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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD982F it is the complementary color #3267D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD982F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD982F shade: #D2982A, #E3AA3D, #F4BC50, #FFCE63 and #FFE076

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD982F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD982F shade: #CD982F, #BC861C, #AB7409, #9A6200 and #895000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD982F shade: #CC972E, #CC6C2E, #CC422E and #CC2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD982F shade: #CC972E, #CCC12E, #ACCC2E, #81CC2E and #57CC2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD982F shade matches the following richer shades: #CC972E, #E09D1A and #F4A406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD982F shade: #CC972E, #B79042, #A38A57, #8F836B and #7B7C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD982F shade: #CC412E, #CC6B2E, #CC952E, #CCBF2E and #AFCC2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD982F shade: #88651F, #AA7E27, #CC972E, #D7A84D and #DEB96E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD982F shade: #CD982F, #46CC2E and #562ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD982F shade: #CD982F, #2ECC95 and #952ECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD982F shade: #CD982F, #46CC2E, #2E65CC and #B42ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD982F shade: #CD982F, #2ECC46, #2E65CC and #CC2EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 77 / 20

HEX #CD982F

RGB 205 152 47

HSL 39.87, 0.63%, 0.49%

LAB 66.24, 10.31, 59.37

 

Complementary color

CMYK 76 / 50 / 0 / 18

HEX #3267D0

RGB 50 103 208

HSL 219.87, 0.63%, 0.51%

LAB 45.54, 19.46, -59.34

 

CMYK 0 / 28 / 80 / 18

HEX #D2982A

RGB 210 152 42

HSL 39.29, 0.67%, 0.49%

LAB 66.77, 12.31, 61.87

 

CMYK 0 / 25 / 73 / 11

HEX #E3AA3D

RGB 227 170 61

HSL 39.4, 0.75%, 0.56%

LAB 73.17, 10.76, 61.41

 

CMYK 0 / 23 / 67 / 4

HEX #F4BC50

RGB 244 188 80

HSL 39.51, 0.88%, 0.64%

LAB 79.49, 9.42, 60.51

 

CMYK 0 / 19 / 61 / 0

HEX #FFCE63

RGB 255 206 99

HSL 41.15, 1%, 0.69%

LAB 85.15, 5.79, 58.58

 

CMYK 0 / 12 / 54 / 0

HEX #FFE076

RGB 255 224 118

HSL 46.42, 1%, 0.73%

LAB 89.8, -2.02, 55.18

 

CMYK 0 / 26 / 77 / 20

HEX #CD982F

RGB 205 152 47

HSL 39.87, 0.63%, 0.49%

LAB 66.24, 10.31, 59.37

 

CMYK 0 / 29 / 85 / 26

HEX #BC861C

RGB 188 134 28

HSL 39.75, 0.74%, 0.42%

LAB 59.73, 12, 59.35

 

CMYK 0 / 32 / 95 / 33

HEX #AB7409

RGB 171 116 9

HSL 39.63, 0.9%, 0.35%

LAB 53.13, 13.99, 57.95

 

CMYK 0 / 36 / 100 / 40

HEX #9A6200

RGB 154 98 0

HSL 38.18, 1%, 0.3%

LAB 46.45, 16.3, 54.22

 

CMYK 0 / 42 / 100 / 46

HEX #895000

RGB 137 80 0

HSL 35.04, 1%, 0.27%

LAB 39.67, 18.86, 48.7

 

CMYK 0 / 26 / 77 / 20

HEX #CC972E

RGB 204 151 46

HSL 39.87, 0.63%, 0.49%

LAB 65.88, 10.38, 59.37

 

CMYK 0 / 47 / 77 / 20

HEX #CC6C2E

RGB 204 108 46

HSL 23.54, 0.63%, 0.49%

LAB 55.85, 33.59, 49.72

 

