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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7A8B it is the complementary color #328574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7A8B shade: #D27A86, #E38C99, #F49EAC, #FFB0BF and #FFC2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7A8B shade: #CD7A8B, #BC6878, #AB5665, #9A4452 and #89323F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7A8B shade: #CD7A8B and #CD7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7A8B shade: #CD7A8B, #CD7AA1, #CD7AB7, #CB7ACD and #B57ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7A8B shade matches the following richer shades: #CD7A8B, #DB6B82, #EA5C79 and #F94D71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7A8B shade: #CD7A8B, #BE8994, #AF989C, #A0A6A5 and #91B5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7A8B shade: #CD7AB8, #CD7AA2, #CD7A8C, #CD7E7A and #CD947A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7A8B shade: #B1435A, #C15C71, #CD7A8B, #D898A5 and #E3B6BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7A8B shade: #CD7A8B, #CDCB7A and #7AADCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7A8B shade: #CD7A8B, #8CCD7A and #7A8CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7A8B shade: #CD7A8B, #CDCB7A, #7ACDBB and #7A7BCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7A8B shade: #CD7A8B, #B5CD7A, #7ACDBB and #917ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

Complementary color

CMYK 62 / 0 / 13 / 48

HEX #328574

RGB 50 133 116

HSL 167.71, 0.45%, 0.36%

LAB 50.35, -29.34, 1.75

 

CMYK 0 / 42 / 36 / 18

HEX #D27A86

RGB 210 122 134

HSL 351.82, 0.49%, 0.65%

LAB 61.08, 35.58, 8.47

 

CMYK 0 / 38 / 33 / 11

HEX #E38C99

RGB 227 140 153

HSL 351.03, 0.61%, 0.72%

LAB 67.57, 34.64, 7.22

 

CMYK 0 / 35 / 30 / 4

HEX #F49EAC

RGB 244 158 172

HSL 350.23, 0.8%, 0.79%

LAB 73.98, 33.78, 6.12

 

CMYK 0 / 31 / 25 / 0

HEX #FFB0BF

RGB 255 176 191

HSL 348.61, 1%, 0.85%

LAB 79.65, 30.84, 4.09

 

CMYK 0 / 24 / 18 / 0

HEX #FFC2D2

RGB 255 194 210

HSL 344.26, 1%, 0.88%

LAB 84.22, 24.14, 0.5

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 45 / 36 / 26

HEX #BC6878

RGB 188 104 120

HSL 348.57, 0.39%, 0.57%

LAB 53.97, 35.31, 6.06

 

CMYK 0 / 50 / 41 / 33

HEX #AB5665

RGB 171 86 101

HSL 349.41, 0.34%, 0.5%

LAB 47.3, 36.31, 7.57

 

CMYK 0 / 56 / 47 / 40

HEX #9A4452

RGB 154 68 82

HSL 350.23, 0.39%, 0.44%

LAB 40.6, 37.31, 9.4

 

CMYK 0 / 64 / 54 / 46

HEX #89323F

RGB 137 50 63

HSL 351.03, 0.47%, 0.37%

LAB 33.9, 38.21, 11.71

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 40 / 40 / 20

HEX #CD7A7A

RGB 205 122 122

HSL 0, 0.45%, 0.64%

LAB 60.16, 32.3, 13.96

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 40 / 21 / 20

HEX #CD7AA1

RGB 205 122 161

HSL 331.81, 0.45%, 0.64%

LAB 61.2, 37.43, -6.94

 

CMYK 0 / 40 / 11 / 20

HEX #CD7AB7

RGB 205 122 183

HSL 315.9, 0.45%, 0.64%

LAB 61.93, 40.93, -18.39

 

CMYK 1 / 40 / 0 / 20

HEX #CB7ACD

RGB 203 122 205

HSL 298.55, 0.45%, 0.64%

LAB 62.53, 44.19, -29.93

 

CMYK 12 / 40 / 0 / 20

HEX #B57ACD

RGB 181 122 205

HSL 282.65, 0.45%, 0.64%

LAB 60.02, 37.51, -34.01

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 51 / 41 / 14

HEX #DB6B82

RGB 219 107 130

HSL 347.68, 0.61%, 0.64%

LAB 59.15, 46.04, 8.19

 

CMYK 0 / 61 / 48 / 8

HEX #EA5C79

RGB 234 92 121

HSL 347.75, 0.77%, 0.64%

LAB 58.53, 57.17, 12.89

 

CMYK 0 / 69 / 55 / 2

HEX #F94D71

RGB 249 77 113

HSL 347.44, 0.93%, 0.64%

LAB 58.64, 67.11, 18.1

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 28 / 22 / 25

HEX #BE8994

RGB 190 137 148

HSL 347.55, 0.29%, 0.64%

LAB 62.49, 21.86, 2.18

 

