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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDA134 it is the complementary color #325ECB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDA134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDA134 shade: #D2A12F, #E3B342, #F4C555, #FFD768 and #FFE97B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDA134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDA134 shade: #CDA134, #BC8F21, #AB7D0E, #9A6B00 and #895900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDA134 shade: #CCA033, #CC7733, #CC4D33 and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDA134 shade: #CCA033, #CCC933, #A5CC33, #7CCC33 and #53CC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDA134 shade matches the following richer shades: #CCA033, #E1A91E and #F5B20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDA134 shade: #CCA033, #B79748, #A38E5C, #8E8671 and #797D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDA134 shade: #CC4D33, #CC7533, #CC9E33, #CCC733 and #A8CC33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDA134 shade: #8A6C22, #AB862B, #CCA033, #D4AF54 and #DDBF75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDA134 shade: #CDA134, #42CC33 and #6133CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDA134 shade: #CDA134, #33CC9E and #9E33CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDA134 shade: #CDA134, #42CC33, #3361CC and #BD33CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDA134 shade: #CDA134, #33CC52, #3361CC and #CC33AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 75 / 20

HEX #CDA134

RGB 205 161 52

HSL 42.75, 0.6%, 0.5%

LAB 68.55, 5.66, 59.66

 

Complementary color

CMYK 75 / 54 / 0 / 20

HEX #325ECB

RGB 50 94 203

HSL 222.75, 0.6%, 0.5%

LAB 42.76, 23.38, -60.97

 

CMYK 0 / 23 / 78 / 18

HEX #D2A12F

RGB 210 161 47

HSL 41.96, 0.64%, 0.5%

LAB 69.04, 7.64, 62.18

 

CMYK 0 / 21 / 71 / 11

HEX #E3B342

RGB 227 179 66

HSL 42.11, 0.74%, 0.57%

LAB 75.43, 6.23, 61.66

 

CMYK 0 / 19 / 65 / 4

HEX #F4C555

RGB 244 197 85

HSL 42.26, 0.88%, 0.65%

LAB 81.74, 5.02, 60.75

 

CMYK 0 / 16 / 59 / 0

HEX #FFD768

RGB 255 215 104

HSL 44.11, 1%, 0.7%

LAB 87.42, 1.51, 58.87

 

CMYK 0 / 9 / 52 / 0

HEX #FFE97B

RGB 255 233 123

HSL 50, 1%, 0.74%

LAB 92.12, -6.14, 55.59

 

CMYK 0 / 21 / 75 / 20

HEX #CDA134

RGB 205 161 52

HSL 42.75, 0.6%, 0.5%

LAB 68.55, 5.66, 59.66

 

CMYK 0 / 24 / 82 / 26

HEX #BC8F21

RGB 188 143 33

HSL 42.58, 0.7%, 0.43%

LAB 62.04, 7.2, 59.77

 

CMYK 0 / 27 / 92 / 33

HEX #AB7D0E

RGB 171 125 14

HSL 42.42, 0.85%, 0.36%

LAB 55.44, 9.01, 58.69

 

CMYK 0 / 31 / 100 / 40

HEX #9A6B00

RGB 154 107 0

HSL 41.69, 1%, 0.3%

LAB 48.74, 11.14, 55.73

 

CMYK 0 / 35 / 100 / 46

HEX #895900

RGB 137 89 0

HSL 38.98, 1%, 0.27%

LAB 41.94, 13.6, 50.17

 

CMYK 0 / 22 / 75 / 20

HEX #CCA033

RGB 204 160 51

HSL 42.75, 0.6%, 0.5%

LAB 68.18, 5.72, 59.65

 

CMYK 0 / 42 / 75 / 20

HEX #CC7733

RGB 204 119 51

HSL 26.67, 0.6%, 0.5%

LAB 58.29, 27.96, 49.88

 

CMYK 0 / 62 / 75 / 20

HEX #CC4D33

RGB 204 77 51

HSL 10.2, 0.6%, 0.5%

LAB 49.96, 48.99, 41.18

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 0 / 22 / 75 / 20

HEX #CCA033

RGB 204 160 51

HSL 42.75, 0.6%, 0.5%

LAB 68.18, 5.72, 59.65

 

CMYK 0 / 1 / 75 / 20

HEX #CCC933

RGB 204 201 51

HSL 58.82, 0.6%, 0.5%

LAB 78.95, -15.63, 69.8

 

CMYK 19 / 0 / 75 / 20

HEX #A5CC33

RGB 165 204 51

HSL 75.29, 0.6%, 0.5%

LAB 76.94, -33.19, 66.89

 

CMYK 39 / 0 / 75 / 20

HEX #7CCC33

RGB 124 204 51

HSL 91.37, 0.6%, 0.5%

LAB 74.64, -48.37, 63.89

 

CMYK 59 / 0 / 75 / 20

HEX #53CC33

RGB 83 204 51

HSL 107.45, 0.6%, 0.5%

LAB 73.07, -60.34, 61.81

 

CMYK 0 / 22 / 75 / 20

HEX #CCA033

RGB 204 160 51

HSL 42.75, 0.6%, 0.5%

LAB 68.18, 5.72, 59.65

 

CMYK 0 / 25 / 87 / 12

HEX #E1A91E

RGB 225 169 30

HSL 42.77, 0.76%, 0.5%

LAB 72.55, 9.4, 70.99

 

CMYK 0 / 27 / 96 / 4

HEX #F5B20A

RGB 245 178 10

HSL 42.89, 0.92%, 0.5%

LAB 76.85, 12.98, 78.62

 

CMYK 0 / 22 / 75 / 20

HEX #CCA033

RGB 204 160 51

HSL 42.75, 0.6%, 0.5%

LAB 68.18, 5.72, 59.65

 

