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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDA06B it is the complementary color #325F94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDA06B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDA06B shade: #D2A066, #E3B279, #F4C48C, #FFD69F and #FFE8B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDA06B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDA06B shade: #CDA06B, #BC8E58, #AB7C45, #9A6A32 and #89581F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDA06B shade: #CCA06B, #CC856B and #CC6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDA06B shade: #CCA06B, #CCBA6B, #C4CC6B, #AACC6B and #90CC6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDA06B shade matches the following richer shades: #CCA06B, #DCA15B, #ECA24B and #FDA33B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDA06B shade: #CCA06B, #BC9E7B, #AC9D8B, #9C9C9B and #8C9AAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDA06B shade: #CC6B6B, #CC856B, #CC9F6B, #CCB96B and #C6CC6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDA06B shade: #AA773A, #C28C4C, #CCA06B, #D7B38A and #E1C7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDA06B shade: #CDA06B, #85CC6B and #786BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDA06B shade: #CDA06B, #6BCC9F and #9F6BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDA06B shade: #CDA06B, #85CC6B, #6B98CC and #B26BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDA06B shade: #CDA06B, #6BCC6E, #6B98CC and #CC6BC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 48 / 20

HEX #CDA06B

RGB 205 160 107

HSL 32.45, 0.49%, 0.61%

LAB 68.88, 10.07, 33.92

 

Complementary color

CMYK 66 / 36 / 0 / 42

HEX #325F94

RGB 50 95 148

HSL 212.45, 0.49%, 0.39%

LAB 39.58, 2.25, -33.69

 

CMYK 0 / 24 / 51 / 18

HEX #D2A066

RGB 210 160 102

HSL 32.22, 0.55%, 0.61%

LAB 69.33, 11.67, 37.22

 

CMYK 0 / 22 / 47 / 11

HEX #E3B279

RGB 227 178 121

HSL 32.26, 0.65%, 0.68%

LAB 75.79, 10.77, 35.86

 

CMYK 0 / 20 / 43 / 4

HEX #F4C48C

RGB 244 196 140

HSL 32.31, 0.83%, 0.75%

LAB 82.17, 9.99, 34.57

 

CMYK 0 / 16 / 38 / 0

HEX #FFD69F

RGB 255 214 159

HSL 34.38, 1%, 0.81%

LAB 87.9, 6.99, 32.52

 

CMYK 0 / 9 / 30 / 0

HEX #FFE8B2

RGB 255 232 178

HSL 42.08, 1%, 0.85%

LAB 92.66, 0.03, 29.16

 

CMYK 0 / 22 / 48 / 20

HEX #CDA06B

RGB 205 160 107

HSL 32.45, 0.49%, 0.61%

LAB 68.88, 10.07, 33.92

 

CMYK 0 / 24 / 53 / 26

HEX #BC8E58

RGB 188 142 88

HSL 32.4, 0.43%, 0.54%

LAB 62.29, 11.01, 35.32

 

CMYK 0 / 27 / 60 / 33

HEX #AB7C45

RGB 171 124 69

HSL 32.35, 0.43%, 0.47%

LAB 55.59, 12.12, 36.81

 

CMYK 0 / 31 / 68 / 40

HEX #9A6A32

RGB 154 106 50

HSL 32.31, 0.51%, 0.4%

LAB 48.77, 13.46, 38.31

 

CMYK 0 / 36 / 77 / 46

HEX #89581F

RGB 137 88 31

HSL 32.26, 0.63%, 0.33%

LAB 41.84, 15.09, 39.67

 

CMYK 0 / 22 / 48 / 20

HEX #CCA06B

RGB 204 160 107

HSL 32.78, 0.49%, 0.61%

LAB 68.78, 9.66, 33.77

 

CMYK 0 / 35 / 48 / 20

HEX #CC856B

RGB 204 133 107

HSL 16.08, 0.49%, 0.61%

LAB 62.23, 24.37, 25.25

 

