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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD71A8 it is the complementary color #328E57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD71A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD71A8 shade: #D271A3, #E383B6, #F495C9, #FFA7DC and #FFB9EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD71A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD71A8 shade: #CD71A8, #BC5F95, #AB4D82, #9A3B6F and #89295C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD71A8 shade: #CD70A7, #CD708E, #CD7075 and #CD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD71A8 shade: #CD70A7, #CD70C0, #C070CD, #A770CD and #8E70CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD71A8 shade matches the following richer shades: #CD70A7, #DC60AA, #EC50AD and #FC41B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD71A8 shade: #CD70A7, #BD7FA4, #AD8FA1, #9E9F9E and #8EAE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD71A8 shade: #C070CD, #CD70C0, #CD70A7, #CD708F and #CD7076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD71A8 shade: #AD3D80, #C25195, #CD70A7, #D78EBA and #E2ADCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD71A8 shade: #CD71A8, #CDA770 and #70CDCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD71A8 shade: #CD71A8, #A7CD70 and #70A7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD71A8 shade: #CD71A8, #CDA770, #70CD95 and #7095CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD71A8 shade: #CD71A8, #CDC370, #70CD95 and #7079CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 18 / 20

HEX #CD71A8

RGB 205 113 168

HSL 324.13, 0.48%, 0.62%

LAB 59.54, 43.22, -13.43

 

Complementary color

CMYK 65 / 0 / 39 / 44

HEX #328E57

RGB 50 142 87

HSL 144.13, 0.48%, 0.38%

LAB 52.63, -40.16, 21.53

 

CMYK 0 / 46 / 22 / 18

HEX #D271A3

RGB 210 113 163

HSL 329.07, 0.52%, 0.63%

LAB 60.03, 44.13, -9.76

 

CMYK 0 / 42 / 20 / 11

HEX #E383B6

RGB 227 131 182

HSL 328.13, 0.63%, 0.7%

LAB 66.47, 43.34, -10.7

 

CMYK 0 / 39 / 18 / 4

HEX #F495C9

RGB 244 149 201

HSL 327.16, 0.81%, 0.77%

LAB 72.86, 42.55, -11.54

 

CMYK 0 / 35 / 14 / 0

HEX #FFA7DC

RGB 255 167 220

HSL 323.86, 1%, 0.83%

LAB 78.5, 39.82, -13.36

 

CMYK 0 / 27 / 6 / 0

HEX #FFB9EF

RGB 255 185 239

HSL 313.71, 1%, 0.86%

LAB 83.01, 33.54, -16.81

 

CMYK 0 / 45 / 18 / 20

HEX #CD71A8

RGB 205 113 168

HSL 324.13, 0.48%, 0.62%

LAB 59.54, 43.22, -13.43

 

CMYK 0 / 49 / 21 / 26

HEX #BC5F95

RGB 188 95 149

HSL 325.16, 0.41%, 0.55%

LAB 53, 43.99, -12.47

 

CMYK 0 / 55 / 24 / 33

HEX #AB4D82

RGB 171 77 130

HSL 326.17, 0.38%, 0.49%

LAB 46.42, 44.69, -11.31

 

CMYK 0 / 62 / 28 / 40

HEX #9A3B6F

RGB 154 59 111

HSL 327.16, 0.45%, 0.42%

LAB 39.82, 45.22, -9.85

 

CMYK 0 / 70 / 33 / 46

HEX #89295C

RGB 137 41 92

HSL 328.13, 0.54%, 0.35%

LAB 33.3, 45.38, -7.92

 

CMYK 0 / 45 / 19 / 20

HEX #CD70A7

RGB 205 112 167

HSL 324.52, 0.48%, 0.62%

LAB 59.3, 43.58, -13.21

 

CMYK 0 / 45 / 31 / 20

HEX #CD708E

RGB 205 112 142

HSL 340.65, 0.48%, 0.62%

LAB 58.53, 40.03, 0.08

 

