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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD8D9A it is the complementary color #327265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD8D9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD8D9A shade: #D28D95, #E39FA8, #F4B1BB, #FFC3CE and #FFD5E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD8D9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD8D9A shade: #CD8D9A, #BC7B87, #AB6974, #9A5761 and #89454E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD8D9A shade: #CD8E9B and #CD8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD8D9A shade: #CD8E9B, #CD8EAC, #CD8EBD, #CC8ECD and #BB8ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD8D9A shade matches the following richer shades: #CD8E9B, #DA8093, #E8738B and #F56683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD8D9A shade: #CD8E9B, #C09BA2, #B3A8AA, #A6B5B2 and #98C2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD8D9A shade: #CD8EBD, #CD8EAC, #CD8E9B, #CD918E and #CDA28E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD8D9A shade: #B45468, #C17181, #CD8E9B, #DAAAB4 and #E6C7CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD8D9A shade: #CD8D9A, #CDCC8E and #8EB5CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD8D9A shade: #CD8D9A, #9BCD8E and #8E9BCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD8D9A shade: #CD8D9A, #CDCC8E, #8ECDBF and #8E8FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD8D9A shade: #CD8D9A, #BBCD8E, #8ECDBF and #A08ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 25 / 20

HEX #CD8D9A

RGB 205 141 154

HSL 347.81, 0.39%, 0.68%

LAB 65.25, 26.15, 2.99

 

Complementary color

CMYK 56 / 0 / 11 / 55

HEX #327265

RGB 50 114 101

HSL 167.81, 0.39%, 0.32%

LAB 43.73, -23.95, 1

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 30 / 26 / 11

HEX #E39FA8

RGB 227 159 168

HSL 352.06, 0.55%, 0.76%

LAB 72.2, 26.52, 5.52

 

CMYK 0 / 27 / 23 / 4

HEX #F4B1BB

RGB 244 177 187

HSL 351.04, 0.75%, 0.83%

LAB 78.62, 25.8, 4.61

 

CMYK 0 / 24 / 19 / 0

HEX #FFC3CE

RGB 255 195 206

HSL 349, 1%, 0.88%

LAB 84.35, 23.02, 2.83

 

CMYK 0 / 16 / 12 / 0

HEX #FFD5E1

RGB 255 213 225

HSL 342.86, 1%, 0.92%

LAB 89.06, 16.53, -0.41

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D9A

RGB 205 141 154

HSL 347.81, 0.39%, 0.68%

LAB 65.25, 26.15, 2.99

 

CMYK 0 / 35 / 28 / 26

HEX #BC7B87

RGB 188 123 135

HSL 348.92, 0.33%, 0.61%

LAB 58.61, 26.95, 3.98

 

CMYK 0 / 39 / 32 / 33

HEX #AB6974

RGB 171 105 116

HSL 350, 0.28%, 0.54%

LAB 51.86, 27.84, 5.1

 

CMYK 0 / 44 / 37 / 40

HEX #9A5761

RGB 154 87 97

HSL 351.04, 0.28%, 0.47%

LAB 45.01, 28.82, 6.4

 

CMYK 0 / 50 / 43 / 46

HEX #89454E

RGB 137 69 78

HSL 352.06, 0.33%, 0.4%

LAB 38.07, 29.88, 7.96

 

CMYK 0 / 31 / 24 / 20

HEX #CD8E9B

RGB 205 142 155

HSL 347.62, 0.39%, 0.68%

LAB 65.51, 25.74, 2.8

 

CMYK 0 / 31 / 31 / 20

HEX #CD8E8E

RGB 205 142 142

HSL 0, 0.39%, 0.68%

LAB 65.18, 23.93, 9.66

 

CMYK 0 / 31 / 24 / 20

HEX #CD8E9B

RGB 205 142 155

HSL 347.62, 0.39%, 0.68%

LAB 65.51, 25.74, 2.8

 

CMYK 0 / 31 / 16 / 20

HEX #CD8EAC

RGB 205 142 172

HSL 331.43, 0.39%, 0.68%

LAB 65.98, 28.35, -6.08

 

CMYK 0 / 31 / 8 / 20

HEX #CD8EBD

RGB 205 142 189

HSL 315.24, 0.39%, 0.68%

LAB 66.52, 31.21, -14.83

 

CMYK 0 / 31 / 0 / 20

HEX #CC8ECD

RGB 204 142 205

HSL 299.05, 0.39%, 0.68%

LAB 66.97, 33.78, -23.09

 

CMYK 9 / 31 / 0 / 20

HEX #BB8ECD

RGB 187 142 205

HSL 282.86, 0.39%, 0.68%

LAB 65.21, 28.3, -25.93

 

CMYK 0 / 31 / 24 / 20

HEX #CD8E9B

RGB 205 142 155

HSL 347.62, 0.39%, 0.68%

LAB 65.51, 25.74, 2.8

 

CMYK 0 / 41 / 33 / 15

HEX #DA8093

RGB 218 128 147

HSL 347.33, 0.55%, 0.68%

LAB 63.71, 36.94, 4.94

 

CMYK 0 / 50 / 40 / 9

HEX #E8738B

RGB 232 115 139

HSL 347.69, 0.72%, 0.68%

LAB 62.74, 47.58, 8.37

 

CMYK 0 / 58 / 47 / 4

HEX #F56683

RGB 245 102 131

HSL 347.83, 0.88%, 0.68%

LAB 62.13, 57.23, 12.37

 

