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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD84A1 it is the complementary color #327B5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD84A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD84A1 shade: #D2849C, #E396AF, #F4A8C2, #FFBAD5 and #FFCCE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD84A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD84A1 shade: #CD84A1, #BC728E, #AB607B, #9A4E68 and #893C55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD84A1 shade: #CD84A1, #CD848D and #CD8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD84A1 shade: #CD84A1, #CD84B4, #CD84C8, #BE84CD and #AA84CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD84A1 shade matches the following richer shades: #CD84A1, #DB769E, #E9689B and #F75A98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD84A1 shade: #CD84A1, #BF92A4, #B1A0A7, #A3AEA9 and #95BCAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD84A1 shade: #CD84C8, #CD84B4, #CD84A1, #CD848E and #CD8E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD84A1 shade: #B44A74, #C1678A, #CD84A1, #D9A1B7 and #E5BECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD84A1 shade: #CD84A1, #CDBE84 and #84BECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD84A1 shade: #CD84A1, #A1CD84 and #84A1CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD84A1 shade: #CD84A1, #CDBE84, #84CDB0 and #8492CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD84A1 shade: #CD84A1, #C5CD84, #84CDB0 and #8B84CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

Complementary color

CMYK 59 / 0 / 24 / 52

HEX #327B5E

RGB 50 123 94

HSL 156.16, 0.42%, 0.34%

LAB 46.51, -30.17, 9.15

 

CMYK 0 / 37 / 26 / 18

HEX #D2849C

RGB 210 132 156

HSL 341.54, 0.46%, 0.67%

LAB 63.84, 33.13, -0.12

 

CMYK 0 / 34 / 23 / 11

HEX #E396AF

RGB 227 150 175

HSL 340.52, 0.58%, 0.74%

LAB 70.34, 32.33, -1.06

 

CMYK 0 / 31 / 20 / 4

HEX #F4A8C2

RGB 244 168 194

HSL 339.47, 0.78%, 0.81%

LAB 76.76, 31.58, -1.91

 

CMYK 0 / 27 / 16 / 0

HEX #FFBAD5

RGB 255 186 213

HSL 336.52, 1%, 0.86%

LAB 82.48, 28.8, -3.67

 

CMYK 0 / 20 / 9 / 0

HEX #FFCCE8

RGB 255 204 232

HSL 327.06, 1%, 0.9%

LAB 87.13, 22.39, -6.94

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 39 / 24 / 26

HEX #BC728E

RGB 188 114 142

HSL 337.3, 0.36%, 0.59%

LAB 56.76, 32.9, -2.76

 

CMYK 0 / 44 / 28 / 33

HEX #AB607B

RGB 171 96 123

HSL 338.4, 0.31%, 0.52%

LAB 50.04, 33.77, -1.7

 

CMYK 0 / 49 / 32 / 40

HEX #9A4E68

RGB 154 78 104

HSL 339.47, 0.33%, 0.45%

LAB 43.24, 34.68, -0.44

 

CMYK 0 / 56 / 38 / 46

HEX #893C55

RGB 137 60 85

HSL 340.52, 0.39%, 0.39%

LAB 36.38, 35.57, 1.12

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 36 / 31 / 20

HEX #CD848D

RGB 205 132 141

HSL 352.6, 0.42%, 0.66%

LAB 62.85, 29.24, 6.9

 

CMYK 0 / 36 / 36 / 20

HEX #CD8484

RGB 205 132 132

HSL 0, 0.42%, 0.66%

LAB 62.63, 28.09, 11.71

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 36 / 12 / 20

HEX #CD84B4

RGB 205 132 180

HSL 320.55, 0.42%, 0.66%

LAB 63.98, 35.09, -13.59

 

CMYK 0 / 36 / 2 / 20

HEX #CD84C8

RGB 205 132 200

HSL 304.11, 0.42%, 0.66%

LAB 64.69, 38.58, -23.78

 

CMYK 7 / 36 / 0 / 20

HEX #BE84CD

RGB 190 132 205

HSL 287.67, 0.42%, 0.66%

LAB 63.22, 34.78, -28.97

 

CMYK 17 / 36 / 0 / 20

HEX #AA84CD

RGB 170 132 205

HSL 271.23, 0.42%, 0.66%

LAB 61.18, 28.57, -32.3

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 46 / 28 / 14

HEX #DB769E

RGB 219 118 158

HSL 336.24, 0.58%, 0.66%

LAB 62.07, 43.91, -3.72

 

CMYK 0 / 55 / 33 / 9

HEX #E9689B

RGB 233 104 155

HSL 336.28, 0.75%, 0.66%

LAB 61.3, 54.98, -2.91

 

