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Color name
HEX #CD679F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD679F it is the complementary color #329860. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD679F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD679F shade: #D2679A, #E379AD, #F48BC0, #FF9DD3 and #FFAFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD679F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD679F shade: #CD679F, #BC558C, #AB4379, #9A3166 and #891F53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD679F shade: #CC669E, #CC6682, #CC6667 and #CC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD679F shade: #CC669E, #CC66BA, #C366CC, #A766CC and #8C66CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD679F shade matches the following richer shades: #CC669E, #DD55A0, #ED45A1 and #FE34A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD679F shade: #CC669E, #BB779C, #AB879B, #9A9899 and #8AA898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD679F shade: #C466CC, #CC66B9, #CC669E, #CC6683 and #CC6668

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD679F shade: #A83875, #C2478A, #CC669E, #D685B2 and #E1A4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD679F shade: #CD679F, #CCA866 and #66C7CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD679F shade: #CD679F, #9ECC66 and #669ECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD679F shade: #CD679F, #CCA866, #66CC94 and #668ACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD679F shade: #CD679F, #CCC766, #66CC94 and #666BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 22 / 20

HEX #CD679F

RGB 205 103 159

HSL 327.06, 0.5%, 0.6%

LAB 57.25, 46.97, -11.68

 

Complementary color

CMYK 67 / 0 / 37 / 40

HEX #329860

RGB 50 152 96

HSL 147.06, 0.5%, 0.4%

LAB 56.07, -42.52, 21.14

 

CMYK 0 / 51 / 27 / 18

HEX #D2679A

RGB 210 103 154

HSL 331.4, 0.54%, 0.61%

LAB 57.78, 47.9, -7.9

 

CMYK 0 / 47 / 24 / 11

HEX #E379AD

RGB 227 121 173

HSL 330.57, 0.65%, 0.68%

LAB 64.18, 47.13, -9.04

 

CMYK 0 / 43 / 21 / 4

HEX #F48BC0

RGB 244 139 192

HSL 329.71, 0.83%, 0.75%

LAB 70.53, 46.34, -10.02

 

CMYK 0 / 38 / 17 / 0

HEX #FF9DD3

RGB 255 157 211

HSL 326.94, 1%, 0.81%

LAB 76.12, 43.59, -12.02

 

CMYK 0 / 31 / 10 / 0

HEX #FFAFE6

RGB 255 175 230

HSL 318.75, 1%, 0.84%

LAB 80.53, 37.26, -15.71

 

CMYK 0 / 50 / 22 / 20

HEX #CD679F

RGB 205 103 159

HSL 327.06, 0.5%, 0.6%

LAB 57.25, 46.97, -11.68

 

CMYK 0 / 55 / 26 / 26

HEX #BC558C

RGB 188 85 140

HSL 327.96, 0.43%, 0.54%

LAB 50.78, 47.67, -10.48

 

CMYK 0 / 61 / 29 / 33

HEX #AB4379

RGB 171 67 121

HSL 328.85, 0.44%, 0.47%

LAB 44.31, 48.22, -9

 

CMYK 0 / 68 / 34 / 40

HEX #9A3166

RGB 154 49 102

HSL 329.71, 0.52%, 0.4%

LAB 37.89, 48.45, -7.11

 

CMYK 0 / 77 / 39 / 46

HEX #891F53

RGB 137 31 83

HSL 330.57, 0.63%, 0.33%

LAB 31.63, 48.07, -4.57

 

CMYK 0 / 50 / 23 / 20

HEX #CC669E

RGB 204 102 158

HSL 327.06, 0.5%, 0.6%

LAB 56.89, 47, -11.66

 

CMYK 0 / 50 / 36 / 20

HEX #CC6682

RGB 204 102 130

HSL 343.53, 0.5%, 0.6%

LAB 56.04, 43.31, 3.45

 

CMYK 0 / 50 / 50 / 20

HEX #CC6667

RGB 204 102 103

HSL 359.41, 0.5%, 0.6%

LAB 55.4, 40.44, 18.36

 

CMYK 0 / 50 / 50 / 20

HEX #CC6666

RGB 204 102 102

HSL 0, 0.5%, 0.6%

LAB 55.38, 40.35, 18.91

 

CMYK 0 / 50 / 23 / 20

HEX #CC669E

RGB 204 102 158

HSL 327.06, 0.5%, 0.6%

LAB 56.89, 47, -11.66

 

CMYK 0 / 50 / 9 / 20

HEX #CC66BA

RGB 204 102 186

HSL 310.59, 0.5%, 0.6%

LAB 57.93, 51.35, -26.24

 

CMYK 4 / 50 / 0 / 20

HEX #C366CC

RGB 195 102 204

HSL 294.71, 0.5%, 0.6%

LAB 57.53, 51.93, -37.23

 

CMYK 18 / 50 / 0 / 20

HEX #A766CC

RGB 167 102 204

HSL 278.24, 0.5%, 0.6%

LAB 54.11, 44.14, -42.84

 

CMYK 31 / 50 / 0 / 20

HEX #8C66CC

RGB 140 102 204

HSL 262.35, 0.5%, 0.6%

LAB 51.2, 36.87, -47.64

 

CMYK 0 / 50 / 23 / 20

HEX #CC669E

RGB 204 102 158

HSL 327.06, 0.5%, 0.6%

LAB 56.89, 47, -11.66

 

CMYK 0 / 62 / 28 / 13

HEX #DD55A0

RGB 221 85 160

HSL 326.91, 0.67%, 0.6%

LAB 56.49, 60.38, -13.17

 

CMYK 0 / 71 / 32 / 7

HEX #ED45A1

RGB 237 69 161

HSL 327.14, 0.82%, 0.6%

LAB 56.91, 71, -12.86

 