CMYK 0 / 68 / 77 / 20

HEX #CC422E

RGB 204 66 46

HSL 7.59, 0.63%, 0.49%

LAB 48.17, 53.46, 41.95

 

CMYK 0 / 77 / 77 / 20

HEX #CC2E2E

RGB 204 46 46

HSL 0, 0.63%, 0.49%

LAB 45.62, 60.52, 39.27

 

CMYK 0 / 26 / 77 / 20

HEX #CC972E

RGB 204 151 46

HSL 39.87, 0.63%, 0.49%

LAB 65.88, 10.38, 59.37

 

CMYK 0 / 5 / 77 / 20

HEX #CCC12E

RGB 204 193 46

HSL 55.82, 0.63%, 0.49%

LAB 76.78, -11.79, 69.38

 

CMYK 16 / 0 / 77 / 20

HEX #ACCC2E

RGB 172 204 46

HSL 72.15, 0.63%, 0.49%

LAB 77.37, -30.61, 69.01

 

CMYK 37 / 0 / 77 / 20

HEX #81CC2E

RGB 129 204 46

HSL 88.48, 0.63%, 0.49%

LAB 74.86, -46.93, 65.76

 

CMYK 57 / 0 / 77 / 20

HEX #57CC2E

RGB 87 204 46

HSL 104.43, 0.63%, 0.49%

LAB 73.16, -59.67, 63.55

 

CMYK 0 / 26 / 77 / 20

HEX #CC972E

RGB 204 151 46

HSL 39.87, 0.63%, 0.49%

LAB 65.88, 10.38, 59.37

 

CMYK 0 / 30 / 88 / 12

HEX #E09D1A

RGB 224 157 26

HSL 39.7, 0.79%, 0.49%

LAB 69.5, 15.28, 69.48

 

CMYK 0 / 33 / 98 / 4

HEX #F4A406

RGB 244 164 6

HSL 39.83, 0.95%, 0.49%

LAB 73.41, 19.88, 76.63

 

CMYK 0 / 26 / 77 / 20

HEX #CC972E

RGB 204 151 46

HSL 39.87, 0.63%, 0.49%

LAB 65.88, 10.38, 59.37

 

CMYK 0 / 21 / 64 / 28

HEX #B79042

RGB 183 144 66

HSL 40, 0.47%, 0.49%

LAB 62, 6.03, 46.04

 

CMYK 0 / 15 / 47 / 36

HEX #A38A57

RGB 163 138 87

HSL 40.26, 0.3%, 0.49%

LAB 58.65, 2.44, 30.75

 

CMYK 0 / 8 / 25 / 44

HEX #8F836B

RGB 143 131 107

HSL 40, 0.14%, 0.49%

LAB 55.21, 0.51, 14.64

 

CMYK 3 / 2 / 0 / 50

HEX #7B7C7F

RGB 123 124 127

HSL 225, 0.02%, 0.49%

LAB 52.02, 0.24, -1.77

 

CMYK 0 / 68 / 77 / 20

HEX #CC412E

RGB 204 65 46

HSL 7.22, 0.63%, 0.49%

LAB 48.03, 53.86, 41.8

 

CMYK 0 / 48 / 77 / 20

HEX #CC6B2E

RGB 204 107 46

HSL 23.16, 0.63%, 0.49%

LAB 55.63, 34.11, 49.51

 

CMYK 0 / 27 / 77 / 20

HEX #CC952E

RGB 204 149 46

HSL 39.11, 0.63%, 0.49%

LAB 65.38, 11.46, 58.9

 

CMYK 0 / 6 / 77 / 20

HEX #CCBF2E

RGB 204 191 46

HSL 55.06, 0.63%, 0.49%

LAB 76.25, -10.77, 68.9

 

CMYK 14 / 0 / 77 / 20

HEX #AFCC2E

RGB 175 204 46

HSL 71.01, 0.63%, 0.49%

LAB 77.58, -29.39, 69.27

 

