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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6330 it is the complementary color #329CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6330 shade: #D2632B, #E3753E, #F48751, #FF9964 and #FFAB77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6330 shade: #CD6330, #BC511D, #AB3F0A, #9A2D00 and #891B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6330 shade: #CF6430, #CF3930 and #CF3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6330 shade: #CF6430, #CF8E30, #CFB930, #B9CF30 and #8FCF30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6330 shade matches the following richer shades: #CF6430, #E35D1C and #F85507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6330 shade: #CF6430, #BA6B45, #A5725A, #91796E and #7C8183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6330 shade: #CF3053, #CF3830, #CF6330, #CF8D30 and #CFB730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6330 shade: #8C4421, #AD5429, #CF6430, #D67D52 and #DE9673

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6330 shade: #CD6330, #7DCF30 and #303ECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6330 shade: #CD6330, #30CF63 and #6330CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6330 shade: #CD6330, #7DCF30, #309CCF and #8230CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6330 shade: #CD6330, #4DCF30, #309CCF and #B230CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 77 / 20

HEX #CD6330

RGB 205 99 48

HSL 19.49, 0.62%, 0.5%

LAB 54.15, 38.71, 47.13

 

Complementary color

CMYK 76 / 25 / 0 / 19

HEX #329CCF

RGB 50 156 207

HSL 199.49, 0.62%, 0.5%

LAB 60.75, -12.74, -34.63

 

CMYK 0 / 53 / 80 / 18

HEX #D2632B

RGB 210 99 43

HSL 20.12, 0.66%, 0.5%

LAB 54.87, 40.47, 50.43

 

CMYK 0 / 48 / 73 / 11

HEX #E3753E

RGB 227 117 62

HSL 20, 0.75%, 0.57%

LAB 61.13, 38.78, 48.59

 

CMYK 0 / 45 / 67 / 4

HEX #F48751

RGB 244 135 81

HSL 19.88, 0.88%, 0.64%

LAB 67.39, 37.21, 46.7

 

CMYK 0 / 40 / 61 / 0

HEX #FF9964

RGB 255 153 100

HSL 20.52, 1%, 0.7%

LAB 72.87, 33.43, 43.78

 

CMYK 0 / 33 / 53 / 0

HEX #FFAB77

RGB 255 171 119

HSL 22.94, 1%, 0.73%

LAB 77.11, 25.5, 39.19

 

CMYK 0 / 52 / 77 / 20

HEX #CD6330

RGB 205 99 48

HSL 19.49, 0.62%, 0.5%

LAB 54.15, 38.71, 47.13

 

CMYK 0 / 57 / 85 / 26

HEX #BC511D

RGB 188 81 29

HSL 19.62, 0.73%, 0.43%

LAB 47.84, 40.45, 48.86

 

CMYK 0 / 63 / 94 / 33

HEX #AB3F0A

RGB 171 63 10

HSL 19.75, 0.89%, 0.35%

LAB 41.59, 42.21, 49.63

 

CMYK 0 / 71 / 100 / 40

HEX #9A2D00

RGB 154 45 0

HSL 17.53, 1%, 0.3%

LAB 35.49, 43.76, 47.8

 

CMYK 0 / 80 / 100 / 46

HEX #891B00

RGB 137 27 0

HSL 11.82, 1%, 0.27%

LAB 29.67, 44.64, 42.38

 

CMYK 0 / 52 / 77 / 19

HEX #CF6430

RGB 207 100 48

HSL 19.62, 0.62%, 0.5%

LAB 54.65, 38.99, 47.73

 

CMYK 0 / 72 / 77 / 19

HEX #CF3930

RGB 207 57 48

HSL 3.4, 0.62%, 0.5%

LAB 47.5, 57.9, 40.33

 

CMYK 0 / 77 / 77 / 19

HEX #CF3030

RGB 207 48 48

HSL 0, 0.62%, 0.5%

LAB 46.44, 60.87, 39.19

 

CMYK 0 / 52 / 77 / 19

HEX #CF6430

RGB 207 100 48

HSL 19.62, 0.62%, 0.5%

LAB 54.65, 38.99, 47.73

 

CMYK 0 / 31 / 77 / 19

HEX #CF8E30

RGB 207 142 48

HSL 35.47, 0.62%, 0.5%

LAB 64.02, 16.65, 56.95

 

CMYK 0 / 11 / 77 / 19

HEX #CFB930

RGB 207 185 48

HSL 51.7, 0.62%, 0.5%

LAB 74.94, -6.31, 67.17

 

CMYK 11 / 0 / 77 / 19

HEX #B9CF30

RGB 185 207 48

HSL 68.3, 0.62%, 0.5%

LAB 79.13, -26.64, 70.35

 

CMYK 31 / 0 / 77 / 19

HEX #8FCF30

RGB 143 207 48

HSL 84.15, 0.62%, 0.5%

LAB 76.48, -43.1, 66.94

 

CMYK 0 / 52 / 77 / 19

HEX #CF6430

RGB 207 100 48

HSL 19.62, 0.62%, 0.5%

LAB 54.65, 38.99, 47.73

 

CMYK 0 / 59 / 88 / 11

HEX #E35D1C

RGB 227 93 28

HSL 19.6, 0.78%, 0.5%

LAB 56.33, 49.33, 58.83

 

CMYK 0 / 66 / 97 / 3

HEX #F85507

RGB 248 85 7

HSL 19.42, 0.95%, 0.5%

LAB 58.48, 59.8, 67.37

 

CMYK 0 / 52 / 77 / 19

HEX #CF6430

RGB 207 100 48

HSL 19.62, 0.62%, 0.5%

LAB 54.65, 38.99, 47.73

 

