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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7963 it is the complementary color #32869C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7963 shade: #D2795E, #E38B71, #F49D84, #FFAF97 and #FFC1AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7963 shade: #CD7963, #BC6750, #AB553D, #9A432A and #893117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7963 shade: #CD7B65 and #CD6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7963 shade: #CD7B65, #CD9765, #CDB365, #CBCD65 and #AFCD65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7963 shade matches the following richer shades: #CD7B65, #DE7154, #EE6744 and #FF5E33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7963 shade: #CD7B65, #BD8475, #AC8E86, #9C9896 and #8BA1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7963 shade: #CD6588, #CD656C, #CD7A65, #CD9665 and #CDB165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7963 shade: #A94E37, #C36046, #CD7B65, #D79584 and #E1B0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7963 shade: #CD7963, #A3CD65 and #657ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7963 shade: #CD7963, #65CD7A and #7A65CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7963 shade: #CD7963, #A3CD65, #65B8CD and #8F65CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7963 shade: #CD7963, #84CD65, #65B8CD and #AE65CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 52 / 20

HEX #CD7963

RGB 205 121 99

HSL 12.45, 0.51%, 0.6%

LAB 59.48, 30.5, 26.13

 

Complementary color

CMYK 68 / 14 / 0 / 39

HEX #32869C

RGB 50 134 156

HSL 192.45, 0.51%, 0.4%

LAB 51.98, -17.87, -19.14

 

CMYK 0 / 42 / 55 / 18

HEX #D2795E

RGB 210 121 94

HSL 13.97, 0.56%, 0.6%

LAB 60.06, 32.04, 29.8

 

CMYK 0 / 39 / 50 / 11

HEX #E38B71

RGB 227 139 113

HSL 13.68, 0.67%, 0.67%

LAB 66.51, 30.82, 28.09

 

CMYK 0 / 36 / 46 / 4

HEX #F49D84

RGB 244 157 132

HSL 13.39, 0.84%, 0.74%

LAB 72.9, 29.72, 26.55

 

CMYK 0 / 31 / 41 / 0

HEX #FFAF97

RGB 255 175 151

HSL 13.85, 1%, 0.8%

LAB 78.55, 26.44, 24.14

 

CMYK 0 / 24 / 33 / 0

HEX #FFC1AA

RGB 255 193 170

HSL 16.24, 1%, 0.83%

LAB 83.07, 19.19, 20.21

 

CMYK 0 / 41 / 52 / 20

HEX #CD7963

RGB 205 121 99

HSL 12.45, 0.51%, 0.6%

LAB 59.48, 30.5, 26.13

 

CMYK 0 / 45 / 57 / 26

HEX #BC6750

RGB 188 103 80

HSL 12.78, 0.45%, 0.53%

LAB 52.92, 31.78, 27.95

 

CMYK 0 / 50 / 64 / 33

HEX #AB553D

RGB 171 85 61

HSL 13.09, 0.47%, 0.45%

LAB 46.3, 33.18, 30.04

 

CMYK 0 / 56 / 73 / 40

HEX #9A432A

RGB 154 67 42

HSL 13.39, 0.57%, 0.38%

LAB 39.67, 34.7, 32.43

 

CMYK 0 / 64 / 83 / 46

HEX #893117

RGB 137 49 23

HSL 13.68, 0.71%, 0.31%

LAB 33.09, 36.22, 35.01

 

CMYK 0 / 40 / 51 / 20

HEX #CD7B65

RGB 205 123 101

HSL 12.69, 0.51%, 0.6%

LAB 59.97, 29.61, 25.64

 

CMYK 0 / 51 / 51 / 20

HEX #CD6565

RGB 205 101 101

HSL 0, 0.51%, 0.6%

LAB 55.3, 41.14, 19.42

 

CMYK 0 / 40 / 51 / 20

HEX #CD7B65

RGB 205 123 101

HSL 12.69, 0.51%, 0.6%

LAB 59.97, 29.61, 25.64

 

CMYK 0 / 26 / 51 / 20

HEX #CD9765

RGB 205 151 101

HSL 28.85, 0.51%, 0.6%

LAB 66.56, 14.39, 34.15

 

CMYK 0 / 13 / 51 / 20

HEX #CDB365

RGB 205 179 101

HSL 45, 0.51%, 0.6%

LAB 73.65, -0.67, 42.96

 

CMYK 1 / 0 / 51 / 20

HEX #CBCD65

RGB 203 205 101

HSL 61.15, 0.51%, 0.6%

LAB 80.35, -14.89, 50.93

 

CMYK 15 / 0 / 51 / 20

HEX #AFCD65

RGB 175 205 101

HSL 77.31, 0.51%, 0.6%

LAB 78.3, -26.04, 48

 

CMYK 0 / 40 / 51 / 20

HEX #CD7B65

RGB 205 123 101

HSL 12.69, 0.51%, 0.6%

LAB 59.97, 29.61, 25.64

 

CMYK 0 / 49 / 62 / 13

HEX #DE7154

RGB 222 113 84

HSL 12.61, 0.68%, 0.6%

LAB 59.87, 40.11, 35.44

 

CMYK 0 / 57 / 71 / 7

HEX #EE6744

RGB 238 103 68

HSL 12.35, 0.83%, 0.6%

LAB 60.15, 50.01, 44.96

 

CMYK 0 / 63 / 80 / 0

HEX #FF5E33

RGB 255 94 51

HSL 12.65, 1%, 0.6%

LAB 61.22, 59.25, 55.34

 

CMYK 0 / 40 / 51 / 20

HEX #CD7B65

RGB 205 123 101

HSL 12.69, 0.51%, 0.6%

LAB 59.97, 29.61, 25.64

 

