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Color name
HEX #CD8250

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD8250 it is the complementary color #327DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD8250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD8250 shade: #D2824B, #E3945E, #F4A671, #FFB884 and #FFCA97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD8250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD8250 shade: #CD8250, #BC703D, #AB5E2A, #9A4C17 and #893A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD8250 shade: #CE8250, #CE6050 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD8250 shade: #CE8250, #CEA450, #CEC650, #B3CE50 and #91CE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD8250 shade matches the following richer shades: #CE8250, #E07F3E and #F27B2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD8250 shade: #CE8250, #BB8662, #A98974, #978D86 and #859199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD8250 shade: #CE5061, #CE6150, #CE8250, #CEA450 and #CEC550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD8250 shade: #9E5A2D, #BF6C36, #CE8250, #D79970 and #E0B090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD8250 shade: #CD8250, #82CE50 and #5050CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD8250 shade: #CD8250, #50CE82 and #8250CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD8250 shade: #CD8250, #82CE50, #509BCE and #9B50CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD8250 shade: #CD8250, #5DCE50, #509BCE and #C150CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 61 / 20

HEX #CD8250

RGB 205 130 80

HSL 24, 0.56%, 0.56%

LAB 61.24, 24.1, 38.73

 

Complementary color

CMYK 71 / 29 / 0 / 31

HEX #327DAF

RGB 50 125 175

HSL 204, 0.56%, 0.44%

LAB 50.03, -6.31, -33.18

 

CMYK 0 / 38 / 64 / 18

HEX #D2824B

RGB 210 130 75

HSL 24.44, 0.6%, 0.56%

LAB 61.8, 25.83, 42.16

 

CMYK 0 / 35 / 59 / 11

HEX #E3945E

RGB 227 148 94

HSL 24.36, 0.7%, 0.63%

LAB 68.25, 24.47, 40.5

 

CMYK 0 / 32 / 54 / 4

HEX #F4A671

RGB 244 166 113

HSL 24.27, 0.86%, 0.7%

LAB 74.63, 23.26, 38.93

 

CMYK 0 / 28 / 48 / 0

HEX #FFB884

RGB 255 184 132

HSL 25.37, 1%, 0.76%

LAB 80.3, 19.83, 36.5

 

CMYK 0 / 21 / 41 / 0

HEX #FFCA97

RGB 255 202 151

HSL 29.42, 1%, 0.8%

LAB 84.86, 12.33, 32.61

 

CMYK 0 / 37 / 61 / 20

HEX #CD8250

RGB 205 130 80

HSL 24, 0.56%, 0.56%

LAB 61.24, 24.1, 38.73

 

CMYK 0 / 40 / 68 / 26

HEX #BC703D

RGB 188 112 61

HSL 24.09, 0.51%, 0.49%

LAB 54.68, 25.57, 40.47

 

CMYK 0 / 45 / 75 / 33

HEX #AB5E2A

RGB 171 94 42

HSL 24.19, 0.61%, 0.42%

LAB 48.05, 27.24, 42.21

 

CMYK 0 / 51 / 85 / 40

HEX #9A4C17

RGB 154 76 23

HSL 24.27, 0.74%, 0.35%

LAB 41.38, 29.14, 43.64

 

CMYK 0 / 58 / 97 / 46

HEX #893A04

RGB 137 58 4

HSL 24.36, 0.94%, 0.28%

LAB 34.71, 31.22, 44.16

 

CMYK 0 / 37 / 61 / 19

HEX #CE8250

RGB 206 130 80

HSL 23.81, 0.56%, 0.56%

LAB 61.37, 24.52, 38.91

 

CMYK 0 / 53 / 61 / 19

HEX #CE6050

RGB 206 96 80

HSL 7.62, 0.56%, 0.56%

LAB 54.1, 42.34, 29.99

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 37 / 61 / 19

HEX #CE8250

RGB 206 130 80

HSL 23.81, 0.56%, 0.56%

LAB 61.37, 24.52, 38.91

 

CMYK 0 / 20 / 61 / 19

HEX #CEA450

RGB 206 164 80

HSL 40, 0.56%, 0.56%

LAB 69.65, 6.07, 48.58

 

CMYK 0 / 4 / 61 / 19

HEX #CEC650

RGB 206 198 80

HSL 56.19, 0.56%, 0.56%

LAB 78.51, -11.73, 58.42

 

CMYK 13 / 0 / 61 / 19

HEX #B3CE50

RGB 179 206 80

HSL 72.86, 0.56%, 0.56%

LAB 78.64, -26.76, 57.96

 

CMYK 30 / 0 / 61 / 19

HEX #91CE50

RGB 145 206 80

HSL 89.05, 0.56%, 0.56%

LAB 76.52, -39.75, 55.03

 

CMYK 0 / 37 / 61 / 19

HEX #CE8250

RGB 206 130 80

HSL 23.81, 0.56%, 0.56%

LAB 61.37, 24.52, 38.91

 

CMYK 0 / 43 / 72 / 12

HEX #E07F3E

RGB 224 127 62

HSL 24.07, 0.72%, 0.56%

LAB 62.82, 32.43, 50.27

 

CMYK 0 / 49 / 82 / 5

HEX #F27B2C

RGB 242 123 44

HSL 23.94, 0.88%, 0.56%

LAB 64.34, 40.94, 60.48

 

CMYK 0 / 37 / 61 / 19

HEX #CE8250

RGB 206 130 80

HSL 23.81, 0.56%, 0.56%

LAB 61.37, 24.52, 38.91

 

