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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD9272 it is the complementary color #326D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD9272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD9272 shade: #D2926D, #E3A480, #F4B693, #FFC8A6 and #FFDAB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD9272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD9272 shade: #CD9272, #BC805F, #AB6E4C, #9A5C39 and #894A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD9272 shade: #CE9373, #CE7B73 and #CE7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD9272 shade: #CE9373, #CEAC73, #CEC473, #BFCE73 and #A7CE73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD9272 shade matches the following richer shades: #CE9373, #DD8F64, #EC8A55 and #FC8646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD9272 shade: #CE9373, #BF9883, #AF9C92, #A0A1A1 and #91A5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD9272 shade: #CE7384, #CE7B73, #CE9373, #CEAB73 and #CEC373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD9272 shade: #B1663E, #C37C55, #CE9373, #D9AB92 and #E3C2B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD9272 shade: #CD9272, #9CCE73 and #7378CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD9272 shade: #CD9272, #73CE93 and #9373CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD9272 shade: #CD9272, #9CCE73, #73AECE and #A573CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD9272 shade: #CD9272, #81CE73, #73AECE and #C073CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 44 / 20

HEX #CD9272

RGB 205 146 114

HSL 21.1, 0.48%, 0.63%

LAB 65.55, 18.4, 25.8

 

Complementary color

CMYK 65 / 23 / 0 / 45

HEX #326D8D

RGB 50 109 141

HSL 201.1, 0.48%, 0.37%

LAB 43.56, -8.78, -23.27

 

CMYK 0 / 30 / 48 / 18

HEX #D2926D

RGB 210 146 109

HSL 21.98, 0.53%, 0.63%

LAB 66.03, 19.92, 29.27

 

CMYK 0 / 28 / 44 / 11

HEX #E3A480

RGB 227 164 128

HSL 21.82, 0.64%, 0.7%

LAB 72.52, 18.95, 27.87

 

CMYK 0 / 25 / 40 / 4

HEX #F4B693

RGB 244 182 147

HSL 21.65, 0.82%, 0.77%

LAB 78.92, 18.1, 26.59

 

CMYK 0 / 22 / 35 / 0

HEX #FFC8A6

RGB 255 200 166

HSL 22.92, 1%, 0.83%

LAB 84.65, 15.06, 24.49

 

CMYK 0 / 15 / 27 / 0

HEX #FFDAB9

RGB 255 218 185

HSL 28.29, 1%, 0.86%

LAB 89.35, 8.09, 21.01

 

CMYK 0 / 29 / 44 / 20

HEX #CD9272

RGB 205 146 114

HSL 21.1, 0.48%, 0.63%

LAB 65.55, 18.4, 25.8

 

CMYK 0 / 32 / 49 / 26

HEX #BC805F

RGB 188 128 95

HSL 21.29, 0.41%, 0.55%

LAB 58.93, 19.41, 27.25

 

CMYK 0 / 36 / 56 / 33

HEX #AB6E4C

RGB 171 110 76

HSL 21.47, 0.38%, 0.48%

LAB 52.21, 20.59, 28.85

 

CMYK 0 / 40 / 63 / 40

HEX #9A5C39

RGB 154 92 57

HSL 21.65, 0.46%, 0.41%

LAB 45.39, 21.96, 30.64

 

CMYK 0 / 46 / 72 / 46

HEX #894A26

RGB 137 74 38

HSL 21.82, 0.57%, 0.34%

LAB 38.47, 23.57, 32.58

 

CMYK 0 / 29 / 44 / 19

HEX #CE9373

RGB 206 147 115

HSL 21.1, 0.48%, 0.63%

LAB 65.93, 18.36, 25.76

 

CMYK 0 / 40 / 44 / 19

HEX #CE7B73

RGB 206 123 115

HSL 5.27, 0.48%, 0.63%

LAB 60.36, 31.38, 18.26

 

