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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7BBC it is the complementary color #328443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7BBC shade: #D27BB7, #E38DCA, #F49FDD, #FFB1F0 and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7BBC shade: #CD7BBC, #BC69A9, #AB5796, #9A4583 and #893370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7BBC shade: #CD7ABB, #CD7AA5, #CD7A8F and #CD7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7BBC shade: #CD7ABB, #C77ACD, #B17ACD, #9B7ACD and #857ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7BBC shade matches the following richer shades: #CD7ABB, #DB6BC4, #EA5CCD and #F94DD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7BBC shade: #CD7ABB, #BE89B3, #AF98AA, #A0A6A1 and #91B599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7BBC shade: #B17ACD, #C77ACD, #CD7ABC, #CD7AA6 and #CD7A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7BBC shade: #B1439A, #C15CAC, #CD7ABB, #D898CB and #E3B6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7BBC shade: #CD7BBC, #CD9B7A and #7ACDBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7BBC shade: #CD7BBC, #BCCD7A and #7ABCCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7BBC shade: #CD7BBC, #CD9B7A, #7ACD8A and #7AABCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7BBC shade: #CD7BBC, #CDB47A, #7ACD8A and #7A93CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 8 / 20

HEX #CD7BBC

RGB 205 123 188

HSL 312.44, 0.45%, 0.64%

LAB 62.32, 41.25, -20.63

 

Complementary color

CMYK 62 / 0 / 49 / 48

HEX #328443

RGB 50 132 67

HSL 132.44, 0.45%, 0.36%

LAB 48.99, -39.61, 27.77

 

CMYK 0 / 41 / 13 / 18

HEX #D27BB7

RGB 210 123 183

HSL 318.62, 0.49%, 0.65%

LAB 62.75, 42.03, -17.09

 

CMYK 0 / 38 / 11 / 11

HEX #E38DCA

RGB 227 141 202

HSL 317.44, 0.61%, 0.72%

LAB 69.22, 41.27, -17.77

 

CMYK 0 / 35 / 9 / 4

HEX #F49FDD

RGB 244 159 221

HSL 316.24, 0.79%, 0.79%

LAB 75.61, 40.54, -18.38

 

CMYK 0 / 31 / 6 / 0

HEX #FFB1F0

RGB 255 177 240

HSL 311.54, 1%, 0.85%

LAB 81.29, 37.9, -19.95

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 40 / 8 / 20

HEX #CD7BBC

RGB 205 123 188

HSL 312.44, 0.45%, 0.64%

LAB 62.32, 41.25, -20.63

 

CMYK 0 / 44 / 10 / 26

HEX #BC69A9

RGB 188 105 169

HSL 313.73, 0.38%, 0.57%

LAB 55.74, 42.01, -19.98

 

CMYK 0 / 49 / 12 / 33

HEX #AB5796

RGB 171 87 150

HSL 315, 0.33%, 0.51%

LAB 49.1, 42.75, -19.2

 

CMYK 0 / 55 / 15 / 40

HEX #9A4583

RGB 154 69 131

HSL 316.24, 0.38%, 0.44%

LAB 42.41, 43.4, -18.25

 

CMYK 0 / 63 / 18 / 46

HEX #893370

RGB 137 51 112

HSL 317.44, 0.46%, 0.37%

LAB 35.71, 43.84, -17

 

CMYK 0 / 40 / 9 / 20

HEX #CD7ABB

RGB 205 122 187

HSL 313.01, 0.45%, 0.64%

LAB 62.07, 41.6, -20.44

 

CMYK 0 / 40 / 20 / 20

HEX #CD7AA5

RGB 205 122 165

HSL 328.92, 0.45%, 0.64%

LAB 61.32, 38.04, -9.04

 

CMYK 0 / 40 / 30 / 20

HEX #CD7A8F

RGB 205 122 143

HSL 344.82, 0.45%, 0.64%

LAB 60.68, 34.89, 2.63

 

