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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD869C it is the complementary color #327963. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD869C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD869C shade: #D28697, #E398AA, #F4AABD, #FFBCD0 and #FFCEE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD869C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD869C shade: #CD869C, #BC7489, #AB6276, #9A5063 and #893E50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD869C shade: #CD849A, #CD8487 and #CD8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD869C shade: #CD849A, #CD84AE, #CD84C2, #C484CD and #B084CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD869C shade matches the following richer shades: #CD849A, #DB7695, #E96890 and #F75A8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD869C shade: #CD849A, #BF92A0, #B1A0A5, #A3AEAA and #95BCB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD869C shade: #CD84C2, #CD84AE, #CD849B, #CD8488 and #CD9484

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD869C shade: #B44A6B, #C16783, #CD849A, #D9A1B2 and #E5BECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD869C shade: #CD869C, #CDC484 and #84B8CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD869C shade: #CD869C, #9BCD84 and #849BCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD869C shade: #CD869C, #CDC484, #84CDB6 and #848CCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD869C shade: #CD869C, #BFCD84, #84CDB6 and #9184CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 24 / 20

HEX #CD869C

RGB 205 134 156

HSL 341.41, 0.42%, 0.66%

LAB 63.7, 30.24, -0.4

 

Complementary color

CMYK 59 / 0 / 18 / 53

HEX #327963

RGB 50 121 99

HSL 161.41, 0.42%, 0.34%

LAB 45.98, -27.97, 5.44

 

CMYK 0 / 36 / 28 / 18

HEX #D28697

RGB 210 134 151

HSL 346.58, 0.46%, 0.67%

LAB 64.15, 31.36, 3.17

 

CMYK 0 / 33 / 25 / 11

HEX #E398AA

RGB 227 152 170

HSL 345.6, 0.57%, 0.74%

LAB 70.66, 30.55, 2.18

 

CMYK 0 / 30 / 23 / 4

HEX #F4AABD

RGB 244 170 189

HSL 344.59, 0.77%, 0.81%

LAB 77.08, 29.79, 1.28

 

CMYK 0 / 26 / 18 / 0

HEX #FFBCD0

RGB 255 188 208

HSL 342.09, 1%, 0.87%

LAB 82.8, 26.99, -0.51

 

CMYK 0 / 19 / 11 / 0

HEX #FFCEE3

RGB 255 206 227

HSL 334.29, 1%, 0.9%

LAB 87.46, 20.52, -3.8

 

CMYK 0 / 35 / 24 / 20

HEX #CD869C

RGB 205 134 156

HSL 341.41, 0.42%, 0.66%

LAB 63.7, 30.24, -0.4

 

CMYK 0 / 38 / 27 / 26

HEX #BC7489

RGB 188 116 137

HSL 342.5, 0.35%, 0.6%

LAB 57.06, 31.08, 0.59

 

CMYK 0 / 43 / 31 / 33

HEX #AB6276

RGB 171 98 118

HSL 343.56, 0.3%, 0.53%

LAB 50.34, 31.99, 1.71

 

CMYK 0 / 48 / 36 / 40

HEX #9A5063

RGB 154 80 99

HSL 344.59, 0.32%, 0.46%

LAB 43.52, 32.94, 3.04

 

CMYK 0 / 55 / 42 / 46

HEX #893E50

RGB 137 62 80

HSL 345.6, 0.38%, 0.39%

LAB 36.64, 33.91, 4.67

 

CMYK 0 / 36 / 25 / 20

HEX #CD849A

RGB 205 132 154

HSL 341.92, 0.42%, 0.66%

LAB 63.19, 31.04, -0

 

CMYK 0 / 36 / 34 / 20

HEX #CD8487

RGB 205 132 135

HSL 357.53, 0.42%, 0.66%

LAB 62.7, 28.47, 10.11

 

CMYK 0 / 36 / 36 / 20

HEX #CD8484

RGB 205 132 132

HSL 0, 0.42%, 0.66%

LAB 62.63, 28.09, 11.71

 

CMYK 0 / 36 / 25 / 20

HEX #CD849A

RGB 205 132 154

HSL 341.92, 0.42%, 0.66%

LAB 63.19, 31.04, -0

 

CMYK 0 / 36 / 15 / 20

HEX #CD84AE

RGB 205 132 174

HSL 325.48, 0.42%, 0.66%

LAB 63.78, 34.1, -10.48

 

CMYK 0 / 36 / 5 / 20

HEX #CD84C2

RGB 205 132 194

HSL 309.04, 0.42%, 0.66%

LAB 64.46, 37.5, -20.75

 

CMYK 4 / 36 / 0 / 20

HEX #C484CD

RGB 196 132 205

HSL 292.6, 0.42%, 0.66%

LAB 63.87, 36.66, -27.92

 

CMYK 14 / 36 / 0 / 20

HEX #B084CD

RGB 176 132 205

HSL 276.16, 0.42%, 0.66%

LAB 61.78, 30.42, -31.33

 

CMYK 0 / 36 / 25 / 20

HEX #CD849A

RGB 205 132 154

HSL 341.92, 0.42%, 0.66%

LAB 63.19, 31.04, -0

 

CMYK 0 / 46 / 32 / 14

HEX #DB7695

RGB 219 118 149

HSL 341.58, 0.58%, 0.66%

LAB 61.82, 42.74, 1.06

 

CMYK 0 / 55 / 38 / 9

HEX #E96890

RGB 233 104 144

HSL 341.4, 0.75%, 0.66%

LAB 60.99, 53.72, 2.99

 

CMYK 0 / 64 / 44 / 3

HEX #F75A8A

RGB 247 90 138

HSL 341.66, 0.91%, 0.66%

LAB 60.71, 63.61, 6.35

 