CMYK 0 / 13 / 11 / 31

HEX #AF989C

RGB 175 152 156

HSL 349.57, 0.13%, 0.64%

LAB 64.94, 9.19, 1.04

 

CMYK 4 / 0 / 1 / 35

HEX #A0A6A5

RGB 160 166 165

HSL 170, 0.03%, 0.64%

LAB 67.62, -2.32, -0.23

 

CMYK 20 / 0 / 4 / 29

HEX #91B5AE

RGB 145 181 174

HSL 168.33, 0.2%, 0.64%

LAB 70.96, -13.58, -0.46

 

CMYK 0 / 40 / 10 / 20

HEX #CD7AB8

RGB 205 122 184

HSL 315.18, 0.45%, 0.64%

LAB 61.96, 41.09, -18.91

 

CMYK 0 / 40 / 21 / 20

HEX #CD7AA2

RGB 205 122 162

HSL 331.08, 0.45%, 0.64%

LAB 61.23, 37.58, -7.46

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8C

RGB 205 122 140

HSL 346.99, 0.45%, 0.64%

LAB 60.6, 34.49, 4.24

 

CMYK 0 / 39 / 40 / 20

HEX #CD7E7A

RGB 205 126 122

HSL 2.89, 0.45%, 0.64%

LAB 61.05, 30.15, 15.2

 

CMYK 0 / 28 / 40 / 20

HEX #CD947A

RGB 205 148 122

HSL 18.8, 0.45%, 0.64%

LAB 66.19, 18.18, 22.23

 

CMYK 0 / 62 / 49 / 31

HEX #B1435A

RGB 177 67 90

HSL 347.45, 0.45%, 0.48%

LAB 44.38, 46.68, 10.29

 

CMYK 0 / 52 / 41 / 24

HEX #C15C71

RGB 193 92 113

HSL 347.52, 0.45%, 0.56%

LAB 52.04, 42.54, 7.55

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 30 / 24 / 15

HEX #D898A5

RGB 216 152 165

HSL 347.81, 0.45%, 0.72%

LAB 69.31, 25.82, 2.86

 

CMYK 0 / 20 / 16 / 11

HEX #E3B6BF

RGB 227 182 191

HSL 348, 0.45%, 0.8%

LAB 78.2, 17.61, 1.62

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 1 / 40 / 20

HEX #CDCB7A

RGB 205 203 122

HSL 58.55, 0.45%, 0.64%

LAB 80.23, -11.05, 40.59

 

CMYK 40 / 16 / 0 / 20

HEX #7AADCD

RGB 122 173 205

HSL 203.13, 0.45%, 0.64%

LAB 68.34, -8.63, -21.58

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 32 / 0 / 40 / 20

HEX #8CCD7A

RGB 140 205 122

HSL 106.99, 0.45%, 0.64%

LAB 76.46, -36.25, 34.89

 

CMYK 40 / 32 / 0 / 20

HEX #7A8CCD

RGB 122 140 205

HSL 226.99, 0.45%, 0.64%

LAB 59.25, 10, -35.6

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 0 / 1 / 40 / 20

HEX #CDCB7A

RGB 205 203 122

HSL 58.55, 0.45%, 0.64%

LAB 80.23, -11.05, 40.59

 

CMYK 40 / 0 / 9 / 20

HEX #7ACDBB

RGB 122 205 187

HSL 166.99, 0.45%, 0.64%

LAB 76.91, -29.49, 1.02

 

CMYK 40 / 40 / 0 / 20

HEX #7A7BCD

RGB 122 123 205

HSL 239.28, 0.45%, 0.64%

LAB 54.77, 20.05, -42.64

 

CMYK 0 / 40 / 32 / 20

HEX #CD7A8B

RGB 205 122 139

HSL 347.71, 0.45%, 0.64%

LAB 60.57, 34.36, 4.78

 

CMYK 12 / 0 / 40 / 20

HEX #B5CD7A

RGB 181 205 122

HSL 77.35, 0.45%, 0.64%

LAB 78.98, -21.43, 38.62

 

CMYK 40 / 0 / 9 / 20

HEX #7ACDBB

RGB 122 205 187

HSL 166.99, 0.45%, 0.64%

LAB 76.91, -29.49, 1.02

 

CMYK 29 / 40 / 0 / 20

HEX #917ACD

RGB 145 122 205

HSL 256.63, 0.45%, 0.64%

LAB 56.43, 26.91, -39.89

 

Description

Color code: HEX #CD7A8B | qconv.com Color code: HEX #CD7A8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 122 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 122 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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