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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6740 it is the complementary color #3298BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6740 shade: #D2673B, #E3794E, #F48B61, #FF9D74 and #FFAF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6740 shade: #CD6740, #BC552D, #AB431A, #9A3107 and #891F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6740 shade: #CE6840, #CE4140 and #CE4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6740 shade: #CE6840, #CE8E40, #CEB440, #C2CE40 and #9CCE40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6740 shade matches the following richer shades: #CE6840, #E15F2D and #F5561A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6740 shade: #CE6840, #BA7054, #A77967, #94827B and #808A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6740 shade: #CE4066, #CE4040, #CE6640, #CE8C40 and #CEB240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6740 shade: #954526, #B6542F, #CE6840, #D68261 and #DF9C82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6740 shade: #CD6740, #8CCE40 and #4053CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6740 shade: #CD6740, #40CE66 and #6640CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6740 shade: #CD6740, #8CCE40, #40A8CE and #8240CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6740 shade: #CD6740, #61CE40, #40A8CE and #AD40CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 69 / 20

HEX #CD6740

RGB 205 103 64

HSL 16.6, 0.59%, 0.53%

LAB 55.12, 37.43, 40.03

 

Complementary color

CMYK 74 / 20 / 0 / 25

HEX #3298BF

RGB 50 152 191

HSL 196.6, 0.59%, 0.47%

LAB 58.88, -16, -28.55

 

CMYK 0 / 51 / 72 / 18

HEX #D2673B

RGB 210 103 59

HSL 17.48, 0.63%, 0.53%

LAB 55.8, 39.12, 43.61

 

CMYK 0 / 47 / 66 / 11

HEX #E3794E

RGB 227 121 78

HSL 17.32, 0.73%, 0.6%

LAB 62.13, 37.58, 41.55

 

CMYK 0 / 43 / 60 / 4

HEX #F48B61

RGB 244 139 97

HSL 17.14, 0.87%, 0.67%

LAB 68.43, 36.16, 39.63

 

CMYK 0 / 38 / 55 / 0

HEX #FF9D74

RGB 255 157 116

HSL 17.7, 1%, 0.73%

LAB 73.96, 32.54, 36.77

 

CMYK 0 / 31 / 47 / 0

HEX #FFAF87

RGB 255 175 135

HSL 20, 1%, 0.76%

LAB 78.27, 24.82, 32.29

 

CMYK 0 / 50 / 69 / 20

HEX #CD6740

RGB 205 103 64

HSL 16.6, 0.59%, 0.53%

LAB 55.12, 37.43, 40.03

 

CMYK 0 / 55 / 76 / 26

HEX #BC552D

RGB 188 85 45

HSL 16.78, 0.61%, 0.46%

LAB 48.73, 39.02, 42.22

 

CMYK 0 / 61 / 85 / 33

HEX #AB431A

RGB 171 67 26

HSL 16.97, 0.74%, 0.39%

LAB 42.38, 40.66, 44.29

 

CMYK 0 / 68 / 95 / 40

HEX #9A3107

RGB 154 49 7

HSL 17.14, 0.91%, 0.32%

LAB 36.14, 42.19, 45.49

 

CMYK 0 / 77 / 100 / 46

HEX #891F00

RGB 137 31 0

HSL 13.58, 1%, 0.27%

LAB 30.15, 43.29, 42.75

 

CMYK 0 / 50 / 69 / 19

HEX #CE6840

RGB 206 104 64

HSL 16.9, 0.59%, 0.53%

LAB 55.47, 37.31, 40.47

 

CMYK 0 / 68 / 69 / 19

HEX #CE4140

RGB 206 65 64

HSL 0.42, 0.59%, 0.53%

LAB 48.6, 55.3, 32.44

 

CMYK 0 / 69 / 69 / 19

HEX #CE4040

RGB 206 64 64

HSL 0, 0.59%, 0.53%

LAB 48.46, 55.69, 32.27

 

CMYK 0 / 50 / 69 / 19

HEX #CE6840

RGB 206 104 64

HSL 16.9, 0.59%, 0.53%

LAB 55.47, 37.31, 40.47

 

CMYK 0 / 31 / 69 / 19

HEX #CE8E40

RGB 206 142 64

HSL 32.96, 0.59%, 0.53%

LAB 64.03, 16.98, 49.94

 

CMYK 0 / 13 / 69 / 19

HEX #CEB440

RGB 206 180 64

HSL 49.01, 0.59%, 0.53%

LAB 73.63, -3.4, 59.99

 

CMYK 6 / 0 / 69 / 19

HEX #C2CE40

RGB 194 206 64

HSL 65.07, 0.59%, 0.53%

LAB 79.6, -21.68, 65.67

 

CMYK 24 / 0 / 69 / 19

HEX #9CCE40

RGB 156 206 64

HSL 81.13, 0.59%, 0.53%

LAB 77.03, -36.87, 62.24

 

CMYK 0 / 50 / 69 / 19

HEX #CE6840

RGB 206 104 64

HSL 16.9, 0.59%, 0.53%

LAB 55.47, 37.31, 40.47

 

CMYK 0 / 58 / 80 / 12

HEX #E15F2D

RGB 225 95 45

HSL 16.67, 0.75%, 0.53%

LAB 56.47, 48.12, 51.87

 

CMYK 0 / 65 / 89 / 4

HEX #F5561A

RGB 245 86 26

HSL 16.44, 0.92%, 0.53%

LAB 58.17, 58.61, 62.22

 

CMYK 0 / 50 / 69 / 19

HEX #CE6840

RGB 206 104 64

HSL 16.9, 0.59%, 0.53%

LAB 55.47, 37.31, 40.47

 

