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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7E4E it is the complementary color #3281B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7E4E shade: #D27E49, #E3905C, #F4A26F, #FFB482 and #FFC695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7E4E shade: #CD7E4E, #BC6C3B, #AB5A28, #9A4815 and #893602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7E4E shade: #CC7C4B, #CC594B and #CC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7E4E shade: #CC7C4B, #CC9F4B, #CCC14B, #B4CC4B and #91CC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7E4E shade matches the following richer shades: #CC7C4B, #DF7839 and #F17326

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7E4E shade: #CC7C4B, #B9815E, #A78571, #948A83 and #828E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7E4E shade: #CC4B61, #CC584B, #CC7B4B, #CC9D4B and #CCBF4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7E4E shade: #9A552B, #BA6734, #CC7C4B, #D5946C and #DEAB8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7E4E shade: #CD7E4E, #83CC4B and #4B50CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7E4E shade: #CD7E4E, #4BCC7B and #7B4BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7E4E shade: #CD7E4E, #83CC4B, #4B9DCC and #944BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7E4E shade: #CD7E4E, #5DCC4B, #4B9DCC and #BB4BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 62 / 20

HEX #CD7E4E

RGB 205 126 78

HSL 22.68, 0.56%, 0.55%

LAB 60.29, 26.13, 38.66

 

Complementary color

CMYK 72 / 27 / 0 / 31

HEX #3281B1

RGB 50 129 177

HSL 202.68, 0.56%, 0.45%

LAB 51.33, -7.93, -32.3

 

CMYK 0 / 40 / 65 / 18

HEX #D27E49

RGB 210 126 73

HSL 23.21, 0.6%, 0.55%

LAB 60.87, 27.85, 42.11

 

CMYK 0 / 37 / 59 / 11

HEX #E3905C

RGB 227 144 92

HSL 23.11, 0.71%, 0.63%

LAB 67.31, 26.45, 40.4

 

CMYK 0 / 34 / 55 / 4

HEX #F4A26F

RGB 244 162 111

HSL 23.01, 0.86%, 0.7%

LAB 73.69, 25.21, 38.79

 

CMYK 0 / 29 / 49 / 0

HEX #FFB482

RGB 255 180 130

HSL 24, 1%, 0.75%

LAB 79.34, 21.74, 36.31

 

CMYK 0 / 22 / 42 / 0

HEX #FFC695

RGB 255 198 149

HSL 27.74, 1%, 0.79%

LAB 83.87, 14.2, 32.34

 

CMYK 0 / 39 / 62 / 20

HEX #CD7E4E

RGB 205 126 78

HSL 22.68, 0.56%, 0.55%

LAB 60.29, 26.13, 38.66

 

CMYK 0 / 43 / 69 / 26

HEX #BC6C3B

RGB 188 108 59

HSL 22.79, 0.52%, 0.48%

LAB 53.74, 27.63, 40.45

 

CMYK 0 / 47 / 77 / 33

HEX #AB5A28

RGB 171 90 40

HSL 22.9, 0.62%, 0.41%

LAB 47.14, 29.33, 42.25

 

CMYK 0 / 53 / 86 / 40

HEX #9A4815

RGB 154 72 21

HSL 23.01, 0.76%, 0.34%

LAB 40.51, 31.24, 43.71

 

CMYK 0 / 61 / 99 / 46

HEX #893602

RGB 137 54 2

HSL 23.11, 0.97%, 0.27%

LAB 33.9, 33.25, 44.43

 

CMYK 0 / 39 / 63 / 20

HEX #CC7C4B

RGB 204 124 75

HSL 22.79, 0.56%, 0.55%

LAB 59.67, 26.59, 39.47

 

CMYK 0 / 56 / 63 / 20

HEX #CC594B

RGB 204 89 75

HSL 6.51, 0.56%, 0.55%

LAB 52.39, 44.69, 30.65

 

CMYK 0 / 63 / 63 / 20

HEX #CC4B4B

RGB 204 75 75

HSL 0, 0.56%, 0.55%

LAB 49.95, 51.12, 27.59

 

CMYK 0 / 39 / 63 / 20

HEX #CC7C4B

RGB 204 124 75

HSL 22.79, 0.56%, 0.55%

LAB 59.67, 26.59, 39.47

 

CMYK 0 / 22 / 63 / 20

HEX #CC9F4B

RGB 204 159 75

HSL 39.07, 0.56%, 0.55%

LAB 68.12, 7.57, 49.19

 

CMYK 0 / 5 / 63 / 20

HEX #CCC14B

RGB 204 193 75

HSL 54.88, 0.56%, 0.55%

LAB 76.97, -10.35, 58.85

 

CMYK 12 / 0 / 63 / 20

HEX #B4CC4B

RGB 180 204 75

HSL 71.16, 0.56%, 0.55%

LAB 78.11, -25.76, 59.5

 

CMYK 29 / 0 / 63 / 20

HEX #91CC4B

RGB 145 204 75

HSL 87.44, 0.56%, 0.55%

LAB 75.89, -39.29, 56.46

 

CMYK 0 / 39 / 63 / 20

HEX #CC7C4B

RGB 204 124 75

HSL 22.79, 0.56%, 0.55%

LAB 59.67, 26.59, 39.47

 

CMYK 0 / 46 / 74 / 13

HEX #DF7839

RGB 223 120 57

HSL 22.77, 0.72%, 0.55%

LAB 61.15, 35.44, 50.84

 

CMYK 0 / 52 / 84 / 5

HEX #F17326

RGB 241 115 38

HSL 22.76, 0.88%, 0.55%

LAB 62.59, 44.34, 61.2

 

CMYK 0 / 39 / 63 / 20

HEX #CC7C4B

RGB 204 124 75

HSL 22.79, 0.56%, 0.55%

LAB 59.67, 26.59, 39.47

 

