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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6883 it is the complementary color #32977C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6883 shade: #D2687E, #E37A91, #F48CA4, #FF9EB7 and #FFB0CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6883 shade: #CD6883, #BC5670, #AB445D, #9A324A and #892037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6883 shade: #CD6A84 and #CD6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6883 shade: #CD6A84, #CD6A9F, #CD6ABA, #C66ACD and #AB6ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6883 shade matches the following richer shades: #CD6A84, #DD5A7D, #ED4A75 and #FE3A6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6883 shade: #CD6A84, #BD7A8C, #AD8A93, #9D9A9B and #8DAAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6883 shade: #CD6ABB, #CD6AA1, #CD6A86, #CD6A6B and #CD836A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6883 shade: #AB3958, #C34B6B, #CD6A84, #D8899E and #E2A8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6883 shade: #CD6883, #CDC56A and #6AAECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6883 shade: #CD6883, #86CD6A and #6A86CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6883 shade: #CD6883, #CDC56A, #6ACDB1 and #6A72CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6883 shade: #CD6883, #B8CD6A, #6ACDB1 and #7F6ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 36 / 20

HEX #CD6883

RGB 205 104 131

HSL 343.96, 0.5%, 0.61%

LAB 56.6, 42.77, 3.69

 

Complementary color

CMYK 67 / 0 / 18 / 41

HEX #32977C

RGB 50 151 124

HSL 163.96, 0.5%, 0.39%

LAB 56.35, -35.68, 5.79

 

CMYK 0 / 50 / 40 / 18

HEX #D2687E

RGB 210 104 126

HSL 347.55, 0.54%, 0.62%

LAB 57.18, 43.95, 7.54

 

CMYK 0 / 46 / 36 / 11

HEX #E37A91

RGB 227 122 145

HSL 346.86, 0.65%, 0.68%

LAB 63.59, 43.01, 6.05

 

CMYK 0 / 43 / 33 / 4

HEX #F48CA4

RGB 244 140 164

HSL 346.15, 0.83%, 0.75%

LAB 69.94, 42.1, 4.75

 

CMYK 0 / 38 / 28 / 0

HEX #FF9EB7

RGB 255 158 183

HSL 344.54, 1%, 0.81%

LAB 75.53, 39.12, 2.48

 

CMYK 0 / 31 / 21 / 0

HEX #FFB0CA

RGB 255 176 202

HSL 340.25, 1%, 0.85%

LAB 79.94, 32.4, -1.46

 

CMYK 0 / 49 / 36 / 20

HEX #CD6883

RGB 205 104 131

HSL 343.96, 0.5%, 0.61%

LAB 56.6, 42.77, 3.69

 

CMYK 0 / 54 / 40 / 26

HEX #BC5670

RGB 188 86 112

HSL 344.71, 0.43%, 0.54%

LAB 50.12, 43.66, 5.29

 

CMYK 0 / 60 / 46 / 33

HEX #AB445D

RGB 171 68 93

HSL 345.44, 0.43%, 0.47%

LAB 43.63, 44.47, 7.24

 

CMYK 0 / 68 / 52 / 40

HEX #9A324A

RGB 154 50 74

HSL 346.15, 0.51%, 0.4%

LAB 37.2, 45.05, 9.69

 

CMYK 0 / 77 / 60 / 46

HEX #892037

RGB 137 32 55

HSL 346.86, 0.62%, 0.33%

LAB 30.94, 45.12, 12.9

 

CMYK 0 / 48 / 36 / 20

HEX #CD6A84

RGB 205 106 132

HSL 344.24, 0.5%, 0.61%

LAB 57.03, 41.87, 3.73

 

CMYK 0 / 48 / 48 / 20

HEX #CD6A6A

RGB 205 106 106

HSL 0, 0.5%, 0.61%

LAB 56.41, 39.05, 18.02

 

CMYK 0 / 48 / 36 / 20

HEX #CD6A84

RGB 205 106 132

HSL 344.24, 0.5%, 0.61%

LAB 57.03, 41.87, 3.73

 

CMYK 0 / 48 / 22 / 20

HEX #CD6A9F

RGB 205 106 159

HSL 327.88, 0.5%, 0.61%

LAB 57.84, 45.46, -10.8

 

CMYK 0 / 48 / 9 / 20

HEX #CD6ABA

RGB 205 106 186

HSL 311.52, 0.5%, 0.61%

LAB 58.82, 49.66, -24.86

 

CMYK 3 / 48 / 0 / 20

HEX #C66ACD

RGB 198 106 205

HSL 295.76, 0.5%, 0.61%

LAB 58.72, 50.96, -35.91

 

CMYK 17 / 48 / 0 / 20

HEX #AB6ACD

RGB 171 106 205

HSL 279.39, 0.5%, 0.61%

LAB 55.46, 43.31, -41.25

 

CMYK 0 / 48 / 36 / 20

HEX #CD6A84

RGB 205 106 132

HSL 344.24, 0.5%, 0.61%

LAB 57.03, 41.87, 3.73

 

CMYK 0 / 59 / 43 / 13

HEX #DD5A7D

RGB 221 90 125

HSL 343.97, 0.66%, 0.61%

LAB 56.25, 54.23, 7.02

 

CMYK 0 / 69 / 51 / 7

HEX #ED4A75

RGB 237 74 117

HSL 344.17, 0.82%, 0.61%

LAB 56.27, 64.99, 12.15

 

CMYK 0 / 77 / 57 / 0

HEX #FE3A6E

RGB 254 58 110

HSL 344.08, 0.99%, 0.61%

LAB 57.29, 74.36, 18.17

 

