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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD9F6E it is the complementary color #326091. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD9F6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD9F6E shade: #D29F69, #E3B17C, #F4C38F, #FFD5A2 and #FFE7B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD9F6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD9F6E shade: #CD9F6E, #BC8D5B, #AB7B48, #9A6935 and #895722

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD9F6E shade: #CD9F6E, #CD856E and #CD6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD9F6E shade: #CD9F6E, #CDB96E, #C8CD6E, #AECD6E and #95CD6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD9F6E shade matches the following richer shades: #CD9F6E, #DDA05E, #ECA04F and #FCA13F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD9F6E shade: #CD9F6E, #BD9F7E, #AE9E8D, #9E9E9D and #8E9DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD9F6E shade: #CD6E71, #CD846E, #CD9E6E, #CDB76E and #CACD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD9F6E shade: #AE763B, #C38B4F, #CD9F6E, #D8B38D and #E2C8AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD9F6E shade: #CD9F6E, #8BCD6E and #786ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD9F6E shade: #CD9F6E, #6ECD9E and #9E6ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD9F6E shade: #CD9F6E, #8BCD6E, #6E9ECD and #B16ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD9F6E shade: #CD9F6E, #6ECD6E, #6E9ECD and #CD6ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

Complementary color

CMYK 66 / 34 / 0 / 43

HEX #326091

RGB 50 96 145

HSL 210.95, 0.49%, 0.38%

LAB 39.73, 0.53, -31.66

 

CMYK 0 / 24 / 50 / 18

HEX #D29F69

RGB 210 159 105

HSL 30.86, 0.54%, 0.62%

LAB 69.12, 12.48, 35.39

 

CMYK 0 / 22 / 45 / 11

HEX #E3B17C

RGB 227 177 124

HSL 30.87, 0.65%, 0.69%

LAB 75.59, 11.6, 34.03

 

CMYK 0 / 20 / 41 / 4

HEX #F4C38F

RGB 244 195 143

HSL 30.89, 0.82%, 0.76%

LAB 81.97, 10.83, 32.75

 

CMYK 0 / 16 / 36 / 0

HEX #FFD5A2

RGB 255 213 162

HSL 32.9, 1%, 0.82%

LAB 87.71, 7.84, 30.71

 

CMYK 0 / 9 / 29 / 0

HEX #FFE7B5

RGB 255 231 181

HSL 40.54, 1%, 0.85%

LAB 92.46, 0.92, 27.36

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 0 / 25 / 52 / 26

HEX #BC8D5B

RGB 188 141 91

HSL 30.93, 0.42%, 0.55%

LAB 62.08, 11.83, 33.46

 

CMYK 0 / 28 / 58 / 33

HEX #AB7B48

RGB 171 123 72

HSL 30.91, 0.41%, 0.48%

LAB 55.37, 12.92, 34.96

 

CMYK 0 / 32 / 66 / 40

HEX #9A6935

RGB 154 105 53

HSL 30.89, 0.49%, 0.41%

LAB 48.55, 14.23, 36.51

 

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 0 / 35 / 46 / 20

HEX #CD856E

RGB 205 133 110

HSL 14.53, 0.49%, 0.62%

LAB 62.41, 25.07, 23.82

 

CMYK 0 / 46 / 46 / 20

HEX #CD6E6E

RGB 205 110 110

HSL 0, 0.49%, 0.62%

LAB 57.32, 37.37, 16.95

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 0 / 10 / 46 / 20

HEX #CDB96E

RGB 205 185 110

HSL 47.37, 0.49%, 0.62%

LAB 75.33, -2.98, 40.49

 

CMYK 2 / 0 / 46 / 20

HEX #C8CD6E

RGB 200 205 110

HSL 63.16, 0.49%, 0.62%

LAB 80.22, -15.28, 46.42

 

CMYK 15 / 0 / 46 / 20

HEX #AECD6E

RGB 174 205 110

HSL 79.58, 0.49%, 0.62%

LAB 78.34, -25.48, 43.69

 

CMYK 27 / 0 / 46 / 20

HEX #95CD6E

RGB 149 205 110

HSL 95.37, 0.49%, 0.62%

LAB 76.79, -34.73, 41.42

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 0 / 28 / 57 / 13

HEX #DDA05E

RGB 221 160 94

HSL 31.18, 0.65%, 0.62%

LAB 70.4, 15.57, 42.93

 

CMYK 0 / 32 / 67 / 7

HEX #ECA04F

RGB 236 160 79

HSL 30.96, 0.81%, 0.62%

LAB 71.92, 20.79, 52.5

 