CMYK 0 / 30 / 49 / 27

HEX #B9815E

RGB 185 129 94

HSL 23.08, 0.39%, 0.55%

LAB 58.81, 17.51, 27.58

 

CMYK 0 / 20 / 32 / 35

HEX #A78571

RGB 167 133 113

HSL 22.22, 0.23%, 0.55%

LAB 58.21, 10.04, 15.72

 

CMYK 0 / 7 / 11 / 42

HEX #948A83

RGB 148 138 131

HSL 24.71, 0.07%, 0.55%

LAB 58.14, 2.47, 5.08

 

CMYK 13 / 5 / 0 / 41

HEX #828E96

RGB 130 142 150

HSL 204, 0.09%, 0.55%

LAB 58.31, -2.62, -5.73

 

CMYK 0 / 63 / 52 / 20

HEX #CC4B61

RGB 204 75 97

HSL 349.77, 0.56%, 0.55%

LAB 50.37, 52.73, 15.04

 

CMYK 0 / 57 / 63 / 20

HEX #CC584B

RGB 204 88 75

HSL 6.05, 0.56%, 0.55%

LAB 52.2, 45.17, 30.42

 

CMYK 0 / 40 / 63 / 20

HEX #CC7B4B

RGB 204 123 75

HSL 22.33, 0.56%, 0.55%

LAB 59.44, 27.13, 39.2

 

CMYK 0 / 23 / 63 / 20

HEX #CC9D4B

RGB 204 157 75

HSL 38.14, 0.56%, 0.55%

LAB 67.62, 8.65, 48.63

 

CMYK 0 / 6 / 63 / 20

HEX #CCBF4B

RGB 204 191 75

HSL 53.95, 0.56%, 0.55%

LAB 76.44, -9.32, 58.28

 

CMYK 0 / 45 / 72 / 40

HEX #9A552B

RGB 154 85 43

HSL 22.7, 0.56%, 0.39%

LAB 43.57, 25.01, 36.2

 

CMYK 0 / 45 / 72 / 27

HEX #BA6734

RGB 186 103 52

HSL 22.84, 0.56%, 0.47%

LAB 52.27, 29.13, 42.34

 

CMYK 0 / 39 / 63 / 20

HEX #CC7C4B

RGB 204 124 75

HSL 22.79, 0.56%, 0.55%

LAB 59.67, 26.59, 39.47

 

CMYK 0 / 31 / 49 / 16

HEX #D5946C

RGB 213 148 108

HSL 22.86, 0.56%, 0.63%

LAB 66.83, 19.95, 30.92

 

CMYK 0 / 23 / 37 / 13

HEX #DEAB8C

RGB 222 171 140

HSL 22.68, 0.55%, 0.71%

LAB 73.9, 14.56, 23.16

 

CMYK 0 / 39 / 62 / 20

HEX #CD7E4E

RGB 205 126 78

HSL 22.68, 0.56%, 0.55%

LAB 60.29, 26.13, 38.66

 

CMYK 36 / 0 / 63 / 20

HEX #83CC4B

RGB 131 204 75

HSL 93.95, 0.56%, 0.55%

LAB 75.15, -44.25, 55.44

 

CMYK 63 / 61 / 0 / 20

HEX #4B50CC

RGB 75 80 204

HSL 237.67, 0.56%, 0.55%

LAB 40.56, 36.08, -65.06

 

CMYK 0 / 39 / 62 / 20

HEX #CD7E4E

RGB 205 126 78

HSL 22.68, 0.56%, 0.55%

LAB 60.29, 26.13, 38.66

 

CMYK 63 / 0 / 40 / 20

HEX #4BCC7B

RGB 75 204 123

HSL 142.33, 0.56%, 0.55%

LAB 73.62, -53.32, 30.18

 

CMYK 40 / 63 / 0 / 20

HEX #7B4BCC

RGB 123 75 204

HSL 262.33, 0.56%, 0.55%

LAB 43.66, 47.9, -59.84

 

CMYK 0 / 39 / 62 / 20

HEX #CD7E4E

RGB 205 126 78

HSL 22.68, 0.56%, 0.55%

LAB 60.29, 26.13, 38.66

 

CMYK 36 / 0 / 63 / 20

HEX #83CC4B

RGB 131 204 75

HSL 93.95, 0.56%, 0.55%

LAB 75.15, -44.25, 55.44

 

CMYK 63 / 23 / 0 / 20

HEX #4B9DCC

RGB 75 157 204

HSL 201.86, 0.56%, 0.55%

LAB 61.63, -10.62, -31.53

 

CMYK 27 / 63 / 0 / 20

HEX #944BCC

RGB 148 75 204

HSL 273.95, 0.56%, 0.55%

LAB 46.56, 53.36, -55.01

 

CMYK 0 / 39 / 62 / 20

HEX #CD7E4E

RGB 205 126 78

HSL 22.68, 0.56%, 0.55%

LAB 60.29, 26.13, 38.66

 

CMYK 54 / 0 / 63 / 20

HEX #5DCC4B

RGB 93 204 75

HSL 111.63, 0.56%, 0.55%

LAB 73.56, -55.82, 53.24

 

CMYK 63 / 23 / 0 / 20

HEX #4B9DCC

RGB 75 157 204

HSL 201.86, 0.56%, 0.55%

LAB 61.63, -10.62, -31.53

 

CMYK 8 / 63 / 0 / 20

HEX #BB4BCC

RGB 187 75 204

HSL 292.09, 0.56%, 0.55%

LAB 51.79, 62.43, -46.35

 

Description

Color code: HEX #CD7E4E | qconv.com Color code: HEX #CD7E4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 126 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 126 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 62 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 62% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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