CMYK 0 / 80 / 36 / 0

HEX #FE34A3

RGB 254 52 163

HSL 327.03, 0.99%, 0.6%

LAB 58.2, 80.31, -11.8

 

CMYK 0 / 50 / 23 / 20

HEX #CC669E

RGB 204 102 158

HSL 327.06, 0.5%, 0.6%

LAB 56.89, 47, -11.66

 

CMYK 0 / 36 / 17 / 27

HEX #BB779C

RGB 187 119 156

HSL 327.35, 0.33%, 0.6%

LAB 58.19, 31.97, -8.78

 

CMYK 0 / 21 / 9 / 33

HEX #AB879B

RGB 171 135 155

HSL 326.67, 0.18%, 0.6%

LAB 60.21, 17.08, -5.39

 

CMYK 0 / 1 / 1 / 40

HEX #9A9899

RGB 154 152 153

HSL 330, 0.01%, 0.6%

LAB 63.03, 0.92, -0.27

 

CMYK 18 / 0 / 10 / 34

HEX #8AA898

RGB 138 168 152

HSL 148, 0.15%, 0.6%

LAB 66.27, -13.61, 4.84

 

CMYK 4 / 50 / 0 / 20

HEX #C466CC

RGB 196 102 204

HSL 295.29, 0.5%, 0.6%

LAB 57.65, 52.21, -37.02

 

CMYK 0 / 50 / 9 / 20

HEX #CC66B9

RGB 204 102 185

HSL 311.18, 0.5%, 0.6%

LAB 57.89, 51.18, -25.73

 

CMYK 0 / 50 / 23 / 20

HEX #CC669E

RGB 204 102 158

HSL 327.06, 0.5%, 0.6%

LAB 56.89, 47, -11.66

 

CMYK 0 / 50 / 36 / 20

HEX #CC6683

RGB 204 102 131

HSL 342.94, 0.5%, 0.6%

LAB 56.07, 43.43, 2.9

 

CMYK 0 / 50 / 49 / 20

HEX #CC6668

RGB 204 102 104

HSL 358.82, 0.5%, 0.6%

LAB 55.42, 40.54, 17.8

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 63 / 29 / 24

HEX #C2478A

RGB 194 71 138

HSL 327.32, 0.5%, 0.52%

LAB 49.27, 55.63, -11.47

 

CMYK 0 / 50 / 23 / 20

HEX #CC669E

RGB 204 102 158

HSL 327.06, 0.5%, 0.6%

LAB 56.89, 47, -11.66

 

CMYK 0 / 38 / 17 / 16

HEX #D685B2

RGB 214 133 178

HSL 326.67, 0.5%, 0.68%

LAB 65.19, 37.29, -10.53

 

CMYK 0 / 27 / 12 / 12

HEX #E1A4C5

RGB 225 164 197

HSL 327.54, 0.5%, 0.76%

LAB 73.93, 27.53, -7.96

 

CMYK 0 / 50 / 22 / 20

HEX #CD679F

RGB 205 103 159

HSL 327.06, 0.5%, 0.6%

LAB 57.25, 46.97, -11.68

 

CMYK 0 / 18 / 50 / 20

HEX #CCA866

RGB 204 168 102

HSL 38.82, 0.5%, 0.6%

LAB 70.73, 4.86, 38.84

 

CMYK 50 / 2 / 0 / 20

HEX #66C7CC

RGB 102 199 204

HSL 182.94, 0.5%, 0.6%

LAB 74.84, -27.14, -11.3

 

CMYK 0 / 50 / 22 / 20

HEX #CD679F

RGB 205 103 159

HSL 327.06, 0.5%, 0.6%

LAB 57.25, 46.97, -11.68

 

CMYK 23 / 0 / 50 / 20

HEX #9ECC66

RGB 158 204 102

HSL 87.06, 0.5%, 0.6%

LAB 76.93, -31.92, 45.62

 

CMYK 50 / 23 / 0 / 20

HEX #669ECC

RGB 102 158 204

HSL 207.06, 0.5%, 0.6%

LAB 63.04, -5.63, -29.25

 

CMYK 0 / 50 / 22 / 20

HEX #CD679F

RGB 205 103 159

HSL 327.06, 0.5%, 0.6%

LAB 57.25, 46.97, -11.68

 

CMYK 0 / 18 / 50 / 20

HEX #CCA866

RGB 204 168 102

HSL 38.82, 0.5%, 0.6%

LAB 70.73, 4.86, 38.84

 

CMYK 50 / 0 / 27 / 20

HEX #66CC94

RGB 102 204 148

HSL 147.06, 0.5%, 0.6%

LAB 74.92, -42.55, 18.97

 

CMYK 50 / 32 / 0 / 20

HEX #668ACC

RGB 102 138 204

HSL 218.82, 0.5%, 0.6%

LAB 57.43, 5.85, -37.99

 

CMYK 0 / 50 / 22 / 20

HEX #CD679F

RGB 205 103 159

HSL 327.06, 0.5%, 0.6%

LAB 57.25, 46.97, -11.68

 

CMYK 0 / 2 / 50 / 20

HEX #CCC766

RGB 204 199 102

HSL 57.06, 0.5%, 0.6%

LAB 78.84, -11.37, 48.69

 

CMYK 50 / 0 / 27 / 20

HEX #66CC94

RGB 102 204 148

HSL 147.06, 0.5%, 0.6%

LAB 74.92, -42.55, 18.97

 

CMYK 50 / 48 / 0 / 20

HEX #666BCC

RGB 102 107 204

HSL 237.06, 0.5%, 0.6%

LAB 49.13, 24.56, -51.13

 

Description

Color code: HEX #CD679F | qconv.com Color code: HEX #CD679F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 103 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 103 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 22 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 22% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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