CMYK 0 / 36 / 75 / 1

HEX #FCA13F

RGB 252 161 63

HSL 31.11, 0.97%, 0.62%

LAB 73.9, 26.08, 62.27

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 0 / 16 / 33 / 26

HEX #BD9F7E

RGB 189 159 126

HSL 31.43, 0.32%, 0.62%

LAB 67.37, 6.23, 21.36

 

CMYK 0 / 9 / 19 / 32

HEX #AE9E8D

RGB 174 158 141

HSL 30.91, 0.17%, 0.62%

LAB 66.04, 3.01, 11

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 18 / 9 / 0 / 32

HEX #8E9DAD

RGB 142 157 173

HSL 210.97, 0.16%, 0.62%

LAB 64.07, -1.84, -10.11

 

CMYK 0 / 46 / 45 / 20

HEX #CD6E71

RGB 205 110 113

HSL 358.11, 0.49%, 0.62%

LAB 57.39, 37.67, 15.3

 

CMYK 0 / 36 / 46 / 20

HEX #CD846E

RGB 205 132 110

HSL 13.89, 0.49%, 0.62%

LAB 62.17, 25.61, 23.52

 

CMYK 0 / 23 / 46 / 20

HEX #CD9E6E

RGB 205 158 110

HSL 30.32, 0.49%, 0.62%

LAB 68.43, 11.45, 31.74

 

CMYK 0 / 11 / 46 / 20

HEX #CDB76E

RGB 205 183 110

HSL 46.11, 0.49%, 0.62%

LAB 74.81, -1.93, 39.84

 

CMYK 1 / 0 / 46 / 20

HEX #CACD6E

RGB 202 205 110

HSL 61.89, 0.49%, 0.62%

LAB 80.37, -14.48, 46.64

 

CMYK 0 / 32 / 66 / 32

HEX #AE763B

RGB 174 118 59

HSL 30.78, 0.49%, 0.46%

LAB 54.31, 16.1, 40.6

 

CMYK 0 / 29 / 59 / 24

HEX #C38B4F

RGB 195 139 79

HSL 31.03, 0.49%, 0.54%

LAB 62.2, 14.9, 40.11

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 0 / 17 / 35 / 15

HEX #D8B38D

RGB 216 179 141

HSL 30.4, 0.49%, 0.7%

LAB 75.3, 8.04, 24.43

 

CMYK 0 / 12 / 24 / 11

HEX #E2C8AC

RGB 226 200 172

HSL 31.11, 0.48%, 0.78%

LAB 82.09, 4.86, 17.36

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 32 / 0 / 46 / 20

HEX #8BCD6E

RGB 139 205 110

HSL 101.68, 0.49%, 0.62%

LAB 76.24, -38.2, 40.62

 

CMYK 41 / 46 / 0 / 20

HEX #786ECD

RGB 120 110 205

HSL 246.32, 0.49%, 0.62%

LAB 51.33, 27.31, -48.11

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 46 / 0 / 23 / 20

HEX #6ECD9E

RGB 110 205 158

HSL 150.32, 0.49%, 0.62%

LAB 75.73, -38.94, 14.82

 

CMYK 23 / 46 / 0 / 20

HEX #9E6ECD

RGB 158 110 205

HSL 270.32, 0.49%, 0.62%

LAB 54.9, 37.46, -42.23

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 32 / 0 / 46 / 20

HEX #8BCD6E

RGB 139 205 110

HSL 101.68, 0.49%, 0.62%

LAB 76.24, -38.2, 40.62

 

CMYK 46 / 23 / 0 / 20

HEX #6E9ECD

RGB 110 158 205

HSL 209.68, 0.49%, 0.62%

LAB 63.49, -3.42, -29.08

 

CMYK 14 / 46 / 0 / 20

HEX #B16ECD

RGB 177 110 205

HSL 282.32, 0.49%, 0.62%

LAB 56.98, 42.86, -38.8

 

CMYK 0 / 22 / 46 / 20

HEX #CD9F6E

RGB 205 159 110

HSL 30.95, 0.49%, 0.62%

LAB 68.68, 10.91, 32.06

 

CMYK 46 / 0 / 46 / 20

HEX #6ECD6E

RGB 110 205 110

HSL 120, 0.49%, 0.62%

LAB 74.89, -47.31, 38.64

 

CMYK 46 / 23 / 0 / 20

HEX #6E9ECD

RGB 110 158 205

HSL 209.68, 0.49%, 0.62%

LAB 63.49, -3.42, -29.08

 

CMYK 0 / 46 / 0 / 20

HEX #CD6ECD

RGB 205 110 205

HSL 300, 0.49%, 0.62%

LAB 60.37, 50.96, -33.26

 

Description

Color code: HEX #CD9F6E | qconv.com Color code: HEX #CD9F6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 159 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 159 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 46 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 46% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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