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Color name
HEX #CD5F9D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD5F9D it is the complementary color #32A062. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD5F9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD5F9D shade: #D25F98, #E371AB, #F483BE, #FF95D1 and #FFA7E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD5F9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD5F9D shade: #CD5F9D, #BC4D8A, #AB3B77, #9A2964 and #891751

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD5F9D shade: #CD609D, #CD6080, #CD6063 and #CD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD5F9D shade: #CD609D, #CD60BB, #C260CD, #A460CD and #8760CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD5F9D shade matches the following richer shades: #CD609D, #DE4FA0 and #EF3EA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD5F9D shade: #CD609D, #BC719B, #AB8299, #9A9397 and #89A495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD5F9D shade: #C260CD, #CD60BB, #CD609E, #CD6081 and #CD6064

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD5F9D shade: #A63474, #C3418A, #CD609D, #D77FB1 and #E19FC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD5F9D shade: #CD5F9D, #CDA560 and #60C9CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD5F9D shade: #CD5F9D, #9ECD60 and #609ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD5F9D shade: #CD5F9D, #CDA560, #60CD8F and #6088CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD5F9D shade: #CD5F9D, #CDC660, #60CD8F and #6067CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 23 / 20

HEX #CD5F9D

RGB 205 95 157

HSL 326.18, 0.52%, 0.59%

LAB 55.68, 50.61, -12.88

 

Complementary color

CMYK 69 / 0 / 39 / 37

HEX #32A062

RGB 50 160 98

HSL 146.18, 0.52%, 0.41%

LAB 58.7, -45.37, 23.55

 

CMYK 0 / 55 / 28 / 18

HEX #D25F98

RGB 210 95 152

HSL 330.26, 0.56%, 0.6%

LAB 56.24, 51.51, -9.04

 

CMYK 0 / 50 / 25 / 11

HEX #E371AB

RGB 227 113 171

HSL 329.47, 0.67%, 0.67%

LAB 62.58, 50.82, -10.3

 

CMYK 0 / 46 / 22 / 4

HEX #F483BE

RGB 244 131 190

HSL 328.67, 0.84%, 0.74%

LAB 68.88, 50.07, -11.36

 

CMYK 0 / 42 / 18 / 0

HEX #FF95D1

RGB 255 149 209

HSL 326.04, 1%, 0.79%

LAB 74.42, 47.36, -13.47

 

CMYK 0 / 35 / 11 / 0

HEX #FFA7E4

RGB 255 167 228

HSL 318.41, 1%, 0.83%

LAB 78.75, 41.1, -17.31

 

CMYK 0 / 54 / 23 / 20

HEX #CD5F9D

RGB 205 95 157

HSL 326.18, 0.52%, 0.59%

LAB 55.68, 50.61, -12.88

 

CMYK 0 / 59 / 27 / 26

HEX #BC4D8A

RGB 188 77 138

HSL 327.03, 0.45%, 0.52%

LAB 49.29, 51.17, -11.52

 

CMYK 0 / 65 / 30 / 33

HEX #AB3B77

RGB 171 59 119

HSL 327.86, 0.49%, 0.45%

LAB 42.94, 51.49, -9.83

 

CMYK 0 / 73 / 35 / 40

HEX #9A2964

RGB 154 41 100

HSL 328.67, 0.58%, 0.38%

LAB 36.7, 51.32, -7.63

 

CMYK 0 / 83 / 41 / 46

HEX #891751

RGB 137 23 81

HSL 329.47, 0.71%, 0.31%

LAB 30.7, 50.29, -4.64

 

CMYK 0 / 53 / 23 / 20

HEX #CD609D

RGB 205 96 157

HSL 326.42, 0.52%, 0.59%

LAB 55.87, 50.13, -12.6

 

CMYK 0 / 53 / 38 / 20

HEX #CD6080

RGB 205 96 128

HSL 342.39, 0.52%, 0.59%

LAB 54.97, 46.41, 3.1

 