CMYK 0 / 64 / 38 / 3

HEX #F75A98

RGB 247 90 152

HSL 336.31, 0.91%, 0.66%

LAB 61.09, 64.99, -1.23

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 24 / 14 / 25

HEX #BF92A4

RGB 191 146 164

HSL 336, 0.26%, 0.66%

LAB 65.21, 19.79, -2.88

 

CMYK 0 / 10 / 6 / 31

HEX #B1A0A7

RGB 177 160 167

HSL 335.29, 0.1%, 0.66%

LAB 67.49, 7.44, -1.38

 

CMYK 6 / 0 / 3 / 32

HEX #A3AEA9

RGB 163 174 169

HSL 152.73, 0.06%, 0.66%

LAB 70.12, -4.82, 1.23

 

CMYK 21 / 0 / 9 / 26

HEX #95BCAC

RGB 149 188 172

HSL 155.38, 0.23%, 0.66%

LAB 73.11, -16.33, 3.8

 

CMYK 0 / 36 / 2 / 20

HEX #CD84C8

RGB 205 132 200

HSL 304.11, 0.42%, 0.66%

LAB 64.69, 38.58, -23.78

 

CMYK 0 / 36 / 12 / 20

HEX #CD84B4

RGB 205 132 180

HSL 320.55, 0.42%, 0.66%

LAB 63.98, 35.09, -13.59

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 36 / 31 / 20

HEX #CD848E

RGB 205 132 142

HSL 351.78, 0.42%, 0.66%

LAB 62.87, 29.37, 6.37

 

CMYK 0 / 31 / 36 / 20

HEX #CD8E84

RGB 205 142 132

HSL 8.22, 0.42%, 0.66%

LAB 64.96, 22.65, 14.97

 

CMYK 0 / 59 / 36 / 29

HEX #B44A74

RGB 180 74 116

HSL 336.23, 0.42%, 0.5%

LAB 46.79, 47.22, -2.1

 

CMYK 0 / 47 / 28 / 24

HEX #C1678A

RGB 193 103 138

HSL 336.67, 0.42%, 0.58%

LAB 54.94, 39.98, -3.03

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 26 / 16 / 15

HEX #D9A1B7

RGB 217 161 183

HSL 336.43, 0.42%, 0.74%

LAB 72, 24.06, -3.19

 

CMYK 0 / 17 / 10 / 10

HEX #E5BECE

RGB 229 190 206

HSL 335.38, 0.43%, 0.82%

LAB 80.71, 16.49, -2.8

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 7 / 36 / 20

HEX #CDBE84

RGB 205 190 132

HSL 47.67, 0.42%, 0.66%

LAB 76.96, -3.21, 31.24

 

CMYK 36 / 7 / 0 / 20

HEX #84BECD

RGB 132 190 205

HSL 192.33, 0.42%, 0.66%

LAB 73.64, -14.98, -13.52

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 21 / 0 / 36 / 20

HEX #A1CD84

RGB 161 205 132

HSL 96.16, 0.42%, 0.66%

LAB 77.82, -27.54, 31.76

 

CMYK 36 / 21 / 0 / 20

HEX #84A1CD

RGB 132 161 205

HSL 216.16, 0.42%, 0.66%

LAB 65.6, 0.71, -25.73

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 0 / 7 / 36 / 20

HEX #CDBE84

RGB 205 190 132

HSL 47.67, 0.42%, 0.66%

LAB 76.96, -3.21, 31.24

 

CMYK 36 / 0 / 14 / 20

HEX #84CDB0

RGB 132 205 176

HSL 156.16, 0.42%, 0.66%

LAB 77.1, -29.18, 7.27

 

CMYK 36 / 29 / 0 / 20

HEX #8492CD

RGB 132 146 205

HSL 228.49, 0.42%, 0.66%

LAB 61.54, 9.25, -31.99

 

CMYK 0 / 36 / 21 / 20

HEX #CD84A1

RGB 205 132 161

HSL 336.16, 0.42%, 0.66%

LAB 63.39, 32.07, -3.69

 

CMYK 4 / 0 / 36 / 20

HEX #C5CD84

RGB 197 205 132

HSL 66.58, 0.42%, 0.66%

LAB 80.29, -14.07, 35.46

 

CMYK 36 / 0 / 14 / 20

HEX #84CDB0

RGB 132 205 176

HSL 156.16, 0.42%, 0.66%

LAB 77.1, -29.18, 7.27

 

CMYK 32 / 36 / 0 / 20

HEX #8B84CD

RGB 139 132 205

HSL 245.75, 0.42%, 0.66%

LAB 58.41, 19.37, -36.82

 

Description

Color code: HEX #CD84A1 | qconv.com Color code: HEX #CD84A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 132 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 132 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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