CMYK 0 / 40 / 40 / 20

HEX #CD7A7A

RGB 205 122 122

HSL 0, 0.45%, 0.64%

LAB 60.16, 32.3, 13.96

 

CMYK 0 / 40 / 9 / 20

HEX #CD7ABB

RGB 205 122 187

HSL 313.01, 0.45%, 0.64%

LAB 62.07, 41.6, -20.44

 

CMYK 3 / 40 / 0 / 20

HEX #C77ACD

RGB 199 122 205

HSL 295.66, 0.45%, 0.64%

LAB 62.06, 42.97, -30.7

 

CMYK 14 / 40 / 0 / 20

HEX #B17ACD

RGB 177 122 205

HSL 279.76, 0.45%, 0.64%

LAB 59.59, 36.3, -34.72

 

CMYK 24 / 40 / 0 / 20

HEX #9B7ACD

RGB 155 122 205

HSL 263.86, 0.45%, 0.64%

LAB 57.36, 29.79, -38.37

 

CMYK 35 / 40 / 0 / 20

HEX #857ACD

RGB 133 122 205

HSL 247.95, 0.45%, 0.64%

LAB 55.39, 23.58, -41.6

 

CMYK 0 / 40 / 9 / 20

HEX #CD7ABB

RGB 205 122 187

HSL 313.01, 0.45%, 0.64%

LAB 62.07, 41.6, -20.44

 

CMYK 0 / 51 / 11 / 14

HEX #DB6BC4

RGB 219 107 196

HSL 312.32, 0.61%, 0.64%

LAB 61.27, 54.98, -26.62

 

CMYK 0 / 61 / 12 / 8

HEX #EA5CCD

RGB 234 92 205

HSL 312.25, 0.77%, 0.64%

LAB 61.27, 67.26, -31.56

 

CMYK 0 / 69 / 14 / 2

HEX #F94DD5

RGB 249 77 213

HSL 312.56, 0.93%, 0.64%

LAB 61.87, 77.78, -34.97

 

CMYK 0 / 40 / 9 / 20

HEX #CD7ABB

RGB 205 122 187

HSL 313.01, 0.45%, 0.64%

LAB 62.07, 41.6, -20.44

 

CMYK 0 / 28 / 6 / 25

HEX #BE89B3

RGB 190 137 179

HSL 312.45, 0.29%, 0.64%

LAB 63.42, 27.04, -14.03

 

CMYK 0 / 13 / 3 / 31

HEX #AF98AA

RGB 175 152 170

HSL 313.04, 0.13%, 0.64%

LAB 65.34, 11.72, -6.25

 

CMYK 4 / 0 / 3 / 35

HEX #A0A6A1

RGB 160 166 161

HSL 130, 0.03%, 0.64%

LAB 67.52, -3.09, 1.84

 

CMYK 20 / 0 / 15 / 29

HEX #91B599

RGB 145 181 153

HSL 133.33, 0.2%, 0.64%

LAB 70.43, -17.79, 10.3

 

CMYK 14 / 40 / 0 / 20

HEX #B17ACD

RGB 177 122 205

HSL 279.76, 0.45%, 0.64%

LAB 59.59, 36.3, -34.72

 

CMYK 3 / 40 / 0 / 20

HEX #C77ACD

RGB 199 122 205

HSL 295.66, 0.45%, 0.64%

LAB 62.06, 42.97, -30.7

 

CMYK 0 / 40 / 8 / 20

HEX #CD7ABC

RGB 205 122 188

HSL 312.29, 0.45%, 0.64%

LAB 62.11, 41.77, -20.95

 

CMYK 0 / 40 / 19 / 20

HEX #CD7AA6

RGB 205 122 166

HSL 328.19, 0.45%, 0.64%

LAB 61.35, 38.19, -9.57

 

CMYK 0 / 40 / 30 / 20

HEX #CD7A90

RGB 205 122 144

HSL 344.1, 0.45%, 0.64%

LAB 60.7, 35.02, 2.1

 