CMYK 0 / 30 / 38 / 26

HEX #BD8475

RGB 189 132 117

HSL 12.5, 0.35%, 0.6%

LAB 60.43, 20, 16.89

 

CMYK 0 / 17 / 22 / 33

HEX #AC8E86

RGB 172 142 134

HSL 12.63, 0.19%, 0.6%

LAB 61.51, 10.02, 8.49

 

CMYK 0 / 3 / 4 / 39

HEX #9C9896

RGB 156 152 150

HSL 20, 0.03%, 0.6%

LAB 63.12, 1.08, 1.56

 

CMYK 17 / 4 / 0 / 35

HEX #8BA1A7

RGB 139 161 167

HSL 192.86, 0.14%, 0.6%

LAB 64.78, -6.37, -5.71

 

CMYK 0 / 51 / 34 / 20

HEX #CD6588

RGB 205 101 136

HSL 339.81, 0.51%, 0.6%

LAB 56.15, 44.89, 0.11

 

CMYK 0 / 51 / 47 / 20

HEX #CD656C

RGB 205 101 108

HSL 355.96, 0.51%, 0.6%

LAB 55.45, 41.79, 15.53

 

CMYK 0 / 40 / 51 / 20

HEX #CD7A65

RGB 205 122 101

HSL 12.12, 0.51%, 0.6%

LAB 59.74, 30.14, 25.34

 

CMYK 0 / 27 / 51 / 20

HEX #CD9665

RGB 205 150 101

HSL 28.27, 0.51%, 0.6%

LAB 66.31, 14.93, 33.84

 

CMYK 0 / 14 / 51 / 20

HEX #CDB165

RGB 205 177 101

HSL 43.85, 0.51%, 0.6%

LAB 73.13, 0.39, 42.33

 

CMYK 0 / 54 / 67 / 34

HEX #A94E37

RGB 169 78 55

HSL 12.11, 0.51%, 0.44%

LAB 44.46, 35.67, 31.19

 

CMYK 0 / 51 / 64 / 24

HEX #C36046

RGB 195 96 70

HSL 12.48, 0.51%, 0.52%

LAB 52.3, 37.49, 33.06

 

CMYK 0 / 40 / 51 / 20

HEX #CD7B65

RGB 205 123 101

HSL 12.69, 0.51%, 0.6%

LAB 59.97, 29.61, 25.64

 

CMYK 0 / 31 / 39 / 16

HEX #D79584

RGB 215 149 132

HSL 12.29, 0.51%, 0.68%

LAB 67.73, 22.74, 18.98

 

CMYK 0 / 22 / 28 / 12

HEX #E1B0A3

RGB 225 176 163

HSL 12.58, 0.51%, 0.76%

LAB 75.89, 15.97, 13.49

 

CMYK 0 / 41 / 52 / 20

HEX #CD7963

RGB 205 121 99

HSL 12.45, 0.51%, 0.6%

LAB 59.48, 30.5, 26.13

 

CMYK 20 / 0 / 51 / 20

HEX #A3CD65

RGB 163 205 101

HSL 84.23, 0.51%, 0.6%

LAB 77.51, -30.63, 46.87

 

CMYK 51 / 40 / 0 / 20

HEX #657ACD

RGB 101 122 205

HSL 227.88, 0.51%, 0.6%

LAB 53.05, 15.49, -45.46

 

CMYK 0 / 41 / 52 / 20

HEX #CD7963

RGB 205 121 99

HSL 12.45, 0.51%, 0.6%

LAB 59.48, 30.5, 26.13

 

CMYK 51 / 0 / 40 / 20

HEX #65CD7A

RGB 101 205 122

HSL 132.12, 0.51%, 0.6%

LAB 74.72, -47.94, 32.29

 

CMYK 40 / 51 / 0 / 20

HEX #7A65CD

RGB 122 101 205

HSL 252.12, 0.51%, 0.6%

LAB 49.32, 33.16, -51.31

 

CMYK 0 / 41 / 52 / 20

HEX #CD7963

RGB 205 121 99

HSL 12.45, 0.51%, 0.6%

LAB 59.48, 30.5, 26.13

 

CMYK 20 / 0 / 51 / 20

HEX #A3CD65

RGB 163 205 101

HSL 84.23, 0.51%, 0.6%

LAB 77.51, -30.63, 46.87

 

CMYK 51 / 10 / 0 / 20

HEX #65B8CD

RGB 101 184 205

HSL 192.12, 0.51%, 0.6%

LAB 70.49, -19.54, -18.4

 

CMYK 30 / 51 / 0 / 20

HEX #8F65CD

RGB 143 101 205

HSL 264.23, 0.51%, 0.6%

LAB 51.33, 38.47, -47.98

 

CMYK 0 / 41 / 52 / 20

HEX #CD7963

RGB 205 121 99

HSL 12.45, 0.51%, 0.6%

LAB 59.48, 30.5, 26.13

 

CMYK 36 / 0 / 51 / 20

HEX #84CD65

RGB 132 205 101

HSL 102.12, 0.51%, 0.6%

LAB 75.77, -41.67, 44.35

 

CMYK 51 / 10 / 0 / 20

HEX #65B8CD

RGB 101 184 205

HSL 192.12, 0.51%, 0.6%

LAB 70.49, -19.54, -18.4

 

CMYK 15 / 51 / 0 / 20

HEX #AE65CD

RGB 174 101 205

HSL 282.12, 0.51%, 0.6%

LAB 54.78, 46.81, -42.3

 

Description

Color code: HEX #CD7963 | qconv.com Color code: HEX #CD7963 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 121 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 121 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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