CMYK 0 / 48 / 48 / 20

HEX #CC6B6B

RGB 204 107 107

HSL 0, 0.49%, 0.61%

LAB 56.5, 38.26, 17.53

 

CMYK 0 / 22 / 48 / 20

HEX #CCA06B

RGB 204 160 107

HSL 32.78, 0.49%, 0.61%

LAB 68.78, 9.66, 33.77

 

CMYK 0 / 9 / 48 / 20

HEX #CCBA6B

RGB 204 186 107

HSL 48.87, 0.49%, 0.61%

LAB 75.46, -4.2, 42.15

 

CMYK 4 / 0 / 48 / 20

HEX #C4CC6B

RGB 196 204 107

HSL 64.95, 0.49%, 0.61%

LAB 79.6, -16.67, 47.05

 

CMYK 17 / 0 / 48 / 20

HEX #AACC6B

RGB 170 204 107

HSL 81.03, 0.49%, 0.61%

LAB 77.75, -26.86, 44.38

 

CMYK 29 / 0 / 48 / 20

HEX #90CC6B

RGB 144 204 107

HSL 97.11, 0.49%, 0.61%

LAB 76.18, -36.4, 42.08

 

CMYK 0 / 22 / 48 / 20

HEX #CCA06B

RGB 204 160 107

HSL 32.78, 0.49%, 0.61%

LAB 68.78, 9.66, 33.77

 

CMYK 0 / 27 / 59 / 14

HEX #DCA15B

RGB 220 161 91

HSL 32.56, 0.65%, 0.61%

LAB 70.5, 14.39, 44.54

 

CMYK 0 / 31 / 68 / 7

HEX #ECA24B

RGB 236 162 75

HSL 32.42, 0.81%, 0.61%

LAB 72.35, 19.51, 54.83

 

CMYK 0 / 36 / 77 / 1

HEX #FDA33B

RGB 253 163 59

HSL 32.16, 0.98%, 0.61%

LAB 74.44, 25.29, 64.45

 

CMYK 0 / 22 / 48 / 20

HEX #CCA06B

RGB 204 160 107

HSL 32.78, 0.49%, 0.61%

LAB 68.78, 9.66, 33.77

 

CMYK 0 / 16 / 35 / 26

HEX #BC9E7B

RGB 188 158 123

HSL 32.31, 0.33%, 0.61%

LAB 66.96, 5.99, 22.43

 

CMYK 0 / 9 / 19 / 33

HEX #AC9D8B

RGB 172 157 139

HSL 32.73, 0.17%, 0.61%

LAB 65.55, 2.48, 11.4

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9B

RGB 156 156 155

HSL 60, 0.01%, 0.61%

LAB 64.33, -0.19, 0.51

 

CMYK 18 / 10 / 0 / 33

HEX #8C9AAB

RGB 140 154 171

HSL 212.9, 0.16%, 0.61%

LAB 63.03, -1.29, -10.55

 

CMYK 0 / 48 / 48 / 20

HEX #CC6B6B

RGB 204 107 107

HSL 0, 0.49%, 0.61%

LAB 56.5, 38.26, 17.53

 

CMYK 0 / 35 / 48 / 20

HEX #CC856B

RGB 204 133 107

HSL 16.08, 0.49%, 0.61%

LAB 62.23, 24.37, 25.25

 

CMYK 0 / 22 / 48 / 20

HEX #CC9F6B

RGB 204 159 107

HSL 32.16, 0.49%, 0.61%

LAB 68.53, 10.2, 33.45

 

CMYK 0 / 9 / 48 / 20

HEX #CCB96B

RGB 204 185 107

HSL 48.25, 0.49%, 0.61%

LAB 75.2, -3.68, 41.83

 

CMYK 3 / 0 / 48 / 20

HEX #C6CC6B

RGB 198 204 107

HSL 63.71, 0.49%, 0.61%

LAB 79.76, -15.86, 47.28

 

