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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6D9E it is the complementary color #329261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6D9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6D9E shade: #D26D99, #E37FAC, #F491BF, #FFA3D2 and #FFB5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6D9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6D9E shade: #CD6D9E, #BC5B8B, #AB4978, #9A3765 and #892552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6D9E shade: #CE6F9F, #CE6F85 and #CE6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6D9E shade: #CE6F9F, #CE6FB9, #C96FCE, #AF6FCE and #966FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6D9E shade matches the following richer shades: #CE6F9F, #DD5F9F, #ED4FA0 and #FD40A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6D9E shade: #CE6F9F, #BE7E9F, #AE8E9E, #9F9E9E and #8FAD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6D9E shade: #C96FCE, #CE6FB9, #CE6FA0, #CE6F86 and #CE706F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6D9E shade: #AE3C76, #C3508B, #CE6F9F, #D88DB4 and #E3ACC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6D9E shade: #CD6D9E, #CEB06F and #6FC6CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6D9E shade: #CD6D9E, #A0CE6F and #6FA0CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6D9E shade: #CD6D9E, #CEB06F, #6FCE9D and #6F8DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6D9E shade: #CD6D9E, #CECC6F, #6FCE9D and #6F70CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 23 / 20

HEX #CD6D9E

RGB 205 109 158

HSL 329.38, 0.49%, 0.62%

LAB 58.4, 43.79, -9.38

 

Complementary color

CMYK 66 / 0 / 34 / 43

HEX #329261

RGB 50 146 97

HSL 149.38, 0.49%, 0.38%

LAB 54.13, -39.8, 17.97

 

CMYK 0 / 48 / 27 / 18

HEX #D26D99

RGB 210 109 153

HSL 333.86, 0.53%, 0.63%

LAB 58.92, 44.76, -5.64

 

CMYK 0 / 44 / 24 / 11

HEX #E37FAC

RGB 227 127 172

HSL 333, 0.64%, 0.69%

LAB 65.35, 43.95, -6.73

 

CMYK 0 / 41 / 22 / 4

HEX #F491BF

RGB 244 145 191

HSL 332.12, 0.82%, 0.76%

LAB 71.72, 43.14, -7.69

 

CMYK 0 / 36 / 18 / 0

HEX #FFA3D2

RGB 255 163 210

HSL 329.35, 1%, 0.82%

LAB 77.35, 40.35, -9.64

 

CMYK 0 / 29 / 10 / 0

HEX #FFB5E5

RGB 255 181 229

HSL 321.08, 1%, 0.85%

LAB 81.82, 33.96, -13.24

 

CMYK 0 / 47 / 23 / 20

HEX #CD6D9E

RGB 205 109 158

HSL 329.38, 0.49%, 0.62%

LAB 58.4, 43.79, -9.38

 

CMYK 0 / 52 / 26 / 26

HEX #BC5B8B

RGB 188 91 139

HSL 330.31, 0.42%, 0.55%

LAB 51.88, 44.56, -8.24

 

CMYK 0 / 57 / 30 / 33

HEX #AB4978

RGB 171 73 120

HSL 331.22, 0.4%, 0.48%

LAB 45.33, 45.26, -6.86

 

CMYK 0 / 64 / 34 / 40

HEX #9A3765

RGB 154 55 101

HSL 332.12, 0.47%, 0.41%

LAB 38.8, 45.74, -5.12

 

CMYK 0 / 73 / 40 / 46

HEX #892552

RGB 137 37 82

HSL 333, 0.57%, 0.34%

LAB 32.37, 45.78, -2.82

 

CMYK 0 / 46 / 23 / 19

HEX #CE6F9F

RGB 206 111 159

HSL 329.68, 0.49%, 0.62%

LAB 58.97, 43.24, -9.09

 

CMYK 0 / 46 / 35 / 19

HEX #CE6F85

RGB 206 111 133

HSL 346.11, 0.49%, 0.62%

LAB 58.21, 39.77, 4.87

 

CMYK 0 / 46 / 46 / 19

HEX #CE6F6F

RGB 206 111 111

HSL 0, 0.49%, 0.62%

LAB 57.69, 37.32, 16.89

 

CMYK 0 / 46 / 23 / 19

HEX #CE6F9F

RGB 206 111 159

HSL 329.68, 0.49%, 0.62%

LAB 58.97, 43.24, -9.09

 

CMYK 0 / 46 / 10 / 19

HEX #CE6FB9

RGB 206 111 185

HSL 313.26, 0.49%, 0.62%

LAB 59.88, 47.29, -22.64

 

CMYK 2 / 46 / 0 / 19

HEX #C96FCE

RGB 201 111 206

HSL 296.84, 0.49%, 0.62%

LAB 60.11, 49.47, -34.27

 

CMYK 15 / 46 / 0 / 19

HEX #AF6FCE

RGB 175 111 206

HSL 280.42, 0.49%, 0.62%

LAB 57.02, 41.96, -39.33

 

CMYK 27 / 46 / 0 / 19

HEX #966FCE

RGB 150 111 206

HSL 264.63, 0.49%, 0.62%

LAB 54.35, 34.91, -43.71

 

CMYK 0 / 46 / 23 / 19

HEX #CE6F9F

RGB 206 111 159

HSL 329.68, 0.49%, 0.62%

LAB 58.97, 43.24, -9.09

 

CMYK 0 / 57 / 28 / 13

HEX #DD5F9F

RGB 221 95 159

HSL 329.52, 0.65%, 0.62%

LAB 58.09, 55.85, -10.18

 

CMYK 0 / 67 / 32 / 7

HEX #ED4FA0

RGB 237 79 160

HSL 329.24, 0.81%, 0.62%

LAB 58.16, 67.31, -10.4

 

