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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6325 it is the complementary color #329CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6325 shade: #D26320, #E37533, #F48746, #FF9959 and #FFAB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6325 shade: #CD6325, #BC5112, #AB3F00, #9A2D00 and #891B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6325 shade: #CB6225, #CB3625 and #CB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6325 shade: #CB6225, #CB8F25, #CBBB25, #ADCB25 and #81CB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6325 shade matches the following richer shades: #CB6225 and #DE5D12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6325 shade: #CB6225, #B76739, #A46C4C, #90715F and #7D7773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6325 shade: #CB2541, #CB3625, #CB6225, #CB8E25 and #CBBA25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6325 shade: #854018, #A8511F, #CB6225, #DB783D and #E29060

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6325 shade: #CD6325, #6DCB25 and #252BCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6325 shade: #CD6325, #25CB62 and #6225CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6325 shade: #CD6325, #6DCB25, #258ECB and #8325CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6325 shade: #CD6325, #3BCB25, #258ECB and #B425CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 82 / 20

HEX #CD6325

RGB 205 99 37

HSL 22.14, 0.69%, 0.47%

LAB 54.07, 38.32, 52.05

 

Complementary color

CMYK 77 / 28 / 0 / 15

HEX #329CDA

RGB 50 156 218

HSL 202.14, 0.69%, 0.53%

LAB 61.24, -8.92, -39.99

 

CMYK 0 / 53 / 85 / 18

HEX #D26320

RGB 210 99 32

HSL 22.58, 0.74%, 0.47%

LAB 54.79, 40.14, 55

 

CMYK 0 / 48 / 78 / 11

HEX #E37533

RGB 227 117 51

HSL 22.5, 0.76%, 0.55%

LAB 61.04, 38.33, 53.67

 

CMYK 0 / 45 / 71 / 4

HEX #F48746

RGB 244 135 70

HSL 22.41, 0.89%, 0.62%

LAB 67.28, 36.64, 52

 

CMYK 0 / 40 / 65 / 0

HEX #FF9959

RGB 255 153 89

HSL 23.13, 1%, 0.67%

LAB 72.74, 32.74, 49.19

 

CMYK 0 / 33 / 58 / 0

HEX #FFAB6C

RGB 255 171 108

HSL 25.71, 1%, 0.71%

LAB 76.96, 24.64, 44.66

 

CMYK 0 / 52 / 82 / 20

HEX #CD6325

RGB 205 99 37

HSL 22.14, 0.69%, 0.47%

LAB 54.07, 38.32, 52.05

 

CMYK 0 / 57 / 90 / 26

HEX #BC5112

RGB 188 81 18

HSL 22.24, 0.83%, 0.4%

LAB 47.78, 40.2, 52.92

 

CMYK 0 / 63 / 100 / 33

HEX #AB3F00

RGB 171 63 0

HSL 22.11, 1%, 0.34%

LAB 41.55, 42.07, 52.62

 

CMYK 0 / 71 / 100 / 40

HEX #9A2D00

RGB 154 45 0

HSL 17.53, 1%, 0.3%

LAB 35.49, 43.76, 47.8

 

CMYK 0 / 80 / 100 / 46

HEX #891B00

RGB 137 27 0

HSL 11.82, 1%, 0.27%

LAB 29.67, 44.64, 42.38

 

CMYK 0 / 52 / 82 / 20

HEX #CB6225

RGB 203 98 37

HSL 22.05, 0.69%, 0.47%

LAB 53.56, 38.04, 51.48

 

CMYK 0 / 73 / 82 / 20

HEX #CB3625

RGB 203 54 37

HSL 6.14, 0.69%, 0.47%

LAB 46.27, 57.34, 44.69

 

CMYK 0 / 82 / 82 / 20

HEX #CB2525

RGB 203 37 37

HSL 0, 0.69%, 0.47%

LAB 44.45, 62.43, 42.95

 

CMYK 0 / 52 / 82 / 20

HEX #CB6225

RGB 203 98 37

HSL 22.05, 0.69%, 0.47%

LAB 53.56, 38.04, 51.48

 

CMYK 0 / 30 / 82 / 20

HEX #CB8F25

RGB 203 143 37

HSL 38.31, 0.69%, 0.47%

LAB 63.73, 13.97, 60.59

 

CMYK 0 / 8 / 82 / 20

HEX #CBBB25

RGB 203 187 37

HSL 54.22, 0.69%, 0.47%

LAB 75.06, -9.45, 70.41

 

CMYK 15 / 0 / 82 / 20

HEX #ADCB25

RGB 173 203 37

HSL 70.84, 0.69%, 0.47%

LAB 77.12, -30.07, 71.28

 

CMYK 36 / 0 / 82 / 20

HEX #81CB25

RGB 129 203 37

HSL 86.75, 0.69%, 0.47%

LAB 74.52, -46.94, 67.98

 

CMYK 0 / 52 / 82 / 20

HEX #CB6225

RGB 203 98 37

HSL 22.05, 0.69%, 0.47%

LAB 53.56, 38.04, 51.48

 

CMYK 0 / 58 / 92 / 13

HEX #DE5D12

RGB 222 93 18

HSL 22.06, 0.85%, 0.47%

LAB 55.48, 47.33, 60.96

 

CMYK 0 / 52 / 82 / 20

HEX #CB6225

RGB 203 98 37

HSL 22.05, 0.69%, 0.47%

LAB 53.56, 38.04, 51.48

 

