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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7289 it is the complementary color #328D76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7289 shade: #D27284, #E38497, #F496AA, #FFA8BD and #FFBAD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7289 shade: #CD7289, #BC6076, #AB4E63, #9A3C50 and #892A3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7289 shade: #CE738A and #CE7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7289 shade: #CE738A, #CE73A3, #CE73BB, #C873CE and #B073CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7289 shade matches the following richer shades: #CE738A, #DD6483, #EC557B and #FC4674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7289 shade: #CE738A, #BF8392, #AF9299, #A0A1A1 and #91B0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7289 shade: #CE73BC, #CE73A4, #CE738C, #CE7373 and #CE8C73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7289 shade: #B13E5B, #C35571, #CE738A, #D992A4 and #E3B0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7289 shade: #CD7289, #CEC873 and #73B0CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7289 shade: #CD7289, #8CCE73 and #738CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7289 shade: #CD7289, #CEC873, #73CEB6 and #7379CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7289 shade: #CD7289, #B9CE73, #73CEB6 and #8873CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 33 / 20

HEX #CD7289

RGB 205 114 137

HSL 344.84, 0.48%, 0.63%

LAB 58.81, 38.34, 3.39

 

Complementary color

CMYK 65 / 0 / 16 / 45

HEX #328D76

RGB 50 141 118

HSL 164.84, 0.48%, 0.37%

LAB 52.99, -32.62, 4.4

 

CMYK 0 / 46 / 37 / 18

HEX #D27284

RGB 210 114 132

HSL 348.75, 0.52%, 0.64%

LAB 59.34, 39.53, 7.14

 

CMYK 0 / 42 / 33 / 11

HEX #E38497

RGB 227 132 151

HSL 348, 0.63%, 0.7%

LAB 65.8, 38.59, 5.82

 

CMYK 0 / 39 / 30 / 4

HEX #F496AA

RGB 244 150 170

HSL 347.23, 0.81%, 0.77%

LAB 72.19, 37.7, 4.66

 

CMYK 0 / 34 / 26 / 0

HEX #FFA8BD

RGB 255 168 189

HSL 345.52, 1%, 0.83%

LAB 77.84, 34.74, 2.54

 

CMYK 0 / 27 / 18 / 0

HEX #FFBAD0

RGB 255 186 208

HSL 340.87, 1%, 0.86%

LAB 82.34, 28.04, -1.18

 

CMYK 0 / 44 / 33 / 20

HEX #CD7289

RGB 205 114 137

HSL 344.84, 0.48%, 0.63%

LAB 58.81, 38.34, 3.39

 

CMYK 0 / 49 / 37 / 26

HEX #BC6076

RGB 188 96 118

HSL 345.65, 0.41%, 0.56%

LAB 52.25, 39.28, 4.77

 

CMYK 0 / 54 / 42 / 33

HEX #AB4E63

RGB 171 78 99

HSL 346.45, 0.37%, 0.49%

LAB 45.64, 40.22, 6.42

 

CMYK 0 / 61 / 48 / 40

HEX #9A3C50

RGB 154 60 80

HSL 347.23, 0.44%, 0.42%

LAB 39.04, 41.07, 8.46

 

CMYK 0 / 69 / 55 / 46

HEX #892A3D

RGB 137 42 61

HSL 348, 0.53%, 0.35%

LAB 32.51, 41.67, 11.09

 

CMYK 0 / 44 / 33 / 19

HEX #CE738A

RGB 206 115 138

HSL 344.84, 0.48%, 0.63%

LAB 59.18, 38.3, 3.36

 

CMYK 0 / 44 / 44 / 19

HEX #CE7373

RGB 206 115 115

HSL 0, 0.48%, 0.63%

LAB 58.62, 35.64, 15.87

 

CMYK 0 / 44 / 33 / 19

HEX #CE738A

RGB 206 115 138

HSL 344.84, 0.48%, 0.63%

LAB 59.18, 38.3, 3.36

 

CMYK 0 / 44 / 21 / 19

HEX #CE73A3

RGB 206 115 163

HSL 328.35, 0.48%, 0.63%

LAB 59.91, 41.76, -9.98

 

CMYK 0 / 44 / 9 / 19

HEX #CE73BB

RGB 206 115 187

HSL 312.53, 0.48%, 0.63%

LAB 60.76, 45.57, -22.44

 

CMYK 3 / 44 / 0 / 19

HEX #C873CE

RGB 200 115 206

HSL 296.04, 0.48%, 0.63%

LAB 60.78, 47.13, -33.24

 

CMYK 15 / 44 / 0 / 19

HEX #B073CE

RGB 176 115 206

HSL 280.22, 0.48%, 0.63%

LAB 57.99, 40.07, -37.8

 

CMYK 0 / 44 / 33 / 19

HEX #CE738A

RGB 206 115 138

HSL 344.84, 0.48%, 0.63%

LAB 59.18, 38.3, 3.36

 

CMYK 0 / 55 / 41 / 13

HEX #DD6483

RGB 221 100 131

HSL 344.63, 0.64%, 0.63%

LAB 58.16, 50.23, 6.23

 

CMYK 0 / 64 / 48 / 7

HEX #EC557B

RGB 236 85 123

HSL 344.9, 0.8%, 0.63%

LAB 57.81, 60.92, 10.74

 

CMYK 0 / 72 / 54 / 1

HEX #FC4674

RGB 252 70 116

HSL 344.84, 0.97%, 0.63%

LAB 58.36, 70.6, 16.03

 

CMYK 0 / 44 / 33 / 19

HEX #CE738A

RGB 206 115 138

HSL 344.84, 0.48%, 0.63%

LAB 59.18, 38.3, 3.36

 