CMYK 0 / 44 / 44 / 19

HEX #CE7373

RGB 206 115 115

HSL 0, 0.48%, 0.63%

LAB 58.62, 35.64, 15.87

 

CMYK 0 / 29 / 44 / 19

HEX #CE9373

RGB 206 147 115

HSL 21.1, 0.48%, 0.63%

LAB 65.93, 18.36, 25.76

 

CMYK 0 / 17 / 44 / 19

HEX #CEAC73

RGB 206 172 115

HSL 37.58, 0.48%, 0.63%

LAB 72.14, 4.82, 33.89

 

CMYK 0 / 5 / 44 / 19

HEX #CEC473

RGB 206 196 115

HSL 53.41, 0.48%, 0.63%

LAB 78.37, -7.79, 41.78

 

CMYK 7 / 0 / 44 / 19

HEX #BFCE73

RGB 191 206 115

HSL 69.89, 0.48%, 0.63%

LAB 79.87, -18.84, 43.39

 

CMYK 19 / 0 / 44 / 19

HEX #A7CE73

RGB 167 206 115

HSL 85.71, 0.48%, 0.63%

LAB 78.23, -28.04, 40.98

 

CMYK 0 / 29 / 44 / 19

HEX #CE9373

RGB 206 147 115

HSL 21.1, 0.48%, 0.63%

LAB 65.93, 18.36, 25.76

 

CMYK 0 / 35 / 55 / 13

HEX #DD8F64

RGB 221 143 100

HSL 21.32, 0.64%, 0.63%

LAB 66.47, 25.18, 34.96

 

CMYK 0 / 42 / 64 / 7

HEX #EC8A55

RGB 236 138 85

HSL 21.06, 0.8%, 0.63%

LAB 67.03, 32.75, 43.96

 

CMYK 0 / 47 / 72 / 1

HEX #FC8646

RGB 252 134 70

HSL 21.1, 0.97%, 0.63%

LAB 68.16, 40.27, 53.26

 

CMYK 0 / 29 / 44 / 19

HEX #CE9373

RGB 206 147 115

HSL 21.1, 0.48%, 0.63%

LAB 65.93, 18.36, 25.76

 

CMYK 0 / 20 / 31 / 25

HEX #BF9883

RGB 191 152 131

HSL 21, 0.32%, 0.63%

LAB 65.88, 11.52, 16.59

 

CMYK 0 / 11 / 17 / 31

HEX #AF9C92

RGB 175 156 146

HSL 20.69, 0.15%, 0.63%

LAB 65.72, 5.3, 7.77

 

CMYK 1 / 0 / 0 / 37

HEX #A0A1A1

RGB 160 161 161

HSL 180, 0.01%, 0.63%

LAB 66.16, -0.35, -0.13

 

CMYK 18 / 6 / 0 / 31

HEX #91A5B0

RGB 145 165 176

HSL 201.29, 0.16%, 0.63%

LAB 66.57, -4.59, -8.03

 

CMYK 0 / 44 / 36 / 19

HEX #CE7384

RGB 206 115 132

HSL 348.79, 0.48%, 0.63%

LAB 59.02, 37.56, 6.6

 

CMYK 0 / 40 / 44 / 19

HEX #CE7B73

RGB 206 123 115

HSL 5.27, 0.48%, 0.63%

LAB 60.36, 31.38, 18.26

 

CMYK 0 / 29 / 44 / 19

HEX #CE9373

RGB 206 147 115

HSL 21.1, 0.48%, 0.63%

LAB 65.93, 18.36, 25.76

 

CMYK 0 / 17 / 44 / 19

HEX #CEAB73

RGB 206 171 115

HSL 36.92, 0.48%, 0.63%

LAB 71.88, 5.36, 33.56

 

CMYK 0 / 5 / 44 / 19

HEX #CEC373

RGB 206 195 115

HSL 52.75, 0.48%, 0.63%

LAB 78.1, -7.28, 41.45

 

