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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD8963 it is the complementary color #32769C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD8963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD8963 shade: #D2895E, #E39B71, #F4AD84, #FFBF97 and #FFD1AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD8963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD8963 shade: #CD8963, #BC7750, #AB653D, #9A532A and #894117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD8963 shade: #CD8A65, #CD6E65 and #CD6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD8963 shade: #CD8A65, #CDA665, #CDC265, #BCCD65 and #A0CD65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD8963 shade matches the following richer shades: #CD8A65, #DE8654, #EE8144 and #FF7C33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD8963 shade: #CD8A65, #BD8F75, #AC9486, #9C9896 and #8B9DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD8963 shade: #CD6578, #CD6E65, #CD8965, #CDA565 and #CDC165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD8963 shade: #A96037, #C37346, #CD8A65, #D7A284 and #E1B9A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD8963 shade: #CD8963, #94CD65 and #656ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD8963 shade: #CD8963, #65CD89 and #8965CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD8963 shade: #CD8963, #94CD65, #65A9CD and #9E65CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD8963 shade: #CD8963, #75CD65, #65A9CD and #BD65CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 52 / 20

HEX #CD8963

RGB 205 137 99

HSL 21.51, 0.51%, 0.6%

LAB 63.15, 21.84, 30.89

 

Complementary color

CMYK 68 / 24 / 0 / 39

HEX #32769C

RGB 50 118 156

HSL 201.51, 0.51%, 0.4%

LAB 47.02, -8.88, -26.79

 

CMYK 0 / 35 / 55 / 18

HEX #D2895E

RGB 210 137 94

HSL 22.24, 0.56%, 0.6%

LAB 63.67, 23.45, 34.38

 

CMYK 0 / 32 / 50 / 11

HEX #E39B71

RGB 227 155 113

HSL 22.11, 0.67%, 0.67%

LAB 70.15, 22.3, 32.83

 

CMYK 0 / 29 / 46 / 4

HEX #F4AD84

RGB 244 173 132

HSL 21.96, 0.84%, 0.74%

LAB 76.55, 21.28, 31.39

 

CMYK 0 / 25 / 41 / 0

HEX #FFBF97

RGB 255 191 151

HSL 23.08, 1%, 0.8%

LAB 82.25, 18.07, 29.13

 

CMYK 0 / 18 / 33 / 0

HEX #FFD1AA

RGB 255 209 170

HSL 27.53, 1%, 0.83%

LAB 86.88, 10.85, 25.44

 

CMYK 0 / 33 / 52 / 20

HEX #CD8963

RGB 205 137 99

HSL 21.51, 0.51%, 0.6%

LAB 63.15, 21.84, 30.89

 

CMYK 0 / 37 / 57 / 26

HEX #BC7750

RGB 188 119 80

HSL 21.67, 0.45%, 0.53%

LAB 56.55, 23.05, 32.52

 

CMYK 0 / 41 / 64 / 33

HEX #AB653D

RGB 171 101 61

HSL 21.82, 0.47%, 0.45%

LAB 49.86, 24.46, 34.31

 

CMYK 0 / 46 / 73 / 40

HEX #9A532A

RGB 154 83 42

HSL 21.96, 0.57%, 0.38%

LAB 43.1, 26.08, 36.22

 

CMYK 0 / 53 / 83 / 46

HEX #894117

RGB 137 65 23

HSL 22.11, 0.71%, 0.31%

LAB 36.29, 27.93, 38.04

 

CMYK 0 / 33 / 51 / 20

HEX #CD8A65

RGB 205 138 101

HSL 21.35, 0.51%, 0.6%

LAB 63.42, 21.47, 30.14

 

CMYK 0 / 46 / 51 / 20

HEX #CD6E65

RGB 205 110 101

HSL 5.19, 0.51%, 0.6%

LAB 57.14, 36.51, 21.89

 