CMYK 0 / 48 / 36 / 20

HEX #CD6A84

RGB 205 106 132

HSL 344.24, 0.5%, 0.61%

LAB 57.03, 41.87, 3.73

 

CMYK 0 / 35 / 26 / 26

HEX #BD7A8C

RGB 189 122 140

HSL 343.88, 0.34%, 0.61%

LAB 58.63, 28.59, 1.15

 

CMYK 0 / 20 / 15 / 32

HEX #AD8A93

RGB 173 138 147

HSL 344.57, 0.18%, 0.61%

LAB 60.93, 14.75, 0.26

 

CMYK 0 / 2 / 1 / 38

HEX #9D9A9B

RGB 157 154 155

HSL 340, 0.02%, 0.61%

LAB 63.87, 1.28, -0.14

 

CMYK 17 / 0 / 5 / 33

HEX #8DAAA2

RGB 141 170 162

HSL 163.45, 0.15%, 0.61%

LAB 67.29, -11.62, 0.79

 

CMYK 0 / 48 / 9 / 20

HEX #CD6ABB

RGB 205 106 187

HSL 310.91, 0.5%, 0.61%

LAB 58.86, 49.83, -25.37

 

CMYK 0 / 48 / 21 / 20

HEX #CD6AA1

RGB 205 106 161

HSL 326.67, 0.5%, 0.61%

LAB 57.9, 45.75, -11.86

 

CMYK 0 / 48 / 35 / 20

HEX #CD6A86

RGB 205 106 134

HSL 343.03, 0.5%, 0.61%

LAB 57.08, 42.11, 2.64

 

CMYK 0 / 48 / 48 / 20

HEX #CD6A6B

RGB 205 106 107

HSL 359.39, 0.5%, 0.61%

LAB 56.44, 39.15, 17.47

 

CMYK 0 / 36 / 48 / 20

HEX #CD836A

RGB 205 131 106

HSL 15.15, 0.5%, 0.61%

LAB 61.87, 25.76, 25.35

 

CMYK 0 / 67 / 49 / 33

HEX #AB3958

RGB 171 57 88

HSL 343.68, 0.5%, 0.45%

LAB 41.67, 48.91, 7.58

 

CMYK 0 / 62 / 45 / 24

HEX #C34B6B

RGB 195 75 107

HSL 344, 0.5%, 0.53%

LAB 49.13, 50.69, 7.04

 

CMYK 0 / 48 / 36 / 20

HEX #CD6A84

RGB 205 106 132

HSL 344.24, 0.5%, 0.61%

LAB 57.03, 41.87, 3.73

 

CMYK 0 / 37 / 27 / 15

HEX #D8899E

RGB 216 137 158

HSL 344.05, 0.5%, 0.69%

LAB 65.72, 32.9, 1.57

 

CMYK 0 / 26 / 19 / 11

HEX #E2A8B7

RGB 226 168 183

HSL 344.48, 0.5%, 0.77%

LAB 74.57, 23.52, 0.68

 

CMYK 0 / 49 / 36 / 20

HEX #CD6883

RGB 205 104 131

HSL 343.96, 0.5%, 0.61%

LAB 56.6, 42.77, 3.69

 

CMYK 0 / 4 / 48 / 20

HEX #CDC56A

RGB 205 197 106

HSL 55.15, 0.5%, 0.61%

LAB 78.43, -9.58, 46.29

 

CMYK 48 / 15 / 0 / 20

HEX #6AAECD

RGB 106 174 205

HSL 198.79, 0.5%, 0.61%

LAB 67.83, -13.15, -22.43

 

CMYK 0 / 49 / 36 / 20

HEX #CD6883

RGB 205 104 131

HSL 343.96, 0.5%, 0.61%

LAB 56.6, 42.77, 3.69

 

CMYK 35 / 0 / 48 / 20

HEX #86CD6A

RGB 134 205 106

HSL 103.03, 0.5%, 0.61%

LAB 75.93, -40.39, 42.15

 

CMYK 48 / 35 / 0 / 20

HEX #6A86CD

RGB 106 134 205

HSL 223.03, 0.5%, 0.61%

LAB 56.61, 9.47, -39.82

 

CMYK 0 / 49 / 36 / 20

HEX #CD6883

RGB 205 104 131

HSL 343.96, 0.5%, 0.61%

LAB 56.6, 42.77, 3.69

 

CMYK 0 / 4 / 48 / 20

HEX #CDC56A

RGB 205 197 106

HSL 55.15, 0.5%, 0.61%

LAB 78.43, -9.58, 46.29

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 48 / 44 / 0 / 20

HEX #6A72CD

RGB 106 114 205

HSL 235.15, 0.5%, 0.61%

LAB 51.27, 21.51, -48.26

 

CMYK 0 / 49 / 36 / 20

HEX #CD6883

RGB 205 104 131

HSL 343.96, 0.5%, 0.61%

LAB 56.6, 42.77, 3.69

 

CMYK 10 / 0 / 48 / 20

HEX #B8CD6A

RGB 184 205 106

HSL 72.73, 0.5%, 0.61%

LAB 78.98, -22.02, 46.57

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 38 / 48 / 0 / 20

HEX #7F6ACD

RGB 127 106 205

HSL 252.73, 0.5%, 0.61%

LAB 50.95, 31.45, -48.67

 

Description

Color code: HEX #CD6883 | qconv.com Color code: HEX #CD6883 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 104 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 104 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 36 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 36% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Bruegel | The Brusse...
Link: http://bruegel.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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