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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDA06F it is the complementary color #325F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDA06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDA06F shade: #D2A06A, #E3B27D, #F4C490, #FFD6A3 and #FFE8B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDA06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDA06F shade: #CDA06F, #BC8E5C, #AB7C49, #9A6A36 and #895823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDA06F shade: #CDA070, #CD8770 and #CD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDA06F shade: #CDA070, #CDB970, #C7CD70, #AECD70 and #95CD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDA06F shade matches the following richer shades: #CDA070, #DCA160, #ECA150 and #FCA241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDA06F shade: #CDA070, #BD9F7F, #AD9F8F, #9E9E9F and #8E9DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDA06F shade: #CD7071, #CD8770, #CDA070, #CDB870 and #C8CD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDA06F shade: #AD773D, #C28C51, #CDA070, #D7B48E and #E2C8AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDA06F shade: #CDA06F, #8ACD70 and #7A70CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDA06F shade: #CDA06F, #70CDA0 and #A070CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDA06F shade: #CDA06F, #8ACD70, #709DCD and #B270CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDA06F shade: #CDA06F, #70CD71, #709DCD and #CD70CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 46 / 20

HEX #CDA06F

RGB 205 160 111

HSL 31.28, 0.48%, 0.62%

LAB 68.95, 10.47, 31.87

 

Complementary color

CMYK 65 / 34 / 0 / 44

HEX #325F90

RGB 50 95 144

HSL 211.28, 0.48%, 0.38%

LAB 39.37, 0.8, -31.62

 

CMYK 0 / 24 / 50 / 18

HEX #D2A06A

RGB 210 160 106

HSL 31.15, 0.54%, 0.62%

LAB 69.39, 12.04, 35.2

 

CMYK 0 / 22 / 45 / 11

HEX #E3B27D

RGB 227 178 125

HSL 31.18, 0.65%, 0.69%

LAB 75.86, 11.17, 33.84

 

CMYK 0 / 20 / 41 / 4

HEX #F4C490

RGB 244 196 144

HSL 31.2, 0.82%, 0.76%

LAB 82.23, 10.41, 32.58

 

CMYK 0 / 16 / 36 / 0

HEX #FFD6A3

RGB 255 214 163

HSL 33.26, 1%, 0.82%

LAB 87.97, 7.44, 30.55

 

CMYK 0 / 9 / 29 / 0

HEX #FFE8B6

RGB 255 232 182

HSL 41.1, 1%, 0.86%

LAB 92.73, 0.53, 27.21

 

CMYK 0 / 22 / 46 / 20

HEX #CDA06F

RGB 205 160 111

HSL 31.28, 0.48%, 0.62%

LAB 68.95, 10.47, 31.87

 

CMYK 0 / 24 / 51 / 26

HEX #BC8E5C

RGB 188 142 92

HSL 31.25, 0.42%, 0.55%

LAB 62.35, 11.37, 33.26

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 31 / 65 / 40

HEX #9A6A36

RGB 154 106 54

HSL 31.2, 0.48%, 0.41%

LAB 48.82, 13.73, 36.29

 

CMYK 0 / 36 / 74 / 46

HEX #895823

RGB 137 88 35

HSL 31.18, 0.59%, 0.34%

LAB 41.87, 15.29, 37.78

 

CMYK 0 / 22 / 45 / 20

HEX #CDA070

RGB 205 160 112

HSL 30.97, 0.48%, 0.62%

LAB 68.96, 10.57, 31.36

 

CMYK 0 / 34 / 45 / 20

HEX #CD8770

RGB 205 135 112

HSL 14.84, 0.48%, 0.62%

LAB 62.91, 24.19, 23.38

 

CMYK 0 / 45 / 45 / 20

HEX #CD7070

RGB 205 112 112

HSL 0, 0.48%, 0.62%

LAB 57.79, 36.53, 16.42

 

CMYK 0 / 22 / 45 / 20

HEX #CDA070

RGB 205 160 112

HSL 30.97, 0.48%, 0.62%

LAB 68.96, 10.57, 31.36

 

CMYK 0 / 10 / 45 / 20

HEX #CDB970

RGB 205 185 112

HSL 47.1, 0.48%, 0.62%

LAB 75.36, -2.78, 39.51

 

CMYK 3 / 0 / 45 / 20

HEX #C7CD70

RGB 199 205 112

HSL 63.87, 0.48%, 0.62%

LAB 80.17, -15.48, 45.36

 

CMYK 15 / 0 / 45 / 20

HEX #AECD70

RGB 174 205 112

HSL 80, 0.48%, 0.62%

LAB 78.36, -25.26, 42.74

 

CMYK 27 / 0 / 45 / 20

HEX #95CD70

RGB 149 205 112

HSL 96.13, 0.48%, 0.62%

LAB 76.81, -34.48, 40.47

 

CMYK 0 / 22 / 45 / 20

HEX #CDA070

RGB 205 160 112

HSL 30.97, 0.48%, 0.62%

LAB 68.96, 10.57, 31.36

 

CMYK 0 / 27 / 56 / 14

HEX #DCA160

RGB 220 161 96

HSL 31.45, 0.64%, 0.62%

LAB 70.56, 14.77, 42.08

 

CMYK 0 / 32 / 66 / 7

HEX #ECA150

RGB 236 161 80

HSL 31.15, 0.8%, 0.62%

LAB 72.16, 20.32, 52.3

 

CMYK 0 / 36 / 74 / 1

HEX #FCA241

RGB 252 162 65

HSL 31.12, 0.97%, 0.62%

LAB 74.14, 25.64, 61.67

 

CMYK 0 / 22 / 45 / 20

HEX #CDA070

RGB 205 160 112

HSL 30.97, 0.48%, 0.62%

LAB 68.96, 10.57, 31.36

 