CMYK 0 / 28 / 48 / 27

HEX #BB8662

RGB 187 134 98

HSL 24.27, 0.4%, 0.56%

LAB 60.33, 15.97, 27.39

 

CMYK 0 / 19 / 31 / 34

HEX #A98974

RGB 169 137 116

HSL 23.77, 0.24%, 0.56%

LAB 59.51, 9.01, 15.85

 

CMYK 0 / 7 / 11 / 41

HEX #978D86

RGB 151 141 134

HSL 24.71, 0.08%, 0.56%

LAB 59.3, 2.46, 5.06

 

CMYK 13 / 5 / 0 / 40

HEX #859199

RGB 133 145 153

HSL 204, 0.09%, 0.56%

LAB 59.47, -2.61, -5.71

 

CMYK 0 / 61 / 53 / 19

HEX #CE5061

RGB 206 80 97

HSL 351.9, 0.56%, 0.56%

LAB 51.52, 51.2, 16.66

 

CMYK 0 / 53 / 61 / 19

HEX #CE6150

RGB 206 97 80

HSL 8.1, 0.56%, 0.56%

LAB 54.29, 41.84, 30.24

 

CMYK 0 / 37 / 61 / 19

HEX #CE8250

RGB 206 130 80

HSL 23.81, 0.56%, 0.56%

LAB 61.37, 24.52, 38.91

 

CMYK 0 / 20 / 61 / 19

HEX #CEA450

RGB 206 164 80

HSL 40, 0.56%, 0.56%

LAB 69.65, 6.07, 48.58

 

CMYK 0 / 4 / 61 / 19

HEX #CEC550

RGB 206 197 80

HSL 55.71, 0.56%, 0.56%

LAB 78.25, -11.22, 58.13

 

CMYK 0 / 43 / 72 / 38

HEX #9E5A2D

RGB 158 90 45

HSL 23.89, 0.56%, 0.4%

LAB 45.32, 24.05, 37.23

 

CMYK 0 / 43 / 72 / 25

HEX #BF6C36

RGB 191 108 54

HSL 23.65, 0.56%, 0.48%

LAB 54.1, 28.61, 43.51

 

CMYK 0 / 37 / 61 / 19

HEX #CE8250

RGB 206 130 80

HSL 23.81, 0.56%, 0.56%

LAB 61.37, 24.52, 38.91

 

CMYK 0 / 29 / 48 / 16

HEX #D79970

RGB 215 153 112

HSL 23.88, 0.56%, 0.64%

LAB 68.31, 18.44, 30.72

 

CMYK 0 / 21 / 36 / 12

HEX #E0B090

RGB 224 176 144

HSL 24, 0.56%, 0.72%

LAB 75.4, 13.15, 23.07

 

CMYK 0 / 37 / 61 / 20

HEX #CD8250

RGB 205 130 80

HSL 24, 0.56%, 0.56%

LAB 61.24, 24.1, 38.73

 

CMYK 37 / 0 / 61 / 19

HEX #82CE50

RGB 130 206 80

HSL 96.19, 0.56%, 0.56%

LAB 75.74, -44.99, 53.94

 

CMYK 61 / 61 / 0 / 19

HEX #5050CE

RGB 80 80 206

HSL 240, 0.56%, 0.56%

LAB 41.06, 37.53, -65.39

 

CMYK 0 / 37 / 61 / 20

HEX #CD8250

RGB 205 130 80

HSL 24, 0.56%, 0.56%

LAB 61.24, 24.1, 38.73

 

CMYK 61 / 0 / 37 / 19

HEX #50CE82

RGB 80 206 130

HSL 143.81, 0.56%, 0.56%

LAB 74.48, -51.83, 27.73

 

CMYK 37 / 61 / 0 / 19

HEX #8250CE

RGB 130 80 206

HSL 263.81, 0.56%, 0.56%

LAB 45.55, 47.24, -57.89

 

CMYK 0 / 37 / 61 / 20

HEX #CD8250

RGB 205 130 80

HSL 24, 0.56%, 0.56%

LAB 61.24, 24.1, 38.73

 

CMYK 37 / 0 / 61 / 19

HEX #82CE50

RGB 130 206 80

HSL 96.19, 0.56%, 0.56%

LAB 75.74, -44.99, 53.94

 

CMYK 61 / 25 / 0 / 19

HEX #509BCE

RGB 80 155 206

HSL 204.29, 0.56%, 0.56%

LAB 61.31, -7.96, -33.12

 

CMYK 25 / 61 / 0 / 19

HEX #9B50CE

RGB 155 80 206

HSL 275.71, 0.56%, 0.56%

LAB 48.46, 52.95, -53.06

 

CMYK 0 / 37 / 61 / 20

HEX #CD8250

RGB 205 130 80

HSL 24, 0.56%, 0.56%

LAB 61.24, 24.1, 38.73

 

CMYK 55 / 0 / 61 / 19

HEX #5DCE50

RGB 93 206 80

HSL 113.81, 0.56%, 0.56%

LAB 74.22, -56.06, 51.82

 

CMYK 61 / 25 / 0 / 19

HEX #509BCE

RGB 80 155 206

HSL 204.29, 0.56%, 0.56%

LAB 61.31, -7.96, -33.12

 

CMYK 6 / 61 / 0 / 19

HEX #C150CE

RGB 193 80 206

HSL 293.81, 0.56%, 0.56%

LAB 53.53, 62.09, -44.69

 

Description

Color code: HEX #CD8250 | qconv.com Color code: HEX #CD8250 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 130 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 130 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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