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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD8229 it is the complementary color #327DD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD8229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD8229 shade: #D28224, #E39437, #F4A64A, #FFB85D and #FFCA70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD8229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD8229 shade: #CD8229, #BC7016, #AB5E03, #9A4C00 and #893A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD8229 shade: #CC8128, #CC5528, #CC2928 and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD8229 shade: #CC8128, #CCAE28, #BFCC28, #93CC28 and #66CC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD8229 shade matches the following richer shades: #CC8128, #E08315 and #F48501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD8229 shade: #CC8128, #B9803C, #A57E50, #917C64 and #7D7B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD8229 shade: #CC2828, #CC5428, #CC8028, #CCAC28 and #C1CC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD8229 shade: #88561B, #AA6C22, #CC8128, #DA9544 and #E1A966

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD8229 shade: #CD8229, #54CC28 and #3E28CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD8229 shade: #CD8229, #28CC80 and #8028CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD8229 shade: #CD8229, #54CC28, #2875CC and #A128CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD8229 shade: #CD8229, #28CC2E, #2875CC and #CC28C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 80 / 20

HEX #CD8229

RGB 205 130 41

HSL 32.56, 0.67%, 0.48%

LAB 60.87, 22.04, 56.66

 

Complementary color

CMYK 77 / 42 / 0 / 16

HEX #327DD6

RGB 50 125 214

HSL 212.56, 0.67%, 0.52%

LAB 52.06, 7.87, -52.27

 

CMYK 0 / 38 / 83 / 18

HEX #D28224

RGB 210 130 36

HSL 32.41, 0.71%, 0.48%

LAB 61.48, 24.02, 59.28

 

CMYK 0 / 35 / 76 / 11

HEX #E39437

RGB 227 148 55

HSL 32.44, 0.75%, 0.55%

LAB 67.86, 22.23, 58.63

 

CMYK 0 / 32 / 70 / 4

HEX #F4A64A

RGB 244 166 74

HSL 32.47, 0.89%, 0.62%

LAB 74.19, 20.66, 57.52

 

CMYK 0 / 28 / 64 / 0

HEX #FFB85D

RGB 255 184 93

HSL 33.7, 1%, 0.68%

LAB 79.8, 16.83, 55.31

 

CMYK 0 / 21 / 56 / 0

HEX #FFCA70

RGB 255 202 112

HSL 37.76, 1%, 0.72%

LAB 84.31, 8.77, 51.52

 

CMYK 0 / 37 / 80 / 20

HEX #CD8229

RGB 205 130 41

HSL 32.56, 0.67%, 0.48%

LAB 60.87, 22.04, 56.66

 

CMYK 0 / 40 / 88 / 26

HEX #BC7016

RGB 188 112 22

HSL 32.53, 0.79%, 0.41%

LAB 54.38, 24, 56.78

 

CMYK 0 / 45 / 98 / 33

HEX #AB5E03

RGB 171 94 3

HSL 32.5, 0.97%, 0.34%

LAB 47.84, 26.2, 55.54

 

CMYK 0 / 51 / 100 / 40

HEX #9A4C00

RGB 154 76 0

HSL 29.61, 1%, 0.3%

LAB 41.28, 28.68, 50.97

 

CMYK 0 / 58 / 100 / 46

HEX #893A00

RGB 137 58 0

HSL 25.4, 1%, 0.27%

LAB 34.69, 31.15, 45.69

 

CMYK 0 / 37 / 80 / 20

HEX #CC8128

RGB 204 129 40

HSL 32.56, 0.67%, 0.48%

LAB 60.51, 22.12, 56.66

 

CMYK 0 / 58 / 80 / 20

HEX #CC5528

RGB 204 85 40

HSL 16.46, 0.67%, 0.48%

LAB 51.25, 44.91, 48.03

 

CMYK 0 / 80 / 80 / 20

HEX #CC2928

RGB 204 41 40

HSL 0.37, 0.67%, 0.48%

LAB 45.05, 61.76, 41.99

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 37 / 80 / 20

HEX #CC8128

RGB 204 129 40

HSL 32.56, 0.67%, 0.48%

LAB 60.51, 22.12, 56.66

 

CMYK 0 / 15 / 80 / 20

HEX #CCAE28

RGB 204 174 40

HSL 49.02, 0.67%, 0.48%

LAB 71.73, -2.15, 66.71

 

CMYK 6 / 0 / 80 / 20

HEX #BFCC28

RGB 191 204 40

HSL 64.76, 0.67%, 0.48%

LAB 78.7, -23, 72.39

 

CMYK 28 / 0 / 80 / 20

HEX #93CC28

RGB 147 204 40

HSL 80.85, 0.67%, 0.48%

LAB 75.79, -40.67, 68.69

 

CMYK 50 / 0 / 80 / 20

HEX #66CC28

RGB 102 204 40

HSL 97.32, 0.67%, 0.48%

LAB 73.65, -55.91, 65.96

 

CMYK 0 / 37 / 80 / 20

HEX #CC8128

RGB 204 129 40

HSL 32.56, 0.67%, 0.48%

LAB 60.51, 22.12, 56.66

 

CMYK 0 / 42 / 91 / 12

HEX #E08315

RGB 224 131 21

HSL 32.51, 0.83%, 0.48%

LAB 63.45, 29.05, 66.06

 

CMYK 0 / 45 / 100 / 4

HEX #F48501

RGB 244 133 1

HSL 32.59, 0.99%, 0.48%

LAB 66.53, 35.99, 72.78

 

