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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD8CAF it is the complementary color #327350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD8CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD8CAF shade: #D28CAA, #E39EBD, #F4B0D0, #FFC2E3 and #FFD4F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD8CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD8CAF shade: #CD8CAF, #BC7A9C, #AB6889, #9A5676 and #894463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD8CAF shade: #CD8EB0, #CD8E9F and #CD8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD8CAF shade: #CD8EB0, #CD8EC1, #C88ECD, #B78ECD and #A68ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD8CAF shade matches the following richer shades: #CD8EB0, #DA80B1, #E873B2 and #F566B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD8CAF shade: #CD8EB0, #C09BAF, #B3A8AE, #A6B5AD and #98C2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD8CAF shade: #C88ECD, #CD8EC2, #CD8EB1, #CD8EA0 and #CD8E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD8CAF shade: #B45488, #C1719C, #CD8EB0, #DAAAC4 and #E6C7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD8CAF shade: #CD8CAF, #CDB78E and #8ECACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD8CAF shade: #CD8CAF, #B1CD8E and #8EB1CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD8CAF shade: #CD8CAF, #CDB78E, #8ECDAA and #8EA4CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD8CAF shade: #CD8CAF, #CDCA8E, #8ECDAA and #8E91CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 15 / 20

HEX #CD8CAF

RGB 205 140 175

HSL 327.69, 0.39%, 0.68%

LAB 65.62, 29.93, -8.31

 

Complementary color

CMYK 57 / 0 / 30 / 55

HEX #327350

RGB 50 115 80

HSL 147.69, 0.39%, 0.32%

LAB 43.53, -29.62, 13.23

 

CMYK 0 / 33 / 19 / 18

HEX #D28CAA

RGB 210 140 170

HSL 334.29, 0.44%, 0.69%

LAB 66.03, 30.9, -4.83

 

CMYK 0 / 30 / 17 / 11

HEX #E39EBD

RGB 227 158 189

HSL 333.04, 0.55%, 0.75%

LAB 72.53, 30.17, -5.59

 

CMYK 0 / 28 / 15 / 4

HEX #F4B0D0

RGB 244 176 208

HSL 331.76, 0.76%, 0.82%

LAB 78.95, 29.49, -6.3

 

CMYK 0 / 24 / 11 / 0

HEX #FFC2E3

RGB 255 194 227

HSL 327.54, 1%, 0.88%

LAB 84.68, 26.81, -7.9

 

CMYK 0 / 17 / 4 / 0

HEX #FFD4F6

RGB 255 212 246

HSL 312.56, 1%, 0.92%

LAB 89.39, 20.58, -10.98

 

CMYK 0 / 32 / 15 / 20

HEX #CD8CAF

RGB 205 140 175

HSL 327.69, 0.39%, 0.68%

LAB 65.62, 29.93, -8.31

 

CMYK 0 / 35 / 17 / 26

HEX #BC7A9C

RGB 188 122 156

HSL 329.09, 0.33%, 0.61%

LAB 58.98, 30.68, -7.58

 

CMYK 0 / 39 / 20 / 33

HEX #AB6889

RGB 171 104 137

HSL 330.45, 0.29%, 0.54%

LAB 52.25, 31.49, -6.75

 

CMYK 0 / 44 / 23 / 40

HEX #9A5676

RGB 154 86 118

HSL 331.76, 0.28%, 0.47%

LAB 45.41, 32.34, -5.8

 

CMYK 0 / 50 / 28 / 46

HEX #894463

RGB 137 68 99

HSL 333.04, 0.34%, 0.4%

LAB 38.47, 33.21, -4.65

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB0

RGB 205 142 176

HSL 327.62, 0.39%, 0.68%

LAB 66.11, 29, -8.15

 

CMYK 0 / 31 / 22 / 20

HEX #CD8E9F

RGB 205 142 159

HSL 343.81, 0.39%, 0.68%

LAB 65.61, 26.33, 0.7

 

CMYK 0 / 31 / 31 / 20

HEX #CD8E8E

RGB 205 142 142

HSL 0, 0.39%, 0.68%

LAB 65.18, 23.93, 9.66

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB0

RGB 205 142 176

HSL 327.62, 0.39%, 0.68%

LAB 66.11, 29, -8.15

 

CMYK 0 / 31 / 6 / 20

HEX #CD8EC1

RGB 205 142 193

HSL 311.43, 0.39%, 0.68%

LAB 66.65, 31.91, -16.86

 

CMYK 2 / 31 / 0 / 20

HEX #C88ECD

RGB 200 142 205

HSL 295.24, 0.39%, 0.68%

LAB 66.55, 32.49, -23.78

 

CMYK 11 / 31 / 0 / 20

HEX #B78ECD

RGB 183 142 205

HSL 279.05, 0.39%, 0.68%

LAB 64.82, 27.02, -26.57

 

CMYK 19 / 31 / 0 / 20

HEX #A68ECD

RGB 166 142 205

HSL 262.86, 0.39%, 0.68%

LAB 63.23, 21.66, -29.16

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB0

RGB 205 142 176

HSL 327.62, 0.39%, 0.68%

LAB 66.11, 29, -8.15

 

CMYK 0 / 41 / 19 / 15

HEX #DA80B1

RGB 218 128 177

HSL 327.33, 0.55%, 0.68%

LAB 64.58, 41.13, -10.83

 

CMYK 0 / 50 / 23 / 9

HEX #E873B2

RGB 232 115 178

HSL 327.69, 0.72%, 0.68%

LAB 63.86, 52.4, -12.29

 

CMYK 0 / 58 / 27 / 4

HEX #F566B3

RGB 245 102 179

HSL 327.69, 0.88%, 0.68%

LAB 63.48, 62.49, -13.24

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB0

RGB 205 142 176

HSL 327.62, 0.39%, 0.68%

LAB 66.11, 29, -8.15

 