CMYK 0 / 36 / 25 / 20

HEX #CD849A

RGB 205 132 154

HSL 341.92, 0.42%, 0.66%

LAB 63.19, 31.04, -0

 

CMYK 0 / 24 / 16 / 25

HEX #BF92A0

RGB 191 146 160

HSL 341.33, 0.26%, 0.66%

LAB 65.1, 19.13, -0.79

 

CMYK 0 / 10 / 7 / 31

HEX #B1A0A5

RGB 177 160 165

HSL 342.35, 0.1%, 0.66%

LAB 67.43, 7.08, -0.35

 

CMYK 6 / 0 / 2 / 32

HEX #A3AEAA

RGB 163 174 170

HSL 158.18, 0.06%, 0.66%

LAB 70.15, -4.62, 0.71

 

CMYK 21 / 0 / 6 / 26

HEX #95BCB0

RGB 149 188 176

HSL 161.54, 0.23%, 0.66%

LAB 73.21, -15.51, 1.77

 

CMYK 0 / 36 / 5 / 20

HEX #CD84C2

RGB 205 132 194

HSL 309.04, 0.42%, 0.66%

LAB 64.46, 37.5, -20.75

 

CMYK 0 / 36 / 15 / 20

HEX #CD84AE

RGB 205 132 174

HSL 325.48, 0.42%, 0.66%

LAB 63.78, 34.1, -10.48

 

CMYK 0 / 36 / 24 / 20

HEX #CD849B

RGB 205 132 155

HSL 341.1, 0.42%, 0.66%

LAB 63.22, 31.18, -0.53

 

CMYK 0 / 36 / 34 / 20

HEX #CD8488

RGB 205 132 136

HSL 356.71, 0.42%, 0.66%

LAB 62.73, 28.59, 9.57

 

CMYK 0 / 28 / 36 / 20

HEX #CD9484

RGB 205 148 132

HSL 13.15, 0.42%, 0.66%

LAB 66.39, 19.37, 16.95

 

CMYK 0 / 59 / 41 / 29

HEX #B44A6B

RGB 180 74 107

HSL 341.32, 0.42%, 0.5%

LAB 46.53, 46.18, 2.99

 

CMYK 0 / 47 / 32 / 24

HEX #C16783

RGB 193 103 131

HSL 341.33, 0.42%, 0.58%

LAB 54.74, 39.05, 0.78

 

CMYK 0 / 36 / 25 / 20

HEX #CD849A

RGB 205 132 154

HSL 341.92, 0.42%, 0.66%

LAB 63.19, 31.04, -0

 

CMYK 0 / 26 / 18 / 15

HEX #D9A1B2

RGB 217 161 178

HSL 341.79, 0.42%, 0.74%

LAB 71.86, 23.27, -0.62

 

CMYK 0 / 17 / 12 / 10

HEX #E5BECA

RGB 229 190 202

HSL 341.54, 0.43%, 0.82%

LAB 80.6, 15.82, -0.8

 

CMYK 0 / 35 / 24 / 20

HEX #CD869C

RGB 205 134 156

HSL 341.41, 0.42%, 0.66%

LAB 63.7, 30.24, -0.4

 

CMYK 0 / 4 / 36 / 20

HEX #CDC484

RGB 205 196 132

HSL 52.6, 0.42%, 0.66%

LAB 78.53, -6.34, 33.3

 

CMYK 36 / 10 / 0 / 20

HEX #84B8CD

RGB 132 184 205

HSL 197.26, 0.42%, 0.66%

LAB 71.96, -11.83, -16.05

 

CMYK 0 / 35 / 24 / 20

HEX #CD869C

RGB 205 134 156

HSL 341.41, 0.42%, 0.66%

LAB 63.7, 30.24, -0.4

 

CMYK 24 / 0 / 36 / 20

HEX #9BCD84

RGB 155 205 132

HSL 101.1, 0.42%, 0.66%

LAB 77.46, -29.67, 31.22

 

CMYK 36 / 24 / 0 / 20

HEX #849BCD

RGB 132 155 205

HSL 221.1, 0.42%, 0.66%

LAB 63.96, 4.09, -28.24

 

CMYK 0 / 35 / 24 / 20

HEX #CD869C

RGB 205 134 156

HSL 341.41, 0.42%, 0.66%

LAB 63.7, 30.24, -0.4

 

CMYK 0 / 4 / 36 / 20

HEX #CDC484

RGB 205 196 132

HSL 52.6, 0.42%, 0.66%

LAB 78.53, -6.34, 33.3

 

CMYK 36 / 0 / 11 / 20

HEX #84CDB6

RGB 132 205 182

HSL 161.1, 0.42%, 0.66%

LAB 77.25, -27.89, 4.26

 

CMYK 36 / 32 / 0 / 20

HEX #848CCD

RGB 132 140 205

HSL 233.42, 0.42%, 0.66%

LAB 59.95, 12.73, -34.46

 

CMYK 0 / 35 / 24 / 20

HEX #CD869C

RGB 205 134 156

HSL 341.41, 0.42%, 0.66%

LAB 63.7, 30.24, -0.4

 

CMYK 7 / 0 / 36 / 20

HEX #BFCD84

RGB 191 205 132

HSL 71.51, 0.42%, 0.66%

LAB 79.84, -16.38, 34.8

 

CMYK 36 / 0 / 11 / 20

HEX #84CDB6

RGB 132 205 182

HSL 161.1, 0.42%, 0.66%

LAB 77.25, -27.89, 4.26

 

CMYK 29 / 36 / 0 / 20

HEX #9184CD

RGB 145 132 205

HSL 250.68, 0.42%, 0.66%

LAB 58.91, 21.09, -36.01

 

Description

Color code: HEX #CD869C | qconv.com Color code: HEX #CD869C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 134 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 134 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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