEX #CFAE07

RGB 207 174 7

HSL 50.1, 0.93%, 0.42%

LAB 71.93, -1.5, 73.63

 

CMYK 0 / 42 / 97 / 19

HEX #CF7907

RGB 207 121 7

HSL 34.2, 0.93%, 0.42%

LAB 58.93, 27.04, 64.5

 

CMYK 0 / 68 / 97 / 19

HEX #CF4307

RGB 207 67 7

HSL 18, 0.93%, 0.42%

LAB 48.63, 53.23, 58.01

 

CMYK 0 / 94 / 97 / 19

HEX #CF0D07

RGB 207 13 7

HSL 1.8, 0.93%, 0.42%

LAB 43.61, 67.29, 55.32

 

CMYK 0 / 97 / 97 / 19

HEX #CF0707

RGB 207 7 7

HSL 0, 0.93%, 0.42%

LAB 43.41, 67.87, 55.22

 

CMYK 0 / 16 / 97 / 19

HEX #CFAE07

RGB 207 174 7

HSL 50.1, 0.93%, 0.42%

LAB 71.93, -1.5, 73.63

 

CMYK 11 / 0 / 97 / 19

HEX #B9CF07

RGB 185 207 7

HSL 66.6, 0.93%, 0.42%

LAB 79.02, -27.63, 78.09

 

CMYK 37 / 0 / 97 / 19

HEX #83CF07

RGB 131 207 7

HSL 82.8, 0.93%, 0.42%

LAB 75.74, -48.65, 74.14

 

CMYK 62 / 0 / 97 / 19

HEX #4ECF07

RGB 78 207 7

HSL 98.7, 0.93%, 0.42%

LAB 73.71, -64.25, 71.66

 

CMYK 88 / 0 / 97 / 19

HEX #18CF07

RGB 24 207 7

HSL 114.9, 0.93%, 0.42%

LAB 72.78, -72.34, 70.52

 

CMYK 0 / 16 / 97 / 19

HEX #CFAE07

RGB 207 174 7

HSL 50.1, 0.93%, 0.42%

LAB 71.93, -1.5, 73.63

 

CMYK 0 / 16 / 97 / 19

HEX #CFAE07

RGB 207 174 7

HSL 50.1, 0.93%, 0.42%

LAB 71.93, -1.5, 73.63

 

CMYK 0 / 14 / 87 / 26

HEX #BDA319

RGB 189 163 25

HSL 50.49, 0.77%, 0.42%

LAB 67.34, -3.39, 66.45

 

CMYK 0 / 12 / 76 / 33

HEX #AC972A

RGB 172 151 42

HSL 50.31, 0.61%, 0.42%

LAB 62.57, -4, 56.56

 

CMYK 0 / 10 / 62 / 39

HEX #9B8B3B

RGB 155 139 59

HSL 50, 0.45%, 0.42%

LAB 57.8, -4.1, 43.94

 

CMYK 0 / 7 / 44 / 46

HEX #89804D

RGB 137 128 77

HSL 51, 0.28%, 0.42%

LAB 53.27, -4.3, 28.86

 

CMYK 0 / 68 / 97 / 19

HEX #CF4307

RGB 207 67 7

HSL 18, 0.93%, 0.42%

LAB 48.63, 53.23, 58.01

 

CMYK 0 / 42 / 97 / 19

HEX #CF7807

RGB 207 120 7

HSL 33.9, 0.93%, 0.42%

LAB 58.71, 27.57, 64.35

 

CMYK 0 / 16 / 97 / 19

HEX #CFAE07

RGB 207 174 7

HSL 50.1, 0.93%, 0.42%

LAB 71.93, -1.5, 73.63

 

CMYK 10 / 0 / 97 / 19

HEX #BBCF07

RGB 187 207 7

HSL 66, 0.93%, 0.42%

LAB 79.16, -26.8, 78.26

 

CMYK 35 / 0 / 97 / 19

HEX #86CF07

RGB 134 207 7

HSL 81.9, 0.93%, 0.42%

LAB 75.89, -47.58, 74.32

 

