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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD769C it is the complementary color #328963. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD769C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD769C shade: #D27697, #E388AA, #F49ABD, #FFACD0 and #FFBEE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD769C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD769C shade: #CD769C, #BC6489, #AB5276, #9A4063 and #892E50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD769C shade: #CD749B, #CD7483 and #CD7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD769C shade: #CD749B, #CD74B3, #CD74CB, #B774CD and #9F74CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD769C shade matches the following richer shades: #CD749B, #DC6599, #EC5697 and #FB4795

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD769C shade: #CD749B, #BE849D, #AE939F, #9FA2A1 and #90B1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD769C shade: #CD74CC, #CD74B4, #CD749C, #CD7485 and #CD7C74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD769C shade: #B03F70, #C25685, #CD749B, #D893B1 and #E3B1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD769C shade: #CD769C, #CDB774 and #74C0CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD769C shade: #CD769C, #9CCD74 and #749CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD769C shade: #CD769C, #CDB774, #74CDA5 and #748ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD769C shade: #CD769C, #C9CD74, #74CDA5 and #7974CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 24 / 20

HEX #CD769C

RGB 205 118 156

HSL 333.79, 0.47%, 0.63%

LAB 60.19, 38.82, -5.56

 

Complementary color

CMYK 64 / 0 / 28 / 46

HEX #328963

RGB 50 137 99

HSL 153.79, 0.47%, 0.37%

LAB 51.23, -35.44, 12.85

 

CMYK 0 / 44 / 28 / 18

HEX #D27697

RGB 210 118 151

HSL 338.48, 0.51%, 0.64%

LAB 60.69, 39.86, -1.88

 

CMYK 0 / 40 / 25 / 11

HEX #E388AA

RGB 227 136 170

HSL 337.58, 0.62%, 0.71%

LAB 67.16, 39.01, -2.93

 

CMYK 0 / 37 / 23 / 4

HEX #F49ABD

RGB 244 154 189

HSL 336.67, 0.8%, 0.78%

LAB 73.56, 38.19, -3.87

 

CMYK 0 / 33 / 18 / 0

HEX #FFACD0

RGB 255 172 208

HSL 333.98, 1%, 0.84%

LAB 79.22, 35.37, -5.76

 

CMYK 0 / 25 / 11 / 0

HEX #FFBEE3

RGB 255 190 227

HSL 325.85, 1%, 0.87%

LAB 83.77, 28.91, -9.25

 

CMYK 0 / 42 / 24 / 20

HEX #CD769C

RGB 205 118 156

HSL 333.79, 0.47%, 0.63%

LAB 60.19, 38.82, -5.56

 

CMYK 0 / 47 / 27 / 26

HEX #BC6489

RGB 188 100 137

HSL 334.77, 0.4%, 0.56%

LAB 53.61, 39.66, -4.48

 

CMYK 0 / 52 / 31 / 33

HEX #AB5276

RGB 171 82 118

HSL 335.73, 0.35%, 0.5%

LAB 46.98, 40.5, -3.21

 

CMYK 0 / 58 / 36 / 40

HEX #9A4063

RGB 154 64 99

HSL 336.67, 0.41%, 0.43%

LAB 40.31, 41.26, -1.64

 

CMYK 0 / 66 / 42 / 46

HEX #892E50

RGB 137 46 80

HSL 337.58, 0.5%, 0.36%

LAB 33.67, 41.79, 0.39

 

CMYK 0 / 43 / 24 / 20

HEX #CD749B

RGB 205 116 155

HSL 333.71, 0.47%, 0.63%

LAB 59.74, 39.72, -5.65

 

CMYK 0 / 43 / 36 / 20

HEX #CD7483

RGB 205 116 131

HSL 349.89, 0.47%, 0.63%

LAB 59.07, 36.55, 7.24

 

CMYK 0 / 43 / 43 / 20

HEX #CD7474

RGB 205 116 116

HSL 0, 0.47%, 0.63%

LAB 58.72, 34.84, 15.41

 

CMYK 0 / 43 / 24 / 20

HEX #CD749B

RGB 205 116 155

HSL 333.71, 0.47%, 0.63%

LAB 59.74, 39.72, -5.65

 

CMYK 0 / 43 / 13 / 20

HEX #CD74B3

RGB 205 116 179

HSL 317.53, 0.47%, 0.63%

LAB 60.54, 43.41, -18.23

 

CMYK 0 / 43 / 1 / 20

HEX #CD74CB

RGB 205 116 203

HSL 301.35, 0.47%, 0.63%

LAB 61.47, 47.54, -30.43

 

CMYK 11 / 43 / 0 / 20

HEX #B774CD

RGB 183 116 205

HSL 285.17, 0.47%, 0.63%

LAB 58.94, 41.37, -35.68

 

CMYK 22 / 43 / 0 / 20

HEX #9F74CD

RGB 159 116 205

HSL 268.99, 0.47%, 0.63%

LAB 56.36, 34.36, -39.92

 

CMYK 0 / 43 / 24 / 20

HEX #CD749B

RGB 205 116 155

HSL 333.71, 0.47%, 0.63%

LAB 59.74, 39.72, -5.65

 

CMYK 0 / 54 / 30 / 14

HEX #DC6599

RGB 220 101 153

HSL 333.78, 0.63%, 0.63%

LAB 58.81, 51.98, -5.64

 

CMYK 0 / 64 / 36 / 7

HEX #EC5697

RGB 236 86 151

HSL 334, 0.8%, 0.63%

LAB 58.72, 63.28, -4.35

 

CMYK 0 / 72 / 41 / 2

HEX #FB4795

RGB 251 71 149

HSL 334, 0.96%, 0.63%

LAB 59.15, 72.77, -2.26

 