CMYK 0 / 45 / 43 / 20

HEX #CD7075

RGB 205 112 117

HSL 356.77, 0.48%, 0.62%

LAB 57.9, 37.05, 13.68

 

CMYK 0 / 45 / 45 / 20

HEX #CD7070

RGB 205 112 112

HSL 0, 0.48%, 0.62%

LAB 57.79, 36.53, 16.42

 

CMYK 0 / 45 / 19 / 20

HEX #CD70A7

RGB 205 112 167

HSL 324.52, 0.48%, 0.62%

LAB 59.3, 43.58, -13.21

 

CMYK 0 / 45 / 6 / 20

HEX #CD70C0

RGB 205 112 192

HSL 308.39, 0.48%, 0.62%

LAB 60.22, 47.65, -26.11

 

CMYK 6 / 45 / 0 / 20

HEX #C070CD

RGB 192 112 205

HSL 291.61, 0.48%, 0.62%

LAB 59.16, 46.15, -35.26

 

CMYK 19 / 45 / 0 / 20

HEX #A770CD

RGB 167 112 205

HSL 275.48, 0.48%, 0.62%

LAB 56.3, 38.9, -39.95

 

CMYK 31 / 45 / 0 / 20

HEX #8E70CD

RGB 142 112 205

HSL 259.35, 0.48%, 0.62%

LAB 53.76, 31.89, -44.13

 

CMYK 0 / 45 / 19 / 20

HEX #CD70A7

RGB 205 112 167

HSL 324.52, 0.48%, 0.62%

LAB 59.3, 43.58, -13.21

 

CMYK 0 / 56 / 23 / 14

HEX #DC60AA

RGB 220 96 170

HSL 324.19, 0.64%, 0.62%

LAB 58.49, 56.56, -15.97

 

CMYK 0 / 66 / 27 / 7

HEX #EC50AD

RGB 236 80 173

HSL 324.23, 0.8%, 0.62%

LAB 58.59, 68.2, -17.32

 

CMYK 0 / 74 / 30 / 1

HEX #FC41B0

RGB 252 65 176

HSL 324.39, 0.97%, 0.62%

LAB 59.54, 77.7, -17.38

 

CMYK 0 / 45 / 19 / 20

HEX #CD70A7

RGB 205 112 167

HSL 324.52, 0.48%, 0.62%

LAB 59.3, 43.58, -13.21

 

CMYK 0 / 33 / 13 / 26

HEX #BD7FA4

RGB 189 127 164

HSL 324.19, 0.32%, 0.62%

LAB 60.5, 29.6, -9.9

 

CMYK 0 / 17 / 7 / 32

HEX #AD8FA1

RGB 173 143 161

HSL 324, 0.15%, 0.62%

LAB 62.59, 14.38, -5.25

 

CMYK 1 / 0 / 1 / 38

HEX #9E9F9E

RGB 158 159 158

HSL 120, 0.01%, 0.62%

LAB 65.38, -0.55, 0.39

 

CMYK 18 / 0 / 11 / 32

HEX #8EAE9B

RGB 142 174 155

HSL 144.38, 0.16%, 0.62%

LAB 68.31, -14.8, 6.14

 

CMYK 6 / 45 / 0 / 20

HEX #C070CD

RGB 192 112 205

HSL 291.61, 0.48%, 0.62%

LAB 59.16, 46.15, -35.26

 

CMYK 0 / 45 / 6 / 20

HEX #CD70C0

RGB 205 112 192

HSL 308.39, 0.48%, 0.62%

LAB 60.22, 47.65, -26.11

 

CMYK 0 / 45 / 19 / 20

HEX #CD70A7

RGB 205 112 167

HSL 324.52, 0.48%, 0.62%

LAB 59.3, 43.58, -13.21

 

CMYK 0 / 45 / 30 / 20

HEX #CD708F

RGB 205 112 143

HSL 340, 0.48%, 0.62%

LAB 58.56, 40.16, -0.46

 