CMYK 0 / 62 / 13 / 31

HEX #B1439A

RGB 177 67 154

HSL 312.55, 0.45%, 0.48%

LAB 46.57, 54.75, -25.41

 

CMYK 0 / 52 / 11 / 24

HEX #C15CAC

RGB 193 92 172

HSL 312.48, 0.45%, 0.56%

LAB 54, 50.66, -24.35

 

CMYK 0 / 40 / 9 / 20

HEX #CD7ABB

RGB 205 122 187

HSL 313.01, 0.45%, 0.64%

LAB 62.07, 41.6, -20.44

 

CMYK 0 / 30 / 6 / 15

HEX #D898CB

RGB 216 152 203

HSL 312.19, 0.45%, 0.72%

LAB 70.43, 31.95, -16.6

 

CMYK 0 / 20 / 4 / 11

HEX #E3B6DA

RGB 227 182 218

HSL 312, 0.45%, 0.8%

LAB 78.95, 22.15, -11.89

 

CMYK 0 / 40 / 8 / 20

HEX #CD7BBC

RGB 205 123 188

HSL 312.44, 0.45%, 0.64%

LAB 62.32, 41.25, -20.63

 

CMYK 0 / 24 / 40 / 20

HEX #CD9B7A

RGB 205 155 122

HSL 23.86, 0.45%, 0.64%

LAB 67.89, 14.37, 24.53

 

CMYK 40 / 0 / 8 / 20

HEX #7ACDBC

RGB 122 205 188

HSL 167.71, 0.45%, 0.64%

LAB 76.94, -29.26, 0.52

 

CMYK 0 / 40 / 8 / 20

HEX #CD7BBC

RGB 205 123 188

HSL 312.44, 0.45%, 0.64%

LAB 62.32, 41.25, -20.63

 

CMYK 8 / 0 / 40 / 20

HEX #BCCD7A

RGB 188 205 122

HSL 72.29, 0.45%, 0.64%

LAB 79.48, -18.74, 39.36

 

CMYK 40 / 8 / 0 / 20

HEX #7ABCCD

RGB 122 188 205

HSL 192.29, 0.45%, 0.64%

LAB 72.57, -16.59, -15.17

 

CMYK 0 / 40 / 8 / 20

HEX #CD7BBC

RGB 205 123 188

HSL 312.44, 0.45%, 0.64%

LAB 62.32, 41.25, -20.63

 

CMYK 0 / 24 / 40 / 20

HEX #CD9B7A

RGB 205 155 122

HSL 23.86, 0.45%, 0.64%

LAB 67.89, 14.37, 24.53

 

CMYK 40 / 0 / 33 / 20

HEX #7ACD8A

RGB 122 205 138

HSL 131.57, 0.45%, 0.64%

LAB 75.84, -39.41, 25.65

 

CMYK 40 / 17 / 0 / 20

HEX #7AABCD

RGB 122 171 205

HSL 204.58, 0.45%, 0.64%

LAB 67.78, -7.54, -22.44

 

CMYK 0 / 40 / 8 / 20

HEX #CD7BBC

RGB 205 123 188

HSL 312.44, 0.45%, 0.64%

LAB 62.32, 41.25, -20.63

 

CMYK 0 / 12 / 40 / 20

HEX #CDB47A

RGB 205 180 122

HSL 41.93, 0.45%, 0.64%

LAB 74.21, 0.91, 32.87

 

CMYK 40 / 0 / 33 / 20

HEX #7ACD8A

RGB 122 205 138

HSL 131.57, 0.45%, 0.64%

LAB 75.84, -39.41, 25.65

 

CMYK 40 / 28 / 0 / 20

HEX #7A93CD

RGB 122 147 205

HSL 221.93, 0.45%, 0.64%

LAB 61.14, 5.93, -32.66

 

Description

Color code: HEX #CD7BBC | qconv.com Color code: HEX #CD7BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 123 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 123 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 8 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 8% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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