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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6AC4 it is the complementary color #32953B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6AC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6AC4 shade: #D26ABF, #E37CD2, #F48EE5, #FFA0F8 and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6AC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6AC4 shade: #CD6AC4, #BC58B1, #AB469E, #9A348B and #892278

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6AC4 shade: #CD6AC4, #CD6AA9, #CD6A8F, #CD6A74 and #CD6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6AC4 shade: #CD6AC4, #BB6ACD, #A16ACD, #866ACD and #6B6ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6AC4 shade matches the following richer shades: #CD6AC4, #DD5AD1, #ED4ADF and #FE3AEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6AC4 shade: #CD6AC4, #BD7AB7, #AD8AAA, #9D9A9D and #8DAA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6AC4 shade: #A16ACD, #BB6ACD, #CD6AC5, #CD6AAA and #CD6A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6AC4 shade: #AB39A1, #C34BB8, #CD6AC4, #D889D0 and #E2A8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6AC4 shade: #CD6AC4, #CD866A and #6ACDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6AC4 shade: #CD6AC4, #C5CD6A and #6AC5CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6AC4 shade: #CD6AC4, #CD866A, #6ACD72 and #6AB1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6AC4 shade: #CD6AC4, #CDA46A, #6ACD72 and #6A93CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

Complementary color

CMYK 66 / 0 / 60 / 42

HEX #32953B

RGB 50 149 59

HSL 125.45, 0.5%, 0.39%

LAB 54.54, -47.42, 38.56

 

CMYK 0 / 50 / 9 / 18

HEX #D26ABF

RGB 210 106 191

HSL 310.96, 0.54%, 0.62%

LAB 59.68, 52, -26.33

 

CMYK 0 / 45 / 7 / 11

HEX #E37CD2

RGB 227 124 210

HSL 309.9, 0.65%, 0.69%

LAB 66.06, 51.32, -27.05

 

CMYK 0 / 42 / 6 / 4

HEX #F48EE5

RGB 244 142 229

HSL 308.82, 0.82%, 0.76%

LAB 72.39, 50.61, -27.66

 

CMYK 0 / 37 / 3 / 0

HEX #FFA0F8

RGB 255 160 248

HSL 304.42, 1%, 0.81%

LAB 77.98, 48.06, -29.3

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 53 / 6 / 26

HEX #BC58B1

RGB 188 88 177

HSL 306.6, 0.43%, 0.54%

LAB 52.78, 51.97, -29.19

 

CMYK 0 / 59 / 8 / 33

HEX #AB469E

RGB 171 70 158

HSL 307.72, 0.42%, 0.47%

LAB 46.32, 52.4, -28.26

 

CMYK 0 / 66 / 10 / 40

HEX #9A348B

RGB 154 52 139

HSL 308.82, 0.5%, 0.4%

LAB 39.9, 52.51, -27.02

 

CMYK 0 / 75 / 12 / 46

HEX #892278

RGB 137 34 120

HSL 309.9, 0.6%, 0.34%

LAB 33.6, 52, -25.3

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 48 / 18 / 20

HEX #CD6AA9

RGB 205 106 169

HSL 321.82, 0.5%, 0.61%

LAB 58.18, 46.95, -16.06

 

CMYK 0 / 48 / 30 / 20

HEX #CD6A8F

RGB 205 106 143

HSL 337.58, 0.5%, 0.61%

LAB 57.34, 43.25, -2.24

 

CMYK 0 / 48 / 43 / 20

HEX #CD6A74

RGB 205 106 116

HSL 353.94, 0.5%, 0.61%

LAB 56.63, 40.06, 12.5

 

CMYK 0 / 48 / 48 / 20

HEX #CD6A6A

RGB 205 106 106

HSL 0, 0.5%, 0.61%

LAB 56.41, 39.05, 18.02

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 9 / 48 / 0 / 20

HEX #BB6ACD

RGB 187 106 205

HSL 289.09, 0.5%, 0.61%

LAB 57.35, 47.83, -38.15

 

CMYK 21 / 48 / 0 / 20

HEX #A16ACD

RGB 161 106 205

HSL 273.33, 0.5%, 0.61%

LAB 54.34, 40.52, -43.09

 

CMYK 35 / 48 / 0 / 20

HEX #866ACD

RGB 134 106 205

HSL 256.97, 0.5%, 0.61%

LAB 51.59, 33.25, -47.62

 

CMYK 48 / 48 / 0 / 20

HEX #6B6ACD

RGB 107 106 205

HSL 240.61, 0.5%, 0.61%

LAB 49.3, 26.61, -51.4

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 59 / 5 / 13

HEX #DD5AD1

RGB 221 90 209

HSL 305.5, 0.66%, 0.61%

LAB 59.24, 65.34, -37.12

 