CMYK 0 / 17 / 61 / 28

HEX #B79748

RGB 183 151 72

HSL 42.7, 0.44%, 0.5%

LAB 63.89, 2.62, 45.27

 

CMYK 0 / 13 / 44 / 36

HEX #A38E5C

RGB 163 142 92

HSL 42.25, 0.28%, 0.5%

LAB 59.8, 0.76, 29.5

 

CMYK 0 / 6 / 20 / 44

HEX #8E8671

RGB 142 134 113

HSL 43.45, 0.11%, 0.5%

LAB 56.08, -0.65, 12.4

 

CMYK 10 / 7 / 0 / 47

HEX #797D86

RGB 121 125 134

HSL 221.54, 0.05%, 0.5%

LAB 52.35, 0.41, -5.4

 

CMYK 0 / 62 / 75 / 20

HEX #CC4D33

RGB 204 77 51

HSL 10.2, 0.6%, 0.5%

LAB 49.96, 48.99, 41.18

 

CMYK 0 / 43 / 75 / 20

HEX #CC7533

RGB 204 117 51

HSL 25.88, 0.6%, 0.5%

LAB 57.85, 29.03, 49.43

 

CMYK 0 / 23 / 75 / 20

HEX #CC9E33

RGB 204 158 51

HSL 41.96, 0.6%, 0.5%

LAB 67.67, 6.8, 59.16

 

CMYK 0 / 2 / 75 / 20

HEX #CCC733

RGB 204 199 51

HSL 58.04, 0.6%, 0.5%

LAB 78.42, -14.63, 69.3

 

CMYK 18 / 0 / 75 / 20

HEX #A8CC33

RGB 168 204 51

HSL 74.12, 0.6%, 0.5%

LAB 77.13, -31.99, 67.14

 

CMYK 0 / 22 / 75 / 46

HEX #8A6C22

RGB 138 108 34

HSL 42.69, 0.6%, 0.34%

LAB 47.29, 4.02, 43.78

 

CMYK 0 / 22 / 75 / 33

HEX #AB862B

RGB 171 134 43

HSL 42.66, 0.6%, 0.42%

LAB 57.93, 4.91, 51.67

 

CMYK 0 / 22 / 75 / 20

HEX #CCA033

RGB 204 160 51

HSL 42.75, 0.6%, 0.5%

LAB 68.18, 5.72, 59.65

 

CMYK 0 / 17 / 60 / 17

HEX #D4AF54

RGB 212 175 84

HSL 42.66, 0.6%, 0.58%

LAB 73.09, 3.03, 50.75

 

CMYK 0 / 14 / 47 / 13

HEX #DDBF75

RGB 221 191 117

HSL 42.69, 0.6%, 0.66%

LAB 78.41, 1.09, 41.11

 

CMYK 0 / 21 / 75 / 20

HEX #CDA134

RGB 205 161 52

HSL 42.75, 0.6%, 0.5%

LAB 68.55, 5.66, 59.66

 

CMYK 68 / 0 / 75 / 20

HEX #42CC33

RGB 66 204 51

HSL 114.12, 0.6%, 0.5%

LAB 72.62, -64.03, 61.22

 

CMYK 52 / 75 / 0 / 20

HEX #6133CC

RGB 97 51 204

HSL 258.04, 0.6%, 0.5%

LAB 36.5, 55.5, -71.63

 

CMYK 0 / 21 / 75 / 20

HEX #CDA134

RGB 205 161 52

HSL 42.75, 0.6%, 0.5%

LAB 68.55, 5.66, 59.66

 

CMYK 75 / 0 / 23 / 20

HEX #33CC9E

RGB 51 204 158

HSL 161.96, 0.6%, 0.5%

LAB 73.78, -49.86, 11.84

 

CMYK 23 / 75 / 0 / 20

HEX #9E33CC

RGB 158 51 204

HSL 281.96, 0.6%, 0.5%

LAB 44.23, 65.73, -58.7

 

CMYK 0 / 21 / 75 / 20

HEX #CDA134

RGB 205 161 52

HSL 42.75, 0.6%, 0.5%

LAB 68.55, 5.66, 59.66

 

CMYK 68 / 0 / 75 / 20

HEX #42CC33

RGB 66 204 51

HSL 114.12, 0.6%, 0.5%

LAB 72.62, -64.03, 61.22

 

CMYK 75 / 52 / 0 / 20

HEX #3361CC

RGB 51 97 204

HSL 221.96, 0.6%, 0.5%

LAB 43.67, 21.93, -60.06

 

CMYK 7 / 75 / 0 / 20

HEX #BD33CC

RGB 189 51 204

HSL 294.12, 0.6%, 0.5%

LAB 48.94, 71.75, -50.87

 

CMYK 0 / 21 / 75 / 20

HEX #CDA134

RGB 205 161 52

HSL 42.75, 0.6%, 0.5%

LAB 68.55, 5.66, 59.66

 

CMYK 75 / 0 / 60 / 20

HEX #33CC52

RGB 51 204 82

HSL 132.16, 0.6%, 0.5%

LAB 72.56, -63.6, 48.75

 

CMYK 75 / 52 / 0 / 20

HEX #3361CC

RGB 51 97 204

HSL 221.96, 0.6%, 0.5%

LAB 43.67, 21.93, -60.06

 

CMYK 0 / 75 / 15 / 20

HEX #CC33AD

RGB 204 51 173

HSL 312.16, 0.6%, 0.5%

LAB 49.76, 70.17, -31.36

 

Description

Color code: HEX #CDA134 | qconv.com Color code: HEX #CDA134 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 161 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 161 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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