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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD98A8 it is the complementary color #326757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD98A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD98A8 shade: #D298A3, #E3AAB6, #F4BCC9, #FFCEDC and #FFE0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD98A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD98A8 shade: #CD98A8, #BC8695, #AB7482, #9A626F and #89505C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD98A8 shade: #CD98A8, #CD9899 and #CD9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD98A8 shade: #CD98A8, #CD98B6, #CD98C5, #C798CD and #B998CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD98A8 shade matches the following richer shades: #CD98A8, #DA8BA3, #E67F9E, #F27399 and #FF6694

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD98A8 shade: #CD98A8, #C1A4AD, #B5B0B2, #A8BDB7 and #9CC9BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD98A8 shade: #CD98C5, #CD98B7, #CD98A9, #CD989A and #CDA398

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD98A8 shade: #B26079, #C07C90, #CD98A8, #DBB4BF and #E8CFD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD98A8 shade: #CD98A8, #CDC798 and #98BECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD98A8 shade: #CD98A8, #A9CD98 and #98A9CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD98A8 shade: #CD98A8, #CDC798, #98CDBC and #989ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD98A8 shade: #CD98A8, #C3CD98, #98CDBC and #A298CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

Complementary color

CMYK 51 / 0 / 16 / 60

HEX #326757

RGB 50 103 87

HSL 161.89, 0.35%, 0.3%

LAB 39.69, -21.98, 3.62

 

CMYK 0 / 28 / 22 / 18

HEX #D298A3

RGB 210 152 163

HSL 348.62, 0.39%, 0.71%

LAB 68.61, 23.32, 2.88

 

CMYK 0 / 25 / 20 / 11

HEX #E3AAB6

RGB 227 170 182

HSL 347.37, 0.5%, 0.78%

LAB 75.11, 22.65, 2.04

 

CMYK 0 / 23 / 18 / 4

HEX #F4BCC9

RGB 244 188 201

HSL 346.07, 0.72%, 0.85%

LAB 81.52, 22.05, 1.25

 

CMYK 0 / 19 / 14 / 0

HEX #FFCEDC

RGB 255 206 220

HSL 342.86, 1%, 0.9%

LAB 87.28, 19.4, -0.37

 

CMYK 0 / 12 / 6 / 0

HEX #FFE0EF

RGB 255 224 239

HSL 330.97, 1%, 0.94%

LAB 92.04, 13.12, -3.38

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 29 / 21 / 26

HEX #BC8695

RGB 188 134 149

HSL 343.33, 0.29%, 0.63%

LAB 61.58, 22.93, 0.26

 

CMYK 0 / 32 / 24 / 33

HEX #AB7482

RGB 171 116 130

HSL 344.73, 0.25%, 0.56%

LAB 54.82, 23.69, 1.16

 

CMYK 0 / 36 / 28 / 40

HEX #9A626F

RGB 154 98 111

HSL 346.07, 0.22%, 0.49%

LAB 47.95, 24.53, 2.16

 

CMYK 0 / 42 / 33 / 46

HEX #89505C

RGB 137 80 92

HSL 347.37, 0.26%, 0.43%

LAB 40.94, 25.46, 3.33

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 26 / 25 / 20

HEX #CD9899

RGB 205 152 153

HSL 358.87, 0.35%, 0.7%

LAB 67.83, 19.99, 7.26

 

CMYK 0 / 26 / 26 / 20

HEX #CD9898

RGB 205 152 152

HSL 0, 0.35%, 0.7%

LAB 67.8, 19.85, 7.79

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 26 / 11 / 20

HEX #CD98B6

RGB 205 152 182

HSL 326.04, 0.35%, 0.7%

LAB 68.62, 24.54, -7.77

 

CMYK 0 / 26 / 4 / 20

HEX #CD98C5

RGB 205 152 197

HSL 309.06, 0.35%, 0.7%

LAB 69.09, 27.17, -15.41

 

CMYK 3 / 26 / 0 / 20

HEX #C798CD

RGB 199 152 205

HSL 293.21, 0.35%, 0.7%

LAB 68.76, 26.67, -20.41

 

CMYK 10 / 26 / 0 / 20

HEX #B998CD

RGB 185 152 205

HSL 277.36, 0.35%, 0.7%

LAB 67.41, 22.08, -22.59

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 36 / 25 / 15

HEX #DA8BA3

RGB 218 139 163

HSL 341.77, 0.52%, 0.7%

LAB 66.53, 33.26, -0.03

 

CMYK 0 / 45 / 31 / 10

HEX #E67F9E

RGB 230 127 158

HSL 341.94, 0.67%, 0.7%

LAB 65.33, 43.1, 1.23

 

CMYK 0 / 52 / 37 / 5

HEX #F27399

RGB 242 115 153

HSL 342.05, 0.83%, 0.7%

LAB 64.51, 52.5, 3.08

 