CMYK 0 / 75 / 37 / 1

HEX #FD40A0

RGB 253 64 160

HSL 329.52, 0.98%, 0.62%

LAB 59.06, 76.55, -8.79

 

CMYK 0 / 46 / 23 / 19

HEX #CE6F9F

RGB 206 111 159

HSL 329.68, 0.49%, 0.62%

LAB 58.97, 43.24, -9.09

 

CMYK 0 / 34 / 16 / 25

HEX #BE7E9F

RGB 190 126 159

HSL 329.06, 0.33%, 0.62%

LAB 60.22, 29.68, -7.43

 

CMYK 0 / 18 / 9 / 32

HEX #AE8E9E

RGB 174 142 158

HSL 330, 0.16%, 0.62%

LAB 62.35, 14.77, -3.9

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9E

RGB 159 158 158

HSL 0, 0.01%, 0.62%

LAB 65.19, 0.36, 0.12

 

CMYK 17 / 0 / 9 / 32

HEX #8FAD9E

RGB 143 173 158

HSL 150, 0.15%, 0.62%

LAB 68.16, -13.34, 4.29

 

CMYK 2 / 46 / 0 / 19

HEX #C96FCE

RGB 201 111 206

HSL 296.84, 0.49%, 0.62%

LAB 60.11, 49.47, -34.27

 

CMYK 0 / 46 / 10 / 19

HEX #CE6FB9

RGB 206 111 185

HSL 313.26, 0.49%, 0.62%

LAB 59.88, 47.29, -22.64

 

CMYK 0 / 46 / 22 / 19

HEX #CE6FA0

RGB 206 111 160

HSL 329.05, 0.49%, 0.62%

LAB 59, 43.39, -9.62

 

CMYK 0 / 46 / 35 / 19

HEX #CE6F86

RGB 206 111 134

HSL 345.47, 0.49%, 0.62%

LAB 58.24, 39.89, 4.32

 

CMYK 0 / 46 / 46 / 19

HEX #CE706F

RGB 206 112 111

HSL 0.63, 0.49%, 0.62%

LAB 57.9, 36.8, 17.18

 

CMYK 0 / 66 / 32 / 32

HEX #AE3C76

RGB 174 60 118

HSL 329.47, 0.49%, 0.46%

LAB 43.56, 51.84, -8.23

 

CMYK 0 / 59 / 29 / 24

HEX #C3508B

RGB 195 80 139

HSL 329.22, 0.49%, 0.54%

LAB 50.92, 52.1, -9.56

 

CMYK 0 / 46 / 23 / 19

HEX #CE6F9F

RGB 206 111 159

HSL 329.68, 0.49%, 0.62%

LAB 58.97, 43.24, -9.09

 

CMYK 0 / 35 / 17 / 15

HEX #D88DB4

RGB 216 141 180

HSL 328.8, 0.49%, 0.7%

LAB 67.23, 34.03, -8.58

 

CMYK 0 / 24 / 12 / 11

HEX #E3ACC8

RGB 227 172 200

HSL 329.45, 0.5%, 0.78%

LAB 76.07, 24.43, -6.4

 

CMYK 0 / 47 / 23 / 20

HEX #CD6D9E

RGB 205 109 158

HSL 329.38, 0.49%, 0.62%

LAB 58.4, 43.79, -9.38

 

CMYK 0 / 15 / 46 / 19

HEX #CEB06F

RGB 206 176 111

HSL 41.05, 0.49%, 0.62%

LAB 73.1, 2.28, 37.21

 

CMYK 46 / 4 / 0 / 19

HEX #6FC6CE

RGB 111 198 206

HSL 185.05, 0.49%, 0.62%

LAB 74.97, -24.11, -12.17

 

CMYK 0 / 47 / 23 / 20

HEX #CD6D9E

RGB 205 109 158

HSL 329.38, 0.49%, 0.62%

LAB 58.4, 43.79, -9.38

 

CMYK 22 / 0 / 46 / 19

HEX #A0CE6F

RGB 160 206 111

HSL 89.05, 0.49%, 0.62%

LAB 77.74, -31.1, 42.25

 

CMYK 46 / 22 / 0 / 19

HEX #6FA0CE

RGB 111 160 206

HSL 209.05, 0.49%, 0.62%

LAB 64.14, -4, -28.62

 

CMYK 0 / 47 / 23 / 20

HEX #CD6D9E

RGB 205 109 158

HSL 329.38, 0.49%, 0.62%

LAB 58.4, 43.79, -9.38

 

CMYK 0 / 15 / 46 / 19

HEX #CEB06F

RGB 206 176 111

HSL 41.05, 0.49%, 0.62%

LAB 73.1, 2.28, 37.21

 

CMYK 46 / 0 / 24 / 19

HEX #6FCE9D

RGB 111 206 157

HSL 149.05, 0.49%, 0.62%

LAB 76.04, -39.34, 15.8

 

CMYK 46 / 32 / 0 / 19

HEX #6F8DCE

RGB 111 141 206

HSL 221.05, 0.49%, 0.62%

LAB 58.87, 6.87, -36.82

 

CMYK 0 / 47 / 23 / 20

HEX #CD6D9E

RGB 205 109 158

HSL 329.38, 0.49%, 0.62%

LAB 58.4, 43.79, -9.38

 

CMYK 0 / 1 / 46 / 19

HEX #CECC6F

RGB 206 204 111

HSL 58.74, 0.49%, 0.62%

LAB 80.43, -12.27, 46.3

 

CMYK 46 / 0 / 24 / 19

HEX #6FCE9D

RGB 111 206 157

HSL 149.05, 0.49%, 0.62%

LAB 76.04, -39.34, 15.8

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

Description

Color code: HEX #CD6D9E | qconv.com Color code: HEX #CD6D9E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 109 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 109 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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