CMYK 0 / 26 / 77 / 47

HEX #88651F

RGB 136 101 31

HSL 40, 0.63%, 0.33%

LAB 45.14, 7, 42.87

 

CMYK 0 / 26 / 77 / 33

HEX #AA7E27

RGB 170 126 39

HSL 39.85, 0.63%, 0.41%

LAB 55.7, 8.75, 51.1

 

CMYK 0 / 26 / 77 / 20

HEX #CC972E

RGB 204 151 46

HSL 39.87, 0.63%, 0.49%

LAB 65.88, 10.38, 59.37

 

CMYK 0 / 22 / 64 / 16

HEX #D7A84D

RGB 215 168 77

HSL 39.57, 0.63%, 0.57%

LAB 71.55, 7.57, 52.38

 

CMYK 0 / 17 / 50 / 13

HEX #DEB96E

RGB 222 185 110

HSL 40.18, 0.63%, 0.65%

LAB 76.89, 4, 42.78

 

CMYK 0 / 26 / 77 / 20

HEX #CD982F

RGB 205 152 47

HSL 39.87, 0.63%, 0.49%

LAB 66.24, 10.31, 59.37

 

CMYK 66 / 0 / 77 / 20

HEX #46CC2E

RGB 70 204 46

HSL 110.89, 0.63%, 0.49%

LAB 72.68, -63.57, 62.93

 

CMYK 58 / 77 / 0 / 20

HEX #562ECC

RGB 86 46 204

HSL 255.19, 0.63%, 0.49%

LAB 34.58, 56.39, -74.82

 

CMYK 0 / 26 / 77 / 20

HEX #CD982F

RGB 205 152 47

HSL 39.87, 0.63%, 0.49%

LAB 66.24, 10.31, 59.37

 

CMYK 77 / 0 / 27 / 20

HEX #2ECC95

RGB 46 204 149

HSL 159.11, 0.63%, 0.49%

LAB 73.5, -52.53, 16.26

 

CMYK 27 / 77 / 0 / 20

HEX #952ECC

RGB 149 46 204

HSL 279.11, 0.63%, 0.49%

LAB 42.31, 65.87, -61.87

 

CMYK 0 / 26 / 77 / 20

HEX #CD982F

RGB 205 152 47

HSL 39.87, 0.63%, 0.49%

LAB 66.24, 10.31, 59.37

 

CMYK 66 / 0 / 77 / 20

HEX #46CC2E

RGB 70 204 46

HSL 110.89, 0.63%, 0.49%

LAB 72.68, -63.57, 62.93

 

CMYK 77 / 50 / 0 / 20

HEX #2E65CC

RGB 46 101 204

HSL 219.11, 0.63%, 0.49%

LAB 44.59, 18.78, -58.59

 

CMYK 12 / 77 / 0 / 20

HEX #B42ECC

RGB 180 46 204

HSL 290.89, 0.63%, 0.49%

LAB 47, 71.52, -54.07

 

CMYK 0 / 26 / 77 / 20

HEX #CD982F

RGB 205 152 47

HSL 39.87, 0.63%, 0.49%

LAB 66.24, 10.31, 59.37

 

CMYK 77 / 0 / 66 / 20

HEX #2ECC46

RGB 46 204 70

HSL 129.11, 0.63%, 0.49%

LAB 72.37, -65.64, 53.7

 

CMYK 77 / 50 / 0 / 20

HEX #2E65CC

RGB 46 101 204

HSL 219.11, 0.63%, 0.49%

LAB 44.59, 18.78, -58.59

 

CMYK 0 / 77 / 12 / 20

HEX #CC2EB4

RGB 204 46 180

HSL 309.11, 0.63%, 0.49%

LAB 49.6, 72.58, -35.73

 

Description

Color code: HEX #CD982F | qconv.com Color code: HEX #CD982F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 152 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 152 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 77 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 77% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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