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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD64A6 it is the complementary color #329B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD64A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD64A6 shade: #D264A1, #E376B4, #F488C7, #FF9ADA and #FFACED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD64A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD64A6 shade: #CD64A6, #BC5293, #AB4080, #9A2E6D and #891C5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD64A6 shade: #CD64A6, #CD648A, #CD646E and #CD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD64A6 shade: #CD64A6, #CD64C2, #BB64CD, #9F64CD and #8364CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD64A6 shade matches the following richer shades: #CD64A6, #DD54AA, #EE43AE and #FE33B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD64A6 shade: #CD64A6, #BC75A2, #AC859D, #9B9699 and #8BA695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD64A6 shade: #BB64CD, #CD64C2, #CD64A6, #CD648B and #CD646F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD64A6 shade: #A8367E, #C24594, #CD64A6, #D784B8 and #E1A3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD64A6 shade: #CD64A6, #CD9F64 and #64CDC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD64A6 shade: #CD64A6, #A6CD64 and #64A6CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD64A6 shade: #CD64A6, #CD9F64, #64CD8B and #6492CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD64A6 shade: #CD64A6, #CDBF64, #64CD8B and #6472CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

Complementary color

CMYK 68 / 0 / 43 / 39

HEX #329B59

RGB 50 155 89

HSL 142.29, 0.51%, 0.4%

LAB 56.92, -45.08, 26.09

 

CMYK 0 / 52 / 23 / 18

HEX #D264A1

RGB 210 100 161

HSL 326.73, 0.55%, 0.61%

LAB 57.45, 50.34, -12.47

 

CMYK 0 / 48 / 21 / 11

HEX #E376B4

RGB 227 118 180

HSL 325.87, 0.66%, 0.68%

LAB 63.82, 49.62, -13.55

 

CMYK 0 / 44 / 18 / 4

HEX #F488C7

RGB 244 136 199

HSL 325, 0.83%, 0.75%

LAB 70.15, 48.87, -14.48

 

CMYK 0 / 40 / 15 / 0

HEX #FF9ADA

RGB 255 154 218

HSL 321.98, 1%, 0.8%

LAB 75.72, 46.19, -16.44

 

CMYK 0 / 33 / 7 / 0

HEX #FFACED

RGB 255 172 237

HSL 313.01, 1%, 0.84%

LAB 80.11, 39.99, -20.12

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 56 / 22 / 26

HEX #BC5293

RGB 188 82 147

HSL 323.21, 0.44%, 0.53%

LAB 50.49, 50.1, -15.08

 

CMYK 0 / 63 / 25 / 33

HEX #AB4080

RGB 171 64 128

HSL 324.11, 0.46%, 0.46%

LAB 44.07, 50.51, -13.65

 

CMYK 0 / 70 / 29 / 40

HEX #9A2E6D

RGB 154 46 109

HSL 325, 0.54%, 0.39%

LAB 37.71, 50.54, -11.79

 

CMYK 0 / 80 / 34 / 46

HEX #891C5A

RGB 137 28 90

HSL 325.87, 0.66%, 0.32%

LAB 31.55, 49.84, -9.26

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 51 / 33 / 20

HEX #CD648A

RGB 205 100 138

HSL 338.29, 0.51%, 0.6%

LAB 56.02, 45.64, -1.26

 

CMYK 0 / 51 / 46 / 20

HEX #CD646E

RGB 205 100 110

HSL 354.29, 0.51%, 0.6%

LAB 55.3, 42.49, 14.15

 

CMYK 0 / 51 / 51 / 20

HEX #CD6464

RGB 205 100 100

HSL 0, 0.51%, 0.6%

LAB 55.09, 41.55, 19.71

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 51 / 5 / 20

HEX #CD64C2

RGB 205 100 194

HSL 306.29, 0.51%, 0.6%

LAB 58.03, 53.96, -30.65

 

CMYK 9 / 51 / 0 / 20

HEX #BB64CD

RGB 187 100 205

HSL 289.71, 0.51%, 0.6%

LAB 56.17, 50.9, -39.99

 

CMYK 22 / 51 / 0 / 20

HEX #9F64CD

RGB 159 100 205

HSL 273.71, 0.51%, 0.6%

LAB 52.83, 43.27, -45.49

 

CMYK 36 / 51 / 0 / 20

HEX #8364CD

RGB 131 100 205

HSL 257.71, 0.51%, 0.6%

LAB 49.91, 35.97, -50.31

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 62 / 23 / 13

HEX #DD54AA

RGB 221 84 170

HSL 322.34, 0.67%, 0.6%

LAB 56.7, 62.1, -18.68

 

CMYK 0 / 72 / 27 / 7

HEX #EE43AE

RGB 238 67 174

HSL 322.46, 0.83%, 0.6%

LAB 57.32, 73.41, -19.82

 