CMYK 0 / 37 / 80 / 20

HEX #CC8128

RGB 204 129 40

HSL 32.56, 0.67%, 0.48%

LAB 60.51, 22.12, 56.66

 

CMYK 0 / 31 / 68 / 27

HEX #B9803C

RGB 185 128 60

HSL 32.64, 0.51%, 0.48%

LAB 58.11, 15.38, 44.7

 

CMYK 0 / 24 / 52 / 35

HEX #A57E50

RGB 165 126 80

HSL 32.47, 0.35%, 0.48%

LAB 55.58, 9.34, 30.73

 

CMYK 0 / 14 / 31 / 43

HEX #917C64

RGB 145 124 100

HSL 32, 0.18%, 0.48%

LAB 53.34, 4.29, 16.11

 

CMYK 0 / 2 / 4 / 51

HEX #7D7B78

RGB 125 123 120

HSL 36, 0.02%, 0.48%

LAB 51.7, 0.17, 1.9

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 59 / 80 / 20

HEX #CC5428

RGB 204 84 40

HSL 16.1, 0.67%, 0.48%

LAB 51.07, 45.38, 47.86

 

CMYK 0 / 37 / 80 / 20

HEX #CC8028

RGB 204 128 40

HSL 32.2, 0.67%, 0.48%

LAB 60.27, 22.67, 56.45

 

CMYK 0 / 16 / 80 / 20

HEX #CCAC28

RGB 204 172 40

HSL 48.29, 0.67%, 0.48%

LAB 71.21, -1.1, 66.25

 

CMYK 5 / 0 / 80 / 20

HEX #C1CC28

RGB 193 204 40

HSL 64.02, 0.67%, 0.48%

LAB 78.85, -22.16, 72.58

 

CMYK 0 / 37 / 80 / 47

HEX #88561B

RGB 136 86 27

HSL 32.48, 0.67%, 0.32%

LAB 41.17, 15.62, 40.78

 

CMYK 0 / 36 / 80 / 33

HEX #AA6C22

RGB 170 108 34

HSL 32.65, 0.67%, 0.4%

LAB 51.14, 18.67, 48.81

 

CMYK 0 / 37 / 80 / 20

HEX #CC8128

RGB 204 129 40

HSL 32.56, 0.67%, 0.48%

LAB 60.51, 22.12, 56.66

 

CMYK 0 / 32 / 69 / 15

HEX #DA9544

RGB 218 149 68

HSL 32.4, 0.67%, 0.56%

LAB 67.14, 18.52, 51.83

 

CMYK 0 / 25 / 55 / 12

HEX #E1A966

RGB 225 169 102

HSL 32.68, 0.67%, 0.64%

LAB 73.12, 13.04, 42.26

 

CMYK 0 / 37 / 80 / 20

HEX #CD8229

RGB 205 130 41

HSL 32.56, 0.67%, 0.48%

LAB 60.87, 22.04, 56.66

 

CMYK 59 / 0 / 80 / 20

HEX #54CC28

RGB 84 204 40

HSL 103.9, 0.67%, 0.48%

LAB 73.04, -60.75, 65.17

 

CMYK 70 / 80 / 0 / 20

HEX #3E28CC

RGB 62 40 204

HSL 248.05, 0.67%, 0.48%

LAB 31.58, 56.71, -79.85

 

CMYK 0 / 37 / 80 / 20

HEX #CD8229

RGB 205 130 41

HSL 32.56, 0.67%, 0.48%

LAB 60.87, 22.04, 56.66

 

CMYK 80 / 0 / 37 / 20

HEX #28CC80

RGB 40 204 128

HSL 152.2, 0.67%, 0.48%

LAB 73.02, -57.62, 26.67

 

CMYK 37 / 80 / 0 / 20

HEX #8028CC

RGB 128 40 204

HSL 272.2, 0.67%, 0.48%

LAB 38.67, 64.51, -67.93

 

CMYK 0 / 37 / 80 / 20

HEX #CD8229

RGB 205 130 41

HSL 32.56, 0.67%, 0.48%

LAB 60.87, 22.04, 56.66

 

CMYK 59 / 0 / 80 / 20

HEX #54CC28

RGB 84 204 40

HSL 103.9, 0.67%, 0.48%

LAB 73.04, -60.75, 65.17

 

CMYK 80 / 43 / 0 / 20

HEX #2875CC

RGB 40 117 204

HSL 211.83, 0.67%, 0.48%

LAB 48.93, 8, -51.62

 

CMYK 21 / 80 / 0 / 20

HEX #A128CC

RGB 161 40 204

HSL 284.27, 0.67%, 0.48%

LAB 43.44, 69.84, -59.95

 

CMYK 0 / 37 / 80 / 20

HEX #CD8229

RGB 205 130 41

HSL 32.56, 0.67%, 0.48%

LAB 60.87, 22.04, 56.66

 

CMYK 80 / 0 / 77 / 20

HEX #28CC2E

RGB 40 204 46

HSL 122.2, 0.67%, 0.48%

LAB 72.12, -68.41, 62.19

 

CMYK 80 / 43 / 0 / 20

HEX #2875CC

RGB 40 117 204

HSL 211.83, 0.67%, 0.48%

LAB 48.93, 8, -51.62

 

CMYK 0 / 80 / 2 / 20

HEX #CC28C7

RGB 204 40 199

HSL 301.83, 0.67%, 0.48%

LAB 50.07, 76.87, -46.04

 

Description

Color code: HEX #CD8229 | qconv.com Color code: HEX #CD8229 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 130 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 130 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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