CMYK 0 / 16 / 96 / 50

HEX #7F6B05

RGB 127 107 5

HSL 50.16, 0.92%, 0.26%

LAB 45.69, -1.6, 51.02

 

CMYK 0 / 16 / 96 / 35

HEX #A78D06

RGB 167 141 6

HSL 50.31, 0.93%, 0.34%

LAB 59.23, -1.82, 62.71

 

CMYK 0 / 16 / 97 / 19

HEX #CFAE07

RGB 207 174 7

HSL 50.1, 0.93%, 0.42%

LAB 71.93, -1.5, 73.63

 

CMYK 0 / 15 / 96 / 4

HEX #F6D009

RGB 246 208 9

HSL 50.38, 0.93%, 0.5%

LAB 84.34, -2.14, 84.12

 

CMYK 0 / 13 / 80 / 3

HEX #F8D731

RGB 248 215 49

HSL 50.05, 0.93%, 0.58%

LAB 86.39, -4.1, 78.49

 

CMYK 0 / 16 / 97 / 20

HEX #CDAD07

RGB 205 173 7

HSL 50.3, 0.93%, 0.42%

LAB 71.47, -1.86, 73.21

 

CMYK 97 / 0 / 93 / 19

HEX #07CF0E

RGB 7 207 14

HSL 122.1, 0.93%, 0.42%

LAB 72.7, -73.1, 69.65

 

CMYK 55 / 97 / 0 / 19

HEX #5E07CF

RGB 94 7 207

HSL 266.1, 0.93%, 0.42%

LAB 31.89, 69.39, -80.99

 

CMYK 0 / 16 / 97 / 20

HEX #CDAD07

RGB 205 173 7

HSL 50.3, 0.93%, 0.42%

LAB 71.47, -1.86, 73.21

 

CMYK 97 / 0 / 16 / 19

HEX #07CFAE

RGB 7 207 174

HSL 170.1, 0.93%, 0.42%

LAB 74.65, -50.16, 4.43

 

CMYK 16 / 97 / 0 / 19

HEX #AE07CF

RGB 174 7 207

HSL 290.1, 0.93%, 0.42%

LAB 43.73, 78.33, -61.11

 

CMYK 0 / 16 / 97 / 20

HEX #CDAD07

RGB 205 173 7

HSL 50.3, 0.93%, 0.42%

LAB 71.47, -1.86, 73.21

 

CMYK 97 / 0 / 93 / 19

HEX #07CF0E

RGB 7 207 14

HSL 122.1, 0.93%, 0.42%

LAB 72.7, -73.1, 69.65

 

CMYK 97 / 80 / 0 / 19

HEX #0729CF

RGB 7 41 207

HSL 229.8, 0.93%, 0.42%

LAB 29.75, 54.61, -84.7

 

CMYK 0 / 97 / 3 / 19

HEX #CF07C8

RGB 207 7 200

HSL 302.1, 0.93%, 0.42%

LAB 48.99, 82.41, -48.31

 

CMYK 0 / 16 / 97 / 20

HEX #CDAD07

RGB 205 173 7

HSL 50.3, 0.93%, 0.42%

LAB 71.47, -1.86, 73.21

 

CMYK 97 / 0 / 64 / 19

HEX #07CF4A

RGB 7 207 74

HSL 140.1, 0.93%, 0.42%

LAB 73, -69.2, 52.62

 

CMYK 97 / 80 / 0 / 19

HEX #0729CF

RGB 7 41 207

HSL 229.8, 0.93%, 0.42%

LAB 29.75, 54.61, -84.7

 

CMYK 0 / 97 / 32 / 19

HEX #CF078C

RGB 207 7 140

HSL 320.1, 0.93%, 0.42%

LAB 46.06, 74.98, -17.33

 

Description

Color code: HEX #CDAD07 | qconv.com Color code: HEX #CDAD07 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 173 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 173 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 97 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 97% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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