CMYK 0 / 53 / 52 / 20

HEX #CD6063

RGB 205 96 99

HSL 358.35, 0.52%, 0.59%

LAB 54.29, 43.46, 19.21

 

CMYK 0 / 53 / 53 / 20

HEX #CD6060

RGB 205 96 96

HSL 0, 0.52%, 0.59%

LAB 54.23, 43.2, 20.89

 

CMYK 0 / 53 / 23 / 20

HEX #CD609D

RGB 205 96 157

HSL 326.42, 0.52%, 0.59%

LAB 55.87, 50.13, -12.6

 

CMYK 0 / 53 / 9 / 20

HEX #CD60BB

RGB 205 96 187

HSL 309.91, 0.52%, 0.59%

LAB 57.01, 54.71, -28.22

 

CMYK 5 / 53 / 0 / 20

HEX #C260CD

RGB 194 96 205

HSL 293.94, 0.52%, 0.59%

LAB 56.33, 54.79, -39.68

 

CMYK 20 / 53 / 0 / 20

HEX #A460CD

RGB 164 96 205

HSL 277.43, 0.52%, 0.59%

LAB 52.58, 46.75, -45.85

 

CMYK 34 / 53 / 0 / 20

HEX #8760CD

RGB 135 96 205

HSL 261.47, 0.52%, 0.59%

LAB 49.4, 39.27, -51.1

 

CMYK 0 / 53 / 23 / 20

HEX #CD609D

RGB 205 96 157

HSL 326.42, 0.52%, 0.59%

LAB 55.87, 50.13, -12.6

 

CMYK 0 / 64 / 28 / 13

HEX #DE4FA0

RGB 222 79 160

HSL 326.01, 0.68%, 0.59%

LAB 55.75, 63.14, -14.28

 

CMYK 0 / 74 / 32 / 6

HEX #EF3EA2

RGB 239 62 162

HSL 326.1, 0.85%, 0.59%

LAB 56.49, 73.86, -14.05

 

CMYK 0 / 53 / 23 / 20

HEX #CD609D

RGB 205 96 157

HSL 326.42, 0.52%, 0.59%

LAB 55.87, 50.13, -12.6

 

CMYK 0 / 40 / 18 / 26

HEX #BC719B

RGB 188 113 155

HSL 326.4, 0.36%, 0.59%

LAB 56.95, 35.43, -10.04

 

CMYK 0 / 24 / 11 / 33

HEX #AB8299

RGB 171 130 153

HSL 326.34, 0.2%, 0.59%

LAB 58.9, 19.56, -6.18

 

CMYK 0 / 5 / 2 / 40

HEX #9A9397

RGB 154 147 151

HSL 325.71, 0.03%, 0.59%

LAB 61.63, 3.33, -1.2

 

CMYK 16 / 0 / 9 / 36

HEX #89A495

RGB 137 164 149

HSL 146.67, 0.13%, 0.59%

LAB 64.99, -12.44, 4.66

 

CMYK 5 / 53 / 0 / 20

HEX #C260CD

RGB 194 96 205

HSL 293.94, 0.52%, 0.59%

LAB 56.33, 54.79, -39.68

 

CMYK 0 / 53 / 9 / 20

HEX #CD60BB

RGB 205 96 187

HSL 309.91, 0.52%, 0.59%

LAB 57.01, 54.71, -28.22

 

CMYK 0 / 53 / 23 / 20

HEX #CD609E

RGB 205 96 158

HSL 325.87, 0.52%, 0.59%

LAB 55.9, 50.27, -13.13

 

CMYK 0 / 53 / 37 / 20

HEX #CD6081

RGB 205 96 129

HSL 341.83, 0.52%, 0.59%

LAB 55, 46.53, 2.55

 

CMYK 0 / 53 / 51 / 20

HEX #CD6064

RGB 205 96 100

HSL 357.8, 0.52%, 0.59%

LAB 54.31, 43.55, 18.65

 

