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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD79DB it is the complementary color #328624. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD79DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD79DB shade: #D279D6, #E38BE9, #F49DFC, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD79DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD79DB shade: #CD79DB, #BC67C8, #AB55B5, #9A43A2 and #89318F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD79DB shade: #CE7ADC, #DC7ACF, #DC7AB5, #DC7A9B and #DC7A80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD79DB shade: #CE7ADC, #B37ADC, #997ADC, #7F7ADC and #7A7ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD79DB shade matches the following richer shades: #CE7ADC, #D76CE9 and #E15FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD79DB shade: #CE7ADC, #C488CE, #BA95C0, #B1A3B3 and #A7B1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD79DB shade: #997ADC, #B37ADC, #CD7ADC, #DC7AD0 and #DC7AB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD79DB shade: #B639CA, #C259D3, #CE7ADC, #DA9BE4 and #E6BBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD79DB shade: #CD79DB, #DC7F7A and #7ADCA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD79DB shade: #CD79DB, #DCCD7A and #7ADCCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD79DB shade: #CD79DB, #DC7F7A, #89DC7A and #7AD7DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD79DB shade: #CD79DB, #DC9C7A, #89DC7A and #7AB9DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 45 / 0 / 14

HEX #CD79DB

RGB 205 121 219

HSL 291.43, 0.58%, 0.67%

LAB 63.15, 47.95, -36.79

 

Complementary color

CMYK 63 / 0 / 73 / 47

HEX #328624

RGB 50 134 36

HSL 111.43, 0.58%, 0.33%

LAB 49.32, -44.27, 43.07

 

CMYK 2 / 43 / 0 / 16

HEX #D279D6

RGB 210 121 214

HSL 297.42, 0.53%, 0.66%

LAB 63.53, 48.47, -33.36

 

CMYK 3 / 40 / 0 / 9

HEX #E38BE9

RGB 227 139 233

HSL 296.17, 0.68%, 0.73%

LAB 69.95, 47.74, -33.78

 

CMYK 3 / 38 / 0 / 1

HEX #F49DFC

RGB 244 157 252

HSL 294.95, 0.94%, 0.8%

LAB 76.3, 47.01, -34.16

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 6 / 45 / 0 / 14

HEX #CD79DB

RGB 205 121 219

HSL 291.43, 0.58%, 0.67%

LAB 63.15, 47.95, -36.79

 

CMYK 6 / 49 / 0 / 22

HEX #BC67C8

RGB 188 103 200

HSL 292.58, 0.47%, 0.59%

LAB 56.65, 48.68, -36.39

 

CMYK 6 / 53 / 0 / 29

HEX #AB55B5

RGB 171 85 181

HSL 293.75, 0.39%, 0.52%

LAB 50.09, 49.35, -35.9

 

CMYK 5 / 59 / 0 / 36

HEX #9A43A2

RGB 154 67 162

HSL 294.95, 0.41%, 0.45%

LAB 43.5, 49.87, -35.25

 

CMYK 4 / 66 / 0 / 44

HEX #89318F

RGB 137 49 143

HSL 296.17, 0.49%, 0.38%

LAB 36.93, 50.07, -34.33

 

CMYK 6 / 45 / 0 / 14

HEX #CE7ADC

RGB 206 122 220

HSL 291.43, 0.58%, 0.67%

LAB 63.51, 47.92, -36.77

 

CMYK 0 / 45 / 6 / 14

HEX #DC7ACF

RGB 220 122 207

HSL 307.96, 0.58%, 0.67%

LAB 64.68, 49.7, -27.57

 

CMYK 0 / 45 / 18 / 14

HEX #DC7AB5

RGB 220 122 181

HSL 323.88, 0.58%, 0.67%

LAB 63.73, 45.5, -14.35

 

CMYK 0 / 45 / 30 / 14

HEX #DC7A9B

RGB 220 122 155

HSL 339.8, 0.58%, 0.67%

LAB 62.93, 41.81, -0.73

 

