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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD97B0 it is the complementary color #32684F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD97B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD97B0 shade: #D297AB, #E3A9BE, #F4BBD1, #FFCDE4 and #FFDFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD97B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD97B0 shade: #CD97B0, #BC859D, #AB738A, #9A6177 and #894F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD97B0 shade: #CD97B0, #CD97A2 and #CD9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD97B0 shade: #CD97B0, #CD97BE, #CD97CD, #BE97CD and #B097CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD97B0 shade matches the following richer shades: #CD97B0, #D98BAF, #E67EAE, #F272AD and #FE66AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD97B0 shade: #CD97B0, #C0A4B1, #B4B0B2, #A8BCB3 and #9BC9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD97B0 shade: #CD97CD, #CD97BE, #CD97B0, #CD97A2 and #CD9B97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD97B0 shade: #B26086, #BF7B9B, #CD97B0, #DAB3C5 and #E8CFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD97B0 shade: #CD97B0, #CDBE97 and #97C6CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD97B0 shade: #CD97B0, #B0CD97 and #97B0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD97B0 shade: #CD97B0, #CDBE97, #97CDB4 and #97A6CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD97B0 shade: #CD97B0, #CBCD97, #97CDB4 and #9997CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

Complementary color

CMYK 52 / 0 / 24 / 59

HEX #32684F

RGB 50 104 79

HSL 152.22, 0.35%, 0.3%

LAB 39.82, -24.47, 8.66

 

CMYK 0 / 28 / 19 / 18

HEX #D297AB

RGB 210 151 171

HSL 339.66, 0.4%, 0.71%

LAB 68.59, 25.08, -1.62

 

CMYK 0 / 26 / 16 / 11

HEX #E3A9BE

RGB 227 169 190

HSL 338.28, 0.51%, 0.78%

LAB 75.09, 24.42, -2.38

 

CMYK 0 / 23 / 14 / 4

HEX #F4BBD1

RGB 244 187 209

HSL 336.84, 0.72%, 0.85%

LAB 81.5, 23.82, -3.08

 

CMYK 0 / 20 / 11 / 0

HEX #FFCDE4

RGB 255 205 228

HSL 332.4, 1%, 0.9%

LAB 87.25, 21.2, -4.64

 

CMYK 0 / 13 / 3 / 0

HEX #FFDFF7

RGB 255 223 247

HSL 315, 1%, 0.94%

LAB 92.02, 15.01, -7.6

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 29 / 16 / 26

HEX #BC859D

RGB 188 133 157

HSL 333.82, 0.29%, 0.63%

LAB 61.57, 24.76, -4.32

 

CMYK 0 / 33 / 19 / 33

HEX #AB738A

RGB 171 115 138

HSL 335.36, 0.25%, 0.56%

LAB 54.82, 25.5, -3.53

 

CMYK 0 / 37 / 23 / 40

HEX #9A6177

RGB 154 97 119

HSL 336.84, 0.23%, 0.49%

LAB 47.95, 26.31, -2.64

 

CMYK 0 / 42 / 27 / 46

HEX #894F64

RGB 137 79 100

HSL 338.28, 0.27%, 0.42%

LAB 40.95, 27.2, -1.62

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 26 / 21 / 20

HEX #CD97A2

RGB 205 151 162

HSL 347.78, 0.35%, 0.7%

LAB 67.81, 21.87, 2.22

 

CMYK 0 / 26 / 26 / 20

HEX #CD9797

RGB 205 151 151

HSL 0, 0.35%, 0.7%

LAB 67.54, 20.25, 7.97

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 26 / 7 / 20

HEX #CD97BE

RGB 205 151 190

HSL 316.67, 0.35%, 0.7%

LAB 68.63, 26.47, -12.21

 

CMYK 0 / 26 / 0 / 20

HEX #CD97CD

RGB 205 151 205

HSL 300, 0.35%, 0.7%

LAB 69.13, 29.2, -19.79

 

CMYK 7 / 26 / 0 / 20

HEX #BE97CD

RGB 190 151 205

HSL 283.33, 0.35%, 0.7%

LAB 67.64, 24.27, -22.19

 

CMYK 14 / 26 / 0 / 20

HEX #B097CD

RGB 176 151 205

HSL 267.78, 0.35%, 0.7%

LAB 66.34, 19.73, -24.29

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 36 / 19 / 15

HEX #D98BAF

RGB 217 139 175

HSL 332.31, 0.51%, 0.7%

LAB 66.76, 34.67, -6.47

 

CMYK 0 / 45 / 24 / 10

HEX #E67EAE

RGB 230 126 174

HSL 332.31, 0.68%, 0.7%

LAB 65.59, 45.74, -7.46

 

CMYK 0 / 53 / 29 / 5

HEX #F272AD

RGB 242 114 173

HSL 332.34, 0.83%, 0.7%

LAB 64.91, 55.37, -7.74

 