CMYK 0 / 30 / 66 / 33

HEX #AA773A

RGB 170 119 58

HSL 32.68, 0.49%, 0.45%

LAB 54.07, 13.71, 40.71

 

CMYK 0 / 28 / 61 / 24

HEX #C28C4C

RGB 194 140 76

HSL 32.54, 0.49%, 0.53%

LAB 62.29, 13.7, 41.74

 

CMYK 0 / 22 / 48 / 20

HEX #CCA06B

RGB 204 160 107

HSL 32.78, 0.49%, 0.61%

LAB 68.78, 9.66, 33.77

 

CMYK 0 / 17 / 36 / 16

HEX #D7B38A

RGB 215 179 138

HSL 31.95, 0.49%, 0.69%

LAB 75.15, 7.28, 25.81

 

CMYK 0 / 12 / 25 / 12

HEX #E1C7A8

RGB 225 199 168

HSL 32.63, 0.49%, 0.77%

LAB 81.66, 4.45, 18.88

 

CMYK 0 / 22 / 48 / 20

HEX #CDA06B

RGB 205 160 107

HSL 32.45, 0.49%, 0.61%

LAB 68.88, 10.07, 33.92

 

CMYK 35 / 0 / 48 / 20

HEX #85CC6B

RGB 133 204 107

HSL 103.92, 0.49%, 0.61%

LAB 75.6, -40.16, 41.24

 

CMYK 41 / 48 / 0 / 20

HEX #786BCC

RGB 120 107 204

HSL 248.04, 0.49%, 0.61%

LAB 50.53, 28.82, -48.81

 

CMYK 0 / 22 / 48 / 20

HEX #CDA06B

RGB 205 160 107

HSL 32.45, 0.49%, 0.61%

LAB 68.88, 10.07, 33.92

 

CMYK 48 / 0 / 22 / 20

HEX #6BCC9F

RGB 107 204 159

HSL 152.16, 0.49%, 0.61%

LAB 75.34, -39.05, 13.72

 

CMYK 22 / 48 / 0 / 20

HEX #9F6BCC

RGB 159 107 204

HSL 272.16, 0.49%, 0.61%

LAB 54.29, 39.18, -42.62

 

CMYK 0 / 22 / 48 / 20

HEX #CDA06B

RGB 205 160 107

HSL 32.45, 0.49%, 0.61%

LAB 68.88, 10.07, 33.92

 

CMYK 35 / 0 / 48 / 20

HEX #85CC6B

RGB 133 204 107

HSL 103.92, 0.49%, 0.61%

LAB 75.6, -40.16, 41.24

 

CMYK 48 / 25 / 0 / 20

HEX #6B98CC

RGB 107 152 204

HSL 212.16, 0.49%, 0.61%

LAB 61.6, -1.05, -31.45

 

CMYK 13 / 48 / 0 / 20

HEX #B26BCC

RGB 178 107 204

HSL 283.92, 0.49%, 0.61%

LAB 56.43, 44.54, -39.1

 

CMYK 0 / 22 / 48 / 20

HEX #CDA06B

RGB 205 160 107

HSL 32.45, 0.49%, 0.61%

LAB 68.88, 10.07, 33.92

 

CMYK 48 / 0 / 46 / 20

HEX #6BCC6E

RGB 107 204 110

HSL 121.86, 0.49%, 0.61%

LAB 74.47, -47.75, 38.09

 

CMYK 48 / 25 / 0 / 20

HEX #6B98CC

RGB 107 152 204

HSL 212.16, 0.49%, 0.61%

LAB 61.6, -1.05, -31.45

 

CMYK 0 / 48 / 1 / 20

HEX #CC6BC9

RGB 204 107 201

HSL 301.86, 0.49%, 0.61%

LAB 59.5, 51.45, -32.36

 

Description

Color code: HEX #CDA06B | qconv.com Color code: HEX #CDA06B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 160 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 160 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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