CMYK 0 / 42 / 65 / 31

HEX #B1663E

RGB 177 102 62

HSL 20.87, 0.48%, 0.47%

LAB 50.92, 26.5, 35.21

 

CMYK 0 / 36 / 56 / 24

HEX #C37C55

RGB 195 124 85

HSL 21.27, 0.48%, 0.55%

LAB 58.67, 23.62, 32.61

 

CMYK 0 / 29 / 44 / 19

HEX #CE9373

RGB 206 147 115

HSL 21.1, 0.48%, 0.63%

LAB 65.93, 18.36, 25.76

 

CMYK 0 / 21 / 33 / 15

HEX #D9AB92

RGB 217 171 146

HSL 21.13, 0.48%, 0.71%

LAB 73.51, 13.34, 19.3

 

CMYK 0 / 15 / 22 / 11

HEX #E3C2B0

RGB 227 194 176

HSL 21.18, 0.48%, 0.79%

LAB 80.77, 8.96, 13.39

 

CMYK 0 / 29 / 44 / 20

HEX #CD9272

RGB 205 146 114

HSL 21.1, 0.48%, 0.63%

LAB 65.55, 18.4, 25.8

 

CMYK 24 / 0 / 44 / 19

HEX #9CCE73

RGB 156 206 115

HSL 92.97, 0.48%, 0.63%

LAB 77.55, -32.07, 39.99

 

CMYK 44 / 42 / 0 / 19

HEX #7378CE

RGB 115 120 206

HSL 236.7, 0.48%, 0.63%

LAB 53.53, 20.35, -45.21

 

CMYK 0 / 29 / 44 / 20

HEX #CD9272

RGB 205 146 114

HSL 21.1, 0.48%, 0.63%

LAB 65.55, 18.4, 25.8

 

CMYK 44 / 0 / 29 / 19

HEX #73CE93

RGB 115 206 147

HSL 141.1, 0.48%, 0.63%

LAB 76, -40.22, 21.08

 

CMYK 29 / 44 / 0 / 19

HEX #9373CE

RGB 147 115 206

HSL 261.1, 0.48%, 0.63%

LAB 54.99, 31.78, -42.72

 

CMYK 0 / 29 / 44 / 20

HEX #CD9272

RGB 205 146 114

HSL 21.1, 0.48%, 0.63%

LAB 65.55, 18.4, 25.8

 

CMYK 24 / 0 / 44 / 19

HEX #9CCE73

RGB 156 206 115

HSL 92.97, 0.48%, 0.63%

LAB 77.55, -32.07, 39.99

 

CMYK 44 / 16 / 0 / 19

HEX #73AECE

RGB 115 174 206

HSL 201.1, 0.48%, 0.63%

LAB 68.29, -10.69, -22.23

 

CMYK 20 / 44 / 0 / 19

HEX #A573CE

RGB 165 115 206

HSL 272.97, 0.48%, 0.63%

LAB 56.8, 36.88, -39.75

 

CMYK 0 / 29 / 44 / 20

HEX #CD9272

RGB 205 146 114

HSL 21.1, 0.48%, 0.63%

LAB 65.55, 18.4, 25.8

 

CMYK 37 / 0 / 44 / 19

HEX #81CE73

RGB 129 206 115

HSL 110.77, 0.48%, 0.63%

LAB 76.1, -41.28, 37.85

 

CMYK 44 / 16 / 0 / 19

HEX #73AECE

RGB 115 174 206

HSL 201.1, 0.48%, 0.63%

LAB 68.29, -10.69, -22.23

 

CMYK 7 / 44 / 0 / 19

HEX #C073CE

RGB 192 115 206

HSL 290.77, 0.48%, 0.63%

LAB 59.82, 44.76, -34.8

 

Description

Color code: HEX #CD9272 | qconv.com Color code: HEX #CD9272 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 146 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 146 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 44% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - First exclusively fe...
Link: http://lespartisanes.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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