CMYK 0 / 51 / 51 / 20

HEX #CD6565

RGB 205 101 101

HSL 0, 0.51%, 0.6%

LAB 55.3, 41.14, 19.42

 

CMYK 0 / 33 / 51 / 20

HEX #CD8A65

RGB 205 138 101

HSL 21.35, 0.51%, 0.6%

LAB 63.42, 21.47, 30.14

 

CMYK 0 / 19 / 51 / 20

HEX #CDA665

RGB 205 166 101

HSL 37.5, 0.51%, 0.6%

LAB 70.31, 6.26, 38.85

 

CMYK 0 / 5 / 51 / 20

HEX #CDC265

RGB 205 194 101

HSL 53.65, 0.51%, 0.6%

LAB 77.58, -8.49, 47.7

 

CMYK 8 / 0 / 51 / 20

HEX #BCCD65

RGB 188 205 101

HSL 69.81, 0.51%, 0.6%

LAB 79.21, -20.92, 49.31

 

CMYK 22 / 0 / 51 / 20

HEX #A0CD65

RGB 160 205 101

HSL 85.96, 0.51%, 0.6%

LAB 77.33, -31.75, 46.61

 

CMYK 0 / 33 / 51 / 20

HEX #CD8A65

RGB 205 138 101

HSL 21.35, 0.51%, 0.6%

LAB 63.42, 21.47, 30.14

 

CMYK 0 / 40 / 62 / 13

HEX #DE8654

RGB 222 134 84

HSL 21.74, 0.68%, 0.6%

LAB 64.34, 29.19, 40.85

 

CMYK 0 / 46 / 71 / 7

HEX #EE8144

RGB 238 129 68

HSL 21.53, 0.83%, 0.6%

LAB 65.2, 37.26, 50.48

 

CMYK 0 / 51 / 80 / 0

HEX #FF7C33

RGB 255 124 51

HSL 21.47, 1%, 0.6%

LAB 66.45, 45.63, 60.25

 

CMYK 0 / 33 / 51 / 20

HEX #CD8A65

RGB 205 138 101

HSL 21.35, 0.51%, 0.6%

LAB 63.42, 21.47, 30.14

 

CMYK 0 / 24 / 38 / 26

HEX #BD8F75

RGB 189 143 117

HSL 21.67, 0.35%, 0.6%

LAB 63.13, 13.91, 20.58

 

CMYK 0 / 14 / 22 / 33

HEX #AC9486

RGB 172 148 134

HSL 22.11, 0.19%, 0.6%

LAB 63.07, 6.67, 10.7

 

CMYK 0 / 3 / 4 / 39

HEX #9C9896

RGB 156 152 150

HSL 20, 0.03%, 0.6%

LAB 63.12, 1.08, 1.56

 

CMYK 17 / 6 / 0 / 35

HEX #8B9DA7

RGB 139 157 167

HSL 201.43, 0.14%, 0.6%

LAB 63.67, -4.17, -7.36

 

CMYK 0 / 51 / 41 / 20

HEX #CD6578

RGB 205 101 120

HSL 349.04, 0.51%, 0.6%

LAB 55.73, 43.03, 8.89

 

CMYK 0 / 46 / 51 / 20

HEX #CD6E65

RGB 205 110 101

HSL 5.19, 0.51%, 0.6%

LAB 57.14, 36.51, 21.89

 

CMYK 0 / 33 / 51 / 20

HEX #CD8965

RGB 205 137 101

HSL 20.77, 0.51%, 0.6%

LAB 63.19, 22.02, 29.84

 

CMYK 0 / 20 / 51 / 20

HEX #CDA565

RGB 205 165 101

HSL 36.92, 0.51%, 0.6%

LAB 70.06, 6.8, 38.54

 

CMYK 0 / 6 / 51 / 20

HEX #CDC165

RGB 205 193 101

HSL 53.08, 0.51%, 0.6%

LAB 77.32, -7.97, 47.38

 