CMYK 0 / 40 / 55 / 27

HEX #BA7054

RGB 186 112 84

HSL 16.47, 0.43%, 0.53%

LAB 54.73, 26.41, 27.94

 

CMYK 0 / 28 / 38 / 35

HEX #A77967

RGB 167 121 103

HSL 16.88, 0.27%, 0.53%

LAB 54.94, 15.54, 16.95

 

CMYK 0 / 12 / 17 / 42

HEX #94827B

RGB 148 130 123

HSL 16.8, 0.1%, 0.53%

LAB 55.78, 5.63, 6.29

 

CMYK 10 / 3 / 0 / 44

HEX #808A8E

RGB 128 138 142

HSL 197.14, 0.06%, 0.53%

LAB 56.8, -2.79, -3.39

 

CMYK 0 / 69 / 50 / 19

HEX #CE4066

RGB 206 64 102

HSL 343.94, 0.59%, 0.53%

LAB 49.19, 58.25, 10.42

 

CMYK 0 / 69 / 69 / 19

HEX #CE4040

RGB 206 64 64

HSL 0, 0.59%, 0.53%

LAB 48.46, 55.69, 32.27

 

CMYK 0 / 50 / 69 / 19

HEX #CE6640

RGB 206 102 64

HSL 16.06, 0.59%, 0.53%

LAB 55.07, 38.33, 40.01

 

CMYK 0 / 32 / 69 / 19

HEX #CE8C40

RGB 206 140 64

HSL 32.11, 0.59%, 0.53%

LAB 63.55, 18.07, 49.42

 

CMYK 0 / 14 / 69 / 19

HEX #CEB240

RGB 206 178 64

HSL 48.17, 0.59%, 0.53%

LAB 73.11, -2.36, 59.45

 

CMYK 0 / 54 / 74 / 42

HEX #954526

RGB 149 69 38

HSL 16.76, 0.59%, 0.37%

LAB 39.22, 31.43, 33.92

 

CMYK 0 / 54 / 74 / 29

HEX #B6542F

RGB 182 84 47

HSL 16.44, 0.59%, 0.45%

LAB 47.61, 37.27, 39.71

 

CMYK 0 / 50 / 69 / 19

HEX #CE6840

RGB 206 104 64

HSL 16.9, 0.59%, 0.53%

LAB 55.47, 37.31, 40.47

 

CMYK 0 / 39 / 55 / 16

HEX #D68261

RGB 214 130 97

HSL 16.92, 0.59%, 0.61%

LAB 62.61, 29.08, 31.51

 

CMYK 0 / 30 / 42 / 13

HEX #DF9C82

RGB 223 156 130

HSL 16.77, 0.59%, 0.69%

LAB 70.23, 21.87, 23.64

 

CMYK 0 / 50 / 69 / 20

HEX #CD6740

RGB 205 103 64

HSL 16.6, 0.59%, 0.53%

LAB 55.12, 37.43, 40.03

 

CMYK 32 / 0 / 69 / 19

HEX #8CCE40

RGB 140 206 64

HSL 87.89, 0.59%, 0.53%

LAB 76.12, -42.8, 61.02

 

CMYK 69 / 60 / 0 / 19

HEX #4053CE

RGB 64 83 206

HSL 231.97, 0.59%, 0.53%

LAB 40.79, 33.29, -65.87

 

CMYK 0 / 50 / 69 / 20

HEX #CD6740

RGB 205 103 64

HSL 16.6, 0.59%, 0.53%

LAB 55.12, 37.43, 40.03

 

CMYK 69 / 0 / 50 / 19

HEX #40CE66

RGB 64 206 102

HSL 136.06, 0.59%, 0.53%

LAB 73.67, -59.52, 40.75

 

CMYK 50 / 69 / 0 / 19

HEX #6640CE

RGB 102 64 206

HSL 256.06, 0.59%, 0.53%

LAB 39.49, 50.33, -67.87

 

CMYK 0 / 50 / 69 / 20

HEX #CD6740

RGB 205 103 64

HSL 16.6, 0.59%, 0.53%

LAB 55.12, 37.43, 40.03

 

CMYK 32 / 0 / 69 / 19

HEX #8CCE40

RGB 140 206 64

HSL 87.89, 0.59%, 0.53%

LAB 76.12, -42.8, 61.02

 

CMYK 69 / 18 / 0 / 19

HEX #40A8CE

RGB 64 168 206

HSL 196.06, 0.59%, 0.53%

LAB 64.6, -17.71, -28.06

 

CMYK 37 / 69 / 0 / 19

HEX #8240CE

RGB 130 64 206

HSL 267.89, 0.59%, 0.53%

LAB 42.56, 55.39, -62.73

 

CMYK 0 / 50 / 69 / 20

HEX #CD6740

RGB 205 103 64

HSL 16.6, 0.59%, 0.53%

LAB 55.12, 37.43, 40.03

 

CMYK 53 / 0 / 69 / 19

HEX #61CE40

RGB 97 206 64

HSL 106.06, 0.59%, 0.53%

LAB 74.22, -56.5, 58.46

 

CMYK 69 / 18 / 0 / 19

HEX #40A8CE

RGB 64 168 206

HSL 196.06, 0.59%, 0.53%

LAB 64.6, -17.71, -28.06

 

CMYK 16 / 69 / 0 / 19

HEX #AD40CE

RGB 173 64 206

HSL 286.06, 0.59%, 0.53%

LAB 48.27, 64.19, -53.24

 

Description

Color code: HEX #CD6740 | qconv.com Color code: HEX #CD6740 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 103 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 103 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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