CMYK 0 / 31 / 24 / 25

HEX #BF8392

RGB 191 131 146

HSL 345, 0.32%, 0.63%

LAB 61.12, 25.25, 1.35

 

CMYK 0 / 17 / 13 / 31

HEX #AF9299

RGB 175 146 153

HSL 345.52, 0.15%, 0.63%

LAB 63.32, 12.02, 0.37

 

CMYK 1 / 0 / 0 / 37

HEX #A0A1A1

RGB 160 161 161

HSL 180, 0.01%, 0.63%

LAB 66.16, -0.35, -0.13

 

CMYK 18 / 0 / 5 / 31

HEX #91B0A8

RGB 145 176 168

HSL 164.52, 0.16%, 0.63%

LAB 69.4, -12.21, 0.57

 

CMYK 0 / 44 / 9 / 19

HEX #CE73BC

RGB 206 115 188

HSL 311.87, 0.48%, 0.63%

LAB 60.79, 45.74, -22.95

 

CMYK 0 / 44 / 20 / 19

HEX #CE73A4

RGB 206 115 164

HSL 327.69, 0.48%, 0.63%

LAB 59.95, 41.91, -10.51

 

CMYK 0 / 44 / 32 / 19

HEX #CE738C

RGB 206 115 140

HSL 343.52, 0.48%, 0.63%

LAB 59.23, 38.56, 2.28

 

CMYK 0 / 44 / 44 / 19

HEX #CE7373

RGB 206 115 115

HSL 0, 0.48%, 0.63%

LAB 58.62, 35.64, 15.87

 

CMYK 0 / 32 / 44 / 19

HEX #CE8C73

RGB 206 140 115

HSL 16.48, 0.48%, 0.63%

LAB 64.25, 22.18, 23.53

 

CMYK 0 / 65 / 49 / 31

HEX #B13E5B

RGB 177 62 91

HSL 344.87, 0.48%, 0.47%

LAB 43.58, 48.99, 8.55

 

CMYK 0 / 56 / 42 / 24

HEX #C35571

RGB 195 85 113

HSL 344.73, 0.48%, 0.55%

LAB 51.03, 46.67, 6.14

 

CMYK 0 / 44 / 33 / 19

HEX #CE738A

RGB 206 115 138

HSL 344.84, 0.48%, 0.63%

LAB 59.18, 38.3, 3.36

 

CMYK 0 / 33 / 24 / 15

HEX #D992A4

RGB 217 146 164

HSL 344.79, 0.48%, 0.71%

LAB 68.01, 29.28, 1.55

 

CMYK 0 / 22 / 17 / 11

HEX #E3B0BD

RGB 227 176 189

HSL 344.71, 0.48%, 0.79%

LAB 76.71, 20.51, 0.54

 

CMYK 0 / 44 / 33 / 20

HEX #CD7289

RGB 205 114 137

HSL 344.84, 0.48%, 0.63%

LAB 58.81, 38.34, 3.39

 

CMYK 0 / 3 / 44 / 19

HEX #CEC873

RGB 206 200 115

HSL 56.04, 0.48%, 0.63%

LAB 79.42, -9.84, 43.09

 

CMYK 44 / 15 / 0 / 19

HEX #73B0CE

RGB 115 176 206

HSL 199.78, 0.48%, 0.63%

LAB 68.86, -11.76, -21.37

 

CMYK 0 / 44 / 33 / 20

HEX #CD7289

RGB 205 114 137

HSL 344.84, 0.48%, 0.63%

LAB 58.81, 38.34, 3.39

 

CMYK 32 / 0 / 44 / 19

HEX #8CCE73

RGB 140 206 115

HSL 103.52, 0.48%, 0.63%

LAB 76.65, -37.66, 38.67

 

CMYK 44 / 32 / 0 / 19

HEX #738CCE

RGB 115 140 206

HSL 223.52, 0.48%, 0.63%

LAB 58.84, 8.46, -36.84

 

CMYK 0 / 44 / 33 / 20

HEX #CD7289

RGB 205 114 137

HSL 344.84, 0.48%, 0.63%

LAB 58.81, 38.34, 3.39

 

CMYK 0 / 3 / 44 / 19

HEX #CEC873

RGB 206 200 115

HSL 56.04, 0.48%, 0.63%

LAB 79.42, -9.84, 43.09

 

CMYK 44 / 0 / 12 / 19

HEX #73CEB6

RGB 115 206 182

HSL 164.18, 0.48%, 0.63%

LAB 76.78, -32.91, 3.48

 

CMYK 44 / 41 / 0 / 19

HEX #7379CE

RGB 115 121 206

HSL 236.04, 0.48%, 0.63%

LAB 53.79, 19.75, -44.8

 

CMYK 0 / 44 / 33 / 20

HEX #CD7289

RGB 205 114 137

HSL 344.84, 0.48%, 0.63%

LAB 58.81, 38.34, 3.39

 

CMYK 10 / 0 / 44 / 19

HEX #B9CE73

RGB 185 206 115

HSL 73.85, 0.48%, 0.63%

LAB 79.44, -21.18, 42.76

 

CMYK 44 / 0 / 12 / 19

HEX #73CEB6

RGB 115 206 182

HSL 164.18, 0.48%, 0.63%

LAB 76.78, -32.91, 3.48

 

CMYK 34 / 44 / 0 / 19

HEX #8873CE

RGB 136 115 206

HSL 253.85, 0.48%, 0.63%

LAB 53.98, 28.78, -44.39

 

Description

Color code: HEX #CD7289 | qconv.com Color code: HEX #CD7289 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 114 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 114 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 33 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 33% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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