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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDAA5E it is the complementary color #3255A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDAA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDAA5E shade: #D2AA59, #E3BC6C, #F4CE7F, #FFE092 and #FFF2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDAA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDAA5E shade: #CDAA5E, #BC984B, #AB8638, #9A7425 and #896212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDAA5E shade: #CDAA5F, #CD8D5F, #CD6F5F and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDAA5E shade: #CDAA5F, #CDC85F, #B5CD5F, #97CD5F and #79CD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDAA5E shade matches the following richer shades: #CDAA5F, #DEB14E and #EFB73D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDAA5E shade: #CDAA5F, #BCA46F, #AC9E80, #9B9891 and #8A91A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDAA5E shade: #CD6F5F, #CD8D5F, #CDAA5F, #CDC85F and #B5CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDAA5E shade: #A78233, #C49A3F, #CDAA5F, #D7BB7E and #E1CC9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDAA5E shade: #CDAA5E, #6BCD5F and #7E5FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDAA5E shade: #CDAA5E, #5FCDAA and #AA5FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDAA5E shade: #CDAA5E, #6BCD5F, #5F82CD and #C05FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDAA5E shade: #CDAA5E, #5FCD73, #5F82CD and #CD5FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 54 / 20

HEX #CDAA5E

RGB 205 170 94

HSL 41.08, 0.53%, 0.59%

LAB 71.24, 3.51, 43.55

 

Complementary color

CMYK 69 / 47 / 0 / 37

HEX #3255A1

RGB 50 85 161

HSL 221.08, 0.53%, 0.41%

LAB 37.39, 13.52, -44.98

 

CMYK 0 / 19 / 58 / 18

HEX #D2AA59

RGB 210 170 89

HSL 40.17, 0.57%, 0.59%

LAB 71.67, 5.21, 46.66

 

CMYK 0 / 17 / 52 / 11

HEX #E3BC6C

RGB 227 188 108

HSL 40.34, 0.68%, 0.66%

LAB 78.1, 4.3, 45.36

 

CMYK 0 / 16 / 48 / 4

HEX #F4CE7F

RGB 244 206 127

HSL 40.51, 0.84%, 0.73%

LAB 84.44, 3.52, 44.08

 

CMYK 0 / 12 / 43 / 0

HEX #FFE092

RGB 255 224 146

HSL 42.94, 1%, 0.79%

LAB 90.16, 0.49, 42.05

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A5

RGB 255 242 165

HSL 51.33, 1%, 0.82%

LAB 94.94, -6.54, 38.77

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5E

RGB 205 170 94

HSL 41.08, 0.53%, 0.59%

LAB 71.24, 3.51, 43.55

 

CMYK 0 / 19 / 60 / 26

HEX #BC984B

RGB 188 152 75

HSL 40.88, 0.46%, 0.52%

LAB 64.69, 4.47, 44.85

 

CMYK 0 / 22 / 67 / 33

HEX #AB8638

RGB 171 134 56

HSL 40.7, 0.51%, 0.45%

LAB 58.03, 5.62, 46.07

 

CMYK 0 / 25 / 76 / 40

HEX #9A7425

RGB 154 116 37

HSL 40.51, 0.61%, 0.37%

LAB 51.26, 7.01, 47

 

CMYK 0 / 28 / 87 / 46

HEX #896212

RGB 137 98 18

HSL 40.34, 0.77%, 0.3%

LAB 44.37, 8.73, 47.14

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 31 / 54 / 20

HEX #CD8D5F

RGB 205 141 95

HSL 25.09, 0.52%, 0.59%

LAB 64.04, 19.3, 34.19

 

CMYK 0 / 46 / 54 / 20

HEX #CD6F5F

RGB 205 111 95

HSL 8.73, 0.52%, 0.59%

LAB 57.24, 35.45, 25.46

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 2 / 54 / 20

HEX #CDC85F

RGB 205 200 95

HSL 57.27, 0.52%, 0.59%

LAB 79.11, -12.06, 52.33

 

CMYK 12 / 0 / 54 / 20

HEX #B5CD5F

RGB 181 205 95

HSL 73.09, 0.52%, 0.59%

LAB 78.64, -24.25, 51.33

 

CMYK 26 / 0 / 54 / 20

HEX #97CD5F

RGB 151 205 95

HSL 89.45, 0.52%, 0.59%

LAB 76.72, -35.7, 48.59

 

CMYK 41 / 0 / 54 / 20

HEX #79CD5F

RGB 121 205 95

HSL 105.82, 0.52%, 0.59%

LAB 75.17, -45.94, 46.38

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 20 / 65 / 13

HEX #DEB14E

RGB 222 177 78

HSL 41.25, 0.69%, 0.59%

LAB 74.52, 5.82, 55.39

 

CMYK 0 / 23 / 74 / 6

HEX #EFB73D

RGB 239 183 61

HSL 41.12, 0.85%, 0.59%

LAB 77.61, 9.01, 66.19

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 13 / 41 / 26

HEX #BCA46F

RGB 188 164 111

HSL 41.3, 0.36%, 0.59%

LAB 68.31, 1.31, 30.72

 