CMYK 0 / 43 / 24 / 20

HEX #CD749B

RGB 205 116 155

HSL 333.71, 0.47%, 0.63%

LAB 59.74, 39.72, -5.65

 

CMYK 0 / 31 / 17 / 25

HEX #BE849D

RGB 190 132 157

HSL 334.14, 0.31%, 0.63%

LAB 61.55, 26.04, -4.32

 

CMYK 0 / 16 / 9 / 32

HEX #AE939F

RGB 174 147 159

HSL 333.33, 0.14%, 0.63%

LAB 63.65, 12.14, -2.56

 

CMYK 2 / 0 / 1 / 36

HEX #9FA2A1

RGB 159 162 161

HSL 160, 0.02%, 0.63%

LAB 66.36, -1.26, 0.14

 

CMYK 19 / 0 / 8 / 31

HEX #90B1A3

RGB 144 177 163

HSL 154.55, 0.17%, 0.63%

LAB 69.48, -14.1, 3.44

 

CMYK 0 / 43 / 0 / 20

HEX #CD74CC

RGB 205 116 204

HSL 300.67, 0.47%, 0.63%

LAB 61.51, 47.73, -30.93

 

CMYK 0 / 43 / 12 / 20

HEX #CD74B4

RGB 205 116 180

HSL 316.85, 0.47%, 0.63%

LAB 60.57, 43.57, -18.74

 

CMYK 0 / 43 / 24 / 20

HEX #CD749C

RGB 205 116 156

HSL 333.03, 0.47%, 0.63%

LAB 59.77, 39.87, -6.18

 

CMYK 0 / 43 / 35 / 20

HEX #CD7485

RGB 205 116 133

HSL 348.54, 0.47%, 0.63%

LAB 59.13, 36.79, 6.16

 

CMYK 0 / 40 / 43 / 20

HEX #CD7C74

RGB 205 124 116

HSL 5.39, 0.47%, 0.63%

LAB 60.48, 30.57, 17.82

 

CMYK 0 / 64 / 36 / 31

HEX #B03F70

RGB 176 63 112

HSL 333.98, 0.47%, 0.47%

LAB 44.17, 50.45, -3.6

 

CMYK 0 / 56 / 31 / 24

HEX #C25685

RGB 194 86 133

HSL 333.89, 0.47%, 0.55%

LAB 51.63, 48.2, -4.95

 

CMYK 0 / 43 / 24 / 20

HEX #CD749B

RGB 205 116 155

HSL 333.71, 0.47%, 0.63%

LAB 59.74, 39.72, -5.65

 

CMYK 0 / 32 / 18 / 15

HEX #D893B1

RGB 216 147 177

HSL 333.91, 0.47%, 0.71%

LAB 68.49, 30.33, -5.04

 

CMYK 0 / 22 / 12 / 11

HEX #E3B1C7

RGB 227 177 199

HSL 333.6, 0.47%, 0.79%

LAB 77.22, 21.58, -4.16

 

CMYK 0 / 42 / 24 / 20

HEX #CD769C

RGB 205 118 156

HSL 333.79, 0.47%, 0.63%

LAB 60.19, 38.82, -5.56

 

CMYK 0 / 11 / 43 / 20

HEX #CDB774

RGB 205 183 116

HSL 45.17, 0.47%, 0.63%

LAB 74.89, -1.32, 36.87

 

CMYK 43 / 6 / 0 / 20

HEX #74C0CD

RGB 116 192 205

HSL 188.76, 0.47%, 0.63%

LAB 73.43, -20.15, -13.91

 

CMYK 0 / 42 / 24 / 20

HEX #CD769C

RGB 205 118 156

HSL 333.79, 0.47%, 0.63%

LAB 60.19, 38.82, -5.56

 

CMYK 24 / 0 / 43 / 20

HEX #9CCD74

RGB 156 205 116

HSL 93.03, 0.47%, 0.63%

LAB 77.28, -31.48, 39.14

 

CMYK 43 / 24 / 0 / 20

HEX #749CCD

RGB 116 156 205

HSL 213.03, 0.47%, 0.63%

LAB 63.26, -0.78, -29.41

 

CMYK 0 / 42 / 24 / 20

HEX #CD769C

RGB 205 118 156

HSL 333.79, 0.47%, 0.63%

LAB 60.19, 38.82, -5.56

 

CMYK 0 / 11 / 43 / 20

HEX #CDB774

RGB 205 183 116

HSL 45.17, 0.47%, 0.63%

LAB 74.89, -1.32, 36.87

 

CMYK 43 / 0 / 20 / 20

HEX #74CDA5

RGB 116 205 165

HSL 153.03, 0.47%, 0.63%

LAB 76.13, -35.92, 11.67

 

CMYK 43 / 33 / 0 / 20

HEX #748ACD

RGB 116 138 205

HSL 225.17, 0.47%, 0.63%

LAB 58.32, 9.6, -37.09

 

CMYK 0 / 42 / 24 / 20

HEX #CD769C

RGB 205 118 156

HSL 333.79, 0.47%, 0.63%

LAB 60.19, 38.82, -5.56

 

CMYK 2 / 0 / 43 / 20

HEX #C9CD74

RGB 201 205 116

HSL 62.7, 0.47%, 0.63%

LAB 80.37, -14.28, 43.68

 

CMYK 43 / 0 / 20 / 20

HEX #74CDA5

RGB 116 205 165

HSL 153.03, 0.47%, 0.63%

LAB 76.13, -35.92, 11.67

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

Description

Color code: HEX #CD769C | qconv.com Color code: HEX #CD769C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 118 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 118 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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