CMYK 0 / 45 / 42 / 20

HEX #CD7076

RGB 205 112 118

HSL 356.13, 0.48%, 0.62%

LAB 57.92, 37.16, 13.14

 

CMYK 0 / 65 / 26 / 32

HEX #AD3D80

RGB 173 61 128

HSL 324.11, 0.48%, 0.46%

LAB 43.92, 52.41, -13.84

 

CMYK 0 / 58 / 23 / 24

HEX #C25195

RGB 194 81 149

HSL 323.89, 0.48%, 0.54%

LAB 51.29, 52.68, -14.96

 

CMYK 0 / 45 / 19 / 20

HEX #CD70A7

RGB 205 112 167

HSL 324.52, 0.48%, 0.62%

LAB 59.3, 43.58, -13.21

 

CMYK 0 / 34 / 13 / 16

HEX #D78EBA

RGB 215 142 186

HSL 323.84, 0.48%, 0.7%

LAB 67.53, 34.11, -11.52

 

CMYK 0 / 23 / 9 / 11

HEX #E2ADCD

RGB 226 173 205

HSL 323.77, 0.48%, 0.78%

LAB 76.35, 24.38, -8.72

 

CMYK 0 / 45 / 18 / 20

HEX #CD71A8

RGB 205 113 168

HSL 324.13, 0.48%, 0.62%

LAB 59.54, 43.22, -13.43

 

CMYK 0 / 19 / 45 / 20

HEX #CDA770

RGB 205 167 112

HSL 35.48, 0.48%, 0.62%

LAB 70.72, 6.79, 33.63

 

CMYK 45 / 0 / 0 / 20

HEX #70CDCD

RGB 112 205 205

HSL 180, 0.48%, 0.62%

LAB 76.99, -27.59, -8.61

 

CMYK 0 / 45 / 18 / 20

HEX #CD71A8

RGB 205 113 168

HSL 324.13, 0.48%, 0.62%

LAB 59.54, 43.22, -13.43

 

CMYK 19 / 0 / 45 / 20

HEX #A7CD70

RGB 167 205 112

HSL 84.52, 0.48%, 0.62%

LAB 77.9, -27.91, 42.06

 

CMYK 45 / 19 / 0 / 20

HEX #70A7CD

RGB 112 167 205

HSL 204.52, 0.48%, 0.62%

LAB 66.13, -7.91, -25.01

 

CMYK 0 / 45 / 18 / 20

HEX #CD71A8

RGB 205 113 168

HSL 324.13, 0.48%, 0.62%

LAB 59.54, 43.22, -13.43

 

CMYK 0 / 19 / 45 / 20

HEX #CDA770

RGB 205 167 112

HSL 35.48, 0.48%, 0.62%

LAB 70.72, 6.79, 33.63

 

CMYK 45 / 0 / 27 / 20

HEX #70CD95

RGB 112 205 149

HSL 143.87, 0.48%, 0.62%

LAB 75.62, -40.21, 19.48

 

CMYK 45 / 27 / 0 / 20

HEX #7095CD

RGB 112 149 205

HSL 216.13, 0.48%, 0.62%

LAB 61.09, 2.19, -32.79

 

CMYK 0 / 45 / 18 / 20

HEX #CD71A8

RGB 205 113 168

HSL 324.13, 0.48%, 0.62%

LAB 59.54, 43.22, -13.43

 

CMYK 0 / 5 / 45 / 20

HEX #CDC370

RGB 205 195 112

HSL 53.55, 0.48%, 0.62%

LAB 77.98, -7.98, 42.78

 

CMYK 45 / 0 / 27 / 20

HEX #70CD95

RGB 112 205 149

HSL 143.87, 0.48%, 0.62%

LAB 75.62, -40.21, 19.48

 

CMYK 45 / 41 / 0 / 20

HEX #7079CD

RGB 112 121 205

HSL 234.19, 0.48%, 0.62%

LAB 53.52, 18.71, -44.67

 

Description

Color code: HEX #CD71A8 | qconv.com Color code: HEX #CD71A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 113 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 113 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 18 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 18% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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