CMYK 0 / 80 / 30 / 0

HEX #FE33B3

RGB 254 51 179

HSL 322.17, 0.99%, 0.6%

LAB 58.69, 82.21, -20.37

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 38 / 14 / 26

HEX #BC75A2

RGB 188 117 162

HSL 321.97, 0.35%, 0.6%

LAB 58.06, 34.4, -12.42

 

CMYK 0 / 23 / 9 / 33

HEX #AC859D

RGB 172 133 157

HSL 323.08, 0.19%, 0.6%

LAB 59.87, 18.94, -7.02

 

CMYK 0 / 3 / 1 / 39

HEX #9B9699

RGB 155 150 153

HSL 324, 0.02%, 0.6%

LAB 62.58, 2.4, -0.93

 

CMYK 16 / 0 / 10 / 35

HEX #8BA695

RGB 139 166 149

HSL 142.22, 0.13%, 0.6%

LAB 65.7, -12.81, 5.69

 

CMYK 9 / 51 / 0 / 20

HEX #BB64CD

RGB 187 100 205

HSL 289.71, 0.51%, 0.6%

LAB 56.17, 50.9, -39.99

 

CMYK 0 / 51 / 5 / 20

HEX #CD64C2

RGB 205 100 194

HSL 306.29, 0.51%, 0.6%

LAB 58.03, 53.96, -30.65

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 51 / 32 / 20

HEX #CD648B

RGB 205 100 139

HSL 337.71, 0.51%, 0.6%

LAB 56.05, 45.76, -1.8

 

CMYK 0 / 51 / 46 / 20

HEX #CD646F

RGB 205 100 111

HSL 353.71, 0.51%, 0.6%

LAB 55.32, 42.59, 13.59

 

CMYK 0 / 68 / 25 / 34

HEX #A8367E

RGB 168 54 126

HSL 322.11, 0.51%, 0.44%

LAB 41.95, 53.59, -15.68

 

CMYK 0 / 64 / 24 / 24

HEX #C24594

RGB 194 69 148

HSL 322.08, 0.51%, 0.52%

LAB 49.33, 57.78, -17.36

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 39 / 14 / 16

HEX #D784B8

RGB 215 132 184

HSL 322.41, 0.51%, 0.68%

LAB 65.29, 39.11, -13.76

 

CMYK 0 / 28 / 10 / 12

HEX #E1A3CA

RGB 225 163 202

HSL 322.26, 0.51%, 0.76%

LAB 73.85, 28.9, -10.82

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 22 / 51 / 20

HEX #CD9F64

RGB 205 159 100

HSL 33.71, 0.51%, 0.6%

LAB 68.53, 9.95, 37.16

 

CMYK 51 / 0 / 2 / 20

HEX #64CDC9

RGB 100 205 201

HSL 177.71, 0.51%, 0.6%

LAB 76.43, -31.26, -7.33

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 19 / 0 / 51 / 20

HEX #A6CD64

RGB 166 205 100

HSL 82.29, 0.51%, 0.6%

LAB 77.69, -29.59, 47.61

 

CMYK 51 / 19 / 0 / 20

HEX #64A6CD

RGB 100 166 205

HSL 202.29, 0.51%, 0.6%

LAB 65.27, -10.21, -26.38

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 22 / 51 / 20

HEX #CD9F64

RGB 205 159 100

HSL 33.71, 0.51%, 0.6%

LAB 68.53, 9.95, 37.16

 

CMYK 51 / 0 / 32 / 20

HEX #64CD8B

RGB 100 205 139

HSL 142.29, 0.51%, 0.6%

LAB 74.97, -45.21, 23.79

 

CMYK 51 / 29 / 0 / 20

HEX #6492CD

RGB 100 146 205

HSL 213.71, 0.51%, 0.6%

LAB 59.59, 1.03, -35.17

 

CMYK 0 / 51 / 19 / 20

HEX #CD64A6

RGB 205 100 166

HSL 322.29, 0.51%, 0.6%

LAB 56.93, 49.48, -16.23

 

CMYK 0 / 7 / 51 / 20

HEX #CDBF64

RGB 205 191 100

HSL 52, 0.51%, 0.6%

LAB 76.78, -7.03, 47.22

 

CMYK 51 / 0 / 32 / 20

HEX #64CD8B

RGB 100 205 139

HSL 142.29, 0.51%, 0.6%

LAB 74.97, -45.21, 23.79

 

CMYK 51 / 44 / 0 / 20

HEX #6472CD

RGB 100 114 205

HSL 232, 0.51%, 0.6%

LAB 50.86, 20.14, -48.94

 

Description

Color code: HEX #CD64A6 | qconv.com Color code: HEX #CD64A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 100 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 100 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 19 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 19% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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