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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7D7E it is the complementary color #328281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7D7E shade: #D27D79, #E38F8C, #F4A19F, #FFB3B2 and #FFC5C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7D7E shade: #CD7D7E, #BC6B6B, #AB5958, #9A4745 and #893532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7D7E shade: #CD7E7F and #CD7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7D7E shade: #CD7E7F, #CD7E94, #CD7EA9, #CD7EBF and #C57ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7D7E shade matches the following richer shades: #CD7E7F, #DB7071, #E96163 and #F85355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7D7E shade: #CD7E7F, #BE8C8D, #B09B9B, #A1A9A9 and #93B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7D7E shade: #CD7EA9, #CD7E94, #CD7E7F, #CD927E and #CDA77E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7D7E shade: #B34547, #C16061, #CD7E7F, #D89C9C and #E4B9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7D7E shade: #CD7D7E, #BECD7E and #7E9FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7D7E shade: #CD7D7E, #7FCD7E and #7E7FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7D7E shade: #CD7D7E, #BECD7E, #7ECDCB and #8C7ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7D7E shade: #CD7D7E, #A7CD7E, #7ECDCB and #A47ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 39 / 20

HEX #CD7D7E

RGB 205 125 126

HSL 359.25, 0.44%, 0.65%

LAB 60.92, 31.15, 12.72

 

Complementary color

CMYK 62 / 0 / 1 / 49

HEX #328281

RGB 50 130 129

HSL 179.25, 0.44%, 0.35%

LAB 49.77, -24.18, -6.72

 

CMYK 0 / 40 / 42 / 18

HEX #D27D79

RGB 210 125 121

HSL 2.7, 0.5%, 0.65%

LAB 61.44, 32.49, 16.4

 

CMYK 0 / 37 / 38 / 11

HEX #E38F8C

RGB 227 143 140

HSL 2.07, 0.61%, 0.72%

LAB 67.92, 31.49, 15.01

 

CMYK 0 / 34 / 35 / 4

HEX #F4A19F

RGB 244 161 159

HSL 1.41, 0.79%, 0.79%

LAB 74.33, 30.57, 13.78

 

CMYK 0 / 30 / 30 / 0

HEX #FFB3B2

RGB 255 179 178

HSL 0.78, 1%, 0.85%

LAB 80.02, 27.53, 11.64

 

CMYK 0 / 23 / 23 / 0

HEX #FFC5C5

RGB 255 197 197

HSL 0, 1%, 0.89%

LAB 84.6, 20.66, 7.98

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7E

RGB 205 125 126

HSL 359.25, 0.44%, 0.65%

LAB 60.92, 31.15, 12.72

 

CMYK 0 / 43 / 43 / 26

HEX #BC6B6B

RGB 188 107 107

HSL 0, 0.38%, 0.58%

LAB 54.31, 32.19, 14.17

 

CMYK 0 / 48 / 49 / 33

HEX #AB5958

RGB 171 89 88

HSL 0.72, 0.33%, 0.51%

LAB 47.63, 33.31, 15.86

 

CMYK 0 / 54 / 55 / 40

HEX #9A4745

RGB 154 71 69

HSL 1.41, 0.38%, 0.44%

LAB 40.91, 34.5, 17.87

 

CMYK 0 / 61 / 64 / 46

HEX #893532

RGB 137 53 50

HSL 2.07, 0.47%, 0.37%

LAB 34.18, 35.69, 20.37

 

CMYK 0 / 39 / 38 / 20

HEX #CD7E7F

RGB 205 126 127

HSL 359.24, 0.44%, 0.65%

LAB 61.16, 30.73, 12.5

 

CMYK 0 / 39 / 39 / 20

HEX #CD7E7E

RGB 205 126 126

HSL 0, 0.44%, 0.65%

LAB 61.14, 30.61, 13.04

 

CMYK 0 / 39 / 38 / 20

HEX #CD7E7F

RGB 205 126 127

HSL 359.24, 0.44%, 0.65%

LAB 61.16, 30.73, 12.5

 

CMYK 0 / 39 / 28 / 20

HEX #CD7E94

RGB 205 126 148

HSL 343.29, 0.44%, 0.65%

LAB 61.69, 33.43, 1.23

 

CMYK 0 / 39 / 18 / 20

HEX #CD7EA9

RGB 205 126 169

HSL 327.34, 0.44%, 0.65%

LAB 62.31, 36.53, -9.85

 

CMYK 0 / 39 / 7 / 20

HEX #CD7EBF

RGB 205 126 191

HSL 310.63, 0.44%, 0.65%

LAB 63.06, 40.18, -21.19

 

CMYK 4 / 39 / 0 / 20

HEX #C57ECD

RGB 197 126 205

HSL 293.92, 0.44%, 0.65%

LAB 62.68, 40.22, -29.76

 

CMYK 0 / 39 / 38 / 20

HEX #CD7E7F

RGB 205 126 127

HSL 359.24, 0.44%, 0.65%

LAB 61.16, 30.73, 12.5

 

CMYK 0 / 49 / 48 / 14

HEX #DB7071

RGB 219 112 113

HSL 359.44, 0.6%, 0.65%

LAB 59.74, 41.82, 18.84

 

CMYK 0 / 58 / 58 / 9

HEX #E96163

RGB 233 97 99

HSL 359.12, 0.76%, 0.65%

LAB 58.76, 52.84, 25.94

 

CMYK 0 / 67 / 66 / 3

HEX #F85355

RGB 248 83 85

HSL 359.27, 0.92%, 0.65%

LAB 58.79, 62.79, 34.47

 