CMYK 0 / 69 / 6 / 7

HEX #ED4ADF

RGB 237 74 223

HSL 305.15, 0.82%, 0.61%

LAB 60.1, 77.48, -43.52

 

CMYK 0 / 77 / 7 / 0

HEX #FE3AEC

RGB 254 58 236

HSL 305.51, 0.99%, 0.61%

LAB 61.79, 87.66, -47.96

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 35 / 3 / 26

HEX #BD7AB7

RGB 189 122 183

HSL 305.37, 0.34%, 0.61%

LAB 60.03, 35.69, -21.46

 

CMYK 0 / 20 / 2 / 32

HEX #AD8AAA

RGB 173 138 170

HSL 305.14, 0.18%, 0.61%

LAB 61.62, 18.88, -11.81

 

CMYK 0 / 2 / 0 / 38

HEX #9D9A9D

RGB 157 154 157

HSL 300, 0.02%, 0.61%

LAB 63.93, 1.66, -1.19

 

CMYK 17 / 0 / 15 / 33

HEX #8DAA90

RGB 141 170 144

HSL 126.21, 0.15%, 0.61%

LAB 66.84, -15.17, 10.12

 

CMYK 21 / 48 / 0 / 20

HEX #A16ACD

RGB 161 106 205

HSL 273.33, 0.5%, 0.61%

LAB 54.34, 40.52, -43.09

 

CMYK 9 / 48 / 0 / 20

HEX #BB6ACD

RGB 187 106 205

HSL 289.09, 0.5%, 0.61%

LAB 57.35, 47.83, -38.15

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC5

RGB 205 106 197

HSL 304.85, 0.5%, 0.61%

LAB 59.27, 51.54, -30.44

 

CMYK 0 / 48 / 17 / 20

HEX #CD6AAA

RGB 205 106 170

HSL 321.21, 0.5%, 0.61%

LAB 58.22, 47.1, -16.59

 

CMYK 0 / 48 / 30 / 20

HEX #CD6A90

RGB 205 106 144

HSL 336.97, 0.5%, 0.61%

LAB 57.37, 43.38, -2.78

 

CMYK 0 / 67 / 6 / 33

HEX #AB39A1

RGB 171 57 161

HSL 305.26, 0.5%, 0.45%

LAB 44.46, 58.44, -32.96

 

CMYK 0 / 62 / 6 / 24

HEX #C34BB8

RGB 195 75 184

HSL 305.5, 0.5%, 0.53%

LAB 51.94, 60.93, -34.49

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 37 / 4 / 15

HEX #D889D0

RGB 216 137 208

HSL 306.08, 0.5%, 0.69%

LAB 67.31, 40.86, -24.12

 

CMYK 0 / 26 / 2 / 11

HEX #E2A8DD

RGB 226 168 221

HSL 305.17, 0.5%, 0.77%

LAB 75.7, 29.87, -18.42

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 35 / 48 / 20

HEX #CD866A

RGB 205 134 106

HSL 16.97, 0.5%, 0.61%

LAB 62.57, 24.13, 26.27

 

CMYK 48 / 0 / 15 / 20

HEX #6ACDAE

RGB 106 205 174

HSL 161.21, 0.5%, 0.61%

LAB 75.94, -36.48, 6.52

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 4 / 0 / 48 / 20

HEX #C5CD6A

RGB 197 205 106

HSL 64.85, 0.5%, 0.61%

LAB 79.94, -16.86, 47.96

 

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 35 / 48 / 20

HEX #CD866A

RGB 205 134 106

HSL 16.97, 0.5%, 0.61%

LAB 62.57, 24.13, 26.27

 

CMYK 48 / 0 / 44 / 20

HEX #6ACD72

RGB 106 205 114

HSL 124.85, 0.5%, 0.61%

LAB 74.79, -47.85, 36.48

 

CMYK 48 / 14 / 0 / 20

HEX #6AB1CD

RGB 106 177 205

HSL 196.97, 0.5%, 0.61%

LAB 68.69, -14.74, -21.12

 

CMYK 0 / 48 / 4 / 20

HEX #CD6AC4

RGB 205 106 196

HSL 305.45, 0.5%, 0.61%

LAB 59.23, 51.36, -29.93

 

CMYK 0 / 20 / 48 / 20

HEX #CDA46A

RGB 205 164 106

HSL 35.15, 0.5%, 0.61%

LAB 69.87, 7.81, 35.71

 

CMYK 48 / 0 / 44 / 20

HEX #6ACD72

RGB 106 205 114

HSL 124.85, 0.5%, 0.61%

LAB 74.79, -47.85, 36.48

 

CMYK 48 / 28 / 0 / 20

HEX #6A93CD

RGB 106 147 205

HSL 215.15, 0.5%, 0.61%

LAB 60.19, 1.86, -34.21

 

Description

Color code: HEX #CD6AC4 | qconv.com Color code: HEX #CD6AC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 106 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 106 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 4 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 4% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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