CMYK 0 / 45 / 42 / 14

HEX #DC7A80

RGB 220 122 128

HSL 356.33, 0.58%, 0.67%

LAB 62.25, 38.57, 13.73

 

CMYK 6 / 45 / 0 / 14

HEX #CE7ADC

RGB 206 122 220

HSL 291.43, 0.58%, 0.67%

LAB 63.51, 47.92, -36.77

 

CMYK 19 / 45 / 0 / 14

HEX #B37ADC

RGB 179 122 220

HSL 274.9, 0.58%, 0.67%

LAB 60.49, 40.15, -41.73

 

CMYK 30 / 45 / 0 / 14

HEX #997ADC

RGB 153 122 220

HSL 258.98, 0.58%, 0.67%

LAB 57.9, 32.93, -45.98

 

CMYK 42 / 45 / 0 / 14

HEX #7F7ADC

RGB 127 122 220

HSL 243.06, 0.58%, 0.67%

LAB 55.68, 26.19, -49.64

 

CMYK 45 / 45 / 0 / 14

HEX #7A7ADC

RGB 122 122 220

HSL 240, 0.58%, 0.67%

LAB 55.3, 24.97, -50.27

 

CMYK 6 / 45 / 0 / 14

HEX #CE7ADC

RGB 206 122 220

HSL 291.43, 0.58%, 0.67%

LAB 63.51, 47.92, -36.77

 

CMYK 8 / 54 / 0 / 9

HEX #D76CE9

RGB 215 108 233

HSL 291.36, 0.74%, 0.67%

LAB 62.55, 59.84, -45.44

 

CMYK 9 / 62 / 0 / 3

HEX #E15FF7

RGB 225 95 247

HSL 291.32, 0.9%, 0.67%

LAB 62.43, 70.7, -53.32

 

CMYK 6 / 45 / 0 / 14

HEX #CE7ADC

RGB 206 122 220

HSL 291.43, 0.58%, 0.67%

LAB 63.51, 47.92, -36.77

 

CMYK 5 / 34 / 0 / 19

HEX #C488CE

RGB 196 136 206

HSL 291.43, 0.42%, 0.67%

LAB 64.8, 34.68, -27.04

 

CMYK 3 / 22 / 0 / 25

HEX #BA95C0

RGB 186 149 192

HSL 291.63, 0.25%, 0.67%

LAB 66.32, 21.45, -16.99

 

CMYK 1 / 9 / 0 / 30

HEX #B1A3B3

RGB 177 163 179

HSL 292.5, 0.1%, 0.67%

LAB 68.6, 8.03, -6.41

 

CMYK 6 / 0 / 7 / 31

HEX #A7B1A5

RGB 167 177 165

HSL 110, 0.07%, 0.67%

LAB 71.13, -5.77, 4.92

 

CMYK 30 / 45 / 0 / 14

HEX #997ADC

RGB 153 122 220

HSL 258.98, 0.58%, 0.67%

LAB 57.9, 32.93, -45.98

 

CMYK 19 / 45 / 0 / 14

HEX #B37ADC

RGB 179 122 220

HSL 274.9, 0.58%, 0.67%

LAB 60.49, 40.15, -41.73

 

CMYK 7 / 45 / 0 / 14

HEX #CD7ADC

RGB 205 122 220

HSL 290.82, 0.58%, 0.67%

LAB 63.4, 47.63, -36.97

 

CMYK 0 / 45 / 5 / 14

HEX #DC7AD0

RGB 220 122 208

HSL 307.35, 0.58%, 0.67%

LAB 64.71, 49.88, -28.07

 

CMYK 0 / 45 / 17 / 14

HEX #DC7AB6

RGB 220 122 182

HSL 323.27, 0.58%, 0.67%

LAB 63.76, 45.65, -14.86

 