CMYK 0 / 44 / 69 / 28

HEX #B76739

RGB 183 103 57

HSL 21.9, 0.53%, 0.47%

LAB 51.91, 28.15, 39.24

 

CMYK 0 / 34 / 54 / 36

HEX #A46C4C

RGB 164 108 76

HSL 21.82, 0.37%, 0.47%

LAB 50.85, 18.74, 26.95

 

CMYK 0 / 22 / 34 / 44

HEX #90715F

RGB 144 113 95

HSL 22.04, 0.21%, 0.47%

LAB 50.18, 9.52, 14.65

 

CMYK 0 / 5 / 8 / 51

HEX #7D7773

RGB 125 119 115

HSL 24, 0.04%, 0.47%

LAB 50.44, 1.53, 3.01

 

CMYK 0 / 82 / 68 / 20

HEX #CB2541

RGB 203 37 65

HSL 349.88, 0.69%, 0.47%

LAB 44.8, 63.51, 27.08

 

CMYK 0 / 73 / 82 / 20

HEX #CB3625

RGB 203 54 37

HSL 6.14, 0.69%, 0.47%

LAB 46.27, 57.34, 44.69

 

CMYK 0 / 52 / 82 / 20

HEX #CB6225

RGB 203 98 37

HSL 22.05, 0.69%, 0.47%

LAB 53.56, 38.04, 51.48

 

CMYK 0 / 30 / 82 / 20

HEX #CB8E25

RGB 203 142 37

HSL 37.95, 0.69%, 0.47%

LAB 63.49, 14.51, 60.37

 

CMYK 0 / 8 / 82 / 20

HEX #CBBA25

RGB 203 186 37

HSL 53.86, 0.69%, 0.47%

LAB 74.79, -8.94, 70.18

 

CMYK 0 / 52 / 82 / 48

HEX #854018

RGB 133 64 24

HSL 22.02, 0.69%, 0.31%

LAB 35.44, 26.8, 36.52

 

CMYK 0 / 52 / 82 / 34

HEX #A8511F

RGB 168 81 31

HSL 21.9, 0.69%, 0.39%

LAB 44.67, 32.56, 43.94

 

CMYK 0 / 52 / 82 / 20

HEX #CB6225

RGB 203 98 37

HSL 22.05, 0.69%, 0.47%

LAB 53.56, 38.04, 51.48

 

CMYK 0 / 45 / 72 / 14

HEX #DB783D

RGB 219 120 61

HSL 22.41, 0.69%, 0.55%

LAB 60.63, 34.02, 48.21

 

CMYK 0 / 36 / 58 / 11

HEX #E29060

RGB 226 144 96

HSL 22.15, 0.69%, 0.63%

LAB 67.25, 26.34, 38.19

 

CMYK 0 / 52 / 82 / 20

HEX #CD6325

RGB 205 99 37

HSL 22.14, 0.69%, 0.47%

LAB 54.07, 38.32, 52.05

 

CMYK 46 / 0 / 82 / 20

HEX #6DCB25

RGB 109 203 37

HSL 93.98, 0.69%, 0.47%

LAB 73.61, -53.56, 66.82

 

CMYK 82 / 79 / 0 / 20

HEX #252BCB

RGB 37 43 203

HSL 237.83, 0.69%, 0.47%

LAB 30.48, 53.29, -81.13

 

CMYK 0 / 52 / 82 / 20

HEX #CD6325

RGB 205 99 37

HSL 22.14, 0.69%, 0.47%

LAB 54.07, 38.32, 52.05

 

CMYK 82 / 0 / 52 / 20

HEX #25CB62

RGB 37 203 98

HSL 142.05, 0.69%, 0.47%

LAB 72.22, -62.81, 40.81

 

CMYK 52 / 82 / 0 / 20

HEX #6225CB

RGB 98 37 203

HSL 262.05, 0.69%, 0.47%

LAB 34.46, 61.3, -74.4

 

CMYK 0 / 52 / 82 / 20

HEX #CD6325

RGB 205 99 37

HSL 22.14, 0.69%, 0.47%

LAB 54.07, 38.32, 52.05

 

CMYK 46 / 0 / 82 / 20

HEX #6DCB25

RGB 109 203 37

HSL 93.98, 0.69%, 0.47%

LAB 73.61, -53.56, 66.82

 

CMYK 82 / 30 / 0 / 20

HEX #258ECB

RGB 37 142 203

HSL 202.05, 0.69%, 0.47%

LAB 56.14, -7.64, -39.61

 

CMYK 35 / 82 / 0 / 20

HEX #8325CB

RGB 131 37 203

HSL 273.98, 0.69%, 0.47%

LAB 38.66, 65.73, -67.35

 

CMYK 0 / 52 / 82 / 20

HEX #CD6325

RGB 205 99 37

HSL 22.14, 0.69%, 0.47%

LAB 54.07, 38.32, 52.05

 

CMYK 71 / 0 / 82 / 20

HEX #3BCB25

RGB 59 203 37

HSL 112.05, 0.69%, 0.47%

LAB 72.08, -65.86, 64.86

 

CMYK 82 / 30 / 0 / 20

HEX #258ECB

RGB 37 142 203

HSL 202.05, 0.69%, 0.47%

LAB 56.14, -7.64, -39.61

 

CMYK 11 / 82 / 0 / 20

HEX #B425CB

RGB 180 37 203

HSL 291.69, 0.69%, 0.47%

LAB 46.09, 73.78, -54.94

 

Description

Color code: HEX #CD6325 | qconv.com Color code: HEX #CD6325 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 99 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 99 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 82 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 82% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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