CMYK 0 / 31 / 24 / 20

HEX #CD8E9B

RGB 205 142 155

HSL 347.62, 0.39%, 0.68%

LAB 65.51, 25.74, 2.8

 

CMYK 0 / 19 / 16 / 25

HEX #C09BA2

RGB 192 155 162

HSL 348.65, 0.23%, 0.68%

LAB 67.47, 14.85, 1.55

 

CMYK 0 / 6 / 5 / 30

HEX #B3A8AA

RGB 179 168 170

HSL 349.09, 0.07%, 0.68%

LAB 69.82, 4.32, 0.38

 

CMYK 8 / 0 / 2 / 29

HEX #A6B5B2

RGB 166 181 178

HSL 168, 0.09%, 0.68%

LAB 72.47, -5.77, -0.26

 

CMYK 22 / 0 / 4 / 24

HEX #98C2BA

RGB 152 194 186

HSL 168.57, 0.26%, 0.68%

LAB 75.33, -15.55, -0.56

 

CMYK 0 / 31 / 8 / 20

HEX #CD8EBD

RGB 205 142 189

HSL 315.24, 0.39%, 0.68%

LAB 66.52, 31.21, -14.83

 

CMYK 0 / 31 / 16 / 20

HEX #CD8EAC

RGB 205 142 172

HSL 331.43, 0.39%, 0.68%

LAB 65.98, 28.35, -6.08

 

CMYK 0 / 31 / 24 / 20

HEX #CD8E9B

RGB 205 142 155

HSL 347.62, 0.39%, 0.68%

LAB 65.51, 25.74, 2.8

 

CMYK 0 / 29 / 31 / 20

HEX #CD918E

RGB 205 145 142

HSL 2.86, 0.39%, 0.68%

LAB 65.89, 22.29, 10.67

 

CMYK 0 / 21 / 31 / 20

HEX #CDA28E

RGB 205 162 142

HSL 19.05, 0.39%, 0.68%

LAB 70.02, 13.02, 16.46

 

CMYK 0 / 53 / 42 / 29

HEX #B45468

RGB 180 84 104

HSL 347.5, 0.39%, 0.52%

LAB 48.31, 40.95, 7.37

 

CMYK 0 / 41 / 33 / 24

HEX #C17181

RGB 193 113 129

HSL 348, 0.39%, 0.6%

LAB 56.81, 33.47, 4.96

 

CMYK 0 / 31 / 24 / 20

HEX #CD8E9B

RGB 205 142 155

HSL 347.62, 0.39%, 0.68%

LAB 65.51, 25.74, 2.8

 

CMYK 0 / 22 / 17 / 15

HEX #DAAAB4

RGB 218 170 180

HSL 347.5, 0.39%, 0.76%

LAB 74.16, 19.08, 1.63

 

CMYK 0 / 13 / 11 / 10

HEX #E6C7CD

RGB 230 199 205

HSL 348.39, 0.38%, 0.84%

LAB 82.95, 11.89, 1.04

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D9A

RGB 205 141 154

HSL 347.81, 0.39%, 0.68%

LAB 65.25, 26.15, 2.99

 

CMYK 0 / 0 / 31 / 20

HEX #CDCC8E

RGB 205 204 142

HSL 59.05, 0.39%, 0.68%

LAB 80.8, -9.23, 31.1

 

CMYK 31 / 12 / 0 / 20

HEX #8EB5CD

RGB 142 181 205

HSL 202.86, 0.39%, 0.68%

LAB 71.69, -7.41, -16.39

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D9A

RGB 205 141 154

HSL 347.81, 0.39%, 0.68%

LAB 65.25, 26.15, 2.99

 

CMYK 24 / 0 / 31 / 20

HEX #9BCD8E

RGB 155 205 142

HSL 107.62, 0.39%, 0.68%

LAB 77.63, -28.16, 26.25

 

CMYK 31 / 24 / 0 / 20

HEX #8E9BCD

RGB 142 155 205

HSL 227.62, 0.39%, 0.68%

LAB 64.64, 6.97, -27.13

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D9A

RGB 205 141 154

HSL 347.81, 0.39%, 0.68%

LAB 65.25, 26.15, 2.99

 

CMYK 0 / 0 / 31 / 20

HEX #CDCC8E

RGB 205 204 142

HSL 59.05, 0.39%, 0.68%

LAB 80.8, -9.23, 31.1

 

CMYK 31 / 0 / 7 / 20

HEX #8ECDBF

RGB 142 205 191

HSL 166.67, 0.39%, 0.68%

LAB 77.98, -23.06, 0.54

 

CMYK 31 / 30 / 0 / 20

HEX #8E8FCD

RGB 142 143 205

HSL 239.05, 0.39%, 0.68%

LAB 61.48, 13.84, -32.02

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D9A

RGB 205 141 154

HSL 347.81, 0.39%, 0.68%

LAB 65.25, 26.15, 2.99

 

CMYK 9 / 0 / 31 / 20

HEX #BBCD8E

RGB 187 205 142

HSL 77.14, 0.39%, 0.68%

LAB 79.72, -16.6, 29.41

 

CMYK 31 / 0 / 7 / 20

HEX #8ECDBF

RGB 142 205 191

HSL 166.67, 0.39%, 0.68%

LAB 77.98, -23.06, 0.54

 

CMYK 22 / 31 / 0 / 20

HEX #A08ECD

RGB 160 142 205

HSL 257.14, 0.39%, 0.68%

LAB 62.7, 19.81, -30.02

 

Description

Color code: HEX #CD8D9A | qconv.com Color code: HEX #CD8D9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 141 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 141 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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