CMYK 10 / 72 / 0 / 21

HEX #B639CA

RGB 182 57 202

HSL 291.72, 0.58%, 0.51%

LAB 48.43, 67.99, -50.6

 

CMYK 8 / 58 / 0 / 17

HEX #C259D3

RGB 194 89 211

HSL 291.64, 0.58%, 0.59%

LAB 55.4, 59.23, -44.56

 

CMYK 6 / 45 / 0 / 14

HEX #CE7ADC

RGB 206 122 220

HSL 291.43, 0.58%, 0.67%

LAB 63.51, 47.92, -36.77

 

CMYK 4 / 32 / 0 / 11

HEX #DA9BE4

RGB 218 155 228

HSL 291.78, 0.57%, 0.75%

LAB 72.19, 35.59, -27.66

 

CMYK 3 / 21 / 0 / 7

HEX #E6BBED

RGB 230 187 237

HSL 291.6, 0.58%, 0.83%

LAB 81, 23.95, -19.01

 

CMYK 6 / 45 / 0 / 14

HEX #CD79DB

RGB 205 121 219

HSL 291.43, 0.58%, 0.67%

LAB 63.15, 47.95, -36.79

 

CMYK 0 / 42 / 45 / 14

HEX #DC7F7A

RGB 220 127 122

HSL 3.06, 0.58%, 0.67%

LAB 63.18, 35.33, 18.43

 

CMYK 45 / 0 / 25 / 14

HEX #7ADCA6

RGB 122 220 166

HSL 146.94, 0.58%, 0.67%

LAB 80.78, -40.91, 17.72

 

CMYK 6 / 45 / 0 / 14

HEX #CD79DB

RGB 205 121 219

HSL 291.43, 0.58%, 0.67%

LAB 63.15, 47.95, -36.79

 

CMYK 0 / 7 / 45 / 14

HEX #DCCD7A

RGB 220 205 122

HSL 50.82, 0.58%, 0.67%

LAB 81.99, -6.08, 43.06

 

CMYK 45 / 0 / 7 / 14

HEX #7ADCCD

RGB 122 220 205

HSL 170.82, 0.58%, 0.67%

LAB 81.69, -32.43, -1.62

 

CMYK 6 / 45 / 0 / 14

HEX #CD79DB

RGB 205 121 219

HSL 291.43, 0.58%, 0.67%

LAB 63.15, 47.95, -36.79

 

CMYK 0 / 42 / 45 / 14

HEX #DC7F7A

RGB 220 127 122

HSL 3.06, 0.58%, 0.67%

LAB 63.18, 35.33, 18.43

 

CMYK 38 / 0 / 45 / 14

HEX #89DC7A

RGB 137 220 122

HSL 110.82, 0.58%, 0.67%

LAB 80.69, -43.88, 40.26

 

CMYK 45 / 2 / 0 / 14

HEX #7AD7DC

RGB 122 215 220

HSL 183.06, 0.58%, 0.67%

LAB 80.69, -26.35, -11.1

 

CMYK 6 / 45 / 0 / 14

HEX #CD79DB

RGB 205 121 219

HSL 291.43, 0.58%, 0.67%

LAB 63.15, 47.95, -36.79

 

CMYK 0 / 29 / 45 / 14

HEX #DC9C7A

RGB 220 156 122

HSL 20.82, 0.58%, 0.67%

LAB 69.75, 19.84, 27.3

 

CMYK 38 / 0 / 45 / 14

HEX #89DC7A

RGB 137 220 122

HSL 110.82, 0.58%, 0.67%

LAB 80.69, -43.88, 40.26

 

CMYK 45 / 16 / 0 / 14

HEX #7AB9DC

RGB 122 185 220

HSL 201.43, 0.58%, 0.67%

LAB 72.23, -11.02, -23.87

 

Description

Color code: HEX #CD79DB | qconv.com Color code: HEX #CD79DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 121 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 121 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 45 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 45% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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