CMYK 0 / 60 / 32 / 0

HEX #FE66AC

RGB 254 102 172

HSL 332.37, 0.99%, 0.7%

LAB 64.61, 64.29, -7.43

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 15 / 8 / 25

HEX #C0A4B1

RGB 192 164 177

HSL 332.14, 0.18%, 0.7%

LAB 70.13, 12.44, -2.9

 

CMYK 0 / 2 / 1 / 29

HEX #B4B0B2

RGB 180 176 178

HSL 330, 0.03%, 0.7%

LAB 72.21, 1.79, -0.53

 

CMYK 11 / 0 / 5 / 26

HEX #A8BCB3

RGB 168 188 179

HSL 153, 0.13%, 0.7%

LAB 74.54, -8.6, 2.21

 

CMYK 23 / 0 / 10 / 21

HEX #9BC9B4

RGB 155 201 180

HSL 152.61, 0.3%, 0.7%

LAB 77.3, -19.4, 5.57

 

CMYK 0 / 26 / 0 / 20

HEX #CD97CD

RGB 205 151 205

HSL 300, 0.35%, 0.7%

LAB 69.13, 29.2, -19.79

 

CMYK 0 / 26 / 7 / 20

HEX #CD97BE

RGB 205 151 190

HSL 316.67, 0.35%, 0.7%

LAB 68.63, 26.47, -12.21

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 26 / 21 / 20

HEX #CD97A2

RGB 205 151 162

HSL 347.78, 0.35%, 0.7%

LAB 67.81, 21.87, 2.22

 

CMYK 0 / 24 / 26 / 20

HEX #CD9B97

RGB 205 155 151

HSL 4.44, 0.35%, 0.7%

LAB 68.5, 18.07, 9.34

 

CMYK 0 / 46 / 25 / 30

HEX #B26086

RGB 178 96 134

HSL 332.2, 0.35%, 0.54%

LAB 51.33, 37.86, -6.25

 

CMYK 0 / 36 / 19 / 25

HEX #BF7B9B

RGB 191 123 155

HSL 331.76, 0.35%, 0.62%

LAB 59.53, 31.04, -6.15

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 18 / 10 / 15

HEX #DAB3C5

RGB 218 179 197

HSL 332.31, 0.35%, 0.78%

LAB 76.79, 17, -3.81

 

CMYK 0 / 11 / 6 / 9

HEX #E8CFDA

RGB 232 207 218

HSL 333.6, 0.35%, 0.86%

LAB 85.42, 10.56, -2.26

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 7 / 26 / 20

HEX #CDBE97

RGB 205 190 151

HSL 43.33, 0.35%, 0.7%

LAB 77.3, -0.78, 21.64

 

CMYK 26 / 3 / 0 / 20

HEX #97C6CD

RGB 151 198 205

HSL 187.78, 0.35%, 0.7%

LAB 76.91, -13.74, -8.53

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 14 / 0 / 26 / 20

HEX #B0CD97

RGB 176 205 151

HSL 92.22, 0.35%, 0.7%

LAB 79.11, -19.35, 23.76

 

CMYK 26 / 14 / 0 / 20

HEX #97B0CD

RGB 151 176 205

HSL 212.22, 0.35%, 0.7%

LAB 70.9, -2.04, -17.54

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 0 / 7 / 26 / 20

HEX #CDBE97

RGB 205 190 151

HSL 43.33, 0.35%, 0.7%

LAB 77.3, -0.78, 21.64

 

CMYK 26 / 0 / 12 / 20

HEX #97CDB4

RGB 151 205 180

HSL 152.22, 0.35%, 0.7%

LAB 78.19, -22.66, 6.82

 

CMYK 26 / 19 / 0 / 20

HEX #97A6CD

RGB 151 166 205

HSL 223.33, 0.35%, 0.7%

LAB 68.21, 3.47, -21.61

 

CMYK 0 / 26 / 14 / 20

HEX #CD97B0

RGB 205 151 176

HSL 332.22, 0.35%, 0.7%

LAB 68.2, 24.08, -5.04

 

CMYK 1 / 0 / 26 / 20

HEX #CBCD97

RGB 203 205 151

HSL 62.22, 0.35%, 0.7%

LAB 81.07, -9.34, 26.74

 

CMYK 26 / 0 / 12 / 20

HEX #97CDB4

RGB 151 205 180

HSL 152.22, 0.35%, 0.7%

LAB 78.19, -22.66, 6.82

 

CMYK 25 / 26 / 0 / 20

HEX #9997CD

RGB 153 151 205

HSL 242.22, 0.35%, 0.7%

LAB 64.41, 12.53, -27.42

 

Description

Color code: HEX #CD97B0 | qconv.com Color code: HEX #CD97B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 151 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 151 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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