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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6243 it is the complementary color #329DBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6243 shade: #D2623E, #E37451, #F48664, #FF9877 and #FFAA8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6243 shade: #CD6243, #BC5030, #AB3E1D, #9A2C0A and #891A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6243 shade: #CD6142 and #CD4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6243 shade: #CD6142, #CD8642, #CDAC42, #C8CD42 and #A2CD42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6243 shade matches the following richer shades: #CD6142, #E0562E and #F34C1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6243 shade: #CD6142, #B96C55, #A67668, #92817C and #7F8C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6243 shade: #CD426E, #CD4249, #CD6042, #CD8542 and #CDAA42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6243 shade: #944027, #B54E30, #CD6142, #D57C62 and #DE9783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6243 shade: #CD6243, #93CD42 and #425BCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6243 shade: #CD6243, #42CD60 and #6042CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6243 shade: #CD6243, #93CD42, #42AFCD and #7C42CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6243 shade: #CD6243, #69CD42, #42AFCD and #A542CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 67 / 20

HEX #CD6243

RGB 205 98 67

HSL 13.48, 0.58%, 0.53%

LAB 54.15, 40.14, 37.3

 

Complementary color

CMYK 73 / 16 / 0 / 26

HEX #329DBC

RGB 50 157 188

HSL 193.48, 0.58%, 0.47%

LAB 60.27, -19.67, -24.71

 

CMYK 0 / 53 / 70 / 18

HEX #D2623E

RGB 210 98 62

HSL 14.59, 0.62%, 0.53%

LAB 54.85, 41.78, 40.99

 

CMYK 0 / 49 / 64 / 11

HEX #E37451

RGB 227 116 81

HSL 14.38, 0.72%, 0.6%

LAB 61.15, 40.31, 38.79

 

CMYK 0 / 45 / 59 / 4

HEX #F48664

RGB 244 134 100

HSL 14.17, 0.87%, 0.67%

LAB 67.43, 38.93, 36.79

 

CMYK 0 / 40 / 53 / 0

HEX #FF9877

RGB 255 152 119

HSL 14.56, 1%, 0.73%

LAB 72.92, 35.37, 33.85

 

CMYK 0 / 33 / 46 / 0

HEX #FFAA8A

RGB 255 170 138

HSL 16.41, 1%, 0.77%

LAB 77.19, 27.73, 29.27

 

CMYK 0 / 52 / 67 / 20

HEX #CD6243

RGB 205 98 67

HSL 13.48, 0.58%, 0.53%

LAB 54.15, 40.14, 37.3

 

CMYK 0 / 57 / 74 / 26

HEX #BC5030

RGB 188 80 48

HSL 13.71, 0.59%, 0.46%

LAB 47.81, 41.62, 39.67

 

CMYK 0 / 64 / 83 / 33

HEX #AB3E1D

RGB 171 62 29

HSL 13.94, 0.71%, 0.39%

LAB 41.52, 43.08, 42.12

 

CMYK 0 / 71 / 94 / 40

HEX #9A2C0A

RGB 154 44 10

HSL 14.17, 0.88%, 0.32%

LAB 35.39, 44.32, 43.94

 

CMYK 0 / 81 / 100 / 46

HEX #891A00

RGB 137 26 0

HSL 11.39, 1%, 0.27%

LAB 29.56, 44.96, 42.29

 

CMYK 0 / 53 / 68 / 20

HEX #CD6142

RGB 205 97 66

HSL 13.38, 0.58%, 0.53%

LAB 53.94, 40.59, 37.6

 

CMYK 0 / 68 / 68 / 20

HEX #CD4242

RGB 205 66 66

HSL 0, 0.58%, 0.53%

LAB 48.6, 54.69, 31.23

 

CMYK 0 / 53 / 68 / 20

HEX #CD6142

RGB 205 97 66

HSL 13.38, 0.58%, 0.53%

LAB 53.94, 40.59, 37.6

 

CMYK 0 / 35 / 68 / 20

HEX #CD8642

RGB 205 134 66

HSL 29.35, 0.58%, 0.53%

LAB 62.02, 21.02, 46.76

 

CMYK 0 / 16 / 68 / 20

HEX #CDAC42

RGB 205 172 66

HSL 45.76, 0.58%, 0.53%

LAB 71.47, 0.49, 56.9

 

CMYK 2 / 0 / 68 / 20

HEX #C8CD42

RGB 200 205 66

HSL 62.16, 0.58%, 0.53%

LAB 79.8, -18.59, 65.28

 

CMYK 21 / 0 / 68 / 20

HEX #A2CD42

RGB 162 205 66

HSL 78.56, 0.58%, 0.53%

LAB 77.12, -33.98, 61.69

 

CMYK 0 / 53 / 68 / 20

HEX #CD6142

RGB 205 97 66

HSL 13.38, 0.58%, 0.53%

LAB 53.94, 40.59, 37.6

 

CMYK 0 / 62 / 79 / 12

HEX #E0562E

RGB 224 86 46

HSL 13.48, 0.74%, 0.53%

LAB 54.76, 51.87, 49.7

 

CMYK 0 / 69 / 89 / 5

HEX #F34C1B

RGB 243 76 27

HSL 13.61, 0.9%, 0.53%

LAB 56.39, 61.87, 60.42

 

CMYK 0 / 53 / 68 / 20

HEX #CD6142

RGB 205 97 66

HSL 13.38, 0.58%, 0.53%

LAB 53.94, 40.59, 37.6

 