CMYK 0 / 42 / 63 / 27

HEX #BA6B45

RGB 186 107 69

HSL 19.49, 0.46%, 0.5%

LAB 53.37, 27.98, 34.6

 

CMYK 0 / 31 / 45 / 35

HEX #A5725A

RGB 165 114 90

HSL 19.2, 0.29%, 0.5%

LAB 52.7, 17.17, 21.37

 

CMYK 0 / 17 / 24 / 43

HEX #91796E

RGB 145 121 110

HSL 18.86, 0.14%, 0.5%

LAB 52.75, 7.5, 9.5

 

CMYK 5 / 2 / 0 / 49

HEX #7C8183

RGB 124 129 131

HSL 197.14, 0.03%, 0.5%

LAB 53.63, -1.44, -1.73

 

CMYK 0 / 77 / 60 / 19

HEX #CF3053

RGB 207 48 83

HSL 346.79, 0.62%, 0.5%

LAB 46.98, 62.61, 19.02

 

CMYK 0 / 73 / 77 / 19

HEX #CF3830

RGB 207 56 48

HSL 3.02, 0.62%, 0.5%

LAB 47.37, 58.25, 40.2

 

CMYK 0 / 52 / 77 / 19

HEX #CF6330

RGB 207 99 48

HSL 19.25, 0.62%, 0.5%

LAB 54.45, 39.49, 47.53

 

CMYK 0 / 32 / 77 / 19

HEX #CF8D30

RGB 207 141 48

HSL 35.09, 0.62%, 0.5%

LAB 63.78, 17.19, 56.71

 

CMYK 0 / 12 / 77 / 19

HEX #CFB730

RGB 207 183 48

HSL 50.94, 0.62%, 0.5%

LAB 74.41, -5.27, 66.68

 

CMYK 0 / 51 / 76 / 45

HEX #8C4421

RGB 140 68 33

HSL 19.63, 0.62%, 0.34%

LAB 37.52, 27.97, 34.38

 

CMYK 0 / 51 / 76 / 32

HEX #AD5429

RGB 173 84 41

HSL 19.55, 0.62%, 0.42%

LAB 46.16, 33.41, 40.84

 

CMYK 0 / 52 / 77 / 19

HEX #CF6430

RGB 207 100 48

HSL 19.62, 0.62%, 0.5%

LAB 54.65, 38.99, 47.73

 

CMYK 0 / 42 / 62 / 16

HEX #D67D52

RGB 214 125 82

HSL 19.55, 0.62%, 0.58%

LAB 61.28, 30.6, 38

 

CMYK 0 / 32 / 48 / 13

HEX #DE9673

RGB 222 150 115

HSL 19.63, 0.62%, 0.66%

LAB 68.45, 23.16, 29.42

 

CMYK 0 / 52 / 77 / 20

HEX #CD6330

RGB 205 99 48

HSL 19.49, 0.62%, 0.5%

LAB 54.15, 38.71, 47.13

 

CMYK 40 / 0 / 77 / 19

HEX #7DCF30

RGB 125 207 48

HSL 90.94, 0.62%, 0.5%

LAB 75.57, -49.43, 65.76

 

CMYK 77 / 70 / 0 / 19

HEX #303ECF

RGB 48 62 207

HSL 234.72, 0.62%, 0.5%

LAB 35.16, 44.82, -75.71

 

CMYK 0 / 52 / 77 / 20

HEX #CD6330

RGB 205 99 48

HSL 19.49, 0.62%, 0.5%

LAB 54.15, 38.71, 47.13

 

CMYK 77 / 0 / 52 / 19

HEX #30CF63

RGB 48 207 99

HSL 139.25, 0.62%, 0.5%

LAB 73.65, -62.73, 42.11

 

CMYK 52 / 77 / 0 / 19

HEX #6330CF

RGB 99 48 207

HSL 259.25, 0.62%, 0.5%

LAB 36.5, 57.96, -73.36

 

CMYK 0 / 52 / 77 / 20

HEX #CD6330

RGB 205 99 48

HSL 19.49, 0.62%, 0.5%

LAB 54.15, 38.71, 47.13

 

CMYK 40 / 0 / 77 / 19

HEX #7DCF30

RGB 125 207 48

HSL 90.94, 0.62%, 0.5%

LAB 75.57, -49.43, 65.76

 

CMYK 77 / 25 / 0 / 19

HEX #309CCF

RGB 48 156 207

HSL 199.25, 0.62%, 0.5%

LAB 60.7, -12.97, -34.7

 

CMYK 37 / 77 / 0 / 19

HEX #8230CF

RGB 130 48 207

HSL 270.94, 0.62%, 0.5%

LAB 40.19, 62.58, -67.17

 

CMYK 0 / 52 / 77 / 20

HEX #CD6330

RGB 205 99 48

HSL 19.49, 0.62%, 0.5%

LAB 54.15, 38.71, 47.13

 

CMYK 63 / 0 / 77 / 19

HEX #4DCF30

RGB 77 207 48

HSL 109.06, 0.62%, 0.5%

LAB 73.82, -62.95, 63.46

 

CMYK 77 / 25 / 0 / 19

HEX #309CCF

RGB 48 156 207

HSL 199.25, 0.62%, 0.5%

LAB 60.7, -12.97, -34.7

 

CMYK 14 / 77 / 0 / 19

HEX #B230CF

RGB 178 48 207

HSL 289.06, 0.62%, 0.5%

LAB 47.08, 71.07, -55.67

 

Description

Color code: HEX #CD6330 | qconv.com Color code: HEX #CD6330 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 99 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 99 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 77 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 77% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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