CMYK 0 / 60 / 42 / 0

HEX #FF6694

RGB 255 102 148

HSL 341.96, 1%, 0.7%

LAB 64.08, 62.02, 5.57

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 15 / 10 / 24

HEX #C1A4AD

RGB 193 164 173

HSL 341.38, 0.19%, 0.7%

LAB 70.11, 12.11, -0.7

 

CMYK 0 / 3 / 2 / 29

HEX #B5B0B2

RGB 181 176 178

HSL 336, 0.03%, 0.7%

LAB 72.29, 2.14, -0.4

 

CMYK 11 / 0 / 3 / 26

HEX #A8BDB7

RGB 168 189 183

HSL 162.86, 0.14%, 0.7%

LAB 74.91, -8.34, 0.58

 

CMYK 22 / 0 / 6 / 21

HEX #9CC9BC

RGB 156 201 188

HSL 162.67, 0.29%, 0.7%

LAB 77.56, -17.45, 1.64

 

CMYK 0 / 26 / 4 / 20

HEX #CD98C5

RGB 205 152 197

HSL 309.06, 0.35%, 0.7%

LAB 69.09, 27.17, -15.41

 

CMYK 0 / 26 / 11 / 20

HEX #CD98B7

RGB 205 152 183

HSL 324.91, 0.35%, 0.7%

LAB 68.65, 24.71, -8.29

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A9

RGB 205 152 169

HSL 340.75, 0.35%, 0.7%

LAB 68.24, 22.41, -1.07

 

CMYK 0 / 26 / 25 / 20

HEX #CD989A

RGB 205 152 154

HSL 357.74, 0.35%, 0.7%

LAB 67.85, 20.13, 6.74

 

CMYK 0 / 20 / 26 / 20

HEX #CDA398

RGB 205 163 152

HSL 12.45, 0.35%, 0.7%

LAB 70.48, 13.84, 11.6

 

CMYK 0 / 46 / 32 / 30

HEX #B26079

RGB 178 96 121

HSL 341.71, 0.35%, 0.54%

LAB 50.93, 36.04, 0.91

 

CMYK 0 / 35 / 25 / 25

HEX #C07C90

RGB 192 124 144

HSL 342.35, 0.35%, 0.62%

LAB 59.56, 29.19, 0.23

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 18 / 13 / 14

HEX #DBB4BF

RGB 219 180 191

HSL 343.08, 0.35%, 0.78%

LAB 76.96, 15.81, -0.28

 

CMYK 0 / 11 / 7 / 9

HEX #E8CFD7

RGB 232 207 215

HSL 340.8, 0.35%, 0.86%

LAB 85.35, 10.04, -0.78

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 3 / 26 / 20

HEX #CDC798

RGB 205 199 152

HSL 53.21, 0.35%, 0.7%

LAB 79.67, -5.35, 24.34

 

CMYK 26 / 7 / 0 / 20

HEX #98BECD

RGB 152 190 205

HSL 196.98, 0.35%, 0.7%

LAB 74.77, -9.25, -11.71

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 18 / 0 / 26 / 20

HEX #A9CD98

RGB 169 205 152

HSL 100.75, 0.35%, 0.7%

LAB 78.67, -21.7, 22.56

 

CMYK 26 / 18 / 0 / 20

HEX #98A9CD

RGB 152 169 205

HSL 220.75, 0.35%, 0.7%

LAB 69.08, 2.11, -20.28

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 0 / 3 / 26 / 20

HEX #CDC798

RGB 205 199 152

HSL 53.21, 0.35%, 0.7%

LAB 79.67, -5.35, 24.34

 

CMYK 26 / 0 / 8 / 20

HEX #98CDBC

RGB 152 205 188

HSL 160.75, 0.35%, 0.7%

LAB 78.44, -20.71, 2.9

 

CMYK 26 / 23 / 0 / 20

HEX #989ECD

RGB 152 158 205

HSL 233.21, 0.35%, 0.7%

LAB 66.16, 8.26, -24.74

 

CMYK 0 / 26 / 18 / 20

HEX #CD98A8

RGB 205 152 168

HSL 341.89, 0.35%, 0.7%

LAB 68.21, 22.25, -0.55

 

CMYK 5 / 0 / 26 / 20

HEX #C3CD98

RGB 195 205 152

HSL 71.32, 0.35%, 0.7%

LAB 80.48, -12.21, 25.31

 

CMYK 26 / 0 / 8 / 20

HEX #98CDBC

RGB 152 205 188

HSL 160.75, 0.35%, 0.7%

LAB 78.44, -20.71, 2.9

 

CMYK 21 / 26 / 0 / 20

HEX #A298CD

RGB 162 152 205

HSL 251.32, 0.35%, 0.7%

LAB 65.39, 14.74, -25.85

 

Description

Color code: HEX #CD98A8 | qconv.com Color code: HEX #CD98A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 152 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 152 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 18 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 18% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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