CMYK 0 / 69 / 30 / 35

HEX #A63474

RGB 166 52 116

HSL 326.32, 0.52%, 0.43%

LAB 40.93, 52.51, -11.08

 

CMYK 0 / 67 / 29 / 24

HEX #C3418A

RGB 195 65 138

HSL 326.31, 0.52%, 0.51%

LAB 48.53, 58.38, -12.56

 

CMYK 0 / 53 / 23 / 20

HEX #CD609D

RGB 205 96 157

HSL 326.42, 0.52%, 0.59%

LAB 55.87, 50.13, -12.6

 

CMYK 0 / 41 / 18 / 16

HEX #D77FB1

RGB 215 127 177

HSL 325.91, 0.52%, 0.67%

LAB 64, 40.64, -11.74

 

CMYK 0 / 29 / 13 / 12

HEX #E19FC4

RGB 225 159 196

HSL 326.36, 0.52%, 0.75%

LAB 72.75, 30.05, -9.15

 

CMYK 0 / 54 / 23 / 20

HEX #CD5F9D

RGB 205 95 157

HSL 326.18, 0.52%, 0.59%

LAB 55.68, 50.61, -12.88

 

CMYK 0 / 20 / 53 / 20

HEX #CDA560

RGB 205 165 96

HSL 37.98, 0.52%, 0.59%

LAB 69.99, 6.36, 41.03

 

CMYK 53 / 2 / 0 / 20

HEX #60C9CD

RGB 96 201 205

HSL 182.2, 0.52%, 0.59%

LAB 75.24, -29.1, -11.27

 

CMYK 0 / 54 / 23 / 20

HEX #CD5F9D

RGB 205 95 157

HSL 326.18, 0.52%, 0.59%

LAB 55.68, 50.61, -12.88

 

CMYK 23 / 0 / 53 / 20

HEX #9ECD60

RGB 158 205 96

HSL 85.87, 0.52%, 0.59%

LAB 77.15, -33.01, 48.73

 

CMYK 53 / 23 / 0 / 20

HEX #609ECD

RGB 96 158 205

HSL 205.87, 0.52%, 0.59%

LAB 62.8, -6.69, -30.2

 

CMYK 0 / 54 / 23 / 20

HEX #CD5F9D

RGB 205 95 157

HSL 326.18, 0.52%, 0.59%

LAB 55.68, 50.61, -12.88

 

CMYK 0 / 20 / 53 / 20

HEX #CDA560

RGB 205 165 96

HSL 37.98, 0.52%, 0.59%

LAB 69.99, 6.36, 41.03

 

CMYK 53 / 0 / 30 / 20

HEX #60CD8F

RGB 96 205 143

HSL 145.87, 0.52%, 0.59%

LAB 74.91, -45.42, 21.57

 

CMYK 53 / 34 / 0 / 20

HEX #6088CD

RGB 96 136 205

HSL 217.98, 0.52%, 0.59%

LAB 56.59, 5.97, -39.89

 

CMYK 0 / 54 / 23 / 20

HEX #CD5F9D

RGB 205 95 157

HSL 326.18, 0.52%, 0.59%

LAB 55.68, 50.61, -12.88

 

CMYK 0 / 3 / 53 / 20

HEX #CDC660

RGB 205 198 96

HSL 56.15, 0.52%, 0.59%

LAB 78.59, -10.96, 51.26

 

CMYK 53 / 0 / 30 / 20

HEX #60CD8F

RGB 96 205 143

HSL 145.87, 0.52%, 0.59%

LAB 74.91, -45.42, 21.57

 

CMYK 53 / 50 / 0 / 20

HEX #6067CD

RGB 96 103 205

HSL 236.15, 0.52%, 0.59%

LAB 47.75, 26.03, -53.94

 

Description

Color code: HEX #CD5F9D | qconv.com Color code: HEX #CD5F9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 95 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 95 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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