CMYK 0 / 8 / 26 / 33

HEX #AC9E80

RGB 172 158 128

HSL 40.91, 0.21%, 0.59%

LAB 65.58, 0.27, 17.55

 

CMYK 0 / 2 / 6 / 39

HEX #9B9891

RGB 155 152 145

HSL 42, 0.05%, 0.59%

LAB 62.9, -0.2, 4.06

 

CMYK 15 / 10 / 0 / 36

HEX #8A91A2

RGB 138 145 162

HSL 222.5, 0.11%, 0.59%

LAB 60.13, 1.08, -9.82

 

CMYK 0 / 46 / 54 / 20

HEX #CD6F5F

RGB 205 111 95

HSL 8.73, 0.52%, 0.59%

LAB 57.24, 35.45, 25.46

 

CMYK 0 / 31 / 54 / 20

HEX #CD8D5F

RGB 205 141 95

HSL 25.09, 0.52%, 0.59%

LAB 64.04, 19.3, 34.19

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 2 / 54 / 20

HEX #CDC85F

RGB 205 200 95

HSL 57.27, 0.52%, 0.59%

LAB 79.11, -12.06, 52.33

 

CMYK 12 / 0 / 54 / 20

HEX #B5CD5F

RGB 181 205 95

HSL 73.09, 0.52%, 0.59%

LAB 78.64, -24.25, 51.33

 

CMYK 0 / 22 / 69 / 35

HEX #A78233

RGB 167 130 51

HSL 40.86, 0.53%, 0.43%

LAB 56.51, 5.76, 46.63

 

CMYK 0 / 21 / 68 / 23

HEX #C49A3F

RGB 196 154 63

HSL 41.05, 0.53%, 0.51%

LAB 65.91, 6.07, 52.08

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 13 / 41 / 16

HEX #D7BB7E

RGB 215 187 126

HSL 41.12, 0.53%, 0.67%

LAB 76.98, 1.68, 34.55

 

CMYK 0 / 9 / 30 / 12

HEX #E1CC9E

RGB 225 204 158

HSL 41.19, 0.53%, 0.75%

LAB 82.73, 0.5, 25.63

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5E

RGB 205 170 94

HSL 41.08, 0.53%, 0.59%

LAB 71.24, 3.51, 43.55

 

CMYK 48 / 0 / 54 / 20

HEX #6BCD5F

RGB 107 205 95

HSL 113.45, 0.52%, 0.59%

LAB 74.58, -50.15, 45.53

 

CMYK 39 / 54 / 0 / 20

HEX #7E5FCD

RGB 126 95 205

HSL 256.91, 0.52%, 0.59%

LAB 48.3, 37.64, -52.93

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5E

RGB 205 170 94

HSL 41.08, 0.53%, 0.59%

LAB 71.24, 3.51, 43.55

 

CMYK 54 / 0 / 17 / 20

HEX #5FCDAA

RGB 95 205 170

HSL 160.91, 0.52%, 0.59%

LAB 75.45, -39.92, 7.92

 

CMYK 17 / 54 / 0 / 20

HEX #AA5FCD

RGB 170 95 205

HSL 280.91, 0.52%, 0.59%

LAB 53.1, 48.86, -44.98

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5E

RGB 205 170 94

HSL 41.08, 0.53%, 0.59%

LAB 71.24, 3.51, 43.55

 

CMYK 48 / 0 / 54 / 20

HEX #6BCD5F

RGB 107 205 95

HSL 113.45, 0.52%, 0.59%

LAB 74.58, -50.15, 45.53

 

CMYK 54 / 37 / 0 / 20

HEX #5F82CD

RGB 95 130 205

HSL 220.91, 0.52%, 0.59%

LAB 54.87, 9.32, -42.6

 

CMYK 6 / 54 / 0 / 20

HEX #C05FCD

RGB 192 95 205

HSL 292.91, 0.52%, 0.59%

LAB 55.89, 54.74, -40.4

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5E

RGB 205 170 94

HSL 41.08, 0.53%, 0.59%

LAB 71.24, 3.51, 43.55

 

CMYK 54 / 0 / 44 / 20

HEX #5FCD73

RGB 95 205 115

HSL 130.91, 0.52%, 0.59%

LAB 74.4, -50.58, 35.4

 

CMYK 54 / 37 / 0 / 20

HEX #5F82CD

RGB 95 130 205

HSL 220.91, 0.52%, 0.59%

LAB 54.87, 9.32, -42.6

 

CMYK 0 / 54 / 10 / 20

HEX #CD5FB9

RGB 205 95 185

HSL 310.91, 0.52%, 0.59%

LAB 56.75, 54.85, -27.48

 

Description

Color code: HEX #CDAA5E | qconv.com Color code: HEX #CDAA5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 170 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 170 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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