CMYK 0 / 39 / 38 / 20

HEX #CD7E7F

RGB 205 126 127

HSL 359.24, 0.44%, 0.65%

LAB 61.16, 30.73, 12.5

 

CMYK 0 / 26 / 26 / 25

HEX #BE8C8D

RGB 190 140 141

HSL 358.8, 0.28%, 0.65%

LAB 63.03, 19.15, 6.94

 

CMYK 0 / 12 / 12 / 31

HEX #B09B9B

RGB 176 155 155

HSL 0, 0.12%, 0.65%

LAB 65.78, 7.73, 2.83

 

CMYK 5 / 0 / 0 / 34

HEX #A1A9A9

RGB 161 169 169

HSL 180, 0.04%, 0.65%

LAB 68.62, -2.81, -0.99

 

CMYK 20 / 0 / 1 / 28

HEX #93B8B7

RGB 147 184 183

HSL 178.38, 0.21%, 0.65%

LAB 72.16, -12.58, -3.61

 

CMYK 0 / 39 / 18 / 20

HEX #CD7EA9

RGB 205 126 169

HSL 327.34, 0.44%, 0.65%

LAB 62.31, 36.53, -9.85

 

CMYK 0 / 39 / 28 / 20

HEX #CD7E94

RGB 205 126 148

HSL 343.29, 0.44%, 0.65%

LAB 61.69, 33.43, 1.23

 

CMYK 0 / 39 / 38 / 20

HEX #CD7E7F

RGB 205 126 127

HSL 359.24, 0.44%, 0.65%

LAB 61.16, 30.73, 12.5

 

CMYK 0 / 29 / 39 / 20

HEX #CD927E

RGB 205 146 126

HSL 15.19, 0.44%, 0.65%

LAB 65.78, 19.74, 19.46

 

CMYK 0 / 19 / 39 / 20

HEX #CDA77E

RGB 205 167 126

HSL 31.14, 0.44%, 0.65%

LAB 70.96, 8.32, 26.46

 

CMYK 0 / 61 / 60 / 30

HEX #B34547

RGB 179 69 71

HSL 358.91, 0.44%, 0.49%

LAB 44.65, 44.89, 22.34

 

CMYK 0 / 50 / 50 / 24

HEX #C16061

RGB 193 96 97

HSL 359.38, 0.44%, 0.57%

LAB 52.47, 38.87, 17.63

 

CMYK 0 / 39 / 38 / 20

HEX #CD7E7F

RGB 205 126 127

HSL 359.24, 0.44%, 0.65%

LAB 61.16, 30.73, 12.5

 

CMYK 0 / 28 / 28 / 15

HEX #D89C9C

RGB 216 156 156

HSL 0, 0.43%, 0.73%

LAB 70.02, 22.38, 8.88

 

CMYK 0 / 19 / 18 / 11

HEX #E4B9BA

RGB 228 185 186

HSL 358.6, 0.44%, 0.81%

LAB 78.89, 15.59, 5.34

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7E

RGB 205 125 126

HSL 359.25, 0.44%, 0.65%

LAB 60.92, 31.15, 12.72

 

CMYK 7 / 0 / 39 / 20

HEX #BECD7E

RGB 190 205 126

HSL 71.39, 0.44%, 0.65%

LAB 79.68, -17.5, 37.63

 

CMYK 39 / 22 / 0 / 20

HEX #7E9FCD

RGB 126 159 205

HSL 214.94, 0.44%, 0.65%

LAB 64.68, 0.17, -27.17

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7E

RGB 205 125 126

HSL 359.25, 0.44%, 0.65%

LAB 60.92, 31.15, 12.72

 

CMYK 38 / 0 / 39 / 20

HEX #7FCD7E

RGB 127 205 126

HSL 119.24, 0.44%, 0.65%

LAB 75.87, -39.86, 31.95

 

CMYK 39 / 38 / 0 / 20

HEX #7E7FCD

RGB 126 127 205

HSL 239.24, 0.44%, 0.65%

LAB 56.11, 18.73, -40.51

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7E

RGB 205 125 126

HSL 359.25, 0.44%, 0.65%

LAB 60.92, 31.15, 12.72

 

CMYK 7 / 0 / 39 / 20

HEX #BECD7E

RGB 190 205 126

HSL 71.39, 0.44%, 0.65%

LAB 79.68, -17.5, 37.63

 

CMYK 39 / 0 / 1 / 20

HEX #7ECDCB

RGB 126 205 203

HSL 178.48, 0.44%, 0.65%

LAB 77.53, -24.68, -6.67

 

CMYK 32 / 39 / 0 / 20

HEX #8C7ECD

RGB 140 126 205

HSL 250.63, 0.44%, 0.65%

LAB 56.98, 23.17, -39.06

 

CMYK 0 / 39 / 39 / 20

HEX #CD7D7E

RGB 205 125 126

HSL 359.25, 0.44%, 0.65%

LAB 60.92, 31.15, 12.72

 

CMYK 19 / 0 / 39 / 20

HEX #A7CD7E

RGB 167 205 126

HSL 88.86, 0.44%, 0.65%

LAB 78.1, -26.19, 35.28

 

CMYK 39 / 0 / 1 / 20

HEX #7ECDCB

RGB 126 205 203

HSL 178.48, 0.44%, 0.65%

LAB 77.53, -24.68, -6.67

 

CMYK 20 / 39 / 0 / 20

HEX #A47ECD

RGB 164 126 205

HSL 268.86, 0.44%, 0.65%

LAB 59.18, 30.16, -35.46

 

Description

Color code: HEX #CD7D7E | qconv.com Color code: HEX #CD7D7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 125 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 125 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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