CMYK 0 / 42 / 54 / 27

HEX #B96C55

RGB 185 108 85

HSL 13.8, 0.42%, 0.53%

LAB 53.7, 28.28, 26.03

 

CMYK 0 / 29 / 37 / 35

HEX #A67668

RGB 166 118 104

HSL 13.55, 0.26%, 0.53%

LAB 54.09, 16.96, 15.19

 

CMYK 0 / 12 / 15 / 43

HEX #92817C

RGB 146 129 124

HSL 13.64, 0.09%, 0.53%

LAB 55.35, 5.59, 5.07

 

CMYK 11 / 2 / 0 / 44

HEX #7F8C8F

RGB 127 140 143

HSL 191.25, 0.07%, 0.53%

LAB 57.32, -4.06, -3.21

 

CMYK 0 / 68 / 46 / 20

HEX #CD426E

RGB 205 66 110

HSL 341.01, 0.58%, 0.53%

LAB 49.5, 57.89, 5.98

 

CMYK 0 / 68 / 64 / 20

HEX #CD4249

RGB 205 66 73

HSL 356.98, 0.58%, 0.53%

LAB 48.71, 55.08, 27.24

 

CMYK 0 / 53 / 68 / 20

HEX #CD6042

RGB 205 96 66

HSL 12.95, 0.58%, 0.53%

LAB 53.75, 41.09, 37.37

 

CMYK 0 / 35 / 68 / 20

HEX #CD8542

RGB 205 133 66

HSL 28.92, 0.58%, 0.53%

LAB 61.78, 21.57, 46.5

 

CMYK 0 / 17 / 68 / 20

HEX #CDAA42

RGB 205 170 66

HSL 44.89, 0.58%, 0.53%

LAB 70.95, 1.55, 56.36

 

CMYK 0 / 57 / 74 / 42

HEX #944027

RGB 148 64 39

HSL 13.76, 0.58%, 0.37%

LAB 38.04, 33.7, 32.03

 

CMYK 0 / 57 / 73 / 29

HEX #B54E30

RGB 181 78 48

HSL 13.53, 0.58%, 0.45%

LAB 46.29, 39.95, 37.7

 

CMYK 0 / 53 / 68 / 20

HEX #CD6142

RGB 205 97 66

HSL 13.38, 0.58%, 0.53%

LAB 53.94, 40.59, 37.6

 

CMYK 0 / 42 / 54 / 16

HEX #D57C62

RGB 213 124 98

HSL 13.57, 0.58%, 0.61%

LAB 61.17, 31.96, 29.08

 

CMYK 0 / 32 / 41 / 13

HEX #DE9783

RGB 222 151 131

HSL 13.19, 0.58%, 0.69%

LAB 68.97, 24.28, 21.36

 

CMYK 0 / 52 / 67 / 20

HEX #CD6243

RGB 205 98 67

HSL 13.48, 0.58%, 0.53%

LAB 54.15, 40.14, 37.3

 

CMYK 28 / 0 / 68 / 20

HEX #93CD42

RGB 147 205 66

HSL 85.04, 0.58%, 0.53%

LAB 76.23, -39.67, 60.48

 

CMYK 68 / 56 / 0 / 20

HEX #425BCD

RGB 66 91 205

HSL 229.21, 0.58%, 0.53%

LAB 42.84, 28.15, -61.96

 

CMYK 0 / 52 / 67 / 20

HEX #CD6243

RGB 205 98 67

HSL 13.48, 0.58%, 0.53%

LAB 54.15, 40.14, 37.3

 

CMYK 68 / 0 / 53 / 20

HEX #42CD60

RGB 66 205 96

HSL 132.95, 0.58%, 0.53%

LAB 73.33, -59.67, 43.24

 

CMYK 53 / 68 / 0 / 20

HEX #6042CD

RGB 96 66 205

HSL 252.95, 0.58%, 0.53%

LAB 39.23, 47.98, -67.75

 

CMYK 0 / 52 / 67 / 20

HEX #CD6243

RGB 205 98 67

HSL 13.48, 0.58%, 0.53%

LAB 54.15, 40.14, 37.3

 

CMYK 28 / 0 / 68 / 20

HEX #93CD42

RGB 147 205 66

HSL 85.04, 0.58%, 0.53%

LAB 76.23, -39.67, 60.48

 

CMYK 68 / 15 / 0 / 20

HEX #42AFCD

RGB 66 175 205

HSL 192.95, 0.58%, 0.53%

LAB 66.69, -21.39, -24.3

 

CMYK 40 / 68 / 0 / 20

HEX #7C42CD

RGB 124 66 205

HSL 265.04, 0.58%, 0.53%

LAB 42.14, 53.01, -62.88

 

CMYK 0 / 52 / 67 / 20

HEX #CD6243

RGB 205 98 67

HSL 13.48, 0.58%, 0.53%

LAB 54.15, 40.14, 37.3

 

CMYK 49 / 0 / 68 / 20

HEX #69CD42

RGB 105 205 66

HSL 103.17, 0.58%, 0.53%

LAB 74.23, -53.7, 57.77

 

CMYK 68 / 15 / 0 / 20

HEX #42AFCD

RGB 66 175 205

HSL 192.95, 0.58%, 0.53%

LAB 66.69, -21.39, -24.3

 

CMYK 20 / 68 / 0 / 20

HEX #A542CD

RGB 165 66 205

HSL 282.73, 0.58%, 0.53%

LAB 47.37, 61.45, -54.16

 

Description

Color code: HEX #CD6243 | qconv.com Color code: HEX #CD6243 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 98 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 98 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 67 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 67% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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