CMYK 0 / 16 / 33 / 26

HEX #BD9F7F

RGB 189 159 127

HSL 30.97, 0.32%, 0.62%

LAB 67.39, 6.36, 20.84

 

CMYK 0 / 8 / 17 / 32

HEX #AD9F8F

RGB 173 159 143

HSL 32, 0.15%, 0.62%

LAB 66.26, 2.4, 10.19

 

CMYK 1 / 1 / 0 / 38

HEX #9E9E9F

RGB 158 158 159

HSL 240, 0.01%, 0.62%

LAB 65.14, 0.2, -0.53

 

CMYK 18 / 10 / 0 / 32

HEX #8E9DAE

RGB 142 157 174

HSL 211.88, 0.16%, 0.62%

LAB 64.1, -1.62, -10.63

 

CMYK 0 / 45 / 45 / 20

HEX #CD7071

RGB 205 112 113

HSL 359.35, 0.48%, 0.62%

LAB 57.81, 36.63, 15.88

 

CMYK 0 / 34 / 45 / 20

HEX #CD8770

RGB 205 135 112

HSL 14.84, 0.48%, 0.62%

LAB 62.91, 24.19, 23.38

 

CMYK 0 / 22 / 45 / 20

HEX #CDA070

RGB 205 160 112

HSL 30.97, 0.48%, 0.62%

LAB 68.96, 10.57, 31.36

 

CMYK 0 / 10 / 45 / 20

HEX #CDB870

RGB 205 184 112

HSL 46.45, 0.48%, 0.62%

LAB 75.1, -2.26, 39.18

 

CMYK 2 / 0 / 45 / 20

HEX #C8CD70

RGB 200 205 112

HSL 63.23, 0.48%, 0.62%

LAB 80.24, -15.08, 45.47

 

CMYK 0 / 31 / 65 / 32

HEX #AD773D

RGB 173 119 61

HSL 31.07, 0.48%, 0.46%

LAB 54.46, 15.23, 39.72

 

CMYK 0 / 28 / 58 / 24

HEX #C28C51

RGB 194 140 81

HSL 31.33, 0.48%, 0.54%

LAB 62.36, 14.08, 39.24

 

CMYK 0 / 22 / 45 / 20

HEX #CDA070

RGB 205 160 112

HSL 30.97, 0.48%, 0.62%

LAB 68.96, 10.57, 31.36

 

CMYK 0 / 16 / 34 / 16

HEX #D7B48E

RGB 215 180 142

HSL 31.23, 0.48%, 0.7%

LAB 75.48, 7.24, 24.11

 

CMYK 0 / 12 / 23 / 11

HEX #E2C8AD

RGB 226 200 173

HSL 30.57, 0.48%, 0.78%

LAB 82.11, 5, 16.86

 

CMYK 0 / 22 / 46 / 20

HEX #CDA06F

RGB 205 160 111

HSL 31.28, 0.48%, 0.62%

LAB 68.95, 10.47, 31.87

 

CMYK 33 / 0 / 45 / 20

HEX #8ACD70

RGB 138 205 112

HSL 103.23, 0.48%, 0.62%

LAB 76.21, -38.28, 39.59

 

CMYK 40 / 45 / 0 / 20

HEX #7A70CD

RGB 122 112 205

HSL 246.45, 0.48%, 0.62%

LAB 51.99, 26.62, -47.05

 

CMYK 0 / 22 / 46 / 20

HEX #CDA06F

RGB 205 160 111

HSL 31.28, 0.48%, 0.62%

LAB 68.95, 10.47, 31.87

 

CMYK 45 / 0 / 22 / 20

HEX #70CDA0

RGB 112 205 160

HSL 150.97, 0.48%, 0.62%

LAB 75.85, -38.01, 13.94

 

CMYK 22 / 45 / 0 / 20

HEX #A070CD

RGB 160 112 205

HSL 270.97, 0.48%, 0.62%

LAB 55.55, 36.9, -41.18

 

CMYK 0 / 22 / 46 / 20

HEX #CDA06F

RGB 205 160 111

HSL 31.28, 0.48%, 0.62%

LAB 68.95, 10.47, 31.87

 

CMYK 33 / 0 / 45 / 20

HEX #8ACD70

RGB 138 205 112

HSL 103.23, 0.48%, 0.62%

LAB 76.21, -38.28, 39.59

 

CMYK 45 / 23 / 0 / 20

HEX #709DCD

RGB 112 157 205

HSL 210.97, 0.48%, 0.62%

LAB 63.32, -2.36, -29.34

 

CMYK 13 / 45 / 0 / 20

HEX #B270CD

RGB 178 112 205

HSL 282.58, 0.48%, 0.62%

LAB 57.52, 42.07, -37.95

 

CMYK 0 / 22 / 46 / 20

HEX #CDA06F

RGB 205 160 111

HSL 31.28, 0.48%, 0.62%

LAB 68.95, 10.47, 31.87

 

CMYK 45 / 0 / 45 / 20

HEX #70CD71

RGB 112 205 113

HSL 120.65, 0.48%, 0.62%

LAB 75.01, -46.31, 37.32

 

CMYK 45 / 23 / 0 / 20

HEX #709DCD

RGB 112 157 205

HSL 210.97, 0.48%, 0.62%

LAB 63.32, -2.36, -29.34

 

CMYK 0 / 45 / 1 / 20

HEX #CD70CB

RGB 205 112 203

HSL 301.29, 0.48%, 0.62%

LAB 60.67, 49.59, -31.66

 

Description

Color code: HEX #CDA06F | qconv.com Color code: HEX #CDA06F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 160 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 160 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 46 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 46% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 건강식품 잘 사는 방법! 애플트리김약...
Link: http://www.i-appletree.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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