CMYK 0 / 19 / 9 / 25

HEX #C09BAF

RGB 192 155 175

HSL 327.57, 0.23%, 0.68%

LAB 67.83, 17.05, -5.18

 

CMYK 0 / 6 / 3 / 30

HEX #B3A8AE

RGB 179 168 174

HSL 327.27, 0.07%, 0.68%

LAB 69.93, 5.05, -1.67

 

CMYK 8 / 0 / 4 / 29

HEX #A6B5AD

RGB 166 181 173

HSL 148, 0.09%, 0.68%

LAB 72.34, -6.74, 2.28

 

CMYK 22 / 0 / 11 / 24

HEX #98C2AC

RGB 152 194 172

HSL 148.57, 0.26%, 0.68%

LAB 74.97, -18.42, 6.51

 

CMYK 2 / 31 / 0 / 20

HEX #C88ECD

RGB 200 142 205

HSL 295.24, 0.39%, 0.68%

LAB 66.55, 32.49, -23.78

 

CMYK 0 / 31 / 5 / 20

HEX #CD8EC2

RGB 205 142 194

HSL 310.48, 0.39%, 0.68%

LAB 66.69, 32.09, -17.37

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB1

RGB 205 142 177

HSL 326.67, 0.39%, 0.68%

LAB 66.14, 29.16, -8.67

 

CMYK 0 / 31 / 22 / 20

HEX #CD8EA0

RGB 205 142 160

HSL 342.86, 0.39%, 0.68%

LAB 65.64, 26.48, 0.18

 

CMYK 0 / 31 / 30 / 20

HEX #CD8E8F

RGB 205 142 143

HSL 359.05, 0.39%, 0.68%

LAB 65.21, 24.06, 9.14

 

CMYK 0 / 53 / 24 / 29

HEX #B45488

RGB 180 84 136

HSL 327.5, 0.39%, 0.52%

LAB 49.28, 45.01, -10.47

 

CMYK 0 / 41 / 19 / 24

HEX #C1719C

RGB 193 113 156

HSL 327.75, 0.39%, 0.6%

LAB 57.61, 37.32, -9.57

 

CMYK 0 / 31 / 14 / 20

HEX #CD8EB0

RGB 205 142 176

HSL 327.62, 0.39%, 0.68%

LAB 66.11, 29, -8.15

 

CMYK 0 / 22 / 10 / 15

HEX #DAAAC4

RGB 218 170 196

HSL 327.5, 0.39%, 0.76%

LAB 74.6, 21.69, -6.49

 

CMYK 0 / 13 / 6 / 10

HEX #E6C7D8

RGB 230 199 216

HSL 327.1, 0.38%, 0.84%

LAB 83.25, 13.75, -4.41

 

CMYK 0 / 32 / 15 / 20

HEX #CD8CAF

RGB 205 140 175

HSL 327.69, 0.39%, 0.68%

LAB 65.62, 29.93, -8.31

 

CMYK 0 / 11 / 31 / 20

HEX #CDB78E

RGB 205 183 142

HSL 39.05, 0.39%, 0.68%

LAB 75.33, 1.72, 23.75

 

CMYK 31 / 1 / 0 / 20

HEX #8ECACD

RGB 142 202 205

HSL 182.86, 0.39%, 0.68%

LAB 77.52, -18.39, -7.67

 

CMYK 0 / 32 / 15 / 20

HEX #CD8CAF

RGB 205 140 175

HSL 327.69, 0.39%, 0.68%

LAB 65.62, 29.93, -8.31

 

CMYK 14 / 0 / 31 / 20

HEX #B1CD8E

RGB 177 205 142

HSL 86.67, 0.39%, 0.68%

LAB 79.02, -20.32, 28.36

 

CMYK 31 / 14 / 0 / 20

HEX #8EB1CD

RGB 142 177 205

HSL 206.67, 0.39%, 0.68%

LAB 70.6, -5.25, -18.05

 

CMYK 0 / 32 / 15 / 20

HEX #CD8CAF

RGB 205 140 175

HSL 327.69, 0.39%, 0.68%

LAB 65.62, 29.93, -8.31

 

CMYK 0 / 11 / 31 / 20

HEX #CDB78E

RGB 205 183 142

HSL 39.05, 0.39%, 0.68%

LAB 75.33, 1.72, 23.75

 

CMYK 31 / 0 / 17 / 20

HEX #8ECDAA

RGB 142 205 170

HSL 146.67, 0.39%, 0.68%

LAB 77.47, -27.44, 11.08

 

CMYK 31 / 20 / 0 / 20

HEX #8EA4CD

RGB 142 164 205

HSL 219.05, 0.39%, 0.68%

LAB 67.06, 1.9, -23.43

 

CMYK 0 / 32 / 15 / 20

HEX #CD8CAF

RGB 205 140 175

HSL 327.69, 0.39%, 0.68%

LAB 65.62, 29.93, -8.31

 

CMYK 0 / 1 / 31 / 20

HEX #CDCA8E

RGB 205 202 142

HSL 57.14, 0.39%, 0.68%

LAB 80.28, -8.21, 30.4

 

CMYK 31 / 0 / 17 / 20

HEX #8ECDAA

RGB 142 205 170

HSL 146.67, 0.39%, 0.68%

LAB 77.47, -27.44, 11.08

 

CMYK 31 / 29 / 0 / 20

HEX #8E91CD

RGB 142 145 205

HSL 237.14, 0.39%, 0.68%

LAB 62.01, 12.69, -31.21

 

Description

Color code: HEX #CD8CAF | qconv.com Color code: HEX #CD8CAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 140 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 140 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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