CMYK 0 / 43 / 67 / 34

HEX #A96037

RGB 169 96 55

HSL 21.58, 0.51%, 0.44%

LAB 48.36, 25.99, 35.74

 

CMYK 0 / 41 / 64 / 24

HEX #C37346

RGB 195 115 70

HSL 21.6, 0.51%, 0.52%

LAB 56.39, 27.42, 37.96

 

CMYK 0 / 33 / 51 / 20

HEX #CD8A65

RGB 205 138 101

HSL 21.35, 0.51%, 0.6%

LAB 63.42, 21.47, 30.14

 

CMYK 0 / 25 / 39 / 16

HEX #D7A284

RGB 215 162 132

HSL 21.69, 0.51%, 0.68%

LAB 70.84, 15.71, 23.22

 

CMYK 0 / 18 / 28 / 12

HEX #E1B9A3

RGB 225 185 163

HSL 21.29, 0.51%, 0.76%

LAB 78.08, 11.16, 16.56

 

CMYK 0 / 33 / 52 / 20

HEX #CD8963

RGB 205 137 99

HSL 21.51, 0.51%, 0.6%

LAB 63.15, 21.84, 30.89

 

CMYK 28 / 0 / 51 / 20

HEX #94CD65

RGB 148 205 101

HSL 92.88, 0.51%, 0.6%

LAB 76.62, -36.14, 45.58

 

CMYK 51 / 48 / 0 / 20

HEX #656ACD

RGB 101 106 205

HSL 237.12, 0.51%, 0.6%

LAB 48.86, 25.26, -52.13

 

CMYK 0 / 33 / 52 / 20

HEX #CD8963

RGB 205 137 99

HSL 21.51, 0.51%, 0.6%

LAB 63.15, 21.84, 30.89

 

CMYK 51 / 0 / 33 / 20

HEX #65CD89

RGB 101 205 137

HSL 140.77, 0.51%, 0.6%

LAB 74.97, -45.33, 24.85

 

CMYK 33 / 51 / 0 / 20

HEX #8965CD

RGB 137 101 205

HSL 260.77, 0.51%, 0.6%

LAB 50.73, 36.92, -48.98

 

CMYK 0 / 33 / 52 / 20

HEX #CD8963

RGB 205 137 99

HSL 21.51, 0.51%, 0.6%

LAB 63.15, 21.84, 30.89

 

CMYK 28 / 0 / 51 / 20

HEX #94CD65

RGB 148 205 101

HSL 92.88, 0.51%, 0.6%

LAB 76.62, -36.14, 45.58

 

CMYK 51 / 18 / 0 / 20

HEX #65A9CD

RGB 101 169 205

HSL 200.77, 0.51%, 0.6%

LAB 66.17, -11.61, -24.98

 

CMYK 23 / 51 / 0 / 20

HEX #9E65CD

RGB 158 101 205

HSL 272.88, 0.51%, 0.6%

LAB 52.93, 42.45, -45.34

 

CMYK 0 / 33 / 52 / 20

HEX #CD8963

RGB 205 137 99

HSL 21.51, 0.51%, 0.6%

LAB 63.15, 21.84, 30.89

 

CMYK 43 / 0 / 51 / 20

HEX #75CD65

RGB 117 205 101

HSL 110.77, 0.51%, 0.6%

LAB 75.07, -46.45, 43.34

 

CMYK 51 / 18 / 0 / 20

HEX #65A9CD

RGB 101 169 205

HSL 200.77, 0.51%, 0.6%

LAB 66.17, -11.61, -24.98

 

CMYK 8 / 51 / 0 / 20

HEX #BD65CD

RGB 189 101 205

HSL 290.77, 0.51%, 0.6%

LAB 56.62, 50.95, -39.27

 

Description

Color code: HEX #CD8963 | qconv.com Color code: HEX #CD8963 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 137 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 137 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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